kiss

Lady Antebellum Reveals New Album Details!

Multi-PLATINUM country music group Lady Antebellum is sharing new details today on their forthcoming third Capitol Nashville studio album OWN THE NIGHT, in stores Sept. 13.

After sweeping the 2011 GRAMMY Awards earlier this year, the singer/songwriters returned to Nashville to focus on writing and recording the follow up to their top selling NEED YOU NOW.  The trio penned 10 of the new disc’s 12 tracks, including their fastest rising and current Top 10 single “Just A Kiss.”  Collaborating again with veteran producer Paul Worley, Lady Antebellum’s Dave Haywood, Charles Kelley and Hillary Scott also return as co-producers.

"We're definitely more in tune with each other musically and personally than ever," said Haywood. "It's an exciting place to be. This album was created from the ground up—we are writing these songs, playing these instruments and creating these arrangements.  With OWN THE NIGHT, more than ever before, I think we share a real feeling of accomplishment both as a band and as friends.”

"Our only hope and expectation for this record is that it will build on the first two," adds Charles Kelley.  "At the end of the day, we just want our fans to be able to say that we continue to give them solid albums with solid songs they can enjoy from start to finish."

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OWN THE NIGHT Track List:

1. We Owned The Night

2. Just A Kiss

3. Dancin’ Away With My Heart

4. Friday Night

5. When You Were Mine

6. Cold As Stone

7. Singing Me Home

8. Wanted You More

9. As You Turn Away

10. The Love I’ve Found In You

11. Somewhere Love Remains

12. The Heart Of The World

Iron & Wine @ the Boulder Theater | 06.04.11

97.3 KBCO & Z2 Entertainment are proud to present Iron & Wine at the Boulder Theater on Saturday, June 4th, 2011.

Over the course of his ten-year career, Iron & Wine’s Sam Beam has become one of today’s greatest story tellers, crafting meticulous tales full of forlorn love, religious imagery and wistful dreams.  It’s been more than three years since his last studio effort, The Shepherd’s Dog, which was widely praised by fans and critics alike. While Beam’s early albums were sparse, intimate solo affairs, Shepherd’s introduced layered textures and poly-rhythmic sounds that allowed his lyrics to spring to life. It’s only natural then, that Beam took this sonic collage and built upon it for his new album, Kiss Each Other Clean. The result is a brighter, more focused record that retains the idiosyncratic elements that make Iron & Wine such an engaging band.

Beam continued to mine folk, African, rock, country, and Jamaican musical traditions, but switched the focus of his studio lens to 60s and 70s pop influences for the Kiss Each Other Clean sessions. Mingling memories of his parents’ record collection and hits heard between the static of scanning the car radio on family drives for inspiration, Iron & Wine is once again pushed into new territory. Multi-part vocal arrangements reminiscent of Buckingham / Nicks era Fleetwood Mac albums and classic Motown singles permeate “Half Moon” and “Godless Brother.” Electronic synthesizer sounds percolate through “Monkeys Uptown” and “Glad Man Singing” recalling the adventures of Elton John and Stevie Wonder. The horn sections on “Big Burned Hand” and “Lazarus” match the confidence of Beam’s vocal delivery and bring an entirely new dimension to Iron & Wine. Kiss Each Other Clean’s dynamics and surprises are the latest chapter in Beam’s studio collaborations.

Producer Brian Deck returned for the Kiss Each Other Clean sessions, continuing the creative partnership that he and Beam have developed over the course of three albums. The comfort level and respect found between Deck and Beam allows for a unique working relationship where they push each other to experiment, while still letting the songs naturally evolve in the studio. The Shepherd’s touring rhythm section Matt Lux, Ben Massarella (Califone), and Chad Taylor (Chicago Underground Duo) arrived early for live recording of basic tracks at Chicago’s Engine Studios and overdubs continued for about a year. Joe Adamik (Califone), Jim Becker (Califone), Thomas Bartlett (Doveman), Stuart Bogie (Antibalas), Rob Burger and Sarah Simpson round out the other musicians brought into the sessions to complement and fully realize the songs on Kiss Each Other Clean.

Kiss Each Other Clean’s profound artistic statement continues to move the listener’s expectation forward with regard to what one can expect from Iron & Wine. Beam’s masterful storytelling and musical experimentation relies on the conflict from combining the happy and the sad, the heavy and the light, and creating an ongoing narrative between the artist and the listener. It’s the blending of all of these elements that allows Kiss Each Other Clean the versatility to paint a true portrait of life.

Kiss Each Other Clean was recently released on January 25th, 2011 on Warner Bros. Records.

For more information, visit www.ironandwine.com

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Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale Friday March 4th!

$32.50 adv / $35.00 dos

G. Love To Release New Album Produced By The Avett Brothers

G. Love's new album, Fixin’ To Die, is set for release on February 22nd on Brushfire Records. Recorded at Echo Mountain Studios in Asheville, NC, and produced by Scott and Seth Avett (The Avett Brothers), this new body of work is arguably G. Love’s most sincere and candid work to date. After a chance meeting in Boston last fall, G. Love and The Avett Brothers forged a friendship and bonded over their love of back road blues.  After performing together onstage and discovering their shared musical heritage, G. Love invited Scott and Seth Avett to not only produce his new album, but perform on it as well.
The result is Fixin’ To Die, a collection of G. Love originals, rearranged traditionals, and a classic cover, many simmering for over a decade, all sharing a common goal: to strip away all pretense and capture the original spirit and sound G. Love has cultivated over his entire career but never fully embraced until now. From the ragged jangle of its opener “Milk & Sugar” and floorboard stomp of Bukka White’sFixin’ To Die,” over the loping lilt of “Home” and longing for “Katie Miss,” through the greasy fried “Get Goin’” and moonshine reverb of “Heaven,” to the hip shake hootenanny in Paul Simon’s infamous kiss off “50 Ways to Leave Your Lover,” G. Love and The Avetts deliver a life lesson in how to find a song’s sweet spot.
It was an emotional recording session and I was truly blown away by the level of focus, care and passion Scott & Seth brought to it.  It was a tremendously positive and encouraging experience. This is the most inspired I’ve ever felt making a record,” G. Love said.
As Scott Avett says, “There’s a little bit of this record on all the previous G. Love records, you just had to look for it. This is the record we all knew he should make and he could make, but again, he had to open himself to the core to make it. That’s the difference.”
G. Love will tour the U.S. extensively in support of Fixin’ To Die in 2011.

RAQ Shines at the Green Apple Music Festival

"Conformity is nice but it will never tell you twice to live for fun!!!" - Stoops