political

Ziggy Marley at Fox Theatre | 10.09.11

Z2 Entertainment is proud to present Ziggy Marley at the Fox Theatre on Sunday, October 9th.  Tickets will go on sale to the public on Friday, August 19th for $31.00 in advance and $33.50 day of show.

“This album is from my heart,” says Ziggy Marley of his second solo album, Love is My Religion (Tuff Gong Worldwide).  Embracing both the spiritual and emotional side of life, Ziggy has definitively come into his own as an artist.  The twelve-track album, released early July, showcases Ziggy’s tightly rolled talents as a songwriter (writing all cuts), musician (playing most of the instruments) and producer (shepherding all dozen tracks, with three co-produced by Grammy winner Ross Hogarth).  The only thing more joyful than making it, says Ziggy, is the anticipation of the global tour he expects to kick off this summer.

Written “all over the world,” Love Is My Religion expands upon the personal, social and political themes explored in Ziggy’s debut CD, Dragonfly. Its musical center is clearly reggae, peppered by African percussion and other flavors.  Opening with the subversively danceable “Into the Groove,” Ziggy delves into an upbeat meditation on finding one’s self.  On the title track, “Love is My Religion,” his message is one that “people need to hear,” a unifying devotion to love that “needs to be preached in churches and mosque and synagogues.”  The notion of overcoming stereotypes and superstition informs the slinky “Black Cat,” while the romantic “Make Some Music” finds a partner in the mid-tempo “A Lifetime.”

Friendship is one of the album’s recurring themes, whether as the core of monogamous love or the connective tissue of global brotherhood.  “Friend” and “On the Beach in Hawaii” each offer an ode to love.  In “Keep on Dreamin’,” Ziggy extends the idea into the spiritual world, reconnecting with his father through dreams.  The album’s most political song, “Be Free,” implores the listener to reject the manipulating power of fear.  Slavery and its continuing effects are explored on “Still the Storms,” which laments the crises in nations like Sudan, Rwanda and Sierra Leone by analogizing the path of hurricanes with the path of slave ships.  The album closes with the simple and the complex: an acoustic guitar version of “Love Is My Religion” and a bass-heavy, trip-hop mix of “Be Free.”

After two decades as the driving creative force behind The Melody Makers – a triple Grammy winning act, Ziggy released his debut solo album in 2003, Dragonfly, which featured such guest artists as Flea and John Frusciante (Red Hot Chili Peppers), Mike Einziger and DJ Kilmore (Incubus).  He has contributed to a variety of soundtracks including 50 First Dates and Shark’s Tale, in which he delved into acting for the first time, playing the character of Bernie, the Jamaican jellyfish.

In addition to his musical skills, Ziggy founded U.R.G.E. (Unlimited Resources Giving Enlightenment), a non-profit organization that benefits a wide range of charitable children’s causes in Jamaica, Ethiopia and other developing nations.  More recently he has thrown his support behind the Youth AIDS campaign.

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Ziggy Marley

Fox Theatre

Sunday, October 9th

Doors: 7:00 pm

Show Time: 8:00 pm

Delta Spirit

Now that fans have had the chance to soak in Delta Spirit’s sophomore LP, History From Below, songwriter and multi-instrumentalist Kelly Winrich relishes performing a barrage of live tracks on the band’s national tour. Hot off the presses, Delta Spirit’s forthcoming EP, Waits Room, was recorded in an old chicken coup to harness a vibe of honest, classic Americana.  The unique atmosphere of this “boiler room” studio, bounded by a stunning cornfield mosaic, once provided inspiration for Tom Waits’ Mule Variations.  On “The Flood,” Delta Spirit treats us to a bluegrass drenched biblical tale laden with golden three part harmonies. “My Dream” is a lyrically focused, instrumentally deconstructed Vazquez number. When Delta Spirit encountered trouble in pressing the vinyl EP, they called in a favor to bootlegging buddy Jack White, who graciously spun off a few hundred copies.

Despite a reputation for embarking on long, grueling, coast-to-coast tours, Delta Spirit is no lone wolf, but rather sees itself as part of a broader artistic community.  Drawing inspiration from friends, family, and fellow musicians, the Long Beach, the California based group touts the deep impact of hearing news sounds from local bands. And heads up, Brooklyn! Delta Spirit shouts out the East Coast scene in “Bushwick Blues.” Migration in store? Winrich says don’t count it out, as several of his band mates are flirting with the coastal shift.

Though not looking to register as a political or religious force, several of the band’s songs carry social messages alerting audiophiles to some of the pressing issues of our day. “Streetwalker,” off Delta Spirit’s inaugural EP, chronicles the dark human trafficking industry. “French Quarter” dives into the ugly aftermath of Hurricane Katrina, while “911” has an ironic, Woody Guthrie “Jolly Banker” vibe. While it’s easy to pass blame by writing and singing about our societal ills, Winrich cautions against using the stage as a platform to pound fans with ideology by preach political views. He feels artists ought to express sincere and meaningful sentiment, and holds that real progress necessitates direct communal action.