musical

Ornette Coleman Receives Honorary Doctorate of Music from the University of Michigan

Music legend Ornette Coleman received an honorary doctorate of music from the University of Michigan in Ann Arbor.  The Department of Jazz and Contemporary Improvisation of the School of Music, Theatre and Dance congratulates Mr. Coleman on this great honor, his 80th birthday, and for being one of the most important musicians and innovators of the twentieth and twenty-first centuries.  The event also included a commencement address by President Barack Obama.

THE OFFICIAL CEREMONY TEXT

“Mr. Coleman, your performances and your path-breaking theories of jazz and music have transformed how musicians play and what listeners hear.  Your self-taught musical education blossomed into a radically novel sound, giving the world musical styles it had never heard before.  In your long career of ongoing creativity, you have played a vital role in preserving and enhancing America’s cultural legacy, and you have cultivated the talent of the future.  The University of Michigan is proud to present you with the honorary degree, Doctor of Music.”


MORE ABOUT ORNETTE COLEMAN

Ornette Coleman is a leading composer and performer of jazz, whose remarkable artistry is admired around the world.  Born in Fort Worth, Texas, in 1930, he taught himself how to play the saxophone and had formed his first band by the age of fourteen.  After touring with a traveling ensemble, he moved to Los Angeles and began to teach himself music theory while working as an elevator operator.  During this period, he performed with a rehearsal ensemble that allowed him to experiment with the new theoretical concepts he was developing.  The result of his self-study was a new freedom in jazz performance that has been described as a radically new concept and style that originated from his musical intuition, combining southwestern country blues and his own highly personal interpretations of music theory.  The compositional voice that Mr. Coleman developed in the 1950s would remain his trademark style and sound throughout his career.  The first of his many influential albums was recorded in 1958, released under the title Something Else, which launched him as a major innovator of jazz, leading to many more albums and a famous breakthrough engagement at the Five Spot Café in New York City, where he moved permanently.  His music, freed from the conventions of harmony, rhythm, and melody, both polarized and transformed the jazz community, and he devoted decades to understanding and discovering the shape of not just jazz, but all music to come.  At the core of his music is his theory of Harmolodics, which addresses the question of the sound and performance of music beyond the melody.  Beyond the twenty albums he released in the 1960s, Mr. Coleman also began to write string quartets, woodwind quintets, and symphonies based on his pioneering theories of musical composition.  His remarkable contributions to music have been recognized by a multitude of honors, including several honorary degrees, appointment as a MacArthur Foundation Fellow, induction into the American Academy of Arts and Letters, and the presentation of the prestigious Praemium Imperiale Award of the Japanese government.  In 2007 he was honored with a Grammy Lifetime Achievement Award, and won the Pulitzer Prize in Music in 2007 for his album Sound Grammar.  In 2009 he became the 16th musician in history to be presented with the Miles Davis Award, in recognition for his regeneration of the jazz idiom.  His recent 80th birthday in March was marked with a variety of tributes, from articles, to concerts, to all-day broadcasts of his music.

The Fabulous Thunderbirds to play Greeley Blues Festival

For over thirty years, The Fabulous Thunderbirds have been the quintessential American band. The group's distinctive and powerful sound, influenced by a diversity of musical styles, manifested itself into a unique musical hybrid via such barnburners as “Tuff Enuff” and “Wrap It Up.”

Founding member Kim Wilson spearheads the group as it evolves into its newest incarnation. “We started as a straight blues band.” vocalist and harmonica player Wilson says. “We now incorporate a mixture of a lot of different styles. We're an American music band and we're higher energy than ever before.” The Fabulous Thunderbirds features Jay Moeller on drums, Johnny Moeller and Mike Keller on guitar, and Randy Bermudes on bass.


