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Pretty Lights Announces Massive Fall 2010 Tour!

Fresh off the heels of dropping his wildly successful second EP of 2010, Pretty Lights has some great news for his fans- he’ll be taking his visually stunning stage show on the road this fall, performing over 30 shows in the United States between
October and December.

Pretty Lights, the incredibly versatile producer (aka Derek Vincent Smith) self-released Spilling Over Every Side, his second (of three!) EP’s of 2010, on July 29th. In the past two weeks, the EP has been downloaded 50,000 times, proving the self-release model can work- and well, at that!

Pretty Lights performed to a sold-out crowd last weekend at his hometown venue of Red Rocks, and continues to hit the festival circuit for the duration of the summer, before heading out on the road with his new drummer Adam Deitch.

Pretty Lights Tour Dates

August 25 – The Valarium – Knoxville, TN
August 26 – Minglewood Hall – Memphis, TN
August 28 – CAC Warehouse – New Orleans, LA
September 3 – North Coast Music Festival – Chicago, IL
September 4 – Electric Zoo Festival – New York, NY
September 5 – Nocturnal Festival – Austin, TX
September 24 – Powellapalooza – Page, AZ
September 25 – West Beach Festival – Santa Barbara, CA
October 29 – Tabernacle – Atlanta, GA
October 30 – Patriot’s Point – Charleston, SC
October 31 – MoogFest 2010 – Asheville, NC
November 2 – Bourbon Street Ballroom – Baltimore, MD
November 3 – Electric Factory – Philadelphia, PA
November 4 – The National – Richmond, VA
November 5 – House of Blues – Boston, MA
November 6 – Washington Avenue Armory – Albany, NY
November 7 – Higher Ground – Burlington, VT
November 8 – Higher Ground – Burlington, VT
November 10 – Madison Theatre – Covington, KY
November 11 – Boma – Columbus, OH
November 12 – Fillmore – Detroit, MI
November 13 – The Rave – Milwaukee, WI
November 14 – First Avenue – Minneapolis, MN
November 15 – Sokol Auditorium – Omaha, NE
November 19 – Showbox SoDo – Seattle, WA
November 20 – McDonald Theatre – Eugene, OR
November 21 – Arcata Community Center – Arcata, CA
November 23 – Knitting Factory – Reno, NV
November 26 – The Wiltern – Los Angeles, CA
November 27 – House of Blues – Las Vegas, NV
November 28 – House of Blues – San Diego, CA
December 2 – Sunshine Theatre – Albuquerque, NM
December 3 – Telluride Conference Center – Telluride, CO
December 4 – Telluride Conference Center – Telluride, CO

National Jazz Museum in Harlem 2010 July Schedule

The July 2010 National Jazz Museum in Harlem schedule puts particular focus on the visual side of the jazz genre, as we feature classic films in our Jazz for Curious Listeners series (inaugurating a new collaboration with The Maysles Institute), interview one of the premier jazz photographers in the nation, Frank Stewart, for our flagship Harlem Speaks public program, and screen a rare film of “The High Priestess of Soul,” Nina Simone.

Since jazz is music for the soul, we feed your ears too, as the NJMH All-Stars will perform at Marcus Garvey Park before the airing of the Nina Simone film as well as at the Studio Museum in Harlem (our new programmatic partners) for the first Jazz at the Studio event, where the shades of blue and the blues will be pursued in sound and aesthetic fury.

We’ll also play the music of pianist Mal Waldron at our monthly Saturday Panel, spend an evening with the genius of Duke Ellington, and have a conversation with legendary jazz record producer Michael Cuscuna for the second of two monthly Harlem Speaks events.

Every single event this month is FREE, so since money is no object, take the time to join our swinging festivities!

Monday, July 5, 2010

Jazz for Curious Readers
An Evening With Duke Ellington
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Known as a composer/arranger/bandleader, duke Ellington was also a gifted author, and his autobiography, Music Is My Mistress, affords as much of an insight into his personality as his music does. Join us as we read and discuss Ellington the author.

Tuesday, July 6, 2010
Jazz for Curious Listeners

Jazz on Film: The Sound of Jazz
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Perhaps the most iconic jazz film ever made, The Sound of Jazz brought together 32 leading musicians from the swing era, including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones, and Coleman Hawkins; the Chicago style players of the same era, such as Henry "Red" Allen, Vic Dickenson, and Pee Wee Russell; and younger "modernist" musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots, but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow," one of the most poignant moments of jazz ever caught on film. The song brought back together Lester Young and Holiday; Young's blues solo is transcendent in its painful beauty and sophisticated simplicity.

Thursday, July 8, 2010

Harlem Speaks
Frank Stewart, Photographer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Frank Stewart is a photographer whose image-making work rises to the level of fine art.

He was born in Nashville, Tennessee in 1949, and grew up in Memphis and Chicago. He attended the Art Institute of Chicago and received a BFA in photography from Cooper Union in New York. Stewart has had numerous solo and group shows at Cooper Union Gallery, Washington Project for the Arts, Studio Museum in Harlem, Schomburg Center for Research in Black Culture, the International Center of Photography, Museum of Contemporary Art in Los Angeles, and Corcoran Gallery in Washington, D.C.

Stewart was a member of the first team of North American journalists invited by the government of Cuba to photograph the Island in 1977; he was also invited by the Los Angeles Committee to photograph the 1984 Olympics. He has been granted two photographic fellowships from the National Endowment for the Arts, a New York Creative Artist Public Service Award, and a 2002 NFFA fellowship. He was honored as Artist-in-Residence at the Studio Museum in Harlem in 1975, at Kenkeleba House in 1987, and at the Light Work Gallery at Syracuse University in 1989. His photographs were published in Sweet Swing Blues on the Road (text by Wynton Marsalis; published by WW Norton) and Smokestack Lightning: Adventures in Barbecue Country. Most recently, his work was featured in Romare Bearden: Photographs by Frank Stewart (published by Pomegranate) and The Sweet Breath of Life: A Poetic Narrative of the African-American Family (Frank Stewart, ed., with text by Ntozake Shange and photographs by Kamoinge Inc.; published by Simon & Schuster).

Stewart currently serves as Senior Staff Photographer for Jazz at Lincoln Center. He is a member of Kamoinge, a New York-based collective of African-American photographers. In addition to showing examples of his excellent jazz photography, Stewart will share anecdotes about his world travels with Wynton Marsalis, as well as accounts of times spent with Romare Bearden and Albert Murray as a driver.

Tuesday, July 13, 2010
Jazz for Curious Listeners

Jazz on Film: The Last of the Blue Devils
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Kansas City in the 1930s was a wild, wide-open place. Under political boss Tom Pendergast, the booze flowed freely, prostitution and gambling flourished, and the Depression pretty much passed the city by, making it an ideal spawning ground for some great music. Pianist-bandleader Count Basie, saxophone immortals Lester Young and Charlie Parker, and blues belters Big Joe Turner and Jimmy Rushing were all working there, along with a host of lesser-known but nonetheless formidable musicians, and they all played the blues, Kansas City style.


Director Bruce Ricker's 90-minute The Last of the Blue Devils chronicles the 1979 reunion of many of these legendary players, combining interviews, vintage film footage, photos, and some inimitably swinging performances by Basie, Turner, pianist Jay McShann, and many others to create an intimate, good-natured portrait of what one old-timer calls the "cool, relaxed sound" of the city. The camaraderie among these men, all of whom are colorful raconteurs, is palpable. But it's the music, surely, that's the main attraction; performances include some familiar tunes, like Turner's "Shake, Rattle & Roll" and a Basie big band version of "Night Train" (featuring tenor saxophonist Jimmy Forrest, the tune's composer) that's as greasy as the local barbecue. The Last of the Blue Devils is an absolute delight not to be missed!

Wednesday, July 14, 2010
Special Event
Film: Nina Simone Great Performances: College Concerts and Interviews
(Andy Stroud, USA, 60 mins.)
Music: The National Jazz Museum All-Stars
7:30-9:30pm
Location: Marcus Garvey Park (Lawn A located on the Madison Avenue side of the park between 122nd and 124th Streets)

A rare film of a radical artist in performance and in interviews, where she shares her views on race relations, and the role artists play in culture and society.
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone, was an American singer, songwriter, pianist, arranger, and civil rights activist. Although she disliked being categorized, Simone is arguably most associated with her performance of jazz music. Simone originally aspired to become a classical pianist, but her work covers an eclectic variety of musical styles that include classical music, jazz, the blues, soul, folk, R&B, gospel, and pop music. Her vocal style is characterized by intense passion, a loose vibrato, and a slightly androgynous timbre, in part due to her unusually low vocal range which veered between the alto and tenor ranges (occasionally even reaching baritone lows). Also known as The High Priestess of Soul, she paid great attention to the musical expression of emotions. Within one album or concert she could fluctuate between exuberant happiness and tragic melancholy.

