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National Jazz Museum September 2011 Schedule

For a combination of jazz dialogue, education, and live performance, look no further than the National Jazz Museum in September.

Our flagship conversation series, Harlem Speaks, first features soprano saxophonist Jane Ira Bloom in our first of several Harlem Speaks @ The New School events, which will occur in Greenwich Village (details below). Next, elder master Jimmy Heath will regale the live audience at our Visitor’s Center with tales from his illustrious history as a jazz artist.

Our Jazz for Curious Listeners series focuses on four classic recordings—Kind of Blue, Art Tatum: Solo Masterpieces, Red Clay, and Jazz at Massey Hall. The monthly Saturday panel peers into the legacy of jazz at Carnegie Hall.

We launch a new series this month, Tune Talk. We’ll find out where our favorite jazz songs come from and how they evolve into standards. This month’s featured song: “Body and Soul.”
Last but not least, our collaborative series with the Rubin Museum of Art—Harlem in the Himalayas—features alto saxophonist David Binney’s quartet and some special guests.
Mark your calendars, and bring some friends to share in pleasurable listening and learning!

Tuesday, September 6, 2011
Jazz for Curious Listeners
How to Listen to Jazz: “Kind of Blue”
7:00– 8:30pm
Location: NJMH Visitors Center 
(104 E. 126th Street, Suite 2C) 
FREE | For more information: 212-348-8300
Whether you’re new to jazz, or a seasoned listener, you’ll appreciate this session on the best-selling jazz recording of all time. Recorded and released in 1959, leader Miles Davis’s Kind of Blue has stood the test of time as a jazz classic.

Why? Is it the fact that the ensemble played a “modal” approach instead of a string of chord changes as was prominent in the bebop style? Is it the fact that legendary artists participated: trumpeter Davis, tenor saxophonist John Coltrane, alto saxophonist Cannonball Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb? Was it songs such as “So What,” “Freddie Freeloader,” and “All Blues”? All of the above?

Come discover the answers, as explained by Executive Director Loren Schoenberg.

Tuesday, September 13, 2011

Jazz for Curious Listeners
How to Listen to Jazz: “Art Tatum: Solo Masterpieces”
7:00– 8:30pm
Location: : NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Pianist Art Tatum’s prodigious technical facility was awe-inspiring. His inventiveness, harmonic acuity, and melodicism puts him at the top of the jazz piano mountain.

The recordings you’ll hear tonight are from the latter part of his life. Impresario Norman Granz produced these dates, which displays Tatum’s marvelous agility and artistry at a peak.

We invite you to an enlightening listening and learning session that will take you inside of the genius of one of the most startling artists of the 20th century.

Thursday, September 15, 2011

Harlem Speaks
Jane Ira Bloom
6:30 – 8:30pm
Location: The New School for Jazz and Contemporary Music
(55 West 13th St., Arnhold Hall, 5th floor )
FREE | For more information: 212-348-8300

Soprano saxophonist/composer Jane Ira Bloom has been full-time faculty at the New School for Jazz and Contemporary Music since 1989, and holds degrees from Yale University and Yale School of Music. She is a pioneer in the use of live electronics and movement in jazz and winner of the Guggenheim Fellowship in music composition, the Mary Lou Williams Jazz Award for lifetime service to jazz, Downbeat International Critics Poll & Jazz Journalists Award for soprano saxophone, the IWJ Jazz Masters Award, and the Charlie Parker Fellowship for jazz innovation. Bloom also has an asteroid named in her honor by the International Astronomical Union (asteroid 6083janeirabloom).

She adjudicated the prestigious Thelonious Monk International Saxophone Competition, the BMI Jazz Workshop Composition Prize, and served on a distinguished panel of faculty composers at the new Jazz Composers Orchestra Institute at the Center for Jazz Studies at Columbia University.  Recipient of the Doris Duke Jazz New Works Award, and fellowships from the NEA, Rockefeller, Pew & Ford Foundations, she has performed, recorded, and/or collaborated with Charlie Haden, Ed Blackwell, Fred Hersch, George Coleman, Kenny Wheeler, Julian Priester, Rufus Reid, Bob Brookmeyer, Mark Dresser, Bobby Previte, Matt Wilson, Jerry Granelli, Marc Copland, Jay Clayton and Cleo Laine.

Her compositions and commissions include the American Composers Orchestra, St. Luke¹s Chamber Ensemble, Pilobolus & Paradigm Dance Companies, NY City Center's Fall for Dance Festival, and the NASA Art Program. She has also produced and recorded for CBS, ENJA, JMT, Arabesque Jazz Recordings and Artistshare.  Bloom has been presented in the most prestigious halls, clubs, and festivals around the world, and a new event in Brooklyn, NY featuring cutting edge woman artists was named in her honor (the 2009 Bloom Festival).

