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GOMEZ Announce July Tour Dates

Fresh off the exciting announcement of their seventh studio album release, Whatever’s On Your Mind, Mercury Music Prize winning five-piece, Gomez, will be heading out on tour! Whatever’s On Your Mind is due on June 21, 2011 on ATO Records; pre-order the album now. Their first single from the new collection, “Options”, is available on iTunes now. You can stream the song here.
With a performance in the Dave Matthews Band Caravan and a stop at NYC’s Terminal 5, the band will be making their way through a multitude of cities for their July run of dates in support of the album. Gomez’ live shows are legendary – the band defies genres and labels and in doing so have quietly built a massive audience by consistently transporting listeners into a state of head-bobbing bliss. With their signature vocals and song stylings in full effect on this album, you can count on electrifying performances that show the true musicality of the band, exemplified by their time-tested, audience-approved live shows.
Serving as the follow-up to their acclaimed 2009 release, A New Tide their forthcoming album sees Gomez (Ben Ottewell, Tom Gray, Paul “Blackie” Blackburn, Ian Ball and Olly Peacock) pushing their limits in a way we have not yet heard. The band partnered up with longtime friend, Sam Farrar (Phantom Planet) to co-produce and sought out to feature other artist friends on the record, Luke Steele (Empire of the Sun, Sleepy Jackson) and  Stuart Bogie (Antibalas, TV on the Radio, Iron and Wine).


Whatever’s On Your Mind, their first self-produced offering since 2001’s In Our Gun, finds Gomez driving forward on a beautifully lush and dynamic album. There is a fresh feeling of rebirth and awakening. One to raise a smile even from the naysayers. A broad grin from the rest of us.

Full list of announced dates are below with more to be announced soon, including west coast, rocky mountain and northwest shows.
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TOUR DATES
July 8 - Kansas City, MO - Crossroads
July 9 - Minneapolis, MN - Basilica Block Party
July 10 - Chicago, IL - DMB Caravan
July 12  - Boston, MA - The Paradise
July 14 - New York, NY - Terminal 5
July 15 - Philadelphia, PA - TLA
July 16 - Ottawa, ON - (venue to be announced on 4/26)
July 17 - Toronto, ON - The Phoenix
July 18 - Washington DC - 9:30 Club
July 20 - Raleigh, NC - Lincoln Theatre Outside*
July 21 - Charlotte, NC - The Fillmore*
July 22 - Atlanta, GA - The Tabernacle*
July 23 - Glen Allen, VA - Innsbruck After Dark*
* with John Butler Trio

Nonprofit CASH Music previews upcoming release

What Wordpress did for bloggers, we're doing for musicians. CASH Music is a 501(c)3 nonprofit organization and our mission is to create open source tools and services that benefit artists and music. The goal is to help artists find sustainability and to encourage innovation in the music industry. We're doing this by building world class open source software designed specifically for the new music industry: tools handling promotion, distribution, commerce — creating the connection between artist and audience.

Too many companies have tried to control the music market and instead have stifled real innovation and freedom for artists. An open source solution will allow tools to be built for the community and improved upon as they are used by that community. We can stop reinventing ways to collect email addresses and focus on real innovation in the music tech space. This benefits artists, managers, labels, and even tech startups.

CASH Music began with the vision of Kristin Hersh, Donita Sparks, Robert Fagan, and Billy O'Connell and has since grown into the organization it is today. Led by Jesse von Doom and Anthony Batt, CASH Music is working on solutions that will range from an instant-setup hosted solution for music sites right down to fully customized, host-your-own code. Every line will be released in the open source and built on open standards.

We want to change everything by creating open source software that freely gives musicians total control over the presentation, sharing, and sale of their music — enabling them to make a living off of their art, building strong direct relationships with their audience.

Learn more about CASH Music by visiting their website.

Beats Antique at the Boulder Theater

Z2 Entertainment is proud to present Beats Antique at the Boulder Theater on Friday, April 8th, 2011.

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francisco’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.


David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.


Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2  major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised.

Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale – January 21st, 2011!