Nina Simone recorded over 40 live and studio albums, the greatest body of her work being released between 1958 (when she made her debut with Little Girl Blue and 1974. Songs she is best known for include "My Baby Just Cares for Me", "I Put a Spell on You", "Four Women", "I Loves You Porgy", "Feeling Good", "Don't Let Me Be Misunderstood", "Sinnerman", "To Be Young, Gifted and Black", "Mississippi Goddam", "Ain't Got No, I Got Life" and "I Want a Little Sugar in My Bowl". Many of her songs are featured on motion picture soundtracks, as well as in video games, commercials and TV series.

This event is brought to you by the Maysles Cinema, Target ® and The National Jazz Museum of Harlem
Sunday, July 18, 2010

Jazz at The Studio
BLUE: A Shade of Difference
2:00 – 4:00pm
Location: The Studio Museum in Harlem
(144 West 125th Street)
FREE | For more information: 212-348-8300

Season Opener/Target Arts & Wonder Weekend Celebration

In this the kick-off performance of a new series, The NJMH All-Stars contemplate the color, the mood and art works that deal with the concept of blue and the blues. Blues, of course, are fundamental to jazz. But blues is way more than a simple, folk musical form. Many think the blues symbolize sadness and melancholy only; but blues music encompasses a full range of human emotion as a counter to what writer Albert Murray called “the blues as such.” Experiencing the variety of feelings evoked by Miles Davis’s recording, Kind of Blue, the best-selling jazz recording of all time, demonstrates this effect . . . as will today’s concert at the Studio Museum in Harlem.

Tuesday, July 20, 2010

Jazz for Curious Listeners
Jazz on Film: Sound—John Cage and Rahsaan Roland Kirk PLUS!
7:00 – 8:30pm
Location: The Maysles Institute
(343 Malcolm X Blvd / Lenox Ave (Between 127th and 128th Streets))
FREE | For more information: 212-348-8300
Tuesday, July 27, 2010

*Note tonight's special location.

If you have never seen Dick Fontaine’s groundbreaking film paring John Cage and Rahsaan Roland Kirk, run, don’t walk, to this screening. In addtionl, we’ll be showing examples of experimental film and experimental jazz including shorts by Shirley Clark and Rudy Burckhardt and a reception with Manny Kircheimer's Stations of the Elevated playing.

Tuesday, July 27, 2010

Jazz for Curious Listeners
Jazz on Film—Thelonious Monk: Straight No Chaser
7:00 – 8:30pm
Location: The Maysles Institute
(343 Malcolm X Blvd / Lenox Ave [between 127th and 128th Streets])
FREE | For more information: 212-348-8300

*Note tonight's special location.

Filmmaker Bruce Ricker couldn't believe his luck: Michael and Christian Blackwood's extensive 1968 footage of the groundbreaking modern jazz pianist and composer Thelonious Monk, including the only footage of the very private Monk off stage, turned out to be in excellent condition. The reels were, in Ricker's words, "just sitting there like the Dead Sea Scrolls of jazz." Ricker, as co-producer, joins director and fellow producer Charlotte Zwerin, executive producer Clint Eastwood and others to bring these scrolls to astonishing life. Their Thelonious Monk: Straight No Chaser combines the Blackwood's rare footage of Monk in studio on tour and behind the scenes with new interviews, archival photos and more to create a landmark aural and visual treat released 20 years after the original footage was shot.

Here are the tunes you’ll hear tonight, in order of appearance: Evidence; Rhythm-a-ning; On the Bean; Round Midnight; Well, You Needn't; Bright Mississippi; Blue Monk; Trinkle, Tinkle; Rhythm-a-ning; Ugly Beauty; Ask Me Now; Just a Gigolo; Crepuscule with Nellie; I Should Care; We See; Osaka T.; Evidence; Epistrophy, Don't Blame Me; Ruby, My Dear; I Mean You; Lulu's Back in Town; Off Minor; Pannonica; Boo Boo's Birthday; Misterioso; Monk's Mood; Sweetheart of All My Dreams; and Round Midnight.

Need we say more? See you at the Maysles Institute!


Thursday, July 29, 2010

Harlem Speaks
Michael Cuscuna, Record Producer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Michael Cuscuna is a discographer, writer and record producer par excellence.
He played drums, saxophone and flute during his teenage years, but wasn’t professional material. So, instead, he turned his attention to radio and recordings. He had a jazz show on WXPN and worked for ESP-Disk in the late 1960s, while also writing for Jazz & Pop Magazine, Rolling Stone and Down Beat. After stints at WMMR in Philadelphia and WABC-FM (now WPLJ) in New York as a progressive rock DJ, he took a position as a producer with Atlantic Records in the 1970s, recording Buddy Guy, Dave Brubeck and the Art Ensemble of Chicago. He also produced albums by Bonnie Raitt (Give It Up), Martin Mull, Luther Allison and Chris Smither. He also produced for ABC (doing reissues of Impulse! albums), Arista, Muse, Freedom, Elektra and Novus. From 1975 to 1981 he went through the Blue Note archives and recovered many unissued sessions which are now prized.

Along with Charlie Lourie, he founded Mosaic Records in 1983 specializing in jazz reissue box sets, with almost 200 releases as of 2009. Artists surveyed include highly visible masters like Thelonious Monk, Miles Davis, and Nat “King” Cole, and lesser known artists such as Tina Brooks and Ike Quebec. Cuscuna has won three Grammy Awards for his releases. Since 1984, Cuscuna has been a special consultant, producer, and reissue director of Blue Note Records.

Saturday, July 31, 2010

Saturday Panels The World of Mal Waldron 12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

A pianist with a brooding, rhythmic, introverted style, Mal Waldron's playing was flexible enough to fit into both hard bop and freer settings. Influenced by Thelonious Monk's use of space, Waldron had his own distinctive chord voicings nearly from the start. Early on, Waldron played jazz on alto and classical music on piano, but he switched permanently to jazz piano while at Queens College. He freelanced around New York in the early '50s with Ike Quebec (for whom he made his recording debut), Big Nick Nicholas, and a variety of R&B-ish groups. Waldron frequently worked with Charles Mingus from 1954-1956 and was Billie Holiday's regular accompanist during her last two years (1957-1959). Often hired by Prestige to supervise recording sessions, Waldron contributed many originals (including "Soul Eyes," which became a standard) and basic arrangements that prevented spontaneous dates from becoming overly loose jam sessions.

He mostly led his own groups after Holiday's death, although he was part of the Eric Dolphy-Booker Little Quintet that was recorded extensively at the Five Spot in 1961, and also worked with Abbey Lincoln for a short stint. He wrote three film scores before moving permanently to Europe in 1965, settling in Munich in 1967. Waldron, who occasionally returned to the U.S. for visits, was a major force in the European jazz world. His album Free at Last was the first released by ECM, and his Black Glory was the fourth Enja album. Waldron, who frequently teamed up with Steve Lacy (often as a duet), kept quite busy up through the '90s, featuring a style that evolved but was certainly traceable to his earliest record dates. Among the many labels that have documented his music have been Prestige, New Jazz, Bethlehem, Impulse, Musica, Affinity, ECM, Futura, Nippon Phonogram, Enja, Freedom, Black Lion, Horo, Teichiku, Hat Art, Palo Alto, Eastwind, Baybridge, Paddle Wheel, Muse, Free Lance, Soul Note, Plainisphere, and Timeless. In September of 2002, Waldron was diagnosed with cancer. Remaining optimistic, he continued to tour until he passed away on December 2 in Brussels, Belgium at the age of 76.

AM Taxi's Debut Album "We Don't Stand A Chance" Out Now

Gearing up for summer, AM Taxi is pumped to announce that their Virgin Records debut is available today! The band is part of iTunes’ ‘Next Big Thing’ and will be doing coast-to-coast dates through the summer via Warped Tour, making the Chicago-based band one of few to be invited on the nation-wide run prior to releasing an album. The band will also be in their hometown of Chicago performing at the Q101, Rolling Stone, and Beat Kitchen. More info below.
AM Taxi have been honing their live chops, recently finishing spring dates with Spill Canvas while their MySpace ‘Introducing’ profile debuted May 9th on the homepage of MySpace.com. You can watch the band’s fresh video for “Fed Up". “Our motto in the studio was, ‘If it ain’t broke, break it,’” explains frontman Adam Krier about recording We Don’t Stand A Chance. “We’d try things from every possible angle.”Recorded in Austin TX, AM Taxi’s polished first record features influences ranging from The Clash to Sublime to The Boss mixed with the group’s own contemporary punk-rock infusions and was produced by Mike McCarthy (Spoon, Patty Griffin, Alberta Cross).
“We weren’t so interested in making a record that sounded current, as we were something that could be classic,” Krier says.