Friday, September 16, 2011
Harlem in the Himalayas
David Binney Quartet and Special Guests
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

David Binney, alto saxophone
Craig Taborn, piano
Elvind Opsvik, bass
Tyshawn Sorey, drums

Back after sold out shows in years past, acclaimed and highly individual saxophonist/composer David Binney is one of the most prolific jazz musicians on the scene today.  David's distinctive saxophone sound and innovative compositions have been heard from basement clubs in New York to jazz festivals in Europe.

In addition to David's extensive work as a leader, he has also been sought after as a sideman, appearing on recordings with Medeski, Martin & Wood and Uri Caine's Mahler Project. He has produced all of his own albums in addition to two Lost Tribe releases. David started his record label, Mythology Records, in 1998.

Saturday, September 17, 2011

Saturday Panel
Carnegie Hall Jazz
12:00– 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Starting with Benny Goodman’s historic 1938 concert, Carnegie Hall has hosted jazz concerts that gained classic status when they were issued on commercial recordings. Join us for an afternoon of superlative music courtesy of Miles Davis, Ella Fitzgerald, Duke Ellington, Count Basie and others.
Tuesday, September 20, 2011

Jazz for Curious Listeners
How to Listen to Jazz: Freddie Hubbard’s “Red Clay”
7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Trumpet icon Freddie Hubbard’s Red Clay marks a transitional moment in his career, in which he had been playing a form of straight-ahead jazz that some called “hard bop” on the Blue Note label. Red Clay incorporated electronic instrumentation (played on keyboard by Herbie Hancock, and bass by Ron Carter) and tapped into soul/funk styling. This was also the first recording on Creed Taylor’s CTI label, a forerunner of what came to be called “fusion jazz.”

Come to hear the various streams of style identified and made crystal clear, as this recording is placed within the historical context of Hubbard’s career as well as the stylistic direction of the music.

Wednesday, September 21, 2011

Tune Talk
“Body and Soul”
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

A key reason why“Body and Soul” is considered a classic is the very famous rendition by Coleman Hawkins in 1939. As a rite of passage, professional tenor saxophonists everywhere learned that solo. But is one famous version of a song enough to make it an enduring classic?

Or, in this case, do superlative versions by the Benny Goodman Trio, and Chu Berry and Roy Eldridge before Hawkins’, plus re-workings by John Coltrane, Dexter Gordon and others add to the aura of legend?

Tenor saxophonist and museum executive director Loren Schoenberg will go deep into the archives tonight, so join the journey!

Tuesday, September 27, 2011

Jazz for Curious Listeners
How to Listen to Jazz: Charlie Parker and Dizzy Gillespie at Massey Hall
7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

In what turned out to be their last recording together, Dizzy Gillespie and Charlie Parker performed in Canada at Massey Hall on May 15, 1953 in a show marketed as “the greatest jazz concert ever.” The two primary founders of the bebop movement were joined by drummer Max Roach, bassist Charles Mingus, and pianist Bud Powell.

This concert was indeed a great affair in which they performed songs by Gillespie (“Salt Peanuts,” “A Night In Tunisia”), Thelonious Monk (“52nd Street Theme”), Tadd Dameron (“Hot House”), Juan Tizol (“Perdido”), Jerome Kern (“All the Things You Are”), among others. Come feed your ears with the thrilling sounds and your minds with the keen analysis of Loren Schoenberg.

Thursday, September 29, 2011

Harlem Speaks
Jimmy Heath, saxophonist, composer and arranger
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Long recognized as a brilliant instrumentalist, Heath is also a magnificent composer and arranger. He has performed with nearly all the jazz greats of the last 50 years, from Howard McGhee, Dizzy Gillespie, and Miles Davis to Wynton Marsalis. For the past 30 or so years, Heath performed regularly with his brothers, Percy and Albert, as the Heath Brothers, a band that often included contributions from his son Mtume, a noted percussionist, composer, and rhythm-and-blues producer.
During his career, Heath has performed on more than 100 albums. He has written more than 125 compositions, many of which have become jazz standards and have been recorded by artists such as Art Farmer, Cannonball Adderley, Clark Terry, Chet Baker, Miles Davis, James Moody, Milt Jackson, Ahmad Jamal, Ray Charles, Dizzy Gillespie, J.J. Johnson, and Dexter Gordon. Heath has also composed extended works, premiering his first symphonic work "Three Ears" in 1988 at Queens College (CUNY) with Maurice Peress conducting.
Heath retired from the Aaron Copland School of Music at Queens College in 1998, where he served as a Professor of Music for more than 11 years. Still, he maintains an extensive performance schedule and continues to conduct workshops and clinics throughout the United States, Europe, and Canada. He holds honorary degrees from Sojourner-Douglass College and the Juilliard School, and has a chair endowed in his name at Queens College. Currently, he serves on the board of the Thelonious Monk Institute of Jazz.
In January 2010, his long-awaited life story, I Walked With Giants, was published by Temple University Press.

