zonoscope

Cut Copy Release New Single, Announce European Tour Dates

Today, Cut Copy is proud to announce the release of the first commercial single from their new LP Zonoscope, “Take Me Over.” It’s available at all fine download outlets immediately, and will be dropped on 12” vinyl (with an awesome Alter sleeve) in the very near future. You can listen to it at SoundCloud.

In addition, we can now unveil the first leg of the massive Zonoscope World Tour, which will see the band traversing Europe.

The dates are as follows:

Thurs 3 March - Glasgow - Death Disco Special

Sat March 5th – Manchester – Now Wave @ Gorilla
Sun 6 March – London - The Forum
Tues 8 March - Oslo - Rockerfeller
Wed 9 March - Malmo - KB
Thurs 10 March – Copenhagen - Loppen
Fri 11 March – Stockholm - The Strand
Sat 12 March – Helsinki - House of Culture
Mon 14 March – Tallin - Rock Café
Wed 16 March - Berlin - Lido
Thurs 17 March - Koln - Gebaeude 9
Fri 18 March – Amsterdam - Melkweg
Sat 19 March - Paris - Nouveau Casino
Wed 23 March - Lisbon - Coliseum
Some tickets are still left for the Adelaide, Brisbane, and Perth stops, on the St Jerome’s Laneway Festival, which Cut Copy are headlining . The dates are below.
Fri 4 Feb – Brisbane – St Jerome’s Laneway Festival - Buy Tickets
Sat 5 Feb – Melbourne - St Jerome’s Laneway Festival - SOLD OUT
Sun 6 Feb – Sydney - St Jerome’s Laneway Festival - SOLD OUT
Fri 11 Feb – Adelaide - St Jerome’s Laneway Festival - Buy Tickets
Sat 12 Feb – Perth - St Jerome’s Laneway Festival - Buy Tickets
And if you feel like coming to Santiago, Chile for New Year's Eve...
Fri 31 Dec – Santiago, Chile @ Industria Cultural  - Buy Tickets
Zonoscope is out on Feb 4th in Australia, Feb 7th in Europe, and Feb 8th in North America.

Cut Copy Announce New Album, Zonoscope

Ladies and gentlemen please welcome back Cut Copy! Ever the gracious houseguests, they’re returning armed with their 3rd and most ambitious work yet, Zonoscope which will be released February 8, 2011 in North America.

Zonoscope is Cut Copy boiled down to their purest form, a suite of futuristic visions built upon primal rhythm tracks. It is at once their most immediate work to date but also their most sonically exquisite. “Take Me Over” perfectly encapsulates this, it’s chiming highlife guitars bouncing around tropical percussion reminiscent of an island holiday in a pop song.

Zonoscope was dreamt in the comedown of In Ghost Colours, the album which cemented Cut Copy as a global sensation. Their perpetual touring cycle found the band headline a stage at Lollapalooza, become the first Australian act to play Colombia since INXS, have fire marshals shut down an LA performance mid-set as crowds began to buckle the seams of the Henry Fonda Theatre and be raced to the Pitchfork Festival via police escort following a cancelled flight.

After over two years of exhilarating chaos, frontman Dan Whitford bunkered down at home to flesh out rough synth and vocal skeletons, before heading into the studio with the band to bring these textured grooves to life. Whitford describes the wonderland which he set out to create with Tim Hoey, Mitchell Scott and Ben Browning, “All the way along we had this weird vision of a tropical, jungle, tribal sound. A place or an idea that we wanted to reach with some of the songwriting; to explore a looping hypnotic trance and revise the whole palette of what Cut Copy was about.”

Recorded over a 6 month period in a warehouse space the band rented in Melbourne and mixed in Atlanta by Ben H. Allen (Animal Collective, Gnarls Barkley, Deerhunter), Zonoscope paints a mesmerizing picture, conjured by a band at the height of their powers.

You can watch the second installment of the Krozm documentary on the process of making the record, entitled "Skies of The Ape" where it premiered on SPIN or HERE. More music is revealed in this piece, which sees the band moving into their Christmas St recording warehouse, and all band members involved in the creative process.