Chicago Performances:

June 8th
Special performance and signing at Rolling Stone in Chicago @ 6pm.
7300 West Irving Park Road, Norridge, IL
June 9th
Stop by one of the Chicagoland area Best Buy locations listed below and purchase AM Taxi's new CD and get a
wristband for entry to an intimate all ages performance at Beat Kitchen. 2100 W. Belmont, Chicago , IL
(available while supplies last).
BUTTERFIELD ROAD - 1432 BUTTERFIELD RD; DOWNERS GROVE
NAPERVILLE - 4400 E NEW YORK ST; YORKSHIRE PLAZA; AURORA
NO. AVENUE IL - 1000 W NORTH AVE; CHICAGO
BUCKTOWN - 2100 N ELSTON AVE; CHICAGO
CLARK ST IL - 2650 N CLARK ST; CHICAGO
KENNEDY EXP IL - 3300 W BELMONT AVE; CHICAGO
You can also tune into Q101 for the chance to win a wristband to attend the show.
WARPED TOUR DATES
June 25 - Home Depot Center - Carson, CA
June 26 - Shoreline Amphitheatre - Mountain View, CA
June 27 - Ventura Country Fairground At Seaside Park - Ventura, CA
June 29 - Cricket Pavilion - Phoenix, AZ
June 30 - N.M.S.U. Practice Field - Las Cruces, NM
July 1 - AT&T Center - San Antonio, TX
July 2 - The Showgrounds At Sam Houston Race Park - Houston, TX
July 3 - Superpages.com Center - Dallas, TX
July 5 - Verizon Wireless Amphitheater - St.Louis, MO
July 6 - Verizon Wireless Amphitheatre - Indianapolis, IN
July 7 - First Niagara Pavilion - Burgettstown, PA
July 8 -  Time Warner Cable Amphitheatre - Cleveland, OH
July 9 -  Arrow Hall - Toronto, ON
July 10 - Parc Jean Drapeau - Montreal, QC
July 11 - Comcast Theater - Hartford, CT
July 13 - Comcast Center - Mansfield, MA
July 14 - Darien Lake P.A.C. - Darien Center, NY
July 15 - Toyota Pavilion - Scranton, PA
July 16 - Susquehanna Bank Center - Camden, NJ
July 17 - Nassau Veterans Memorial Coliseum - Uniondale, NY
July 18 - Monmouth Park Racetrack - Oceanport, NJ
July 20 - Merriweather Post Pavilion - Columbia, MD
July 21 - Virginia Beach Amphitheatre -Virginia Beach, VA
July 22 - Verizon Wireless Amphitheater Charlotte - Charlotte, NC
July 23 - Vinoy Park - St. Petersburg, FL
July 24 - Cruzan Amphitheater - West Palm Beach, FL
July 25 - Firestone Amphitheatre @ The Lot - Orlando, FL
July 26 - Aaron's Amphitheater at Lakewood -  Atlanta, GA
July 28 - Riverbend Music Center - Cincinnati, OH
July 29 - Marcus Amphitheater - Milwaukee, WI
July 30 - Comerica Park - Detroit, MI
July 31 - First Midwest Bank Amphitheatre - Tinley Park, IL
Aug 1 - Canterbury Park - Shakopee, MN
Aug 2 - Sandstone Amphitheatre - Bonner Springs, KS
Aug 5 - Northlands Grounds - Edmonton, AB
Aug 7 - Utah State Fairgrounds - Salt Lake City, UT
Aug 8 -  Invesco Field - Denver, CO
Aug 10 - Cricket Amphitheatre - San Diego, CA
Aug 11 - Pomona Fairplex - Pomona, CA
Aug 12 - Sleep Train Amphitheatre - Marysville, CA
Aug 12 - Idaho Center Amphitheatre - Nampa, ID
Aug 14 -  Gorge Amphitheater - George, WA
Aug 15 - Washington County Fairgrounds - Hillsboro, OR

Chris Massey's The Nue Jazz Project Upcoming Appearances

Chris Massey is following his ambition of making a name for himself as a new breed of young talented player in the world of jazz. Growing up in small town Uniontown, Ohio where he picked up his first pair of drumsticks a the age of 9 he took his first steps into his musical career as a Jazz Performance major at Youngstown State University in 2000.

Among performing with such modern legends such as Donald Harrison Jr., Joe Lovano, Dave Holland and members of the Lincoln Center Jazz Orchestra Chris is also an accomplished composer and arranger. Gaining inspiration from notable drummer-composers such as Brian Blade and Jeff "Tain" Watts; Chris has began composing his first works in early 2001. Chris also has been teaching lessons of all age varieties from the skill ranges of beginner to advanced college for over a decade.


Chris above all else is a modern drummer taught in the old tradition of swing; his ethos is to "put his sound" underneath a player and let the fire start to spread. He is currently residing in the New York City area and performing with/leading his modern jazz group "The Nue Jazz Project". He has performed in many venues across the city such as Smoke, Cleopatra's Needle, Smalls, Fat Cat, 55bar, The Garage, The Iridium and many others. He currently finished recording his debut album entitled "Vibrainium" due to be released in Fall 2010


Upcoming Shows:

June 5th 6:15-10:15pm The Garage NYC, NY (99 7th ave south at Christopher St.) http://www.garagerest.com/
June 16th 8pm-9pm The Shrine NYC, NY (2271 Adam Clayton Powell Jr Boulevard) http://www.shrinenyc.com/
June 27th 8pm-10pm The 5C Cultural Center (68 Ave. C) (Nue Jazz Trio) http://5cculturalcenter.org/
July 3rd 6:15-10:15 The Garage NYC, NY (99 7th ave south at Christopher St.) http://www.garagerest.com/
July 11th 8pm-9:15pm The Blue Owl NYC, NY (196 2nd Avenue/13th st) http://www.blueowlnyc.com/
July 22nd 9pm-11:30pm Puppets Jazz Bar Brooklyn, NY (481 5th Ave) (Internet Distribution Release Party) http://www.puppetsjazz.com/
Aug 7th 6:15-10:15pm The Garage NYC, NY (99 7th ave south at Christopher St.) http://www.garagerest.com/

New Jersey Jazz Society 2010 Jazz Fest

Each year since 1976, the New Jersey Jazz Society has presented Jazzfest, one of the best mainstream jazz festivals in the entire metropolitan New York City area.  This year is no exception as this popular jazz picnic pays tribute to recent New Jersey Hall of Fame inductees Count Basie and Les Paul, plus Django Reinhart and Woody Herman. Jazzfest will take place on the campus of Drew University in Madison, New Jersey on Saturday, June 5th from Noon to 10:00 p.m. with a free concert on Friday evening, June 4th.



Headlining Jazzfest 2010 will be the great Bucky and John Pizzarelli with the Statesmen of Jazz, featuring Harry Allen, Rebecca Kilgore and Martin Pizzarelli.  Also on the bill will be Frank Vignola’s Hot Club, Cecil Brooks III CBIII Band, Harry Allen’s Four Others, the George Gee Swing Orchestra, the Aaron Weinstein/Joe Cohn Duo, the Madame Pat Tandy Band, and a special solo piano appearance by the legendary Marty Napoleon, who performed with Louis Armstrong for many years.



The music takes place in two venues, the Concert Hall in the Dorothy Young Center for the Arts, and a spacious jazz tent located on the lawn area adjacent to the arts center. As an extra bonus, there will be a variety of vendors offering a wide selection of food, hard to find records, jazz CDs, art and crafts of all kinds.



FREE CONCERT ON FRIDAY NIGHT



For those interested in seeing the future of jazz, there will be a concert in the tent at Drew University on Friday June 4 featuring the winners of the three division of the New Jersey high school jazz band competition.  This concert is free and will start at 7:00 P.M.



Jazzfest is made possible through the generous support of RXR Realty, Toyota of Morristown, Jazzmobile, WBGO Jazz99FM, Hot House Magazine, the Madison Downtown Development Commission and the Madison Arts and Culture Alliance. The Best Western Morristown Inn is the official festival hotel and offers a special discount room rate for attendees of the festival. The Morristown Inn is located just two miles from Drew University. For reservations, call 973-540-1700

National Jazz Museum in Harlem 2010 June Schedule

Our June 2010 schedule includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century.

