success

Luke Temple To Release New Solo Record

Before the success of his group Here We Go Magic, Luke Temple worked full-time as a plasterer.  At nights after work, he spent his hours crafting what would become Here We Go Magic's self-titled debut.  During the days he wrote a completely different set of songs in his head.  The resulting record Don't Act Like You Don't Care shines with clarity and daylight, in contrast to Here We Go Magic's hazy aquatic debut.

After recording two critically acclaimed solo records for Mill Pond (2005, 2007) Temple's work still hadn't garnered much attention from the record-buying public.  Frustrated, but not defeated, he focused his creative energy into the writing of two amazing, but completely different records.  Initially referred to as "The Country Record," Don't Act Like You Don't Care was shelved due to the success of Here We Go Magic's self-titled debut.  Now, three years later, we're finally able to offer this incredible collection of folk-pop songs.

Unlike the Here We Go Magic record, Don't Act Like You Don't Care focuses on Temple's songwriting and evocative tenor.  From heartbreaking ballads like "So Long, So Long" and "Ballad for Dick George" to jaunty pop gems like "Ophelia" and "In The Open" you'll become fast friends with these songs that continue to satisfy after hundreds of listens.

Inspired by Rudy Vangelder's early Blue Note recordings, Temple and friends recorded the songs in two 4-hour sessions using just three microphones and a 4-track recorder.  Temple is fortunate to have some amazingly talented friends with Eliot Krimsky ( shines with clarity and daylight, in contrast to Here We Go Magic's hazy aquatic debut. Glass Ghost) on synths, Tyler Wood on piano, Parker Kindred (Antony and the Johnsons, Jeff Buckley) on drums, Michael Bloch (Here We Go Magic) on guitar, and Adam Chilenski on bass.

The Asteroids Galaxy Tour Take Flight

After taking the world by storm with their debut record, FRUIT, The Asteroids Galaxy Tour are back!  Hailing from Copenhagen, the band’s kaleidoscopic pop has grabbed the attention of Heineken who are currently featuring album track “The Golden Age” in a global ad campaign titled “The Entrance.” The success of the catchy commercial, which has received 2.9 million views in less than a month, lead to the making of a brand new original video for “The Golden Age” sponsored by Heineken.

You can check out the “The Entrance” HERE and the new video for the infectious sunny track “The Golden Age” HERE.

“… every song is a glamorous party, full of drama and dancing.”
Time Out New York

Super 400 Announces February Tour through Western US

Coming off multiple sold-out shows across Europe, Northeast power trio Super 400 will head west for a string of dates with Stockholm Syndrome, featuring Jerry Joseph and Widespread Panic’s Dave Schools. Kicking off February 18 & 19 at The Independent in San Francisco and concluding on February 26 at Boulder’s Fox Theatre, the two bands will play eight rock shows in nine days.

Formed in the mid-‘90s by guitarist/vocalist Kenny Hohman, drummer Joe Daley and bassist Lori Friday in Troy, NY, Super 400 has been winning fans over around the world with a chest-rattling rock & soul approach inspired by their heroes Cream, Zeppelin, Van Halen and the classic sounds of Motown, Stax and Muscle Shoals. Hailed for transcendent live shows where the band encourages taping, the trio was awarded their own official holiday on February 25, 2006 by the mayor of Troy: “Super 400 Day.”

Following the success of 2009’s critically acclaimed Sweet Fist, Super 400 is currently at work on its fifth studio album.

Check out Grateful Web coverage of Super 400.

--

Super 400 Tour Dates with Stockholm Syndrome

02/18/11 San Francisco, CA The Independent

02/19/11 San Francisco, CA The Independent

02/20/11 Reno, NV Knitting Factory

02/21/11 Park City, UT Harry O’s

02/22/11 Telluride, CO Sheridan Opera House

02/23/11 Aspen, CO Belly Up Aspen

02/25/11 Denver, CO Cervantes’ Masterpiece Ballroom

02/26/11 Boulder, CO Fox Theatre

Phish Fans Donate More Than One Million Dollars to Charity

Two organizations founded and operated by fans of the rock band Phish announced today that they have raised and distributed a combined $1,000,000 for charity. The joint announcement was made by The Mimi Fishman Foundation, which raises funds through online auctions, and The Mockingbird Foundation, which publishes historical information about Phish in print and online. Both organizations are operated on an all-volunteer basis, with no salaries, paid staff, or offices.

