sexy

Keller Williams Donates Godin Guitar, Special Prizes to Mimi Fishman Auction

Virginia native Keller Williams today launches an online auction at www.mimifishman.org/auctions to benefit his southern neighbors who were impacted by the recent tornados that tore through the region. Hosted by the Mimi Fishman Foundation, the public can bid on a Godin Guitar cherished by Keller, a Golf Cart Ride and VIP Ticket upgrade at the upcoming Summer Camp Festival, and a Keller Williams “Season Pass.” 100% of the money raised will go directly to tornado victims, with Keller and each winner deciding together the specific recipient organization. For additional details and to bid, visit http://www.mimifishman.org/auctions/.

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A word from Keller about the auction (April 20, 2011):

As I watched the dreamy royal wedding, I couldn’t help thinking of the nightmare that was happening in the southeast. The devastation from the tornados left me wanting to help in any way possible. So, in addition to a couple other items, I'm auctioning off my Godin Multiac fretless guitar with synthe access. Her name is "lil' sexy." Please check out “Lil' Sexy Blues" from the Dream record featuring Sanjay Mishra on guitar, Samir Chatterjee on tablas, and me playing this guitar. It has nylon strings and sounds like a warm classical that's being played with a slide except your fingers are doing the sliding as there are no frets. The fret lines are in place so it plays easily. With a fretless, you simply press the string on the fretline for the proper note to be in tune. It’s a guitar player’s guitar. It’s not a cowboy chord guitar you sit back and strum tunes around the campfire. It’s a thin body guitar, but slightly thicker than an electric. It’s super sexy. The pick up system is very elaborate with many options. Each string sits in its own cradle. The signal is split two ways and has two separate out puts. One is a regular quarter inch guitar cable that controls the acoustic sounds with volume, treble, mid, and bass control faders. The other is a 13 pin gk cable that goes to the Roland guitar synthesizer. This unit is not included. But it’s bad ass. Hours of entertainment can be had with a plethora of different sounds. My favorites were the trumpet and fiddle. I would tune the guitar to chord and slide around the low notes on the trumpet patch and would sound like a sexy trombone with no spit. The fiddle is way more realistic sounding with the fretless aspect. Although it’s a thin body, there is a small acoustic port up by the controls that allows you to play and hear her in all her sexiness with out any amplification. I’m letting her go because she was a one song a show guitar. Then when I started flying so much and had to choose who goes and who stays, I obviously chose the guitars I play the most. She is a luxury, specialty that deserves to be played.

For more from Keller and to bid in the auction, visit www.mimifishman.org.

The Puppini Sisters covering Wham!'s "Last Christmas"

The Puppini Sisters share their version of Wham!'s "Last Christmas" - transforming the modern synth holiday classic into a bittersweet nouveau/ancien WWII era Parisian stunner that Surviving the Golden Age praises as "truly a revelation. This might be the definitive rendition."
Holiday music finally puts on red lipstick, slips into a silky cleavage-celebrating ballgown, and goes gorgeous and glamorous with Christmas With The Puppini Sisters - the album Metromix describes as "imagine if 'Glee' did a big-band/swing episode and you’re pretty close."
A female vocal trio featuring ‘40s-style close harmony, backed by a fearless jazz threesome, the retro-futuristic Puppini Sisters put their signature sequined stamp on timeless songs of the season for the sensational group’s third album - listen to their swingin’ and rockin’, sexy and eccentric take on the sassy holiday classic "Santa Baby"!
Swingin’ and rockin’, sexy and eccentric have never before described a Christmas album--until now.  Then again, there has never before been an artist who claims both The Andrews Sisters and The Smiths as influences.  Holiday music finally puts on red lipstick, slips into a silky cleavage-celebrating ballgown, and goes gorgeous and glamorous with Christmas With The Puppini Sisters (Verve), released October 5, 2010.
A female vocal trio featuring ‘40s-style close harmony, backed by a fearless jazz threesome, the retro-futuristic Puppini Sisters put their signature sequined stamp on timeless songs of the season for the sensational group’s third album.  From a scorching cover of Mariah Carey’s “All I Want For Christmas,” hyperspeed “Step Into Christmas,” oh-so-sexy “Santa Baby,” cabaret “Here Comes Santa Claus” and lilting “Last Christmas” to a weirdly wonderful “White Christmas,” scat-filled “Let It Snow,” ukulele oozing “Mele Kalilimaka,” uber-trad “Winter Wonderland” and divine “O Holy Night,” the Puppini Sisters (no, they’re not really sisters, that would be so on-the-nose) deliver original twists rather than nostalgic flashbacks.
Whether imaginatively reworking standards such as “Boogie Woogie Bugle Boy” and recent pop such as Beyonce’s “Crazy In Love,” or introducing new songs, the classically-trained London-based trio first captured the hearts of fans around the world with their international gold 2007 debut Betcha Bottom Dollar (#2 on the U.S. Jazz chart) and 2008’s The Rise And Fall Of Ruby Woo (#5 on the U.S. Jazz chart).
Brunette Marcella Puppini, a former assistant to fashion icon Vivienne Westwood, had dreamed of becoming opera’s next star.  Redhead Stephanie O’Brien began in music as a maverick of the classical world but found her niche playing gypsy jazz violin, South American harp and singing.  Blonde Kate Mullins, well, she sings like an angel and swears like a sailor.  The vocalists/multi-instrumentalists met in 2004 at London’s Trinity College of Music while pursuing Jazz Performance and Composition degrees.  Offered a gig at an outrageous gay nightclub, they jumped at the chance to perform.  Marcella, who gave the band her name, worked out a hasty arrangement of Kate Bush’s “Wuthering Heights” inspired by ‘40s swing and jazz.  The crowd adored their stunning vocals and cocktail hour charisma.
Since then, along with releasing several singles and two albums, they have performed at the Glastonbury festival and on an American stadium tour supporting Cyndi Lauper; been heard on TV series in the U.K. and the U.S., including “Grey’s Anatomy”; and been in constant demand as guest performers at notable entertainment and fashion events across the globe.  Even Prince Charles personally told them he thought they were “splendid” (seriously, we could not make that up).  The Puppini Sisters may have started out retro but they have become true originals.  With Christmas With The Puppini Sisters, holiday music never sounded so fresh and new.