On the performance tip, Craig Harris will let his horn do the talking as he headlines the first Harlem in the Himalayas concert of the month, followed by the sax/piano duo of Loren Stillman and Russ Lossing in the intimate performance space at the Rubin Museum of Art. We're also devoting a Saturday afternoon to piano jazz, on the Steinway piano of Dick Katz, in honor of whom the musicians will play in a range of stylistic approaches that Katz performed with aplomb for 50+ years.

Consider donning your dancing shoes for two nights of jazz-influenced music to dance to! The Afro-Cuban tradition will be celebrated for Jazz at the Dwyer, with David Oquendo and Havana 3. A special collaboration with the Riverside Theatre features percussionist Vanderlei Pereira  binding the ties between jazz and Brazilian music with groove and soul.

Tuesday, June 1, 2010
Jazz for Curious Listeners
Hear Me Talkin' To You: Jeremy Pelt
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Tonight young trumpet master Jeremy Pelt will confront topics not usually addressed by musicians and the jazz public, as we pursue a month-long consideration of jazz in the 21st century.

Jeremy Pelt arrived in New York in 1998 after graduating from Berklee College of Music. Once he got there, it wasn't long before he started being noticed by a lot of top musicians in the city. His first professional Jazz gig was playing with the Mingus Big Band. That gig lead to many long lasting associations with many of the talent in the band, and a great opportunity for growth. Since his arrival, he has been fortunate enough to play with many of today's and yesterday's Jazz luminaries, such as Jimmy Heath, Frank Wess,Charli Persip, Keter Betts, Frank Foster, John Hicks, Ravi Coltrane, Winard Harper, Vincent Herring, Ralph Peterson, Lonnie Plaxico, Cliff Barbaro, Nancy Wilson, Bobby Short, Bobby "Blue" Bland, The Skatalites, Cedar Walton, and many, many more. Jeremy has also been featured in a variety of different bands, including the Roy Hargrove Big Band, The Village Vanguard Orchestra, the Duke Ellington Big Band. Currently, he is member of the Lewis Nash Septet, and The Cannonball Adderley Legacy Band featuring Louis Hayes.

His work earned him a huge write-up in the Wall Street Journal by legendary Jazz writer and producer Nat Hentoff. His performances have received rave reviews from publications around the world.

After a reading of Pelt's biography and discography, it's easy to see why Pelt was voted Rising Star on the Trumpet five years in a row by Downbeat Magazine and the Jazz Journalist Association!!

Thursday, June 3, 2010

Harlem Speaks
Craig Harris, Trombonist/Composer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

When Craig Harris exploded onto the jazz scene in 1976, he brought the entire history of the jazz trombone—from the growling gutbucket intensity of early New Orleans music through the refined, articulate improvisation of the modern era set forth by J.J. Johnson, into the confrontational expressionism of the '60s avant-garde.

Yet the contemporary music world quickly realized that his talents went far beyond his superb skills as a trombonist. While he performed with a veritable Who's Who of progressive jazz, including Sun Ra, Sam Rivers, Lester Bowie, Abdullah Ibrahim, Makanda Ken McIntyre, Jaki Byard, Cecil Taylor, Muhal Richard Abrams, and so on, his own projects displayed both a unique sense of concept and a total command of the sweeping expanse of African-American musical expression.
Those two qualities that have dominated Craig's past two decades of activity, bringing him far beyond the confines of the jazz world and into the sphere of multimedia and performance art as composer, performer, conceptualist, curator and artistic director.

In tonight's Harlem Speaks discussion, Harris will venture forth on his life and career, especially as it intersects with Harlem, where he has lived since 1976.

"I used to visit Harlem a lot before moving here. I went to Paris in July 1976 and returned in October 76. I walked the street with Sun Ra back then. I worked in Aaron Davis Hall. I did a piece entitled 'Brown Butterfly,' based on the physiology of Muhammad Ali, which included seven dancers and seven musicians," said Harris, who more recently composed a long-form composition on Harlem called the TriHarLenium. "I sought to capture the beauty, history and culture of a people who have always been originators. Harlem is currently undergoing gentrification and transition so I wanted to share its history through my TriHarLenium composition with Harlem's people."

Monday, June 7, 2010

Jazz for Curious Readers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

In an excellent overview of the oeuvre, themes, and achievements of renowned contemporary author Peter Straub, writer Stefan Dziemianowicz calls Straub "a jazz stylist of modern horror. Like the musicians whom he references frequently in his stories, he works at an art with deep-rooted traditions that he respectfully acknowledges. But also like those musicians, Straub works tirelessly to extend the range of those traditions, pushing them boldly into hitherto unexplored territory."  Critics and fans alike appreciate that Straub is knowledgeable of horror standards since his fiction abounds with ingenious riffs and variations on its classic themes. Yet he is also a restlessly imaginative artist who synthesizes original and deeply personal creations from seemingly disparate elements of his compositions as well as a versatile improviser who never approaches recurring ideas in his work the same way twice.

Straub came to writing horror by way of mainstream fiction, and he is arguably the most literary of contemporary horror writers, with influences that range from D. H. Lawrence to Vladimir Nabokov and John Ashberry. He was an established poet with two volumes of verse to his credit when his first novel, Marriages, was published in 1973. Like his second-written novel, Under Venus (not published until 1984), it was very much a tale of its time, concerned with characters in the grip of midlife emotional and spiritual crises and set in a realistically imagined post-1960s milieu. In much of his fiction to come, Straub would show readers that supernatural experience is an effective tool for expressing states of intense emotion.

But as with the greatest jazz artists, Straub's fiction moves beyond the bounds of simple genre. Jazz itself is a theme around and through which Straub plays variations, as in the title of his path-breaking 1988 novel, Koko. And in a brilliant interview with writer David Mathew, Straub discusses the origin of his novella story-within-a-story, "Pork Pie Hat," and gives a taste of the feeling tones in store for our talk with him tonight.

"The inspiration for Pork Pie Hat came from a long moment in a videotape of 'The Sound of Jazz,' a live television broadcast in 1957 or 1958 that assembled a lot of great jazz musicians in a studio and let them play whatever they felt like for the space of an entire hour. Just before its conclusion, Billie Holiday sat perched on a stool to sing a blues she had written called "Fine and Mellow" at the center of a circle made up of heroic figures like Ben Webster, Vic Dickenson, Jo Jones, Coleman Hawkins, Roy Eldridge, Rex Stewart, and - above all - the tenor saxophonist Lester Young, then only months from the end of his life and in terrible shape. Billie sang a chorus, two musicians played a chorus apiece, Billie sang another chorus, and so on...

"Lester Young wandered into view at the beginning of the second go-round. Someone had to give him a push in the back to get him on his feet and moving toward the microphone. You can see him lick his reed and settle the horn in his mouth. What he plays is one uncomplicated chorus of the blues that moves from phrase to phrase with a kind of otherworldly majesty. Sorrow, heartbreak, and what I can only call wisdom take place through the mechanism of following one note, usually a whole note, with another one, slowly. There he is, this stupendous musician who had once transformed everything about him by the grace of his genius, this present shambles, this human wreckage, hardly able to play at all, delivering a statement that becomes more and more perfect, more and more profound as it advances from step to step. I cried every time I watched it, and I watched it over and over. I played it for my friends and made them watch it. Eventually, I wondered: what could lead a person to a place like that, what brought him there? That was the origin of Pork Pie Hat."

Tuesday, June 8, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Nicholas Payton
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Considered by many the premier jazz trumpeter of his generation, Nicholas Payton is also an outspoken thought leader among his peers. His musings via blog, or his pithy questions and insights via Facebook are evidence of a deep, provocative thinker.

The son of bassist and sousaphonist Walter Payton, he took up the trumpet at the age of four and by the time he was nine he was playing in the Young Tuxedo Brass Band alongside his father. Upon leaving school, he enrolled first at the New Orleans Center for Creative Arts and then at the University, where he studied with Ellis Marsalis.

After touring with Marcus Roberts and Elvin Jones in the early 90s Payton signed a recording contract with Verve; his first album, From This Moment, appeared in 1994. In 1996 he performed on the soundtrack of the movie Kansas City, and in 1997 received a Grammy Award (Best Instrumental Solo) for his playing on the album Doc Cheatham & Nicholas Payton. After seven albums on Verve, Payton signed with Warner Bros. Records, releasing Sonic Trance, his first album on the new label, in 2003. Besides his recordings under his own name, Payton has also played and recorded with Roy Haynes, Wynton Marsalis, Christian McBride, Joshua Redman, Roy Hargrove, and Joe Henderson.