Method of Defiance Play Rare NYC Show

The all-star crew that makes up Method of Defiance are some of the busiest and most accomplished musicians working today, but six of the seven group members have managed to join forces for a rare live performance on November 6th at Santos Party House.  Filling in for drummer Guy Licata is Hideo Yamaki, a living legend in the drumming world, also the most sought after drummer in Japan. Yamaki has played with countless Japanese musicians from j-pop sensations to traditional / classical artist, as well as western musicians like Cream’s Ginger Baker and avant-garde legend John Zorn.

Method of Defiance was formed by Grammy-winning electric bassist, producer, and re-mixer Bill Laswell.  Laswell has worked with many of music’s biggest names on the planet, including Herbie Hancock, Laurie Anderson,  George ClintonBrian EnoTony Williams, Mick Jagger, Williams Burroughs, Afrika Bambaataa, Motörhead, John Lydon, Bootsy Collins, Carlos Santana, Matisyahu, Anthony Braxton, Sting, Zakir Hussein, John Zorn, Sonny Sharrock and hundreds more from the Americas, Africa The Caribbean, Europe, The Middle East, China, and Japan.  Laswell has built a reputation on consistently working with a diverse array of artists, and rejecting the restrictions of genre, tradition, and commerce in favor or taking risks and uniting seemingly disparate voices.

Method of Defiance has released the first of their three albums scheduled on M.O.D. TechnologiesJahbulon features vocalists Dr. Israel and Hawk, keyboardist / Funkadelic icon Bernie Worrell, legendary bassist/producer Bill Laswell, and post modern/futurist drummer, Guy Licata.  It’s a song driven release built on the foundations of reggae, hip hop, dancehall, dub, electronica, rock, roots reggae, drum & bass and the future.

The second album Incunabula (out November 6th), is a spontaneous improvisation of musical interaction. The album’s lineup includes Bill Laswell on bass and dub efx, Bernie Worrell on keyboards,turntable master DJ Krush and on electric trumpet Japan’s own, sound and fury - Toshinori Kondo, Guy Licata ondrums, Dr. Israel on dub efx,  with a special appearance by keyboard legend Herbie Hancock.

In April 2011, the guys will put out the remix project Dub Arcanum Arcandrum, a mix of both Jahbulon (the voice) and Incunabula (the music) re-imagined  by Bill Laswell, Lee "Scratch" Perry, The Scientist, Mad Professor, Dr. Israel, DJ Krush, and others.

meniskus | Live At The Walnut Room | 2010

The unique sound of meniskus is hard to classify. They have been labeled as Latin, European, House, Trance Rock, but none of these really pinpoint what their music sounds like. At times you can hear a mystic Middle Eastern influence, at other times hints of Ukrainian Punk and ancient ancestral harmonies. The only way to really understand is to see them perform live.  Meniskus's live stage performance is what makes this band great. They have finally caught some of the live energy on their latest release 'LIVE at The Walnut Room' recorded in Denver, Colorado in early 2010.

The opening track 'Morocco' is drenched in the soft nylon strings of  Venezuelan-born Bardusco's guitar and Eric Ostberg's howling violin.  Cris Ryt builds the tempo on the drums until the song eventually erupts like an exploding volcano. This transitions smoothly in to the second song, 'The Equalizer'; a driving, strong riff built on the passionate moans of Ostberg's voice. Track three, Latina really reflects the true sound of meniskus. Ryt provides a tantric techno beat as Ostberg and Bardusco trade leads that lift the soaring strings from high down to crashing bass chords below.  'Again', is one of my new favorites, the march of the drums and shouts of Again providing the attitude of a punk song.  'Sheik Don't Mind' is another reflection of the way these three band members play so well together. The feeling and emotions of each person combine in such a way that the song can sound different from night to night. Their world trance classification can be explained by the next track called 'Nightly Erotic'. It flows like the silken dress of a Persian belly dancer as she dances across the floor.  If ska is polka, and polka is punk, then 'The Partyer' is fun as funk. This is a song for everyone; I could easily see it get plenty of air play on KBCO.  'Brigade' is the anthem of this CD, it reminds me of the strong messages sung by U2 in the 80s.  'Combo' is another quick moving song built on forceful emotions and played as fast as a speeding train; by far my favorite song on the CD.  Last is a bonus studio track called 'Greed'. If this song is any indication of where meniskus is taking their music, we have lots to look forward to from this band in the future.

This band has perfected their skills from years on the road and polished their sound by days spent in the booths of Coupe Studios. It’s good to know the energy of their live shows has finally been captured on their CD.