beatles

Yellow Dubmarine Release 'Abbey Dub' | A Reggae Take on The Beatles' Abbey Road

42 years and a day after the most legendary band of all time released a classic album that would be their swan song, another band presents their re-imagining of that same recording. It was September 26, 1969 when The Beatles gave the world the legendary Abbey Road.

Marty Nelson of the original Manhattan Transfer Returns to Performing

It has been more than thirty years since Marty Nelson has performed live.  He returned to the stage last month at Chico’s House of Jazz in Asbury Park, NJ.  His show “A Tribute to Sinatra, plus . . .?” is true to its name. Marty uses his favorite Sinatra hits as the core of his show, but adds many personal touches.

Marty explains how he started as a teenager with the original Manhattan Transfer (Capitol Records) and then went on to produce for Lifesong Records, and eventually became a New York City freelance studio singer.  He performed and recorded with artists that ranged from Frank Sinatra to The Village People to Leonard Bernstein.  He also sang on more than 1,000 national radio and TV commercials – and this is where the “plus . . .” of his show’s title comes into play. Marty was often asked to do solos on commercials that called for a Sinatra “sound,” and he not only gives the audience tasteful renditions of many classic pop/jazz songs, but he also sings some of his better known commercials.  (The audience really enjoyed hearing these memorable jingles.)

As the show develops, Marty reveals more of his creative side with original arrangements of “Black Magic” (based on the Billy Daniels hit) and a version of Minnie the Moocher that features an extended vocal scat where he takes the audience on an improvisational journey, touching on classic rock hits from the Beatles to Bruce Springsteen and more.  He peppers the show with stories about his experiences in the music business and even does an interactive segment with the audience where he brings a person onstage and does an impromptu scat lesson.

His energy is infectious and his intimate soulful ballad renditions draw you in (especially a marvelous version of “Send in the Clowns” where Marty performs it almost entirely with only stand-up Bass accompaniment).

If you are looking for a Sinatra sound-alike lounge review, you won’t get it here.  But if you want an evening of great music with a touch of fun, you’ll really enjoy Marty Nelson’s show.

RAIN: A Tribute To The Beatles - on Broadway

The acclaimed Beatles concert RAIN: A TRIBUTE TO THE BEATLES will make its Broadway debut this fall with a limited 12-week run of performances at the NEIL SIMON THEATRE (250 West 52nd Street). RAIN is set to officially go national in early 2011.

RAIN: A TRIBUTE TO THE BEATLES marks the first time The Beatles’ music has been licensed on Broadway. While for the past 45 years the music of The Beatles has touched millions of people around the world, the fact remains the Fab Four were experienced live in concert by very few. The group’s final concert tour of 1966 was long before the release of the legendary Sgt. Pepper, The White Album and Abbey Road albums. RAIN brings The Beatles’ incredible songs to a whole new audience of music lovers.

RAIN encompasses the full range of The Beatles’ discography through a Live performance onstage. From the group’s early days on the Ed Sullivan Show in ’64 through Sgt. Pepper and onto Abbey Road, RAIN is a time capsule of music highlighting the unforgettable songs in the iconic group’s career some of which have never been performed before in a live concert setting. RAIN features “I Want To Hold Your Hand,” “Yesterday,” “With A Little Help From My Friends,” “Come Together,” “Hard Days Night” and many more.

Official opening on TUESDAY, OCTOBER 26 at 6:30 PM and running through Sunday, January 9, 2011 at the NEIL SIMON THEATRE.


SHOW SCHEDULE:

Monday & Thursday: 8:00 pm
Tuesday: 7:00pm
Friday: 8pm
Saturday: 2:00 pm & 8:00 pm
Sunday: 3:00pm & 7:00pm

NEIL SIMON THEATRE

250 West 52nd Street

New York, NY  10019

Soulive Pays Tribute to The Beatles on 'Rubber Soulive'

New York City's preeminent soul jazz trio, Soulive, bring the funk to The Beatles' iconic repertoire with the release of Rubber Soulive due September 14 on the band's own Royal Family Records. Featuring renditions of 11 classics by The Fab Four, including "Come Together," "I Want You (She's So Heavy)" and "Revolution," Rubber Soulive takes its place in a lineage of classic instrumental albums by the likes of Booker T. & The M.G.'s, George Benson and Count Basie that have paid tribute to The Beatles.  Soulive will announce an extended U.S. Fall tour to support the release in the coming weeks.

"We've always been big Beatles' fans. They're consistently in heavy rotation in all of our lives. And then for Halloween last year we had a great show in D.C. by trying out an all-Beatles set. The material was so much fun to play that we decided it had to be put to wax," explains Soulive guitarist Eric Krasno. "At first we thought about doing all of Rubber Soul, but with so many amazing songs to choose from we expanded the scope and picked the ones that lent themselves to our sound, and where we could  best add a Soulive flavor."

Recorded over four days at drummer Alan Evans' own Playonbrother Studios in upstate New York, Rubber Soulive presents the band back in its original trio format. After a handful of albums experimenting with different vocalists and horn sections, it's apparent from the album's opening track, a greasy rendition of "Drive My Car," that a return to form was in order. For the next 40 minutes, Soulive add their inimitable stamp to one classic after the next from The Beatles’ adored catalog. A stately bounce informs "In My Life" punctuated by a majestic organ break courtesy of Neal Evans. "Eleanor Rigby" finds Alan pushing insistent syncopation into the backbeat and Neal covering a full string section with his two hands. A gorgeous rendition of "Something" makes clear that while Krasno can get down with the best of them, he can also dig deep into the heart of a ballad as he rings every last drop of emotion from the classic George Harrison melody. The trio rounds out the set with a three-dimensional version of "While My Guitar Gently Weeps." The performance concisely encapsulates the definitive Soulive sound built upon the trio's shimmering, wah-drenched guitar licks, soaring Hammond organ lines and relentlessly propulsive swing.

Over a decade into their career, Soulive are having more fun than ever recording and performing together. This past March the band set up shop at Brooklyn Bowl in Williamsburg for a two-week residency dubbed Bowlive that featured special guests ranging from Talib Kweli to Susan Tedeschi to Raul Midon. The event will be documented on a forthcoming DVD release this winter. They operate their own state-of-the-art recording studio, as well as, their own record label Royal Family Records that alongside recent Soulive projects is preparing to offer up albums by Eric Krasno, Lettuce and Break Science. In early 2011, the fledgling indie will release the highly anticipated debut album from the acclaimed, young R&B vocalist Nigel Hall. In the coming months, however, the focus is clearly on the lineup that put them on the forefront of the soul jazz revival. With a fall tour on the horizon and a delectable new album filled with red hot renditions of classics by The Beatles, things are starting to "Come Together" for the original three, right now, all over again.

www.royalfamilyrecords.com/soulive
www.facebook.com/soulive

Rubber Soulive is available September 14 on vinyl, CD and mp3.