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Kristy Lee is coming to NYC to Send off August with a Big Bang!

Kristy Lee will be opening for Dickey Betts, a founding member of the Allman Brothers Band, for ALL 3 of his performances at City Winery on Sunday, August 23rd thru Tuesday, August 30th.

Kristy Lee is a soul singer/songwriter from Alabama whose raw music
is connecting with hearts around the country. She is a songwriter for ASCAP  Nashville,
one of the many music artists on The Agency Group’s roster,
and has caught the ears of the recording industry’s heavyweights and executives
as well as Grammy Award winning artists Zac Brown & John Hopkins of the Zac Brown Band.

Currently, Kristy Lee and The Dirt Road Band are in pre-production with
Zac Brown & John Hopkins who will be producing several new songs for her new album.

On August 15th, Kristy Lee hit the road with a multi-city tour that will bring her powerful fan-base out to party while captivating new fans with a voice that is taking the music industry by storm.

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Tour Dates:

8/28-8/30 8pm City Winery w/ Dickey Betts- New York, NY

8/31 8pm Club Helsinki - Hudson, NY

9/2 8pm The L Word- Cayce, SC
9/3 1pm SC Pride Festival: Finlay Park - Columbia, SC
9/4 7:30pm 31st Stage @ American Music Festival - Virginia Beach, VA
9/28 8pm Ybor City - Tampa, FL
9/29-10/3 Rombello Cruise
10/15 8pm WorkPlay Theatre - Birmingham, AL
10/16 8pm 3rd and Lindsley - Nashville, TN
10/20 9pm Schubas Tavern - Chicago, IL
10/22 7pm Cedar Cultural Center - Minneapolis, MN
10/29 8pm Soul Kitchen - Mobile, AL
11/4 8pm Hartigan's Irish Pub - Charlotte, NC
* Tour Dates Added Regularly.

Queen to be Honored as Icons at BMI London Music Awards

Queen will be named BMI Icons at the organization’s annual London Awards. The ceremony is slated for Tuesday, October 4 at London’s Dorchester Hotel, Park Lane.

BMI honors songwriters who have had “a unique and indelible influence on generations of music makers” as Icons. Queen’s Freddie Mercury, Brian May, Roger Taylor and John Deacon join a list of past honorees that includes 2010 recipient Don Black, Van Morrison, Donovan, the Bee Gees, James Brown, Willie Nelson, and more.

Outsized. Operatic. Magisterial. Queen defined a new type of rock superstardom. Vocalist Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bassist John Deacon delivered drama, precision and, perhaps most of all, timeless songs. There are numerous BMI Awards between the four members, who are all songwriters with contributions to Queen’s repertoire, and consequently, the world’s collective pop culture. Mercury penned “We Are the Champions,” “Somebody to Love” and “Crazy Little Thing Called Love”; May composed “We Will Rock You” and “Fat Bottomed Girls”; Deacon wrote “Another One Bites the Dust”; and along with friend David Bowie, they all came together to write “Under Pressure.” Queen was inducted into the Rock and Roll Hall of Fame in 2001. In 2003, they became the first band ever to be inducted into the Songwriters Hall of Fame as a group rather than as individuals. The U.K. Music Hall of Fame welcomed Queen in 2004, while “We Will Rock You” and “We Are the Champions” have both been inducted into the Grammy Hall of Fame. Freddie Mercury died of AIDS in 1991; the following year, remaining members orchestrated the Freddie Mercury Tribute Concert for AIDS Awareness, and the Mercury Phoenix Trust (MPT) was established. To date, MPT has donated more than $15 million to the fight against AIDS around the world.

BMI represents the songs mentioned above and many others from Queen’s legendary catalog in the U.S. The quartet are all members of British performing right society PRS for Music.

John K Band Labor Day Weekend Mini-Tour

Its been a hot summer, but this past Furthur tour on the east coast was an incredible (and sweaty) blast!  And now the John K Band is pleased to announce that as the summer rolls into the final stretch, the John K Band will be out on the road for a Labor Day Weekend Mini-tour!  A three-night run that sees us returning to the 8x10 in Baltimore (Fri Sep 2) and the State Theatre in the DC area (Sat Sep 3) and then making our first real road-trip to the Stone Pony in Asbury Park, NJ (Sun Sep 4).

At our Spring performances we brought out some new material, including new original songs, and we have more planned for these upcoming shows.  You can listen to some of our previous shows free at the Internet Archive.