In 2008, Payton became part of The Blue Note 7, a septet formed that year in honor of the 70th anniversary of Blue Note Records. His own latest release, Into the Blue, is a collection of ten tunes steeped in melody and groove that Nicholas says “embodies the sensibilities of beauty, elegance and simplicity” and delivers “danceable tempos.”

Tonight's discussion is the first of two consecutive Jazz for Curious Listeners he's leading . . . don't miss this chance to engage with a jazz master in the making.

Friday, June 11, 2010

Harlem in the Himalayas
Craig Harris Quartet
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

Born in Hempstead on Long Island, N.Y. in 1953, Craig Harris is a graduate of the renowned music program of SUNY at Old Westbury. Profoundly influenced by its legendary founder and director, the late Makanda Ken McIntyre, Craig's move to New York City in 1978 quickly established him in the forefront of young trombonists, along with Ray Anderson, George Lewis and Joseph Bowie.

First playing alongside another of his teachers at SUNY, baritone saxophonist Pat Patrick in Sun Ra's Arkestra for two years, Harris embarked on a world tour with South African pianist/composer Abdullah Ibrahim (Dollar Brand) in 1981. Highly affected by their stay in Australia, Craig played with Aborigine musicians and returned with a dijeridoo, a haunting wind instrument that has become a part of his musical arsenal ever since.

Upon his return, Harris became a member of such major groups as David Murray's Octet, the Beaver Harris-Don Pullen 360 Degree Musical Experience, Sam Rivers' various orchestral aggregations, Lester Bowie's Brass Fantasy and many, many more. He also played for the now dearly-departed Lena Horne in her Broadway orchestra for a year.

Harris has performed all over the world with his own ensembles and has recorded numerous albums for various labels; tonight hear this innovative creative spirit make music with his quartet that will certainly be a highlight of the Harlem in the Himalayas roster of concerts in 2010.

Tuesday, June 15, 2010
Jazz for Curious Listeners
Hear Me Talkin' To You: Nicholas Payton
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Since 1994 when Nicholas Payton made his recording debut as a leader with From This Moment, the trumpeter has been lauded as a significant, top-tier voice in jazz. Even though he started out as a “young lion of jazz,” heralded as one of the new-generation guardians of the hard bop flame, Payton consistently committed himself to discovering his voice outside of the strict confines of that rearview mirror approach to the music.
While his jazz journey has taken him down many roads – from heritage artist to electric experimenter – the 34-year-old trumpeter has arrived at a new plateau of jazz maturity with Into the Blue, his ninth album and his first for Nonesuch. It’s at once a nod to the past and a leap into the future. “It’s an amalgam of every recording I’ve done up until now,” says Payton. “As a musician, as an artist, you’re always trying to zero in on the bull’s eye as a means of becoming a better version of yourself. With Into the Blue, I’ve been able to find the kind of music that’s more inclusive of all of my life. The approach and the ideas of my music have become more singular, more cohesive. I had no agenda in terms of a specific genre or style, only to be true to who I am now.”

True to himself: that's a fitting way to describe Payton's approach to music and the issues that he addresses in writing, online, and at rare public discussion appearances such as last week's Jazz for Curious Listeners. Come witness the continuation of Payton's improvisation on life, the mind and spirit.

Thursday, June 17, 2010

Harlem Speaks
Paquito D'Rivera, Composer/Saxophonist/Clarinetist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Born on the island of Cuba, Paquito D'Rivera began his career as a child prodigy. A restless musical whiz during his teen years, Mr. D’Rivera created various original and ground-breaking musical ensembles. As a founding member of the Orquesta Cubana de Musica Moderna, he directed that group for two years, while at the same time playing both the clarinet and saxophone with the Cuban National Symphony Orchestra. He eventually went on to premiere several works by notable Cuban composers with the same orchestra. Additionally, he was a founding member and co-director of the innovative musical ensemble Irakere. With its explosive mixture of jazz, rock, classical and traditional Cuban music never before heard, Irakere toured extensively throughout America and Europe, won several Grammy nominations (1979, 1980) and a Grammy (1979).

Paquito D'Rivera is the first artist to win Latin Grammy's in both Classical and Latin Jazz categories (2003), for Stravinsky’s Historia del Soldado (L'Histoire du Soldat) and Brazilian Dreams with the New York Voices. The other historic recipient who has won duo Grammy's in both Classical and Jazz categories is Wynton Marsalis.

D’Rivera is a recipient of the National Medal for the Arts, presented at the White House by President George W. Bush in 2005, and was named one of the 2005 NEA (National Endowment for the Arts) Jazz Masters.

While Paquito D'Rivera's discography includes over 30 solo albums in Jazz, Bebop and Latin music, his contributions to classical music are impressive. They include solo performances with the London Philharmonic, the London Symphony, the Warsaw Philharmonic Orchestra, the National Symphony Orchestra, the Baltimore Symphony, the Florida Philharmonic Orchestra, and the Brooklyn Philharmonic. He has also performed with the Puerto Rico Symphony Orchestra, the Costa Rica National Symphony, the Simón Bolivar Symphony Orchestra, the Bronx Arts Ensemble, and the St. Luke’s Chamber Orchestra, among others.

In addition to his extraordinary performing career as an instrumentalist, Paquito D'Rivera has rapidly gained a reputation as a dynamic composer. The prestigious music house, Boosey and Hawkes, is the exclusive publisher of Mr. D'Rivera’s compositions. Recognition of his significant compositional skills came in 2007 with the award of a John Simon Guggenheim Fellowship in Music Composition, and the 2007-2008 appointment as Composer-In-Residence at the Caramoor Center for Music and the Arts with the Orchestra of St. Luke’s. His works often reveal his widespread and eclectic musical interests, ranging from Afro-Cuban rhythms and melodies, including influences encountered in his many travels, and back to his classical origins.

Also a gifted author, Mr. D’Rivera’s book, My Sax Life, was published in Spain by the prestigious literary house, Seix Barral, and contains a prologue by Guillermo Cabrera Infante. Acclaimed by the public and critics alike, the English edition was released by Northwestern University Press in November 2005.

The National Jazz Museum in Harlem is proud to feature one of the most respected and beloved artists in jazz this evening for what promises to be a discussion full of fun by a free-spirited virtuoso artist who puts profound feeling into his music, no matter the style or genre.

Friday, June 18, 2010

Harlem in the Himalayas Loren Stillman/Russ Lossing Duo
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

A saxophonist and composer from Brooklyn, Loren Stillman is hailed as a writer and a stylist that has found a previously unoccupied slot in the jazz spectrum. He's been recognized as one of today's truly original creative voices by publications such as The New York Times, Downbeat Magazine, Jazziz and Jazz Times as well as by National Public Radio. A former student of Lee Konitz and David Liebman, Stillman has performed and recorded throughout the United States and Europe and Japan with his own ensembles, and with those led by Charlie Haden, Carla Bley, Paul Motian, John Abercrombie, Andy Milnes DAPP Theory, Eivind Opsviks Overseas, Tyshawn Soreys Obliquity, Vic Juris Quartet and The Vanguard Jazz Orchestra.

Russ Lossing is a provocative, fresh leader in creating alternatives to long held conceptions in music. His individual voice, as a pianist, teacher and composer, is sought out as an authority in the jazz and avant-garde fields emerging in music today. He's has composed over 300 works and is in special demand as a world class jazz pianist and improviser.  Lossing has seven CDs as leader and is featured on over 30 other CDs as sideman and collaborator with world acclaimed musicians such as Paul Motian, Dave Liebman, John Abercrombie, Mat Maneri and Mark Dresser. He has composed 21 film scores from avant-garde shorts to full length documentaries for PBS, BBC and world broadcast performances, as well as dramatic features both foreign and domestic.  He has numerous television and live radio performances and interviews in the U.S.A. and Europe relative to his distinction as a performer and composer.

Tonight's performance promises to be an adventure into musical territory both expansive and introspective, not to be missed by those with a cutting-edge sensibility.

Friday, June 18, 2010

Jazz at the Dwyer
Afro-Cuban Jazz Dance Night: David Oquendo and Havana 3
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$15 | More information: info@DwyerCC.org
<mailto:info@DwyerCC.org>

A Night to Remember!