Wilson’s musical talents have garnered him multiple Blues Awards and Grammy Nominations. The Blues Foundation 2008 blues Music Awards named Wilson "Instrumentalist - Harmonica" category.  In 2006, he was named “Contemporary Blues Male Artist of the Year” in 2006, and “Lookin’ for Trouble!” was named Blues Song of the Year in 2004. Wilson has contributed to the work of many other great artists such as the legendary Muddy Waters (who called him his “son”), contemporary artist Bonnie Raitt, guitar legends Stevie Ray Vaughn and brother Jimmy Vaughn, and Martin Scorsese’s movie “The Blues." With his current movie project “Cadillac Records,” Wilson continues to focus on the music he loves.

With over 20 albums recorded and millions sold, Kim Wilson and The Fabulous Thunderbirds tour the world performing their own unique style of music. Ranging from pop anthems like “Powerful Stuff” which was featured in the Tom Cruise movie “Cocktail," to the low down blues of "Chicago," this brand of honest music brings fans back time and again.

Having shared the stage with The Rolling Stones, Joe Cocker, Carlos Santana and blues legends BB King and Buddy Guy and countless others, The Fabulous Thunderbirds continue to tour Europe and the North America, bringing more great music to their fans worldwide.



The Fabulous Thunderbirds will be playing the Greeley Blues Festival, at the Island Grove Arena, 425 North 15th Ave., in Greeley, on June 12 at  7:25 PM.



The Festival runs June 11 and 12, and tickets are  $25 in advance, $30 at the gate.  There are also limited prefered seating passes available for $50. Children under 12 are admitted for free.  For more information, please call 970-356-5000. Call the Chamber at 800-449-3866 for booster packet phone orders.  The web site is http://greeleybluesjam.wordpress.com/.

Shakedown Street: 9-6-83 Red Rocks

In the live music venues of the Rocky Mountain region, there are only a few bands that consistently draw large crowds. One of the more notorious is Shakedown Street. By virtue of their success, they have proven that Grateful Dead music is an American musical institution that is rallied by hundreds of thousands and hard to resist . By necessity and demand, there are literally dozens of Grateful Dead cover bands in this country. However, Shakedown Street has garnered a national reputation as being the mother of all Dead bands!!

Shakedown Street has provided a musical and spiritual public service for "deadheads" for over 23 years. The Band has performed numerous times with former members of the Grateful Dead including; Vince Welnick (keyboards), Tom Constanten (Keyboards), Melvin Seals (B3 for JGB) and Bob Bralove (the Dead's longtime sound designer.) Shakedown Street has also played with and opened for many national acts including three shows with Hot Tuna, twice with the J.G.B. Band, twice with The David Nelson Band, Merl Saunders and the Rainforest Band, several shows with Spirit, Mitch Ryder and the Detroit Wheels, Jerry Jeff Walker, Big Brother and the Holding Company, Arlo Guthrie, The Fabulous Thunderbirds, and The Colonel.

Colorado Daily presents:

Shakedown Street: 9-6-83 Red Rocks | June 12, 2010, 9:00 pm

More Info / Buy Tickets

National Jazz Museum in Harlem 2010 June Schedule

Our June 2010 schedule includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century.

On the performance tip, Craig Harris will let his horn do the talking as he headlines the first Harlem in the Himalayas concert of the month, followed by the sax/piano duo of Loren Stillman and Russ Lossing in the intimate performance space at the Rubin Museum of Art. We're also devoting a Saturday afternoon to piano jazz, on the Steinway piano of Dick Katz, in honor of whom the musicians will play in a range of stylistic approaches that Katz performed with aplomb for 50+ years.

Consider donning your dancing shoes for two nights of jazz-influenced music to dance to! The Afro-Cuban tradition will be celebrated for Jazz at the Dwyer, with David Oquendo and Havana 3. A special collaboration with the Riverside Theatre features percussionist Vanderlei Pereira  binding the ties between jazz and Brazilian music with groove and soul.

Tuesday, June 1, 2010
Jazz for Curious Listeners
Hear Me Talkin' To You: Jeremy Pelt
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Tonight young trumpet master Jeremy Pelt will confront topics not usually addressed by musicians and the jazz public, as we pursue a month-long consideration of jazz in the 21st century.

