harmonies

Caveman's 'CoCo Beware' Streets 9/13

After months of anticipation, Caveman is pleased to announce the digital release of their debut album CoCo Beware on September 13th, followed by the physical CD and vinyl release on November 15th. Exploding out of the New York scene over the last few months, the band has decided to get this hot off the presses album out as soon as possible via a digital self-release. The fans wanted it, so the fans get it — a straight-ahead ethos for a band that’s about the music FIRST.

In honor of the New York five-piece’s first release, the band has made “Old Friend” available as a free download, premiering the track with Fader Magazine this morning. Click HERE to hear the track. Recorded and produced by Nick Stumpf (French Kicks), CoCo Beware showcases the dreamy chamber pop and multi-part harmonies that have been turning heads at the band’s live shows for the better part of a year. Leading up to the release of their debut, Caveman will also be heading out on tour with The War On Drugs, hitting the east coast, midwest and Canada before returning to New York to celebrate their album release at the Mercury Lounge on Thursday, September 15th.

For Caveman, the last year and half have been a whirlwind. Formed in New York back in January of 2010, the band has gone from relative unknowns to opening for Edward Sharpe & the Magnetic Zeroes, White Rabbits, Here We Go Magic, Cursive, Wye Oak and Yuck in a little under a year. Listening to CoCo Beware, it’s easy to see why the band has garnered so much attention in such a short period of time. Opening with “A Country’s King of Dreams,” the band explores honey-sweet, country-tinged vocal melodies over tribal drumming. “My Time” is a slow-building pop gem, with lead singer Matthew Iwanusa’s vocals weaving in and out of band’s backing vocals. Caveman’s lush four-part harmonies, spaced-out guitars, and inventive percussion come together perfectly on the tracks “Easy Water” and “My Room.

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Upcoming Caveman dates:

* w/ The War On Drugs

08/06 - Montauk, NY @ The Surf Lodge

08/18 - Philadelphia, PA @ Johnny Brenda's *

08/19 - Brooklyn, NY @ Cameo *

08/21 - Allston, MA @ Brighton Music Hall *

08/22 – Burlington, VT @ Monkey Bar

08/23 - Montreal, CAN @ Casa del Popolo *

08/24 - Toronto, CAN @ Drake Hotel *

08/25 - Ann Arbor, MI @ Blind Pig *

08/26 - Chicago, IL @ Schubas Tavern *

08/27 - Milwaukee, WI @ Club Garibaldi *

08/28 - Minneapolis, MN @ 7th Street Entry *

08/30 - St. Louis, MO @ The Biliken Club *

08/31 - Lexington-Fayette, KY @ Cosmic Charlie's *

09/01 - Pittsburgh, PA @ Club Cafe *

09/02 - Washington, DC @ The Red Place *

09/15 – New York, NY @ Mercury Lounge (Album Release)

The Band of Heathens @ Oskar Blues | 1/7/2011

On Friday night The Band of Heathens played to a full room at Oskar Blues in Lyons, Colorado. The Austin, Texas based gang unleashed their brand of southern rock, alt-country, Americana, or whatever you want to call it on full house of fervent fans. The micro-brews were flowing, and the crowd was ready to get down.

Elizabeth & the Catapult return with a new album "The Other Side of Zero" & Fall Tour Dates