Dance was formerly a mainstay of the public ritual of jazz performance, and remains an essential part of the variety of Latin American music. The Afro-Cuban legacy in jazz brings dance to the forefront, as declarative horns and clave-based rhythms kiss the American impulse to swing. Come ready to do your own thing . . . on the dance floor at the Dwyer Cultural Center in Harlem!


David Oquendo was born in Havana, Cuba in 1958.  Self taught, Oquendo absorbed the essence of the Afro Cuban rhythmical vernacular in the poorest neighborhoods of his native city. At 12 years of age, David started playing guitar and singing in several “Rock” bands around Cuba.  Even though he was not conservatory trained, his passion for music, his discipline and self-criticism, took him to the point where eventually he was considered one of the best guitar accompanist in Cuba. This was evident in his appearances at “El Rincon del Feeling”, “Cabaret Tropicana”, “Cabaret Internacional de Varadero”, “ Salon Rojo” at the Hotel Capri and many more venues.



As accompanist, David has worked with artist of the caliber of: Moraima Secada, Elena Burke, Lucho Gatica, Meme Solis, Maggie Carles, Lenny Andrade, and many others.  As guitarist, singer, composer, arranger and bassist, David has performed in concerts and recordings in Cuba, Panama, Dominican Republic, Austria, Canada, Greece, Spain, Brasil, Bermuda and the US with names such:  Paquito D’Rivera, Compay Segundo, Marc Anthony, Johnny Ventura, Ray Barreto, Arturo Sandoval, Giovanni Hidalgo “Manenguito”, Mauricio Smith, Andy Gonzalez, Manny Oquendo, Johnny Pacheco, Gilberto Santarrosa, El Gran Combo, Jose Luis Quintana “Changuito”, Willie Chirino, Regina Carter, Candido Camero, Patato Valdez, Gato Barbieri, Carlos Ponce, Sergio Vargas, Rudy Calzado, Basilio, Yomo Toro, Anthony Rios, Jose Fajardo, Israel Lopez “Cachao”, Graciela and Chico O’Farril to mention a few.

David has a Grammy Award for the album “Tropicana’s Nights” with Paquito D’Rivera, a Grammy Nomination for “Bebop Timba” with Raphael Cruz and three Latin Grammy Nominations for “Raices Habaneras”, “50 Years of Mambo” and “Paquito D’Rivera Presenta Las Hermanas Marquez”.

Founder and director of the Afro Cuban folklore group “Raices Habaneras”, which has been performing, without interruption, every Sunday since 1996 what has become known as “Domingos de la Rumba” (Rumba Sundays), David’s mission is to expose the public to a genuine representation of the “Rumba” genre.  David, was musical director and producer for “The Cuban Rumba All Stars”, a first time, historical collaboration by members of Cuba’s Rumba groups:  Los Munequitos de Matanzas, Yoruba Andabo, Clave y Guaguanco, Obba ILU, Coro Folklorico Cubano, Raices Profundas y Grupo Tata Guines.

As a member of Faculty of Harbor Conservatory for The Performing Arts, since 2002, he is teaching guitar, Cuban tres, bass, voice and the Afro-Cuban folklore workshop, the Latin Band workshop, the Guitar ensemble and the Vocal training Group Class.

David has appeared in: “El Show de Cristina” in Univision, the series “OZ” in HBO, “Harmony in the Kitchen” in the Food Network, “State of the Arts” and “The Cuban Americans” in PBS, The Ivan Acosta’s films “How to Create a Rumba” and “ Candido Hands of Fire”, The Heddy Honigmann’s film “Dame la Mano”, “Al Rojo Vivo” in Telemundo and “Orgullo Hispano” in Channel 47 Telemundo NYC, “Sabado al Mediodia” and “Al Despertar” in Channel 41 Univision NYC.  As well as WBGO Jazz 88.3 FM, WBAI 99.5 FM and WADO 12.80 AM radio in NYC.  He has also performed in prestigious stages such as: Madison Square Garden, Carnegie Hall, Radio City Music Hall, Avery Fisher Hall, Town Hall, Beacon Theatre, NJPAC Newark, Symphony Space, Cami Hall, Seattle International Children Festival, Jackie Gleason Theater, Olympia Theater at Gusman Center and Tropigala at The Fontainebleu in Miami Beach as a part of The 4th Annual Latin Grammy’s performance, The WOMAD Festival in Spain, Tenerife’s Carnival, Sao Pablo and Rio de Janeiro Jazz Festival in Brasil, The JVC Jazz Festival, Ravinia Jazz Festival, San Francisco Jazz Festival and The Montreal Jazz Festival.



Saturday, June 19, 2010

Saturday Panels A Piano Extravaganza
12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Special guest: Ethan Iverson and others

The National Jazz Museum in Harlem is proud to present four hours of live piano jazz as we welcome into our museum holdings the Steinway piano of the late Dick Katz, kicking off our Memorial Concert Series in his honor.

Renowned as a repository of the variety of jazz piano styles from the earliest years of the idiom to the modern styles of the 40s, 50s, and 60s, Katz was last at the museum during our Saturday panel on Papa Jo Jones in 2009. His body was weak, and his gait slow that day, but his eyes gleamed with delight as he discussed Jones's life and career, and the generation of musicians that were central to his own development as a jazz artist.  

In tribute to this friend of the museum and exemplar of the continuum of jazz piano styles, we'll feature hours of the versatility of jazz piano by Katz's friends and admirers.
Tuesday, June 22, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Orrin Evans
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

We continue with a month of conversations led by jazz musicians on topics not usually associated with jazz musicians with pianist Orrin Evans, whom Executive Director Loren Schoenberg invited to participate based on "illuminating chats spurred on Facebook."

Born in Trenton, NJ but raised in Philadelphia, acoustic pianist Orrin Evans was among the "Young Lions" of straight-ahead jazz who emerged in the 1990s, as was the previous Jazz for Curious Listeners guest host, Nicholas Payton. Evans' main focus is hard bop, although he has occasionally ventured into soul-jazz and R&B when backing such vocalists as Denice King http://www.artistdirect.com/nad/music/artist/card/0,,525768,00.html and his wife, Dawn Warren http://www.artistdirect.com/nad/music/artist/card/0,,679983,00.html.

Expect a far-reaching discussion with jazz at the starting gate, and audience participation and feedback determining the finish line.

Sunday, June 27, 2010

Special Event
Evening of Brazilian music and jazz: Vanderlei Pereira 5
2:00 – 4:30pm
Location: Riverside Theatre (at the Riverside Church)
91 Claremont Avenue, betw. 120th and 122nd
FREE | For more information: 212-348-8300

Music by drummer, percussionist, composer and educator Vanderlei Pereira and friends. Come dance!
Drummer Vanderlei Pereira is one of the most sought-after musicians on the contemporary Brazilian jazz scene. Combining a prodigious knowledge of Brazilian rhythms with dazzling technique and a distinctive touch, Vanderlei has captivated audiences with his unique and electrifying performances.

Yet Vanderlei Pereira's proficiency on the drum set extends beyond his mastery of Brazilian rhythms. He received a Diploma in Jazz Studies from the Mannes College of Music in New York City, where he studied with the renowned jazz drummers John Riley and Vernel Fournier. In addition, Vanderlei has studied with the Latin jazz drum and percussion masters Ignacio Berroa, Bobby Sanabria and Johnny Almendra. He has incorporated these diverse influences into his playing and, as a result, has earned the respect of both straight-ahead and Latin jazz musicians on the demanding New York scene, where he is widely admired and respected for his musical versatility.

Tuesday, June 29, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Orrin Evans
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Influenced by McCoy Tyner, Horace Silver, Bud Powell, and Thelonious Monk, among others, our guest host Orrin Evans graduated from high school in the early 1990s and studied at Rutgers University in New Brunswick, NJ before going on to private study with Kenny Barron, and work as a sideman with Ralph Peterson, Duane Eubanks, singer Lenora Zenzalai-Helm and Bobby Watson. In fact, Watson's effect on Evans has been so affecting that Evans's latest CD, Faith in Action (on Posi-Tone Records), is a tribute to the silvery alto saxophonist.

Evans recorded his first CD as a leader, The Orrin Evans Trio, for his own Black Entertainment label in 1994. After that, he signed with Criss Cross and recorded numerous CDs. Most recently, he's released a DVD titled, "Live All Over the Place," excerpts from which he may share tonight.

National Jazz Museum in Harlem 2010 May Schedule

We invite you to join us at the National Jazz Museum in Harlem as we venture to the very birthplace of jazz, New Orleans, for a month-long focus on the Crescent City of today.