Jeremy Pelt arrived in New York in 1998 after graduating from Berklee College of Music. Once he got there, it wasn't long before he started being noticed by a lot of top musicians in the city. His first professional Jazz gig was playing with the Mingus Big Band. That gig lead to many long lasting associations with many of the talent in the band, and a great opportunity for growth. Since his arrival, he has been fortunate enough to play with many of today's and yesterday's Jazz luminaries, such as Jimmy Heath, Frank Wess,Charli Persip, Keter Betts, Frank Foster, John Hicks, Ravi Coltrane, Winard Harper, Vincent Herring, Ralph Peterson, Lonnie Plaxico, Cliff Barbaro, Nancy Wilson, Bobby Short, Bobby "Blue" Bland, The Skatalites, Cedar Walton, and many, many more. Jeremy has also been featured in a variety of different bands, including the Roy Hargrove Big Band, The Village Vanguard Orchestra, the Duke Ellington Big Band. Currently, he is member of the Lewis Nash Septet, and The Cannonball Adderley Legacy Band featuring Louis Hayes.

His work earned him a huge write-up in the Wall Street Journal by legendary Jazz writer and producer Nat Hentoff. His performances have received rave reviews from publications around the world.

After a reading of Pelt's biography and discography, it's easy to see why Pelt was voted Rising Star on the Trumpet five years in a row by Downbeat Magazine and the Jazz Journalist Association!!

Thursday, June 3, 2010

Harlem Speaks
Craig Harris, Trombonist/Composer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

When Craig Harris exploded onto the jazz scene in 1976, he brought the entire history of the jazz trombone—from the growling gutbucket intensity of early New Orleans music through the refined, articulate improvisation of the modern era set forth by J.J. Johnson, into the confrontational expressionism of the '60s avant-garde.

Yet the contemporary music world quickly realized that his talents went far beyond his superb skills as a trombonist. While he performed with a veritable Who's Who of progressive jazz, including Sun Ra, Sam Rivers, Lester Bowie, Abdullah Ibrahim, Makanda Ken McIntyre, Jaki Byard, Cecil Taylor, Muhal Richard Abrams, and so on, his own projects displayed both a unique sense of concept and a total command of the sweeping expanse of African-American musical expression.
Those two qualities that have dominated Craig's past two decades of activity, bringing him far beyond the confines of the jazz world and into the sphere of multimedia and performance art as composer, performer, conceptualist, curator and artistic director.

In tonight's Harlem Speaks discussion, Harris will venture forth on his life and career, especially as it intersects with Harlem, where he has lived since 1976.

"I used to visit Harlem a lot before moving here. I went to Paris in July 1976 and returned in October 76. I walked the street with Sun Ra back then. I worked in Aaron Davis Hall. I did a piece entitled 'Brown Butterfly,' based on the physiology of Muhammad Ali, which included seven dancers and seven musicians," said Harris, who more recently composed a long-form composition on Harlem called the TriHarLenium. "I sought to capture the beauty, history and culture of a people who have always been originators. Harlem is currently undergoing gentrification and transition so I wanted to share its history through my TriHarLenium composition with Harlem's people."

Monday, June 7, 2010

Jazz for Curious Readers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

In an excellent overview of the oeuvre, themes, and achievements of renowned contemporary author Peter Straub, writer Stefan Dziemianowicz calls Straub "a jazz stylist of modern horror. Like the musicians whom he references frequently in his stories, he works at an art with deep-rooted traditions that he respectfully acknowledges. But also like those musicians, Straub works tirelessly to extend the range of those traditions, pushing them boldly into hitherto unexplored territory."  Critics and fans alike appreciate that Straub is knowledgeable of horror standards since his fiction abounds with ingenious riffs and variations on its classic themes. Yet he is also a restlessly imaginative artist who synthesizes original and deeply personal creations from seemingly disparate elements of his compositions as well as a versatile improviser who never approaches recurring ideas in his work the same way twice.

