simultaneously

Jim Bianco Set to Release 'Loudmouth'

Critically acclaimed indie musician, singer, songwriter and producer Jim Bianco announces the release of his third LP Loudmouth on April 5. Funded entirely from his fiercly loyal fan base, Loudmouth is a return to form as Jim Bianco goes at it again: speaking to the sinner and the heartbroken in all of us, sifting through the filth and wreckage in his crooked heart and putting it to music in a way that makes women want to simultaneously sleep with him and slap him in the face; and men want to pick a fight and sing along.
And so Jim Bianco goes at it again; exposing, embarrassing and offending ex-girlfriends, future girlfriends, fellow singer/songwriters and, most notably, himself. Speaking to the sinner and the heartbroken in all of us, Jim Bianco has sifted through the filth and wreckage in his crooked heart and put it to music in his new record, Loudmouth. And as always, he’s done it in a way that makes women want to simultaneously sleep with him and slap him in the face; and men want to pick a fight and sing along.
The songs on Loudmouth explore the reckless depths of a touring musician, the devastation of a broken heart, the irony of being in love with someone who treats you like shit and the whimsical inclinations of a temporary secretary who dreams of being an elevator operator.
“There is humor on this record, but there is a darkness that comes along with it. You’ll get an occasional laugh, but it won’t be free. And there is no love song. There are songs of lust, songs of loss and songs of longing, but no love song.”  Bianco, who has always been a fiercely independent artist, funded the record entirely through his fans.“With the decline in funding for the arts that we’ve seen over the past few years, and the fact that music is so accessible that it’s essentially free, I’m thankful that I can put out an album and tour independently with only the support of my fans. I’m grateful that, as an artist who has a direct relationship with his fan base, I can continue making the music that I like for the people who want it – all without a middle-man to muck up the process.”
Bianco’s fans are also grateful for the direct line they have to him.  But it’s not only about the music.  There’s a sensibility that Bianco radiates in all his art. “I began blogging from the road just to pass the time.  There’s something redemptive about having people read about my follies and laugh and cry along with me.”  Bianco’s writing has received such a positive response from fans that he is in the process of publishing a book of short stories, which he plans to sell on tour in 2011. As if that weren’t enough, Bianco has recently taken to writing, acting, directing and editing his own silent films, which have garnered not only the attention of his fans, but of cinephiles, including Lorenzo DeStefano, the head of the Ventura Film Society. "Jim Bianco's new silent films embrace and expand on a lost era of filmmaking...they illuminate the human spirit in a way that is honest, charming and at times quite profound."
But at heart, Bianco is a performer. And he’s no stranger to the stage, having toured with the likes of Squeeze, Shelby Lynn, Imogen Heap, Joshua Radin, Josh Ritter and Loudon Wainwright III, to name a few. He’s been part of the legendary Hotel Café tour since it’s inception. His live show can take you on a voyage through the weightlessness of falling in love, or into the dark, dirty depths of the red light district of your imagination. With a firecracker’s presence on-stage, vocal chords that crack the plaster, and an occasional burlesque dancer, it is truly a wonder to watch him command a room.  Over the years, Jim’s music has been featured in a wide array of formats from key placements on in films and high profile TV shows including True Blood, performances on late night’s Craig Ferguson and NPR’s Mountain Stage.
With Loudmouth, Bianco feels that his live show will be catapulted to a new level. “These songs demand more of me because of their candor,” says Bianco.  “ They require all the tricks of my past performances – the intensity, the burlesque, the gitter; but also a resounding honesty that I’ve realized is fundamental in all worthwhile performances.”
Loudmouth captures the playful wit and spirit that has always defined Bianco, but is a marked departure from his earlier works. There’s plenty of mischief on the record, but there’s a certain maturity too. Not the kind of maturity that involves mortgages or afternoon naps; but the kind that is required to create something timeless.
With Loudmouth, it’s as if Bianco has transformed himself from the juggling clown of the circus into to it’s ringleader. But make no mistake - he’s still in the circus.  And he wouldn’t have it any other way.
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Jim Bianco Tour Dates
Jan 20 - Rockwood - NY, NY
Jan 27 - Rockwood - NY, NY
Feb 4 - Rockwood - NY, NY

Masters of Reality Announce US Headlining Dates

n maps, or from the air, the Mojave Desert is usually deemed brown... a blotch in the lower stomach of California that bulges against Arizona and Nevada. For fifteen years, the Mojave Desert has been the adopted home of one songwriter / performer / producer who calls himself 'one half of Masters of Reality.' Meet Chris Goss. About 2,800 miles East by Northeast; New York City. Another man sits at the head of Manhattan's media design giant Spontaneous. Director / illustrator / songwriter / drummer, and former member of New York noise and space rock bands Surgery and Dr. Mars, he is the "other" half of Masters of Reality. Meet John Leamy.