Nugs.Net To Webcast PHISH Live From Tahoe

Phish fans who were shut out of the band's sold out two night stand in Tahoe can watch the concerts live on LivePhish.com, the band-to-fan channel operated by nugs.net.

A $24.99 two night pass gives fans access to a 10 camera high definition shoot with high quality audio mixed live exclusively for LivePhish.com.  Single night passes are also on sale for $14.99 each.

Tahoe will continue a series of Live Phish webcasts nugs.net pioneered with the band over New Year's with three pay-per-view webcasts from Madison Square Garden, ranked as the highest grossing paid concert webcasts on record.  Fans can tune in on their large screen TVs via HDMI-equipped PCs or Macs, as well as on Android devices, Xbox, Wii, and Playstation game consoles. Nugs.net handles the live encoding, broadcast, transactions, secure gateway, reporting, and customer service for the LivePhish.com webcasts.

Now in its tenth year, LivePhish.com is a partnership between Phish and nugs.net.  With over 40 million downloads served, every note Phish has performed live since 2002 is available for download in multiple formats, including higher than CD quality 24 bit FLAC-HD, Apple Lossless, and 256kbps MP3s.  Most shows are also available on limited edition CDs.  Videos from many shows are sold as downloads, and Phish posts a free high definition stream of one song from each night of this tour at LivePhish.com.

Moreover, the bar code on every Phish ticket is redeemable at LivePhish.com for free MP3s of that show, available within an hour of the band leaving the stage each night.  Fans can also listen to the latest show and access everything they’ve ever bought from LivePhish.com in the cloud with the Live Phish App (bit.ly/LivePhishApp), which Billboard voted the best touring app of 2010.  Phish also uses nugs.net's Appetizer to stream samples of each night’s show on Facebook, capturing sales directly in their fans' news feed.  Beyond these multi-faceted direct-to-fan services, nugs.net also handles the mechanical license administration for the 28,000 unique tracks in the Live Phish library.

Greensky Bluegrass Offers Free Five Song EP Download from New Album, Handguns

An independent band nationally-recognized for their live show, Greensky Bluegrass defy the boundaries of acoustic music with their self-produced fourth studio effort, Handguns, released on October 4.

This new studio offering is a brave expression of what separates their original music from the rest of the bluegrass genre. For years, while the Kalamazoo, MI band has been gaining recognition for their high energy live show, Handguns proves that they can handle themselves in the studio as well.

Recent internet chatter would have you believe that the entire music industry is lost in a vast and inescapable dust bowl; everything that was once thriving and sustainable has now dried into a mere husk of what it once was. But lest we forget, bands used to make their living on the road, playing in front of new audiences every night. Albums were something that were recorded in between tours and then sold on the road to help keep gas in the tank. It’s the way it was and it looks like the way it might become, but the music never stops.


Handguns was recorded in between tours this winter as the band holed up in a studio in Lansing, committing the songs straight-to-tape on the exact recording console that originally birthed Lynyrd Skynyrd’s infamous track "Free Bird” decades earlier. Matching the warmth of the analog sound, vintage microphones were utilized alongside state-of-the-art studio equipment to create a truly blended and artful sonic experience.

This overlap of traditional and forward-thinking runs throughout most every aspect of Greensky Bluegrass. The opening cut is titled "Don't Lie", and the result of "Handguns" is just that, a collection of songs that speak true. Greensky doesn't boast to know it all, but they don't restrain, letting the listener in on the trials and triumphs of their journey.

"Should have been a farmer and blamed it on the weather, with soiled hands and a tired back to show for my efforts," sings Hoffman on the album's title track.  Modest maybe, but as the listener continues, they are relieved that the band did not trade their instruments for plows or cubicles.

Greensky has continued to gain national momentum since they won the Telluride Bluegrass Festival’s coveted Band Competition in 2006 and have been invited to play at this summer’s Northwest String Summit, Grey Fox Bluegrass Festival and NPR’s Mountain Stage, while also playing at Bonnaroo, Bumbershoot and The Hangout Festivals. They’re a bluegrass band but they’re not. Bluegrass doesn’t have distortion, or horns for that matter. Handguns does.

Of course, none of this happened overnight or without sacrifice. Greensky Bluegrass is just as much a grit of the asphalt band as they are a salt of the earth band, having played over 160 shows nationwide, every year, for the last six years. It was by winning over folks on the band’s never-ending tour that got them where they are today – not by a label, syndicated radio play or being on the shelves at big box stores.

As a bonus for all, Greensky Bluegrass is giving away half of Handguns for free. This five-song Handguns EP is available on the Greensky Bluegrass website for anyone who wants to listen.