Have Yourself a Fabulous Swingin' Holiday Season with "Christmas With The Puppini Sisters"!

Swingin’ and rockin’, sexy and eccentric have never before described a Christmas album--until now.  Then again, there has never before been an artist who claims both The Andrews Sisters and The Smiths as influences.  Holiday music finally puts on red lipstick, slips into a silky cleavage-celebrating ballgown, and goes gorgeous and glamorous with Christmas With The Puppini Sisters (Verve), released October 5, 2010.
A female vocal trio featuring ‘40s-style close harmony, backed by a fearless jazz threesome, the retro-futuristic Puppini Sisters put their signature sequined stamp on timeless songs of the season for the sensational group’s third album.  From a scorching cover of Mariah Carey’s “All I Want For Christmas,” hyperspeed “Step Into Christmas,” oh-so-sexy “Santa Baby,” cabaret “Here Comes Santa Claus” and lilting “Last Christmas” to a weirdly wonderful “White Christmas,” scat-filled “Let It Snow,” ukulele oozing “Mele Kalilimaka,” uber-trad “Winter Wonderland” and divine “O Holy Night,” the Puppini Sisters (no, they’re not really sisters, that would be so on-the-nose) deliver original twists rather than nostalgic flashbacks.
Whether imaginatively reworking standards such as “Boogie Woogie Bugle Boy” and recent pop such as Beyonce’s “Crazy In Love,” or introducing new songs, the classically-trained London-based trio first captured the hearts of fans around the world with their international gold 2007 debut Betcha Bottom Dollar (#2 on the U.S. Jazz chart) and 2008’s The Rise And Fall Of Ruby Woo (#5 on the U.S. Jazz chart).
Brunette Marcella Puppini, a former assistant to fashion icon Vivienne Westwood, had dreamed of becoming opera’s next star.  Redhead Stephanie O’Brien began in music as a maverick of the classical world but found her niche playing gypsy jazz violin, South American harp and singing.  Blonde Kate Mullins, well, she sings like an angel and swears like a sailor.  The vocalists/multi-instrumentalists met in 2004 at London’s Trinity College of Music while pursuing Jazz Performance and Composition degrees.  Offered a gig at an outrageous gay nightclub, they jumped at the chance to perform.  Marcella, who gave the band her name, worked out a hasty arrangement of Kate Bush’s “Wuthering Heights” inspired by ‘40s swing and jazz.  The crowd adored their stunning vocals and cocktail hour charisma.
Since then, along with releasing several singles and two albums, they have performed at the Glastonbury festival and on an American stadium tour supporting Cyndi Lauper; been heard on TV series in the U.K. and the U.S., including “Grey’s Anatomy”; and been in constant demand as guest performers at notable entertainment and fashion events across the globe.  Even Prince Charles personally told them he thought they were “splendid” (seriously, we could not make that up).
The Puppini Sisters may have started out retro but they have become true originals.  With Christmas With The Puppini Sisters, holiday music never sounded so fresh and new.