broadcast

iClips and All Good Team Up for Free Flashback Web Broadcast Next Weekend

Thousands will gather July 14-17, 2011 atop Marvin's Mountaintop in Masontown, West Virginia for the 15th annual All Good Music Festival and Campout, and live broadcast leaders iClips.net will be there to document it.

Video Premiere | YELLOWBIRDS "The Rest Of My Life"

Yellowbirds is the moniker for the latest musical exploits of Sam Cohen--guitarist/songwriter/vocalist in the psychedelic collective Apollo Sunshine. Cohen grew up in Houston, Texas, and while the Texas of his teens may have been home to Big Oil, Enron, the Bush family, and the drab grey Astros jerseys of the 90s, he prefers to think of it as the Texas of yore, home to: Roy Orbison, Buddy Holly, the Space Program, and rainbow orange Astros jerseys.  It stands to reason, then, that his current home of New York City must be the mythical Empire City: Rocky Mountains of architecture, epicenter of modern art, home to Charles Mingus and The Velvet Underground.

It was with these timeless inspirations in mind that Sam Cohen created Yellowbirds’ The Color, out now on Brooklyn label, Royal Potato Family. Double-speed auto-harp glissandos, glowing backwards pedal steel, bubbling echo and fuzz guitars coalesce into a warm wall of sound.  As existential lyrical themes emerge, delivered over psyched-out aural landscapes, the picture emerges of a dust-blown, 4th dimensional Future West.  This is Cohen's quixotic world where "only the purist tones can be heard."

Yellowbirds' new stop-motion, collage-animation video for the song "The Rest Of My Life" was crafted by Sam Cohen from nearly 3000 still photos assembled into collages and animated by hand.  Between exploring images, cutting and compiling, creating the scenes and editing the footage, the project took ten weeks to complete.

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Upcoming Performances…

March 15 | WFPK | Louisville, KY (live radio broadcast)
March 15 | Ear-Xtacy | Louisville, KY (in-store performance)
March 15 | The Rudyard Kipling | Louisville, KY
March 19 | The Snack Bar | Austin, TX (4pm)
March 19 | Blue Starlite Mini Urban Drive-In | Austin, TX (7pm)
March 19 | Black & Tan (official SXSW showcase) | Austin, TX (11:30pm)
March 29 | Public Assembly | Brooklyn, NY
March 30 | WNYC Soundcheck | New York, NY (live radio broadcast)
March 30 | Maxwell's | Hoboken, NJ
April 7 | The Arts Block | Greenfield, MA
April 8 | Bridge Street Live | Collinsville, CT
April 9 | Southpaw | Brooklyn, NY
April 17 | Cactus Records | Houston, TX (in-store performance)
April 30 | Market Market | Rosendale, NY

Jazz Museum in Harlem Featured on BBC

A feature piece on the NJMH’s acquisition of and programming around the BILL SAVORY collection with be broadcast Wednesday, September 29th on the  7 p.m. broadcast (most local times) on both BBC AMERICA and BBC WORLD.

The National Jazz Museum in Harlem, a Smithsonian Affiliate, is dedicated to preserving and perpetuating jazz as a living entity that stretches as far into the future as it does into the past. NJMH programs currently attract several thousand visitors a year. This event is the Museum’s largest and most important annual fundraising effort. Proceeds from the gala will support the Museum’s mission.

As you may have seen in the August 17th New York Times cover story, the National Jazz Museum in Harlem made a acquisition of a historic collection of never-before-heard recordings, including live performances of great American jazz icons from 1935-1941.  The collection of 975 aluminum and vinyl discs, encompassing over 100 hours of material, was created by William Savory, a recording engineer and Harvard-educated physicist who worked at a radio transcription service in New York and used the equipment his job afforded him to record hundreds of hours of material directly off the radio. The collection includes performances by jazz icons such as Count Basie, Louis Armstrong, Billie Holiday, Lester Young, Lionel Hampton, Fats Waller, Artie Shaw, Benny Goodman, and more, as well as classical broadcasts including Toscanini, Ormandy, and Kirsten Flagstad. The quality of the discs is extraordinary for the time, as most jazz enthusiasts in the 1930s did not have the access to the professional equipment that Savory enjoyed. You can sample some these newly discovered treasures at the Museum’s website.

The search for, and cultivation of, this collection is an exemplary example of the Museum’s commitment to preserve the history of jazz, while nurturing its evolution for future generations.  It also comes at a fortuitous time in the Museum’s development as we are currently preparing to build a permanent home at Mart 125 – a historic landmark in Upper Manhattan which stands directly across from the famed Apollo Theatre on Harlem’s 125th Street.