The motive? To be heard.  For musicians, the model has changed with satellite radio where the F word flies free and name-your-own-price record releases. One thing remains true, however: when the music is great, people will listen.

EOTO Kicks Off Fall Tour With Free Live Download

2011 marks the fifth anniversary for the nationally touring outfit  EOTO. The project that started as a late night experiment has grown into a full-fledged headlining machine complete with all original HD eye candy. To celebrate their success, the band is releasingtheir highly sought- after performance from the 2011 SONIC BLOOM festival for free download. Coincidently, this will be the bands 400th live release since their 2006 inception. With performances booked around the country and special VIP events planned for fans along the way, there is no doubt that EOTO will be closing out the year with a bang.

After a highly successful summer filled with headlining festival appearances, EOTO will embark on a large national tour with dates booked across the country including stops in Missouri, Oregon, Colorado, Nevada, Washington, Florida and California in just the first 30 days of the tour. This will mark the beginning of another iron-man tour season for the duo that puts their skills to the test each night with 100% live improvised electro, house, glitch hop, and dubstep. What exactly does 100% live and improvised mean? There are no pre made loops, no computer sequences in the background and absolutely no electronic karaoke going on here.  It’s all created and remixed live on stage by this talented duo for a dance party like no other!

Featuring Michael Travis and Jason Hann, EOTO is a musical anomaly. The project combines their shared knowledge of real world instruments with their love for electronic music and the technology it takes to produce many genres of music live on-the-spot. Not just a DJ and not just some band, EOTO takes all of the elements, throws them in a mixer, and creates a style of music that is uniquely all their own. But it’s not just the act of performing and producing cutting edge music without rehearsal or even song names, it’s the intensity and veracity for which they perform. EOTO clearly takes a ‘no holds barred’ approach whenever they take the stage.

EOTO will be performing in select cities scattered across the country this fall with tour dates booked in every corridor of the US. The band will also be arranging VIP parties for their fans along the way including late night and pre-show opportunities. To check out more about the band or for ticketing information check out www.eotomusic.org or to get a copy of the free live at SONIC BLOOM release check it out.

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TOUR DATES:

8/5/2011       Rhinofest Music Festival         Plainfield, VT
8/9/2011         Blu Nightclub  Stateline, NV (Tahoe Area)
8/13/2011       The Crossroads           Kansas City, MO
8/18/2011       Praire Grass Music Festival    Houston, MN 55943
8/19/2011       Green Mountain Eco FestivalMissouri Ozarks, MO
8/20/2011       Sunseekers Ball Music & Arts Fest New Brunswick, Canada
8/21/2011       Mountain Stomp-Prindell Creek Farms          Tidewater, OR
8/27/ - 8/28/2011       State Bridge Riverside AmphitheaterBond, CO
8/31/2011       Burning Man Festival  Black Rock, NV
9/9/2011         Werk Out Festival       Bellefontaine, OH
9/16/2011       Mishawaka      Bellvue, CO
9/17/2011       Wonk Fest-The Quarry            Everson, WA
9/22/2011       Blackwater Music Festival      Live Oak, FL
9/23/2011       Earthdance Music Festival      Vallejo, CA
9/24/2011       Kountz Arena   Bozeman, MT 59718
9/27/2011       Bourbon Theatre         Lincoln, NE
9/28/2011       Majestic Live   Madison, WI
9/29/2011       Eagles Ballroom          Milwaukee, WI
9/30/2011       Roy Wilkins Auditorium          St. Paul, MN
10/1/2011       U.S. Cellular Coliseum            Bloomington, IL
10/2/2011       Bluebird Nightclub      Bloomington, IN
10/3/2011       Bell's BreweryKalamazoo, MI
10/4/2011       Blind Pig          Ann Arbor. MI
10/6/2011       Royale BostonBoston, MA
10/7/2011       Toad's Place    New Haven, CT
10/8/2011       Port City Music Hall    Portland, ME
10/9/2011       Pearl Street     Northampton, MA
10/13/2011     Jillian's of Albany        Albany, NY
10/14/2011     Brooklyn BowlBrooklyn, NY
1/9/2012         JamCruise       Ft. Lauderdale  |  Labadee  |  Haiti |  Jamaica

The Milk Carton Kids, new album out 7/19

Milk Carton Records is proud to announce the July 19, 2011 release of PROLOGUE, the first studio record from The Milk Carton Kids.
A limited run of PROLOGUE will be printed on CD and vinyl for purchase. CD and vinyl copies of PROLOGUE are available for pre-order now thru July 18th. After July 18th physical copies will only be available at live shows.
PROLOGUE will be made available for free download from www.themilkcartonkids.com starting on July 19th.  Starting in Phoenix, AZ on August 10, 2011, The Milk Carton Kids will begin a tour of 46 shows across the United States & Canada in support of PROLOGUE.
The Milk Carton Kids are offering a free download of 'Michigan' off of PROLOGUE, so click here to download.
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ON TOUR:

8/10 - Phoenix, AZ - Rhythm Room* (buy tickets)
8/11 - San Diego, CA - Anthology* (buy tickets)
8/13 - Los Angeles, CA - McCabe's (buy tickets)
8/14 - Ventura, CA - Zoey's (buy tickets)
8/16 - San Francisco, CA - Cafe Du Nord* (buy tickets)
8/18 - Portland, OR - Doug Fir* (buy tickets)
8/19 - Seattle, WA - Rendezvous* (buy tickets)
8/21 - Vancouver, BC, Canada - Railway Club**
8/23 - Salt Lake City, UT - Kilby Court** (buy tickets)
8/24 - Logan, UT - Logan Arthouse
8/26 - Denver, CO - Soiled Dove (buy tickets)
8/28 - Oklahoma City, OK - Blue Door** (buy tickets)
8/30 - Austin, TX - Lambert's**(buy tickets)
8/31 - Dallas, TX - Poor David's Pub**
** - w/ Buddy

iClips and All Good Team Up for Free Flashback Web Broadcast Next Weekend

Thousands will gather July 14-17, 2011 atop Marvin's Mountaintop in Masontown, West Virginia for the 15th annual All Good Music Festival and Campout, and live broadcast leaders iClips.net will be there to document it.

National Jazz Museum in Harlem July 2011 Schedule

The National Jazz Museum in Harlem kicks off the summer of 2011 with our very first Music Festival! Dubbed “Summer Serenades,” the festival includes performances at the Highline Ballroom downtown, Orchard Beach in the Bronx, and Jackie Robinson Park, Grants Tomb and the NJMH Visitor’s Center in uptown Manhattan. Check schedule below for details.

Bassist Avery Sharpe leads a quintet in a live show at the Rubin Museum of Art, and live jazz on film will be presented for several of our programs at the Museum of the City of New York, Maysles Cinema, and at our home Visitor’s Center. A highlight of these film presentations will be two led by the museum co-director, Christian McBride.

The Midwest connection will be pursued at our Saturday Panel, where special guests will venture details about Missouri’s national music legacy.

As well, our flagship public program, Harlem Speaks, brings two keepers of the tradition of swinging jazz—trumpeter Warren Vache and tenor saxophonist and flutist Lew Tabackin—to share the story of their life and career in the music.

It’s a busy month with loads of events for you to attend—most free—so mark your calendar now and call some friends to share the musical wealth!

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Saturday, July 2, 2011

Summer Serenades: The NJMH Summer Music Festival
Jonathan Batiste Band plus Blackberry Winter Play the Music of“Winter’s Bone”

8:00pm
Location: Highline Ballroom
(431 West 16th Street)
$20 in advance | $25 at door | Doors open @ 6pm
For tickets: RMA Box Office or call 212-620-5000 ext. 344

This summer musicians from the Oscar nominated film Winter’s Bone and its soundtrack will be taking to the road, performing their unique take on the traditional music of the Missouri Ozarks to audiences across the US and Canada.

This intimate evening of music will feature Marideth Sisco, Blackberry Winter, Bo Brown, Van Colbert, Dennis Crider, Tedi May, and Linda Stoffel - the original Ozarks musicians from the Winter’s Bone film, playing their authentic blend of traditional Americana in what will be their first ever North American tour. Bear witness to a legacy that spans generations in the making, performed by the heirs of the Great American Songbook.

New Orleans native Jonathan Batiste is a young ambassador of the culture of jazz music in America. By the age of 17, he released his first of his two CDs as a leader entitled "Times In New Orleans" which features the talents of some of New Orleans’ finest musicians including Jason Marsalis, Donald Harrison and Christian Scott. He presently studies Jazz Piano at The Juilliard School of music in New York.

Seen recently on the HBO series Treme, Batiste has headlined numerous performance and discussion sessions for the NJMH, and swings his band into this new venue for the jazz museum.

Saturday, July 2, 2011

Saturday Panel
Missouri on My Mind: An American Legacy
12:00– 4:00pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Join us for an exciting and unusual afternoon as we trace the history of music in the great state of Missouri and its trail to Harlem. Some people think of Missouri as the home of ragtime, some as the home of KansasCity swing, but there are many strands that led to ragtime and Kansas City swing. Join music historian Jonathan Scheuer, radio host/singer Marideth Sisco and others for an afternoon you won’t forget.