“If I had to compare our albums,” says Elizabeth Ziman, the singer/songwriter/keyboardist behind Elizabeth & the Catapult, “I’d say Taller Children has the sarcastic lightness of a Woody Allen film, and the new record’s more like Kubrick or Lynch—a little darker, a little more tongue-in-cheek.”
Not that any of these shifts are a surprise. After all, Elizabeth learned how to manipulate moods through music at an early age, whether that meant performing a wildly-expressive piano piece or belting out bizarre harmonies in New York’s world-renowned Young People’s Chorus.
And now this: The Other Side of Zero, an Elizabeth & the Catapult album that started with a Lincoln Center song cycle—performed last spring after a commission from NPR’s John Schaefer—and a cover-to-cover study of Leonard Cohen’s Book of Longing collection. As the latter’s pages sunk in, Elizabeth couldn’t help but draw parallels between Cohen’s failure to meet Buddhist goals in a monastery and her own coming-of-age struggles in the big city. (The New York native grew up in the heart of Greenwich Village.)
She also wrote Elizabeth & the Catapult’s rawest set of recordings yet, including the clanging chords and galloping groove of “The Horse and the Missing Cart,” the sputtering, string-grazed percussion of “You and Me,” “We All Fall Down, the Buddhist twist on a classic love song, “Julian Darling,” a wake up call to a friend and the hopeful but heartbroken contrasts of “Thank You For Nothing.” And then there’s the title track. Led by a lean, winding piano line, it builds to a spine-tingling crescendo alongside the honey-dipped harmonies of Gillian Welch and Dave Rawlings—a collaboration that was completely unplanned. Not that you’d notice, considering how seamless it sounds.
Unlike their thoroughly-demoed debut—an album that took two years to complete—the Zero sessions boiled down to a month of recording with producer Tony Berg (Peter Gabriel, Phantom Planet, Jesca Hoop) and such respected sidemen as guitarist Blake Mills and Tom Waits’ longtime touring keyboardist, Patrick Warren. The result was rough but refined, bruised but beautiful, as if Berg had placed a mic in a room and walked away, letting Elizabeth and drummer/multi-instrumentalist Danny Molad do their thing.
As Molad puts it, “The record is more blatantly honest, even rude at times..." Elizabeth continues, "Even the happiest sounding pop songs on this record have a tinge of regret and darkness to them…And thank goodness for that. Ultimately that’s the only way I’d feel comfortable singing them. I’m drawn to the ambiguity like a menacing smile.”
Elizabeth & the Catapult Fall Tour Dates
Sept 25 - Variety Playhouse - Atlanta, GA #
Oct 2 - Rusty Rudder - Dewey Beach, DE    
Oct 7 - Bates College - Benjamin Mays Center - Lewiston, ME    
Oct 11 - 7th Street Entry - Minneapolis, MN *
Oct 12 - Cactus Club - Milwaukee, WI *   
Oct 13 - Schubas - Chicago, IL *   
Oct 14 - Radio Radio - Indianapolis, IN *  
Oct 15 - The Brillobox - Pittsburgh, PA *   
Oct 16 - Black Cat - Washington, DC *
Oct 22 - Cornell University, Just About Music Residence Hall - Ithaca, NY    
Oct 23 - Rockwood Music Hall - NY, NY    CMJ
Oct 28 - The Red Room @ Cafe 939 - Boston, MA    
Nov 4 - NightCat - Easton, MD
# w/ Aimee Mann
* w/ Jukebox the Ghost

Local Natives at the Fox, Tues Sept 28

Local Natives make soaring, sky-scraping harmonies, dreamy orchestral melodies, and throbbing tribal beats that bash their way into your soul. Theirs are songs you can dance to almost as well as you can swoon to them. Drawing a line from the vocal stylings of Crosby Stills Nash & Young and the Zombies through the more esoteric edges of post-punk and Afro-beat, this California five piece have communally crafted a brand of indie rock all their own. The band’s sound has been described as “afropop-influenced guitars with hyperactive drumming and hooky three-part harmonies”.

For Local Natives everything is a collaboration, from song writing duties to the band’s self produced artwork. The three part harmonies come courtesy of keyboardist Kelcey Ayer, guitarists Ryan Hahn and Taylor Rice. Then there’s Matt Frazier on drums and Andy Hamm on bass, who look after the band’s equally impressive graphics and artwork. One of SXSW 2009’s biggest success stories, the band drove for two days to get from Los Angeles to Austin in order to play nine spectacular shows that saw them sprinting, instruments in hand, from one gig to the next. Their hectic schedule paid off as Local Natives left Austin with the attention of the UK music Industry.

Based in the Silver Lake area of Los Angeles, three of the five-piece originally hail from Orange County. Kelcey, Ryan and Taylor attended neighbouring high schools and hooked up with bassist Andy a year after they graduated, later meeting drummer Matt. They’ve been playing – and evolving - together for three years. Last year, however, the band realized that the new songs they were writing were the sounds of a new project entirely. Their debut album as Local Natives, “Gorilla Manor”, was released in the UK on Nov 2nd, 2009, and saw a US release date of Feb. 16th, 2010.I nitial reviews of Local Natives have drawn favourable comparisons to Arcade Fire, Fleet Foxes and Vampire Weekend.