We take our Jazz for Curious Listeners theme, “Tuning into Tremé,” as an allusion to the critically acclaimed new HBO series, which itself is named after one of the oldest black neighborhoods in the United States. Curated by Larry Blumenfeld of the Wall Street Journal, this journey will encompass the gumbo of cultures and musics that make New Orleans so special while pointing the way to its post-Katrina future. The Saturday Panel on New Orleans will extend and elaborate this critical inquiry.

Our flagship discussion series, Harlem Speaks, begins with Harlem resident and master tenor saxophonist Wayne Escoffery, and ends with the veteran vibraphonist David Samuels, whose eclectic musical tastes will add spice to the conversation. Trumpet man Randy Sandke’s latest book is making waves in as a fresh and at times controversial look at race and economics in jazz history; he’ll share the whys and hows at Jazz for Curious Readers.

As always, we never just give you all talk and no play, so the instrumentalists will have their say on stage, as pianist Steven Schoenberg performs a solo concert for Harlem in the Himalayas and the NJMH All Stars blow their horns for dancers at Jazz at the Dwyer.

Mark your calendars today, tell some friends, don’t delay, so we can swing with you in May!

Monday, May 3, 2010

Jazz for Curious Readers
Randy Sandke
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Trumpeter/author Randy Sandke, author of Where the Light and the Dark Folks Meet: Race and the Mythology, Politics and Business of Jazz (Scarecrow Press, 2010), has performed at festivals, clubs, and concerts around the world and has recorded over twenty albums as a leader as well.

As a composer, Sandke has had pieces performed at Carnegie Hall, the 92nd St. YMCA, and Avery Fischer Hall at Lincoln Center. The Carnegie Hall Jazz Band performed six of his suites.

Tonight’s focus, however, is on Sandke’s literary achievement and insights.

Randy Sandke’s previous book, Harmony for a New Millennium, details a method of exploring non-tonal harmony in the context of both composition and improvisation. He has also written scholarly articles on jazz history for the Oxford Companion to Jazz and the Rutgers University Annual Review of Jazz Studies.

In his recently published work (see above) Sandke conjoins his experience as a working musician with his scholarship to produce a work that debunks many of the hoary myths surrounding the role of race in jazz history. In what promises to be an intriguing (and perhaps controversial) discussion, Sandke will explain his thesis and why he was inspired to write Where the Light and the Dark Folks Meet: Race and the Mythology, Politics and Business of Jazz.

Tuesday, May 4, 2010

Jazz for Curious Listeners
Tuning in to Tremé: Big Chiefs and Second Lines
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Set in New Orleans, David Simon's new HBO series “Treme” picks up three months after the floods that resulted from the levee failures after Hurricane Katrina. Culture, which in New Orleans means a tight braid of music, cuisine, dance, visual art, and street life, is the primary focus of the series, as indeed it was and is the defining element of the city's identity and its recovery. Familiar faces from Simon's actors' troupe show up as fictional cultural fixtures: Wendell Pierce (detective Bunk Moreland on The Wire) plays Antoine Batiste, a trombonist we first encounter subbing with the real-life Rebirth Brass Band. Clarke Peters (detective Lester Freamon on The Wire) plays the Mardi Gras Indian Chief Albert Lambreaux, chanting out some of his best lines while beating a tambourine. The true-life heroes of New Orleans jazz figure prominently too: In addition to Rebirth, the list of musicians making cameo appearances, often in performance, includes trumpeter Kermit Ruffins, saxophonist Donald Harrison, and Troy “Trombone Shorty” Andrews, and drummer Bob French.

These 90-minute conversations, led by writer Larry Blumenfeld, who has written extensively about New Orleans since the flood, will use the HBO series to frame a wide-ranging consideration of jazz culture in New Orleans and its role in recovery. Excerpts from the show will be screened, and special guests-musicians, participants in the series, and scholars-will join in the discussion.

In Sidney Bechet's memoir, Treat It Gentle, the late, great clarinetist's real grandfather is supplanted by Omar, a fictional figure based on a folk tale, all the better to convey stirring truths about the true origins of New Orleans jazz. Real and imagined intermingle pointedly in New Orleans, in all walks of life. What can the fiction of “Treme”-which is named for the “Tremé neighborhood in New Orleans, long a hothouse for jazz culture-tell is about the city's real culture before and since the flood?

In our first session we will see the manner in which “Treme” plugs directly into an indigenous culture that has served as a lifeline for a New Orleans still inching toward recovery. That lifeline is extended principally by traditional jazz and brass-band musicians; the Social Aid & Pleasure Club members that mount Sunday parades; and-perhaps the most mysterious and essential group of all-Mardi Gras Indians, who dress in elaborate feathered and beaded suits four times a year. We'll consider the roots, traditions and depictions of these culture-bearers and their connections to familiar music.

Thursday, May 6, 2010

Harlem Speaks
Wayne Escoffery, Saxophonist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Harlem resident Wayne Escoffery is one of the most talented rising stars and in-demand sidemen on tenor saxophone in jazz. Born in London, Escoffery grew up in New Haven, Connecticut, where he sang in a renowned local boy’s choir and began taking sax lessons. At 16 he attended JazzMobile in Harlem, and by his senior year in secondary school had met Jackie McLean at The Artist’s Collective in Hartford.
McLean gave Wayne a full scholarship to attend The Hartt School, where he graduated summa cum laude with a Bachelor's degree in Jazz Performance, and became known as one of McLean's prize pupils. He went on to attend and graduate from The Thelonious Monk Institute of Jazz Performance at The New England Conservatory in Boston with a Masters degree.

Since then, he has performed with a plethora of internationally respected musicians and has become known for his beautiful sound, impressive technique and versatility. As well as performing with his quartet, his group Veneration and a collaborative group with vocalist (and wife) Carolyn Leonhart, Wayne Escoffery currently performs locally and tours internationally with Ben Riley's Monk Legacy Septet, The Tom Harrell Quintet, and The Mingus Big Band/Orchestra/Dynasty.

Friday, May 7, 2010

Harlem in the Himalayas

Steven Schoenberg
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

This solo piano performance marks Steven Schoenberg's first New York concert since the release of Steven Schoenberg Live: An Improvisational Journey. He’s a dynamic, award-winning composer/pianist whose talents cross into musical theater, classical compositions, film scoring, children's music, and solo improvisational piano performances. Schoenberg’s creativity as an improviser and composer shall be on full display as he spontaneously riffs on the Himalayan themes of the venue as well as the vibrations he picks up from the audience . . . so be a part of the experience!

Tuesday, May 11, 2010

Jazz for Curious Listeners
Tuning in to Tremé: Hymns, Dirges and Misdemeanors
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

We continue tracking the acclaimed HBO series, noting that New Orleans jazz has always drawn upon and served both the secular and the sacred, and has been an important element of community organization. Yet, in the wake of Katrina, the often-strained relationship between the musicians and the police, the city and its culture, were starkly revealed: A city known for its culture did not so warmly welcome that culture back. Curator Larry Blumenfeld invites you to join the examination of this tension, and its portrayal in the series.

Saturday, May 15, 2010

Saturday Panels
New Orleans
12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Live music plus film and discussion about the Crescent City
New Orleans holds a special place in the history and mythos of the U.S.A. Its mix of southern, French, Spanish and African cultures, and a largely Catholic religious background—in a nation predominately Protestant—was a uniquely rich soil for the birth and early development of jazz. Today’s discussion will feature live music, film, recordings, and a lively discussion of the Crescent City from the 19th to the 21st centuries, when a post-Katrina New Orleans struggles to recover while maintaining its soul, style and dignity.

Tuesday, May 18, 2010

Jazz for Curious Listeners
Tuning in to Tremé: A Rhythm-and-Blues Intervention
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Following the current HBO series, we note that perhaps more so than in any other American city, New Orleans represents the blending of African rhythms and forms with European harmonies and musical sensibility to transform our ideas about music and seed ongoing innovation. Looking at that lineage-from Congo Square to Louis Armstrong, Fats Domino to the Nevilles, Wynton Marsalis to Lil Wayne-and as portrayed in the series, Larry Blumenfeld and our live audience will consider what that mixture means.

Thursday, May 20, 2010

Harlem Speaks
Dave Samuels, Vibraphonist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Veteran Dave Samuels is widely recognized for his fresh new sound and creative approach to both the vibraphone and marimba. Although he’s best known for work with his current ensemble, The Caribbean Jazz Project as well as for his long tenure with Spyro Gyra, Samuels has also worked with a broad scope of artists ranging from Gerry Mulligan, Oscar Peterson, Chet Baker, Stan Getz, Carla Bley and Pat Metheny to the Yellowjackets, Bruce Hornsby, and Frank Zappa.