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Upcoming Shows

Friday, September 2nd, 2011
The 8x10, Baltimore, MD
$10 in advance, $12 day of show - all-ages

Saturday, September 3rd, 2011
State Theatre, Falls Church, VA
$10 in advance, $12 day of show - 18+

Sunday, September 4th, 2011

The Stone Pony, Asbury Park, NJ
$12 in advance, $15 day of show

Jonathan Coulton Set to Release Artificial Heart

Jonathan Coulton speaks to the outcast in all of us, in the voices of characters we know from our own sad little lives. Some of them may be monsters - mad scientists, giant squids, zombies - but his talent is in turning offbeat subjects into deliciously hooky pop songs that move us in surprisingly personal ways.

His upcoming album, Artificial Heart, produced by John Flansburgh of They Might Be Giants, is due out this Fall. It's a new direction for Coulton - he leaves behind the home recording gear for a studio filled with talented musicians and guest vocalists including Suzanne Vega, John Roderick of The Long Winters and Sara Quin of Tegan and Sara.

The album opens with “Sticking to Myself”, a blistering, high-energy song about finding success, and then tearing it all down. “Nemeses” is a duet between Coulton and The Long Winters’ John Roderick that suggests the only real way to bring meaning into your life is to find your own worst enemy. “Good Morning Tucson” is a highly singable pop song about an aging morning news anchor who one day finally loses it. The album’s title track, “Artificial Heart," has a bouncy, joyful melody that can't quite mask the feeling that drastic measures are sometimes worse than the problems they are trying to solve.

Artificial Heart is Jonathan Coulton’s first album of all new material since his infamous 2006 “Thing A Week” series, during which he created 52 musical pieces in 52 weeks. It's a strong addition to an already impressive discography that spans a decade. His song “Still Alive” is the closing soundtrack to the video game “Portal," and was awarded “Best Original Vocal Pop Song” in 2008 by the Game Audio Network Guild. This year, Coulton was asked back to write “Want You Gone," a song for Portal’s long awaited sequel.

Jason Aldean Scores 3rd Consecutive #1 with "Dirt Road Anthem!"

Country rocker Jason Aldean scores his seventh No. one song as “Dirt Road Anthem” drives into the top slot on the Billboard Country Songs chart this week.  The third consecutive PLATINUM release off Country’s best-selling album of 2011, MY KINDA PARTY, the track also tops the Country Digital Singles Chart again this week with over 1.3 million singles sold to date.

"We definitely knew when we recorded this song, we'd turn some heads.  Thankfully, when they turned, they also started nodding along," laughs Aldean.  "It's been a great song to play live and also to be able to do some experimenting with for tv performances and things like that.  I love being able to put out a big ballad like our duet with Kelly and come back with something a little different the next time.   I don't want anyone to ever think they've got me figured out exactly!"

Simultaneously, Aldean's duet with pop powerhouse Kelly Clarkson "Don't You Wanna Stay" continues to climb the AC, Hot AC and Top 40 charts.  Both songs follow the success of the lead single "My Kinda Party," making this the third consecutive No. one hit from Aldean's fourth studio effort.

Aldean spent this last week in Phoenix at the Major League Baseball's All Star Week, where he played in the Celebrity and Legends softball game and performed on ESPN's broadcast of the 2011 Homerun Derby.  He is also featured this month in ESPN magazine's celebrity series "Fans Like Us" with Justin Timberlake, John Legend and more.  Click here to see behind the scenes of the photo shoot with Aldean and Kenny Mayne:

Aldean's MY KINDA PARTY TOUR continues to crisscross the country selling out the nation's biggest amphitheaters with openers Chris Young and Thompson Square.  For more information and a full list of tour dates, visit www.jasonaldean.com.

John McLaughlin July 2011 Tour

John McLaughlin & the 4th Dimension is currently on tour in Europe.  John is in the midst of the Montreux Jazz Festival in Switzerland with Carlos Santana.  John will be in Spain, Italy, England, Holland & Norway.

We are very happy to announce Remember Shakti will tour in Europe next fall 2012, from October 25th to November 25th 2012. They will celebrate the 35th anniversary of the first and the most amazing world music and fusion band, Shakti ! With John McLaughlin (guitar), Zakir Hussain (tabla), Shankar Mahadevan (vocals), U. Srinivas (mandolin), V. Selvaganesh (kanjira, ghatam, mridangam).