All Ages / GA  / $14.00 adv / $16.00 DOS

Internet 24-7 at www.foxtheater.com

Phone: During box office hours: 303.443.3399

The Motet plays Earth Wind & Fire @ the Fox Theatre

The Motet is extremely excited to announce that for Halloween 2010 they will be performing the music of the most successful and influential funk band from the 1970’s: Earth, Wind, & Fire. This promises to be far and away the pinnacle of The Motet’s increasingly popular Halloween tribute performances. With a 13 piece band featuring a trio of lead vocalists, 4 horns, 2 guitars and percussion, these shows will undoubtedly rise to the historic standards that Earth, Wind & Fire have brought to their live concerts.

Showcasing percussion laden funk grooves, syncopated horn lines, gospel influenced vocal harmonies, psychedelic jazz-rock improvisation, and multiple top 10 hits, The Motet’s celebration of the music of Earth, Wind & Fire is sure to go down as the most mind blowing dance party in the history of the band’s epic Halloween performances. This show is not to be missed!

Sunday October 31, 9:00pm
Special Halloween Show
THE MOTET PLAYS EARTH, WIND & FIRE

All Ages / GA / $18 adv / $20 DOS | Tickets on sale now at the Fox Theatre box office  | Internet 24-7 at www.foxtheatre.com  | Phone: During box office hours: 303.443.3399

Kinetix Announces New Album And Summer Tour Appearances

Denver, Colorado rockers Kinetix continue to build upon their DIY success of the previous five years, having spent 2009 logging more than 10,000+ miles criss-crossing the country setting concert hall and music festival audiences on fire with their soul-powered rock and roll. Now in 2010, the band has rededicated themselves to the studio and have produced their finest album to date. Uniting soaring vocal harmonies, muscular guitar riffs, deep bass, R&B flavored electronic organ drenched in reverb, a tireless work ethic and extreme attention to detail on the production of both their new album and live shows, Kinetix is set to continue assembling an army of intensely loyal fans from coast to coast.

With a band name derived in part from motion and energy, Kinetix's rise from their humble Denver roots into a popular nationally touring band has been nothing short of spectacular. Formed by a group of college buddies at Lamont School of Music at Denver University, Kinetix was originally merely a vehicle to blow off steam and play music at weekend hangouts. Their popularity during those early days became a phenomenon that quickly outgrew the rowdy house parties where the band cut their teeth.

Within two years of forming, minus any street team, radio play or mainstream media attention, Kinetix was easily selling out theatres in their hometown based solely on word of mouth. The shows translated to thousands of song downloads and album sales of their debut and sophomore album releases. And sure enough that word-of-mouth buzz spread nationwide, quickly racking up sold out shows in numerous cities far away from the band's Denver base.

The eleven tracks of Let Me In were produced by Andy Guerrero of the Flobots and engineered and mixed by Jason Livermore at the legendary rock and roll Blasting Room Studios. The new album builds upon the band's reputation as a live tour de force, but now heralds the rock quintet as studio musicians capable of creating an album worthy and almost certainly destined for mainstream radio play. Early listens of the new Kinetix album have garnered praise among fans and industry insiders alike as a more mature continuation of the keyboard and guitar driven sound Kinetix has always been known for.

While previous album efforts showcased the band's excellent musicianship, the new album plays up the addition of more emotionally insightful lyrical and vocal development, most notably heard on "Wishing Well" and "To See You Go". Other standout album tracks such as "Fighting For" showcase massive guitar riffs layered atop head-bobbing hard rock grooves so fat you could walk on them, while the decidedly up-tempo pop flavored "Anything", "Let Me In" and "Spinning Out" bring to the forefront the band's striking vocal harmonies, rhythm and blues flavored chord progressions, and deft keyboard work. Best of all, Let Me In showcases an emotional journey of peaks, valleys, that culminate in the stellar closing track "Out Of My Head", which showcases all of the musical elements that have been used by fans and the press alike to describe Kinetix as one of the best up and coming bands in the country.

NOTABLE SUMMER 2010 TOUR DATES:

Bluebird Theater
Fri. May 14th, 2010 | Doors at 8:00
Denver, CO

Moe. Summer Camp
Fri. May 28th, 2010 to Sun. May 30th, 2010
Chillcothe, IL

Bella Vida Festival
Fri. May 28th, 2010 to Sun. May 30th, 2010
Geneva, MN

Wakarusa Festival
Thu. June 3rd, 2010 to Sun. June 6th, 2010
Ozark, AR

Watkins Glen International Raceway
Sat. July 3rd, 2010 | N/A
Watkins Glen, NY

Forecastle Festival

July 9th, 2010 - July 11th, 2010
Louisville, KY