Samuels has been performing and recording with his group The Caribbean Jazz Project for over a decade; their most recent CD, Afro Bop Alliance, garnered a Latin Grammy and was also nominated for a Grammy. Some of his other recording projects include Remembrances, a percussion recording that features a commissioned marimba concerto for chamber orchestra and soloist composed by Jeff Beal, and Double Image—the vibe-marimba duo consisting of Dave Samuels & David Friedman—which is celebrating thirty years of performances. Double Image performs music which spans many styles - from jazz standards and original compositions to through-composed pieces and spontaneous improvisations, demonstrating Samuels deep versatility and spirit of collaboration.

In addition to his playing, Samuels is a respected educator and author and some of his new works can be found at MalletWorks.com and JazzBooks.com. Samuels has been voted “Best Vibes Player” in both Jazziz and Modern Drummer magazines, and was recently featured on the online jazz television show, Jazz it Up!

Friday, May 21, 2010

Jazz at the Dwyer
Take The A Train: A Big Band Swing Dance
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$20 | More information: info@DwyerCC.org
, presented with Community Works and The Dywer Cultural Center.

Featuring the NJMH All Star Big Band directed by Loren Schoenberg

Last month, Jazz at the Dwyer featured a romping Caribbean band; this month we’ll swing you into good health with the National Jazz Museum in Harlem All Star Big Band! The famed Big Band Swing era was full of dance bands that stomped and grooved with jitterbugging teens and adults following their every move. Tonight’s show is much more than nostalgia, it’s reclamation of an essential part of the dynamic that made jazz popular. Bring your dancing shoes!

Tuesday, May 25, 2010

Jazz for Curious Listeners
Tuning in to Tremé: Deeper Than the Water
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Weeks into the current HBO series that observes a city built on culture must be rebuilt with culture. That's precisely what is happening in New Orleans. How is this happening? Who are the artists and activists and organizations behind this cultural rebirth? And what can we learn from this experience about the role of culture in our lives and the needs of every American city?

Larry Blumenfeld, curator of this four-part JCL series on New Orleans, writes about music and culture for The Wall Street Journal, Village Voice and many other publications, and is editor-at-large of Jazziz magazine. He is a former Katrina Media Fellow with the Open Society Institute, researching cultural recovery in New Orleans.

Jethro Tull Spring 2010 Tour

Jethro Tull will tour the states beginning June 4th, 2010.  Their tour begins down in Boca Raton, Florida followed by shows in Atlanta, GA., Vienna, VA., Ledyard, CT., Wantagh, N.Y., Alantic City, N.J., Holmdel, N.J., Boston, MA., Canadagua, N.Y., Toronto, Ontario and Windsor, Ontario.

Jethro Tull is Ian Anderson (flute, vocal, guitar, and more),  Martin Barre (guitar), Doane Perry (drums), David Gooding (bass), John O'Hara (keyboards).

Here are the group's North American tour dates.

June 4      Boca Raton           - Mizner Park Amphitheater
June 6      Atlanta, GA           - Chastain Park 
June 8      Vienna, VA           - The Filene Center
June 10     Ledyard, CT         - Foxwoods Resort Casino
June 11     Wantagh, NY       - Nikon at Jones Beach Music Theater
June 12     Atlantic City          - Caesar's Atlantic City - Circus Maximus
June 13     Holmdel, NJ          - PNC Bank Arts Center
June 15     Boston, MA          - Bank of America Pavillion
June 17     Canandaigua, NY   - Constellation Brands Marvin Sands Performing Arts Center 
June 18     Toronto, ON         - Molson Amphitheatre
June 19     Windsor, ON          - Caesars Windsor

Catch A Sneak Peek Of Crimson, White & Indigo At A Theatre Near You

On July 7, 1989 the Grateful Dead got together with some 95,000 close friends at JFK Stadium in Philadelphia. By the end of the day, all involved shared a highly improved outlook on life...Grateful Dead productions is pleased to present Crimson, White & Indigo, the entire full-length theatrical concert experience in fully mastered multi-track audio brilliance...

Don't miss a sneak preview of the Grateful Dead's Crimson, White & Indigo: Philadelphia, July 7, 1989 in theatres near you. Be sure to check your local listings for exact show times.

Philadelphia, PA
Ambler Theater
4/13/10

Gloucester, MA
Cape Ann Community Cinema
4/13/10

Rochester, NY
Little Theatre
4/15/10

New York, NY
City Winery
4/15/10, 4/16/10

Pasadena, CA
LAEM Playhouse
4/15/10, 4/17/10, 4/18/10

Los Angeles, CA
LAEM Sunset
4/15/10, 4/17/10, 4/18/10

Encino, CA
LAEM Town Center
4/15/10, 4/17/10, 4/18/10

Portland, ME
Patriot Cinemas: Nickelodeon Cinema
4/15/10, 4/18/10

Ft. Lauderdale, FL
Cinema Paradiso
4/16/10

Newport, RI
Jane Pickens Theatre
4/16/10

St. Pete's Beach, FL
Beach Theatre
4/16/10

Deland, FL.
Athens Theatre
4/16/10, 4/17/10

Washington, D.C.
Atlas Performing Arts Center
4/16/10, 4/19/10

Lake Worth, FL
Lake Worth Playhouse
4/17/10

Key West, FL
Tropic Cinema
4/17/10

Shreveport, LA
Robinson Film Center
4/17/10

Wellfleet, MA
Wellfleet Harbor Actor's Theatre
4/18/10

Bellingham, WA
Pickford Film Center
4/19/10

Cleveland, OH
Cedar Lee Theatre
4/20/10

Three Rivers, MI
Riviera Theatre
4/20/10

Oberlin, OH
Apollo Theatre
4/20/10

Telluride, CO
Michael D. Palm Theatre
4/20/10

Palm Beach, FL
Mos' Art Theater
DATE TBD

Amelia's Mechanics Announces Plans for New Album + Tour Dates

Amelia's Mechanics is fronted by Greensboro, NC singer-songwriter's Molly McGinn and Molly Miller and backed by a talented group of musicians out of Nashville, TN. Despite what the oil-and-iron name might suggest, the women of Amelia's Mechanics swap that toughness for a more urban, sophisticated take on Americana music, using luxuriating harmonies and classical swells to temper their lyrical frustrations with love and life. The instrumentation and vocal harmonies of Amelia's Mechanics result in a genre-busting sound best described as "vintage country with a moonshine concerto."
The band released their debut album "North, South," produced by Jim Avett (father, The Avett Brothers,) in February of 2010 to critical acclaim and embarked on an inaugural tour pleasing audiences from Florida to West Virginia. Select performances in May will feature support from guitarist Daryl Hance (guitarist, J.J. Grey & Mofro.)
Amelia's Mechanics will begin recording a follow-up album this summer in Asheville, NC at the wonderful Echo Mountain Studios (Smashing Pumpkins, The Avett Brothers, Band of Horses) with three-time Grammy-winner Steven Heller (producer, David Holt's Stellaluna, Doc Watson's Legacy) and fellow Greensboro, NC singer-songwriter Laurelyn Dossett (songwriter, Ana Lee) at the helm. A release date has not been set for the new album.
REMAINING PERFORMANCES - SPRING 2010:

Acoustic Coffeehouse - April 8 (Johnson City, TN)
Canyons - April 9 (Blowing Rock, NC)
Pisgah Brewing Co. - April 10 (Black Mountain, NC)
Five Spot - April 21 (Atlanta, GA)
Carrboro Arts Center - April 24 (Chapel Hill, NC)
Carolina Theatre - April 25 (Greensboro, NC)
Preservation Pub - April 28 (Knoxville, TN)
Garage - April 29 (Winston-Salem, NC)
Tipsy Teapot - April 30 (Greenville, NC)
MerleFest - May 2 (Wilkesboro, NC) - Molly McGinn PA
Purple Fiddle - May 5 (Petersberg, WV)
Ashland Coffee and Tea House - May 6 (Ashland, VA)
Center City Park - May 7 (Greensboro, NC)
Pour House Music Hall - May 12 (Raleigh, NC)
Stillwater Taproom - May 14 (Augusta, GA)
NC Potato Festival - May 15 (Elizabeth City, NC)
3rd & Lindsley -May 18 (Nashville, TN)
FemmeFest - May 22 (Charlotte, NC)
White Mule Music Pub - May 27 (Columbia, SC)
Home Team BBQ - May 28 (Charleston, SC)
Music in the Woods - May 29 (Paris Mnt. State Park)
Maguire Theater - June 3 (Elizabeth, City, NC)