For nearly 20 years, the intermittent and somewhat reclusive collaborative musical efforts of Goss and Leamy, collectively known as the avant-renegade rockers Masters of Reality, (a relationship that began with Leamy painting the cover of their very first Masters album), have changed the face and character of rock and roll music around the world. Hence, these two ain't part time hobbyists. Goss describes himself as a "parallel aesthetician." "Art and music can be loaded with aesthetic and esoteric nano-timebombs, each level of delivery and digestion can and should be emotionally manipulated and shaped for the future... and the best part is, no one knows what we're building because it will never be finished. Look how the world of food is fusing, well, that's happening to a million things simultaneously. Our brains and nervous systems, even in our rock and roll, hopefully."

They are what's called in the 'biz' as 'musician's musicians.' Goss explains "With John and I wrapped up in so much media production in our day to day lives, when we get together to record and tour a new 'Masters of Reality' album, it's the white rat thrown into the cage of two hungry pythons. It's nothing short of a quick ecstatic feast. We have absolutely no intentions other than making music that we want to hear, and other musicians definitely sense that wonderful freedom and experimentation and try to emulate it, to great profit. Proof of good design, I'd assume."

And if a band's musical history and credibility are still relevant in today's American Idol, vocal tuned, studio buffed pop world; Goss began working with music-mega-mogul Rick Rubin in the mid 80's by recording the longest running 'Top of the Hour' theme music for MTV. Followed shortly by the release of the first Masters of Reality LP on Rubin's Def American Records. Goss soon reformed the band's line-up to join forces with none other than Cream's Ginger Baker, a collaboration that lasted nearly three years and resulted in an LP that sent the single "She Got Me (when she got her dress on)" to Number 8 on the Billboard charts. Simultaneously, Goss began working and forming what's now known as the 'California Desert Rock Scene,' producing three legendary albums with Kyuss and soon after began producing and even giving the name Queens of the Stone Age to a young musical protege' Joshua Homme. A musical partnership that still exists now nearly 20 years later and the start of a production career that has made Goss one of the world's most sought after rock and roll studio wizards and songwriters. His collaborations include The Cult, Stone Temple Pilots, PJ Harvey, UNKLE, Mark Lanegan, SOULWAX, Dave Grohl, Marilyn Manson's Twiggy Ramirez and many many more, but it's Masters of Reality that delivers the true core of Goss' and Leamy's musical powers, and the reason that the musical world has been paying close attention for over two decades.

Both improvisation and rhythm have always been major components of the unmistakable Masters of Reality sound, but on their new album, ‘Pine/Cross Dover’ (the band's brand new, two-headed beast of a full-length recording), the group pits the finer elements of the Mahavishnu Orchestra and Public Image Limited against each other. The end result? A Masters of Reality album that rocks, rolls, and grooves like one devilish son of a gun.

Joining Goss and Leamy, includes a host of special guests, including Eagles of Death Metal bassist Brian O’Connor and guitarist Dave Catching, Merle Jagger guitarist Mark Christian, background singers Shawnee Smith and Missi Pyle, as well as former Queens of the Stone Age guitarist Brendon McNichol. With a tour currently being planned, it’s only a matter of time until the latest batch of Masters of Reality classics take on a new life on stage.

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Masters of Reality Live!

US Headlining Tour Dates

11/10/2010 - House Of Blues - Anaheim, CA
11/11/2010 - 4th & B Street - San Diego, CA
11/12/2010 - House Of Blues - Los Angeles, CA
11/16/2010 - El Corazon - Seattle, WA
11/17/2010 - Lola's - Portland, OR
11/20/2010 - Pappy & Harriets, Pioneertown, CA

UK Dates w/ The Cult

1/18/2011 O2 Academy Leeds, UK
1/19/2011 O2 Academy Bristol, UK
1/21/2011 Hammersmith Apollo London, UK
1/22/2011 Cambridge Corn Exchange Cambridge, UK
1/23/2011 O2 Academy Bournemouth Boscombe, UK
1/25/2011 Rock City Nottingham, UK
1/26/2011 Wolverhampton Civic Hall Wolverhampton, UK
1/27/2011 O2 Academy 2 Newcastle, UK
1/29/2011 Academy Glasgow Glasgow, Scotland
1/30/2011 Academy Manchester Manchester, UK