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Ian Moore's 'El Sonido Nuevo' set for March release

El Sonido Nuevo, the seventh studio record from Austin-raised, Seattle-based singer-songwriter Ian Moore, bridges the gap between the stylistic offshoots of his past few records and the guitar-slinging bravado that characterized his earlier, often bluesier, output. “The album is a retrenching in the face of a diffuse pop culture landscape,” says Moore, now fronting power-pop trio the Lossy Coils for El Sonido Nuevo. “Every band has ten members, every movie is a sequel, there are 500 channels and nothing’s on.”

El Sonido Nuevo, due out March 8, 2011 on Seattle-based label Spark & Shine, distributed by Burnside Distribution, will be available in all formats including vinyl. Digital distribution on iTunes and the rest of the digital world will be through IODA. The iTunes release will have two bonus tracks not on the CD.  The trio will perform songs from the new collection at a handful of Texas and Oklahoma concert dates beginning on March 3, leading up to shows at South by Southwest (March 15–20, 2011) in Austin, Texas.

A certain sentiment rings out loud and clear, from the opening track, “Secondhand Store,” right on through the album: “We wrote it after South by Southwest when we were dealing with that onslaught of hipsters taking over the East Side of Austin — everybody has an angle and nobody seems to be actually doing anything,” says Moore, whose songwriting lets loose lyrics peppered with relevant and provocative topics. “It’s a mish-mash of jaded feelings in a dark moment.”

The Lossy Coils, formed in Seattle in the mid-2000s, features Moore, bassist Matt Harris (Oranger, Posies), and drummer Kyle Schneider (Johnny Goudie). The album was co-written with Harris, who has also played with Roky Erikson and Pavement’s Spiral Stairs. With Moore’s inspiring guitar work leading the way, El Sonido Nuevo alternates between rockers and ballads, pure songs and pure sounds, with a lush pop introduction that follows the same Beatles-by-the-way-of-Big Star thread that has informed the best work of contemporaries like Wilco.

Moore, a prodigy of self-invention, has built a career following his artistic instincts, which hasn’t always worked from a business perspective. Still, he’s been steadily accruing fans by staying on the road doing everything from solo acoustic shows to full band gigs in the U.S. and abroad. Moore’s skilled musicianship has been requested by many of his stylistic forefathers. Milestones include playing “Like a Rolling Stone” on the road with Bob Dylan, drinking goblets of wine and trading guitar riffs with Keith Richards on tour with the Rolling Stones, exchanging mix tapes with Paul Weller, performing “Whisky River” with Willie Nelson, singing a duet with Emmylou Harris, and backing artists as divergent as Roky Erikson and Jason Mraz.

Moore’s pared-back band on the record was a purposeful step into stripping away artifice and décor.  The songs on El Sonido Nuevo are simple and direct. Previously Moore might have been inclined to layer sonics and complex arrangements; here the record is straightforward, the songs clean and without ornamentation. Moore returns to the boundaries of what he can do with six strings and his largely unsung, soulful voice.

Born in Berkeley, Calif., Moore grew up in Austin, Texas, and made his mark there in the early ’90s as a blues-guitar virtuoso. Early sideman duty for Texas roots legend Joe Ely led to a 1993 self-titled solo record on Capricorn that propelled Moore to those critical opening gigs for the Stones and Dylan, as well as a notable appearance in Billy Bob Thornton’s indie hit film Slingblade. Moore’s broad palette of influences and interests was further explored in the video for “Harlem,” directed by rapper and actor Ice Cube.

Critics have long loved Moore’s studio output: Dave Hickey in Art in America magazine called his Modernday Folklore “one of the best moments in contemporary art in 1996,” while Harp magazine observed, “Since the early ’90s the native Texan has refused corporate molding in favor of freedom and the artistic rewards are staggering.” Moore’s 2004 release Luminaria received numerous accolades, including from Billboard’s Chris Morris, who noted, “The burden of the contemporary singer/ songwriter is in formulating a sound that is completely unique. With Luminaria, Ian Moore accomplishes just that.” And of his most recent release, 2007’s To Be Loved, All Music Guide wrote, “Moore has created a brand of challenging yet highly melodic new-millennium pop-rock that establishes him as an audacious songwriter and player. He has struck that rare balance between astute complexity and utter pop appeal.”

Moore has been placed into the circle of guitarist-songwriters likes Mayfield, Hendrix, and Buckley, “where pop isn't a dirty word and where music comes straight from the soul.” He has made hundreds of television appearances, from regional TV shows to the Today show and the Late Show With David Letterman to a one-hour Direct TV special, while avid watchers of American Idol have seen contestants cover Moore’s songs “Blue Sky” and “Satisfied.” And the Austin Music Awards have repeatedly voted him Best Singer, Musician and Band.

The manner in which Moore has moved across styles and cultural boundaries has rallied critics but, sometimes, confused his longtime fans. On El Sonido Nuevo, the blues and rock guitar he’s best known for is back, bolstered by confident songwriting and the absorbed echoes of those influences and stylistic adventures.

With El Sonido Nuevo, Moore’s musical journey bands together all these disparate influences with a confidence, subtlety, depth and, some would argue, a return to form on the guitar.

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Tour dates:

Thurs., March 3  CORPUS CHRISTIE, TX House of Rock
Sat., March 5  AUSTIN, TX Continental Club
Sun., March 6  AUSTIN, TX Waterloo Records in-store
Sat., March 12  HOUSTON, TX Continental Club

Stanton Moore Trio at the Boulder Theater - 12.02

Z2 Entertainment is proud to present Stanton Moore Trio featuring Will Bernard and Wil Bladesat the Boulder Theater on Thursday December 2nd.