Monday, July 4, 2011

Summer Serenades: The NJMH Summer Music Festival

Jazz in the Parks

3:00 – 7:00pm
Location: Jackie Robinson Park
(147th and Bradhurst Avenue)
FREE | For more information: 212-348-8300

The National Jazz Museum in Harlem and Jonathan Batiste present a special afternoon of music in Harlem's own Jackie Robinson Park inside the newly renovated bandshell (at W147th and Bradhurst Ave.). Young performers,from a variety of genres, will come together to celebrate July 4th in the spirit of America. From modern dance, country western, to swinging jazz music and gospel music, this performance will have a
little something for everyone!

The Jonathan Batiste Band - 3pm
The Jonathan Batiste Band (with Mary Ellen Beaudreaux and guest) - 3:15pm
Jerome Bell (of American Idol) with Michael T's Eclectic- 3:30pm
The Bailen Brothers Band - 4:15pm
Damien Sneed - 4:45pm
The Tres Amigos- 5:15pm
Michael T's and the Eclectic - 6pm
Fourth of July Jam with all performers and guests - 6:45 - 7:00pm

(w/ D.J. UWS spinning all afternoon)

Tuesday, July 5, 2011

Jazz for Curious Listeners
JAZZ ON A SUMMER’S NIGHT: Jazz on Film—Rare Ellingtonia

7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Duke Ellington’s leadership of his sui generis orchestra for over 50 years is a definitive accomplishment in the annals of 20th century America. Come witness on film the evolution of jazz through the prism of Maestro Ellington, the most comprehensive composer of the jazz idiom!

Thursday, July 7, 2011

Harlem Speaks

Warren Vache, Trumpet
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Several years before Wynton Marsalis garnered headlines for breathing life into straight-ahead, acoustic jazz, Warren Vache had been leading the charge of a small group swing revival. He’s the son of bassist Warren Vache, Sr. and the brother of clarinetist Allen Vache, making yet another musical family of note in jazz. He studied music with Pee Wee Erwin, and early on played with Benny Goodman, Vic Dickenson, and Bob Wilber.

He’s played as a leader since the mid-‘70s, and was known in those days for teaming up with tenor saxophonist Scott Hamilton. His warm tone belies an adventurous, soulful style of playing, which is akin to Vache’s approach to conversational engagement also, as you will see tonight!

Sunday, July 10, 2011

MCNY Summer Film Shows
52nd Street Swing: Jazz Films

2:00pm
Location: Museum of the City of New York
(1220 Fifth Avenue)
FREE with Museum Admission| For more information: 212-348-8300

In the late 40s to early 50s, 52nd Street was known for its amazing array of jazz talent, sprinkling the cultural scene with the magic of jazz styles of every imaginable genre. Come and experience filmic representation of the excitement of an era central to jazz lore and history!

Tuesday, July 12, 2011

Jazz for Curious Listeners
The World of Christian McBride, Pt. 1: Rare Films at Maysles Cinema

7:00– 8:30pm
Location: Maysles Cinema
(343 Lenox Avenue, bet. 127th and 128th)
FREE | For more information: 212-348-8300

Coming off his world travels on the road, museum co-director Christian McBride will present rare films from his vast treasure trove of archival footage. It’s always a happening when McBride presents, so make sure to arrive early!

Wednesday, July 13, 2011

Summer Serenades: The NJMH Summer Music Festival
Film and Live Music(co-sponsored by Maysles Cinema)

7:00pm
Location: Jackie Robinson Park
(147th and Bradhurst Avenue)
FREE | For more information: 212-348-8300

Check http://jmih.org for more details.

Friday, July 15, 2011

Harlem in the Himalayas
Avery Sharpe Quintet
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Avery Sharpe - acoustic bass

Onaje Allen Gumbs – piano

Yoron Israel – drums

Craig Handy - tenor and soprano sax

Maya Sharpe – vocals

CD release concert for "Running Man."

A bass player and composer of note who’s played with a plethora of jazz greats, from Dizzy Gillespie to Pat Metheny and McCoy Tyner, Avery Sharpe has an acclaimed career of his own. His quartet (with guest vocals) comes to the Rubin Museum to celebrate the release of their brand new album, Running Man.

Sunday, July 17, 2011

Summer Serenades: The NJMH Summer Music Festival

SALSA MEETS JAZZ: Dave Valentin Live in a Free Concert

12:00pm

Location: Orchard Beach Stage in Pelham Bay Park, Bronx

FREE | For more information: 212-348-8300

Live music returns to the Orchard Beach stage as acclaimed Grammy Award-winning flutist and Bronx resident Dave Valentin offers a free, sizzling hot concert at Orchard Beach. Party all day starting at 12:00pm! Co-sponsored by Bronx Lebanon Hospital in association with the Bronx Tourism Council.

Tuesday, July 19, 2011

Jazz for Curious Listeners
JAZZ ON A SUMMER’S NIGHT: A Jazz Potpourri – 1927-2011

7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Jazz music was born in the sweltering heat of the tragic tale of race and culture at the turn of the century in New Orleans, but the resulting musical idiom carries the sweet smell of fine art. We invite you to a visual tour of jazz, from the early days of Armstrong to the biting modernity of today’s sounds!