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July 2011 Tour dates:

3/7 Montreux Jazz Festival Switzerland - BB King's night - with special guest John McLaughlin

8/7 Nice Jazz Festival Nice France John McLaughlin & the 4th Dimension

9/7 North Sea Jazz Festival Rotterdam Holland John McLaughlin & the 4th Dimension

11/7 Ronnie Scott London UK John McLaughlin & the 4th Dimension

12/7 Casino de Paris Paris France John McLaughlin & the 4th Dimension

14/7 Guitar Festival of Cordoba Spain John McLaughlin &t he 4th Dimension

18/7 Roma Italy John McLaughlin & the 4th Dimension

19/7 Kulturzentrum Tollhaus Karlsruhe Germany John McLaughlin & the 4th Dimension

21/7 Molde Jazz Molde Norway John McLaughlin & the 4th Dimension

23/7 Heineken Jazzaldia San Sebastian Spain John McLaughlin & the 4th Dimension

24/7 Teano Italy John McLaughlin & the 4th Dimension

25/7 Fano Italy John McLaughlin & the 4th Dimension

28/7 Jazz à Vannes France John McLaughlin & the 4th Dimension

30/7 Jazz in Marciac France John McLaughlin & the 4th Dimension

31/7 Cadaques Music Festival Spain John McLaughlin & the 4th Dimension

Moody Bluegrass Two Featuring Vince Gill, Ricky Skaggs, Sam Bush & More Available Now

Following 2004’s critically and commercially acclaimed tribute to the legendary Moody Blues, the GRAMMY nominated Moody Bluegrass, along with the highly successful Moody Bluegrass Live, Nashville’s finest have come together again to honor the Moody Blues with Moody Bluegrass Two…Much Love released nationwide this week!

“We have had so many cover versions of our songs over the years, but none have stood out like Moody Bluegrass. Nashville's most outstanding musicians have once again brought a new dimension to our songs,“ said Ray Thomas, co-founder of the Moody Blues.

Producer David Harvey returns for this second volume, which perfectly blends the brilliant songwriting of the Moody Blues with the bluegrass sounds of mandolins, banjos and even clogging. The collection of bluegrass covers includes Moody Blues members Justin Hayward, John Lodge and Graeme Edge, as well as band co-founders Mike Pinder and Ray Thomas and a wide assortment of Music City’s finest including Vince Gill, Ricky SkaggsSam Bush and more.

The record spans the entire Moody Blues catalogue, and includes fan favorites such as "Tuesday Afternoon" and "I Know You're Out There." Moody Bluegrass Two translates the Moody Blues’ original songs seamlessly and much like the first bluegrass tribute, the beauty of the original Moody Blues music shines.

Moody Bluegrass Two also features the talents of Tim O'Brien, Harley Allen, Peter Rowan, Jan Harvey, Ronnie Bowman, Emma Harvey, Larry Cordle, John Cowan, Jon Randall, David Harvey, Tim May, Andy Hall and Andy Todd.

For more information visit www.moodybluegrass.com.

The Mahavishnu Project presents THE COMPLETE "VISIONS OF THE EMERALD BEYOND"

THE MAHAVISHNU PROJECT: Gregg Bendian, drums / Glenn Alexander, guitar / Neil Alexander, keyboards / Jim Cammack, bass / Chern Hwei, electric violin / Melissa Stylianou, voice / Pete Furlan, saxophones / Jon Weber, violin / Will Hakim, viola / Leigh Stuart, cello

The Mahavishnu Project is the only jazz repertory ensemble of its kind to receive the endorsement of guitarist/composer John McLaughlin and ALL of the original members of The Mahavishu Orchestra. In fact, keyboardist Jan Hammer hired MahaProj to be his band for the night at MoogFest 2006 in NYC- his only US appearance in over 15 years.

The Mahavishnu Project typically presents "complete album evenings" such as "The Complete Birds of Fire" or "The Complete Inner Mounting Flame." Of late the band is presenting a 35th anniversary concert of Mahavishnu's "Visions of the Emerald Beyond", known to fans and historians alike as the pinnacle of the 1970's jazz fusion movement - boldly combining elements of jazz, rock, classical, Indian music and free-form sonic exploration. In 2008, The Mahavishnu Project released "Return to the Emerald Beyond" on Cuneiform Records. It is a reverent re-imagining of the entire original Emerald Beyond music from start to finish and includes encores from "Birds of Fire" and "Inner Mounting Flame."

“Just a little note of appreciation for what you are bringing back to life. This musical period was the beginning of finding my own way in music, and to hear you guys playing those tunes in such an unbelievable way is quite amazing. Great job!! Keep up the good work.”

-John McLaughlin

JESSE GRESS with members of the Mahavishnu Project will be performing the music of Jeff Beck and Jan Hammer.