The Mockingbird Foundation was organized in 1996 by Craig DeLucia and a dozen other fans to raise funds for music education for children through the publication of an encyclopedic book about Phish and its music. Expanding its efforts to include the cultivation and distribution of Phish-related intellectual property more generally, the Foundation has published two editions of a 900-page book, released a double-disc tribute album, produced a variety of tour-friendly merchandise, and re-launched the Phish.net website as a comprehensive database with a dozen mobile extensions. As a result of these efforts, as well as direct donations, the Mockingbird Foundation has been able to fund 193 grants (in 42 states) totaling over $613,000. www.mbird.org

The Mimi Fishman Foundation was organized in 1998, by Mimi Fishman (mother of Phish drummer Jon Fishman) and family friend David Shulman, to raise funds for vision-related charities through online auctions of Phish-donated memorabilia. While expanding its focus of charitable giving to include women, children, and animal-related charities, the Foundation also expanded its musical reach by receiving donated auction items from other bands, including The String Cheese Incident, Yonder Mountain String Band, and Umphrey’s McGee. The Mimi Fishman Foundation has administered over 30 online auctions resulting in grants being made to 38 organizations totaling over $390,000. www.mimifishman.org

Communal efforts by Phish fans reflect the history of the band itself. Phish earned commercial success during the 1990s stealthily, with little radio play and a video that primarily aired as joke fodder on Beavis and Butthead. They evolved from a rumored bar band to an idolized arena organization, benefitting from ingenuity and courage as much as from talent. Ingenuity and courage also drove fans of the same period to begin orchestrating charitable works at shows: the Green Crew collected trash from venue surroundings, the Karma Crew and Clifford Care Bears discouraged hard drug use, the Phellowship provided camaraderie for sober fans, and the Phunky Bitches provided support to female fans. While several of those nascent elements continue, the charitable ambitions of volunteer fans expanded alongside Phish's success. Groups incorporated, boards of directors were formed, and Phish fan philanthropy was born.

The Mockingbird and Mimi Fishman Foundations look forward to many more years of serving Phish fans and grantees alike. Each has already raised the funds for additional grants to be announced this fall, and each is underway with new plans to continue their success.

KEANE ANNOUNCE HEADLINING U.S. TOUR

Celebrated UK trio KEANE will embark on a headlining US tour this summer in support of their new album Night Train, out tomorrow on Cherrytree/Interscope Records. The tour kicks off July 20th in Oakland, CA and sees the band traveling across the country, wrapping up August 11th in Minneapolis. Tickets go on sale May 14th. Tour dates below.
Supporting the tour will be Travis frontman Fran Healy and Ingrid Michaelson. KEANE’s most recent release features eight refreshingly innovative tracks written and recorded while the band was on a 28-country arena tour in support of their album Perfect Symmetry. Night Train includes several songs that challenge the boundaries of genre via unique collaborations with Somali/Canadian rapper K’NAAN and Japanese funk singer Tigarah. The album has already been lauded for its signature brooding rock combined with synth-pop flourishes, leading Rolling Stone to say that with its “brass-bolstered soul” and “electro-flavored dance pop…Keane have proved themselves masters of…pop perkiness.”  Alternative Press drew comparisons to David Bowie and Radiohead and People gave it three out of four stars.
Since their inception in 2003, KEANE has sold 10 million copies of their three award-winning albums and seen remarkable success with their singles “Somewhere Only We Know,” “Everybody’s Changing” and “Bedshaped,” among many others.  The band’s particular brand of evocative piano rock propelled by literate, heartfelt songcraft has propelled them to worldwide adoration  and success.

TOUR DATES
July 20 - Fox Theatre - Oakland, CA
July 21 - Greek Theatre - Los Angeles, CA
July 23 - House of Blues - Las Vegas, NV
July 25 - Warehouse Live - Houston, TX
July 26 - House of Blues - Dallas, TX
July 28 - Chicago Theatre - Chicago, IL
August 3 - Bank of American Pavilion - Boston, MA
August 5 - Merriweather Post Pavilion - Baltimore, MD
August 6 - Waterfront - Brooklyn, NY
August 7 - Mann Center - Philadelphia, PA
August 10 - Riverside Theatre - Milwaukee, WI
August 11 - 1st Ave. - Minneapolis, MN