Wednesday, July 20, 2011

Summer Serenades: The NJMH Summer Music Festival

Harlem Nocturne: Eric Comstock and Barbara Fasone

7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

The husband-wife musical team, Eric Comstock and Barbara Fasone, have been thrilling cabaret audiences at renowned rooms such as the Algonguin for several years. In this special, intimate performance they will serenadeeach other and you too.

Tuesday, July 26, 2011

Jazz for Curious Listeners
The World of Christian McBride, Pt.2:

7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

The most acclaimed bassist of his generation, Christian McBride, will take visitors into his musical world, which encompasses jazz, funk, fusion, and other genres, and share select videos for your viewing pleasure. His commentaries are always humorous and soulful, so don’t miss this special evening.

Thursday, July 28, 2011

Harlem Speaks

Lew Tabackin, Tenor Saxophone and Flute
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Lew Tabackin is known for co-leading one of the most innovative big bands of the past quarter century, the Toshiko Akiyoshi-Lew Tabackin big band. Yet he’s also one of the keepers of the flame of tenor sax stylings of masters such as Ben Webster, Coleman Hawkins and Don Byas. Plus, he’s one of the most original voices on jazz flute living today.

Come here his intriguing story of stylistic development from his days as a Philadelphia teen through his world travels as a soloist and bandleader with his wife Toshiko Akiyoshi, herself a former guest of Harlem Speaks, the flagship public program of the National Jazz Museum in Harlem.

Sunday, July 31, 2011

Summer Serenades: The NJMH Summer Music Festival

CONCERT UNDER THE STARS: NJMH Afro-Cuban All Stars

6:30 PM
Location: Grants Tomb
(122nd St. and Riverside Drive

FREE | For more information: 212-348-8300

An explosive gathering of Latin jazz titans! Flutist Dave Valentin, trumpet legend Chocolate Armenteros, percussionist Johnny Rodriguez, pianist and arranger Edy Martinez and others will blaze the outdoor stage on the opening day of Harlem Week festivities. They’ll make you wanna move and groove, so bring your dancing shoes!

The Irrepressibles Release Debut Mirror Mirror in America on 9/9

At long last, the flamboyant, fantastical, and unfathomable Irrepressibles will release their debut album, Mirror Mirror digitally in America on August 9th, followed by a special edition of the album October 25th featuring exclusive remixes from Röyksopp, Hercules & Love Affairand Zero 7 amongst others. The single “In This Shirt” will be available with exclusive remixes via Beatport on June 27th. For a taste of the album, the English group has also made “Forget The Past” available as a free download HERE (feel free to share), and see a performance video of “Forget The Past” HERE. The group has also released three videos for “In Your Shirt”: check out the band performing in their creation The Human Music Box HERE, footage from the movie The Forgotten Circus HERE, and Roy Raz’ video for the track HERE (NSFW).

Led by creative director, conceptual artist, composer, lead vocalist and choreographer Jamie McDermott, the 10-piece performance orchestra has already earned comparisons to early David Bowie, Kate Bush, Anthony & The Johnsons and even Bonzo Dog Do Dah Band. And on Mirror Mirror, the band has created an unparalleled album that fuses European orchestration with pop melodies and soaring cathartic vocals. From the dramatic opener “My Friend Jo” to the galloping rhythms of “Anvil”; from the yearning echoes of “Forget The Past” through to the intensely intimate “In This Shirt”, Mirror Mirror is a beautifully constructed sonic exploration depicting Jamie McDermott's confessional stories of love, anger, lust and loss with a journey through The Irrepressibles’ mystical and theatrical world.

Over the last seven years, The Irrepressibles have pioneered a new frontier in pop performance. Using conceptual sets, and teams of artists in film, dance, avant-garde costume and make-up, the collective bring these songs to life through create extraordinary live spectacles. They have staged their inimitable displays all over Europe, including performances at the Hackney Empire, Roundhouse in London, a Roman amphitheatre in Barcelona, a 17th Century villa in Sicily, the infamous La Cigale in Paris, and played two shows at the Victoria and Albert Museum in London to capacity crowds.

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Mirror Mirror Tracklist:
1. My Friend Jo
2. I’ll Maybe Let You
3. In Your Eyes
4. Anvil
5. Forget The Past
6. Knife Song
7. My Witness
8. Nuclear Skies
9. Splish! Splash! Sploo!
10. The Tide
11. Transition Instrumental
12. In This Shirt

Thomas Dolby debuts 'The Floating City' transmedia game

Best known as the singer/synthesist behind the Top 5 smash hit “She Blinded Me With Science” and as the co-inventor of the Beatnik polyphonic ringtone engine, Thomas Dolby today announced his latest creation: The Floating City is a rich transmedia game with a living world that changes and reacts to player contributions. It uses web browsers, social networks, and even smart phones and iPads as a way for fans to access his latest musical endeavors.