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Friday, June 10, 2011 

Doors: 8:00 pm

Show: 9:00 pm

Tickets: $20 General Admission

Vince Gill, Sam Bush, Ricky Skaggs and More Join Moody Bluegrass Two

Following 2004’s critically and commercially acclaimed tribute to the legendary Moody Blues, the GRAMMY nominated Moody Bluegrass, along with the highly successful Moody Bluegrass Live, Nashville’s finest have come together again to honor the Moody Blues with Moody Bluegrass Two…Much Love available nationwide on June 21, 2011.

“We have had so many cover versions of our songs over the years, but none have stood out like Moody Bluegrass. Nashville's most outstanding musicians have once again brought a new dimension to our songs, “ said Ray Thomas, co-founder of the Moody Blues.

Producer David Harvey returns for this second volume, which perfectly blends the brilliant songwriting of the Moody Blues with the bluegrass sounds of mandolins, banjos and even clogging. The collection of bluegrass covers includes Moody Blues members Justin Hayward, John Lodge and Graeme Edge, as well as band co-founders Mike Pinder and Ray Thomas and a wide assortment of Music City’s finest including Vince Gill, Sam Bush and Ricky Skaggs.

The record spans the entire Moody Blues catalogue, and includes fan favorites such as "Tuesday Afternoon" and "I Know You're Out There." Moody Bluegrass Two translates the Moody Blues’ original songs seamlessly and much like the first bluegrass tribute, the beauty of the original Moody Blues music shines.

Moody Bluegrass Two also features the talents of Tim O'Brien, Harley Allen, Peter Rowan, Jan Harvey, Ronnie Bowman, Emma Harvey, Larry Cordle, John Cowan, Jon Randall, David Harvey, Tim May, Andy Hall and Andy Todd.

For more information visit www.moodybluegrass.com.

David Bromberg's USE ME Tapes Friends

When David Bromberg, one of America’s finest roots musicians, emerged from a recording hiatus of 17 years with the solo, acoustic, traditional folk-blues album Try Me One More Time (Appleseed, 2007), fans and critics were thrilled, and the CD was rewarded with a Grammy nomination. For his follow-up album, Use Me, Bromberg chose a different approach: Why not ask some of his favorite singer-songwriters and musicians to write (or choose), produce, and perform on songs tailored to his versatile but distinctive skills as a guitarist and vocalist?

Answering David’s call were well-known artists from the many genres comprising the amorphous “Americana” musical category. Representing contemporary rootsy singer-songwriters: John Hiatt, the first musician Bromberg approached, who penned the pensive “Ride On Out a Ways” for him; for New Orleans “fonk,” Dr. John; there’s three-guitar jam band interplay with Widespread Panic and jug band music with Levon Helm (the sprightly “Bring It With You When You Come,” produced by Grammy-winning Larry Campbell). Linda Ronstadt puts in a rare appearance on a soulful Brook Benton ballad, Los Lobos contribute a Mexican-flavored waltz, Vince Gill and Tim O’Brien take care of the country and bluegrass quotient, Keb’ Mo’ brings the blues, and the hitmaking Butcher Brothers, producers Phil and Joe Nicolo (Bob Dylan, John Lennon, Cypress Hill, Nine Inch Nails), provide the languid R&B groove for the title song, a cover of Bill Withers’ classic “Use Me.”