Born and raised in New Orleans, Stanton Moore is a dedicated drummer and performer especially connected to the city, its culture and collaborative spirit. Driven and inspired by the thriving music scene of his hometown which includes such greats as Professor LonghairDoctor John and The Meters, Moore’s name is now mentioned amongst these Big Easy mainstays.

In the early ‘90s, Moore helped found the New Orleans-based essential funk band Galactic. Their first album, 1996’s widely acclaimed Coolin’ Off, led to an intense tour schedule of nearly 200 gigs a year for the next ten years. Building on their fan base by adding an esteemed list of all-star collaborations to the six albums that followed, Galactic continues to amass a worldwide audience via recording and touring globally.

Moore launched his solo career in 1998 aided by eight-string guitar virtuoso Charlie Hunter and saxophonist Skerik (Les Claypool, John Scofield, Roger Waters). The group recorded All Kooked Out! featuring a handful of local New Orleans musicians as well.

In the midst of these recording sessions yet another concept was taking shape. Outtakes turned into the first Garage a Trois release, Mysteryfunk (1999). In 2000 the trio, led by Moore behind the drum kit, was joined by percussionist Mike Dillon (Les Claypool, Ani DiFranco) and has since released three more albums – Emphasizer in 2003, Outre Mer in 2005 and Power Patriot in 2009.

Moore extended his solo discography with the release of Flyin’ the Koop (Verve/Blue Thumb) in 2001, and III (Telarc) in 2006. Following the latter Modern Drummer called Moore’s trademark sound “infectious, jazz-meets-Bonham, nouveau second-line.” Recorded at the legendary Preservation Hall in New Orleans, III featured organist Robert Walter (Greyboy Allstars, The Head Hunters) and guitarist Will Bernard (T.J. Kirk, Doctor Lonnie Smith) as the Stanton Moore Trio, with special guests Skerik and trombonist Mark Mullins (Galactic, Bonerama, Harry Connick, Jr., Better Than Ezra).

In 2008, Moore looked to continue his scaled back session crew with Walter and Bernard to record Emphasis! (on parenthis). Says Moore, “When it came time to do another record, I had already known for a while that I wanted to build on the momentum of this band – three musicians who were becoming a unit unto themselves – and I wanted to get a little more adventurous with the music itself.”

In April 2010, Moore releases Groove Alchemy. The 12-track set is the culmination of Moore’s multimedia project that also includes an instructional book and DVD of the same name. All three facets of the project are designed to explore the roots of funk drumming by examining the work of pioneers like Jabo Starks, Clyde Stubblefield, and Zigaboo Modeliste – each of whom made their mark at different times throughout the 1960s as the engines driving James Brown’s and the Meters’ legendary rhythm sections – and in turn tracing their influences back to the rhythms coming out of New Orleans in the earlier part of the 20th century. Recorded at Levon Helm’s studio in Woodstock, NY, this project is the follow up to the widely acclaimed Take it to the Street DVD and book that focused specifically on New Orleans drumming styles.

Showing his outstanding versatility, Moore has appeared on Heavy Metal Grammy nominees Corrosion of Conformity’s In the Arms of GodIrma Thomas’ After the Rain (winning a grammy in the process), Robert Walter’s Super Heavy OrganTom Morello (Rage Against the Machine) and Boots Riley’s (the Coup) Street Sweeper Social ClubWill Bernar & Diane Birch’s Bible Belt, Alec Ounsworth’s (Clap Your Hands Say Yeah) Mo Beauty.  He continues to play dates globally with an ever-evolving cast of musicians including John Scofield; Karl Denson; George Porter, Jr., and Leo Nocentelli (of the Meters); Charlie Hunter; Warren Haynes; John Medeski and Chris Wood (of Medeski, Martin and Wood); Donald Harrison Jr.; Dr. Lonnie Smith, Dr. John, Tab Benoit, Robert Walter; the New Orleans Klezmer All-Stars and the Preservation Hall Jazz Band to name a few.

With a bachelor’s degree in music and business from Loyola University, Moore stays involved in education by constantly giving clinics and teaching master classes and  private lessons all over the world. He has been a contributing writer for Drum!, Modern Drummer, and DownBeat magazines here he was featured on the covers of more than six drum publications. In 2005, he launched a signature line of cymbals with Bosphorus Cymbals and a signature drumstick with the Vic Firth stick company.  In 2009, Moore developed his own drum company to introduce his signature titanium snare drum that he designed in conjunction with Ronn Dunnett.

Deeply affected by Katrina and its aftermath, New Orleans’ native son was quick to lend a hand by spearheaded the Tipitina’s Music Workshop, free Sunday seminars that cater to children and a rotating cast of well-known professionals to promote the preservation of New Orleans music.  He also set up the Staletta Fund, a scholarship started by he and his wife Aletta to help cover costs for aspiring students to attend jazz camps, auditions and further their education.

Moore stays active as a spokesperson for the Gulf Restoration Network and is a regular proponent of and player with the Voice of the Wetlands All-Stars. Additionally he serves on the board of directors for the Roots of Music, a free music education and academic mentoring program founded by Derrick Tabb, drummer for Rebirth Brass Band and recent nominee for CNN’s Heroes awards.



Galactic’s next record Ya-ka-may will be released February, 2010, and Moore steps into the role of producer on Anders Osborne’s next record due out next Spring.

Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale Now!

$15.50 adv / $19.25 dos

+ $2.00 for under 21 tickets