The Floating City is open for registration from today at floatingcity.com. Gameplay commences on June 22nd at 5 p.m. GMT (1 p.m. ET in the U.S.). Players from around the world will form tribes and collaborate to earn free music downloads, merchandise and concert tickets. The leading tribe will even win the right to stage a private concert at which Thomas Dolby and his band will perform his forthcoming album in its entirety.

Completely free to the public, The Floating City is a casual game that hooks you into building a whole story world with your tribe — as deep as you want to go. It runs on a standard web browser, smartphone or iPad without additional software installation. It is targeted at players of all ages, regardless of whether they are familiar with Thomas Dolby’s catalog. But diehard fans of the five-time Grammy™-nominated songwriter will be delighted to find that The Floating City integrates characters, places, and objects named in every one of his albums going back to the beginning of his career . . . and before.

The Floating City is set against a dystopian vision of the 1940s that might have existed had WWII turned out a lot differently,” says Dolby. A global energy experiment went haywire, the Earth’s magnetic fields have been reversed, and the planetary climate system violated. Science has betrayed us: now what must the species do to survive?

Survivors explore a fictional Google map, forming tribes and trading relics amidst a bizarre sea-going barter society. As they struggle to unravel the enigma that is The Floating City, players can haggle over merchandise and music downloads — including brand new songs from the much anticipated CD A Map of the Floating City, Dolby’s first album in 20 years, which will be released following the climax of the game.

“This is a brilliant concept,’ said writer/economist Steven Levitt. “It’s a cross between Freakonomics and Burning Man, with a back-story that would have made J.G. Ballard proud.”

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About Thomas Dolby

Thomas Dolby became a huge star in the ’80s when his songs “She Blinded Me With Science” and “Hyperactive” topped the Billboard Hot 100 chart and were on constant rotation at MTV. His unique keyboard playing led to guest performances with the likes of David Bowie (Live Aid), Stevie Wonder (Grammy™ awards) and Roger Waters (The Wall) and he became a top producer, garnering five Grammy™ nominations.

Dolby abandoned the music business in the 1990s to found Beatnik Inc., a Silicon Valley tech company that built the ringtone synthesizer embedded in over 3 billion mobile phones worldwide. Now retired from Beatnik, he has returned to music and has been completing his first studio album in more than 20 years.

The Floating City game consolidates Dolby’s reputation as one of the foremost pioneers of electronic alt-culture. On hearing of the game, counter-cabaret diva Amanda Palmer commented: “Thomas Dolby is to Steampunk what Iggy Pop was to Punk!”

The Heavy Pets Hit The Road With Double Live CD

2011 Has been a busy year for the Florida based Heavy Pets. The band hits the road this summer with a double-disc live album taken from their 2010-2011 tour recorded by Charlie Miller of the Grateful Dead fame. Coupled with a full national tour on the horizon, this could be the year of the Heavy Pets – whose last studio effort was hailed one of the top 10 albums of the year by the Huffington Post in 2010.

What’s not to love about the Heavy Pets breezy approach to music? The five piece band seamlessly moves through pop, reggae, rock, rhythm, blues, hip-hop, funk and even masters the open-ended jam styling’s of jazz as if it were their native tongue. Each musician as talented as the next, the players bounce between instruments changing roles as drummer, keys, guitar, and even lead vocals as they make their way through varied arrangements in their diverse and extensive catalog . It comes as no surprise that the Huffington Post named their last self-titled album one of the top 10 of the year; it plays like a Pandora radio station offering a little bit of something for everyone.

Beginning this summer, The Heavy Pets will hit the road with a 14 live tracks called Charlie Miller’s Live Picks featuring two hand selected discs of music chosen from the best moments of their 2010-2011 Illumination tour and includes a selection of popular songs like “So Thank You Music”, “Dew Point” and “Chew”. The summer release will be available on-line for download and for purchase at select festival and theater performances while supplies last.

But it’s not just their chops that set the Heavy Pets apart from other touring outfits. The band has an uncanny ability to write quality songs on a dime. This year will see the Pets releasing a live double disc, an acoustic album and a straightforward electric album which the band has been busy recording this spring. While the expected release date for the two new studio efforts are yet to be announced, rumor has it that each album captures a different face of the band who is known best for their jaw-dropping live shows. The band will be giving away a few of their original songs for free download leading up to the release to whet the appetites of their fans.

For more information about the Heavy Pets and their busy release schedule take a peek at the bands website at www.theheavypets.com and don’t forget to sign up for the mailing list where the next series of free downloads are expected to be leaked in the coming weeks.