The resultant album is due for July 12, 2011 release on Appleseed Records. A national tour will ensue.
Standout tracks change with each listening, but some of the high points include the crisp blues shuffle “Tongue,” the album’s lone Bromberg original, with Levon Helm on drums; “You Don’t Wanna Make Me Mad,” featuring David on slide guitar and Dr. John on piano; the ominous slow blues “Diggin’ in the Deep Blue Sea,” updated by Keb’ Mo’ and Gary Nicholson from Larry Davis’ “Texas Flood” to address the dangers of offshore drilling, and the chipper Vince Gill — Guy Clark co-write “Lookout Mountain Girl,” the only song on which David cedes most of the lead guitar duties (to Vince, although David splits the lead with Widespread Panic’s Jimmy Herring on “Old Neighborhood”).
Rather than collating individual instrumental parts literally phoned in to a central location, the recording sessions for Use Me generally took place on each guest artist’s home turf — in Woodstock (Levon Helm), New Orleans (Dr. John), Nashville (John Hiatt, Tim O’Brien, Vince Gill), Los Angeles (Los Lobos), and so on, to retain their regional flavors. For Bromberg, who started his professional career as an accompanist for everyone from Dion and Jay and the Americans to Bob Dylan and Willie Nelson, the sessions were simultaneously a throwback to his sideman days and a sidestep from his own recordings. “As artist and producer, I get to completely mold my vision of how the song should go,” he explains. “The drawback is that I don’t get many ideas that are not my own. It was fascinating for me to see the different approaches that everyone used in production.”
No matter who the producers, songwriters or accompanying musicians are on Use Me, Bromberg’s expressive guitar-playing and “rippling Fred Neil-like baritone that . . . brings warm, reassuring comfort” (Rolling Stone) remain the centerpiece of the CD, diamonds in golden settings.
Born in Philadelphia in 1945 and raised in Tarrytown, NY, “I listened to rock ’n’ roll and whatever else was on the radio,” says Bromberg. “I discovered Pete Seeger and The Weavers and, through them, Reverend Gary Davis. I then discovered Big Bill Broonzy, who led me to Muddy Waters and the Chicago blues. This was more or less the same time I discovered Flatt and Scruggs, which led to Bill Monroe and Doc Watson.”
Bromberg began studying guitar when he was 13 and eventually enrolled in Columbia University as a musicology major. The call of the Greenwich Village folk scene in the mid-’60s drew David to the downtown clubs and coffeehouses, where he could watch and learn from the best performers, including primary sources such as his inspiration and teacher, the Reverend Gary Davis.
Bromberg’s sensitive, blues-based approach to guitar-playing earned him jobs playing the Village “basket houses” for tips, the occasional paying gig, and lots of employment as a backing musician for Tom Paxton, Jerry Jeff Walker and Rosalie Sorrels, among others. He became a first-call, “hired gun” guitarist for recording sessions, playing on hundreds of records by artists including Bob Dylan (New Morning, Self Portrait, Dylan), Link Wray, The Eagles, Ringo Starr, Willie Nelson and Carly Simon. In the early ’90s, David produced an as-yet-unreleased Dylan album, although two tracks have been issued as part of Dylan’s “Bootleg Series.”
An unexpected and wildly successful solo spot at the 1970 Isle of Wight Festival in Great Britain led to a solo deal with Columbia Records, for whom David recorded four albums. His eponymous 1971 debut included the mock-anguished “Suffer To Sing the Blues,” a Bromberg original that became an FM radio staple, and “The Holdup,” a songwriting collaboration with former Beatle George Harrison on which Harrison also played slide guitar. David, who had met the Grateful Dead’s Jerry Garcia at the Woodstock Festival when they both took refuge from the rain in a tepee, wound up with four Dead members, including Garcia, playing on his next two albums.
Bromberg’s range of material, based in the folk and blues idioms, continually expanded with each new album to encompass bluegrass, ragtime, country and ethnic music, and his touring band grew apace. By the mid-’70s, the David Bromberg Big Band included horn-players, a fiddler, and several multi-instrumentalists, including David himself. Among the best-known Bromberg Band graduates: mandolinist Andy Statman, later a major figure in the Klezmer music movement in America, and fiddler Jay Ungar (who wrote the memorable “Ashokan Farewell” for Ken Burns’ PBS documentary, “The Civil War”).
Despite jubilant, loose-limbed concerts and a string of acclaimed albums on the Fantasy label, Bromberg found himself exhausted by the logistics of the music business. “I decided to change the direction of my life,” he explains. So David dissolved his band in 1980, and he and his artist/musician wife, Nancy Josephson, moved from Northern California to Chicago, where David attended the Kenneth Warren School of Violin Making. Though he still toured periodically, the recordings slowed to a trickle and then stopped.
After “too many Chicago winters,” in 2002 David and Nancy moved to Wilmington, Del., where they currently serve as unofficial “artists in residence” and where David established David Bromberg Fine Violins, a retail store and repair shop for high quality instruments. Frequent participation in the city’s weekly jam sessions helped rekindle Bromberg’s desire to perform music “live” again, and the encouragement of fellow musicians Chris Hillman (The Byrds, Desert Rose Band, Flying Burrito Brothers) and bluegrass wizard Herb Pedersen helped nudge him back into the recording studio. The Wilmington jams also led to the formation of Angel Band, fronted by Nancy and two other female vocalists, with David frequently serving as an accompanist.
Bromberg’s participation in his local and musical community has subsequently included a fund-raising music festival (Bromberg’s Big Noise in the Neighborhood) to help renovate a local theater, and a keynote address at this past spring’s Folk Alliance International convention, a non-profit organization of musicians, concert presenters and industry professionals.
David continues his musical revitalization with projects like Use Me, playing solo shows or backed by his own bluegrass quartet and reunions of the David Bromberg Big Band. Use your ears and catch him when you can!