Straub came to writing horror by way of mainstream fiction, and he is arguably the most literary of contemporary horror writers, with influences that range from D. H. Lawrence to Vladimir Nabokov and John Ashberry. He was an established poet with two volumes of verse to his credit when his first novel, Marriages, was published in 1973. Like his second-written novel, Under Venus (not published until 1984), it was very much a tale of its time, concerned with characters in the grip of midlife emotional and spiritual crises and set in a realistically imagined post-1960s milieu. In much of his fiction to come, Straub would show readers that supernatural experience is an effective tool for expressing states of intense emotion.

But as with the greatest jazz artists, Straub's fiction moves beyond the bounds of simple genre. Jazz itself is a theme around and through which Straub plays variations, as in the title of his path-breaking 1988 novel, Koko. And in a brilliant interview with writer David Mathew, Straub discusses the origin of his novella story-within-a-story, "Pork Pie Hat," and gives a taste of the feeling tones in store for our talk with him tonight.

"The inspiration for Pork Pie Hat came from a long moment in a videotape of 'The Sound of Jazz,' a live television broadcast in 1957 or 1958 that assembled a lot of great jazz musicians in a studio and let them play whatever they felt like for the space of an entire hour. Just before its conclusion, Billie Holiday sat perched on a stool to sing a blues she had written called "Fine and Mellow" at the center of a circle made up of heroic figures like Ben Webster, Vic Dickenson, Jo Jones, Coleman Hawkins, Roy Eldridge, Rex Stewart, and - above all - the tenor saxophonist Lester Young, then only months from the end of his life and in terrible shape. Billie sang a chorus, two musicians played a chorus apiece, Billie sang another chorus, and so on...

"Lester Young wandered into view at the beginning of the second go-round. Someone had to give him a push in the back to get him on his feet and moving toward the microphone. You can see him lick his reed and settle the horn in his mouth. What he plays is one uncomplicated chorus of the blues that moves from phrase to phrase with a kind of otherworldly majesty. Sorrow, heartbreak, and what I can only call wisdom take place through the mechanism of following one note, usually a whole note, with another one, slowly. There he is, this stupendous musician who had once transformed everything about him by the grace of his genius, this present shambles, this human wreckage, hardly able to play at all, delivering a statement that becomes more and more perfect, more and more profound as it advances from step to step. I cried every time I watched it, and I watched it over and over. I played it for my friends and made them watch it. Eventually, I wondered: what could lead a person to a place like that, what brought him there? That was the origin of Pork Pie Hat."

Tuesday, June 8, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Nicholas Payton
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Considered by many the premier jazz trumpeter of his generation, Nicholas Payton is also an outspoken thought leader among his peers. His musings via blog, or his pithy questions and insights via Facebook are evidence of a deep, provocative thinker.

The son of bassist and sousaphonist Walter Payton, he took up the trumpet at the age of four and by the time he was nine he was playing in the Young Tuxedo Brass Band alongside his father. Upon leaving school, he enrolled first at the New Orleans Center for Creative Arts and then at the University, where he studied with Ellis Marsalis.

After touring with Marcus Roberts and Elvin Jones in the early 90s Payton signed a recording contract with Verve; his first album, From This Moment, appeared in 1994. In 1996 he performed on the soundtrack of the movie Kansas City, and in 1997 received a Grammy Award (Best Instrumental Solo) for his playing on the album Doc Cheatham & Nicholas Payton. After seven albums on Verve, Payton signed with Warner Bros. Records, releasing Sonic Trance, his first album on the new label, in 2003. Besides his recordings under his own name, Payton has also played and recorded with Roy Haynes, Wynton Marsalis, Christian McBride, Joshua Redman, Roy Hargrove, and Joe Henderson.

In 2008, Payton became part of The Blue Note 7, a septet formed that year in honor of the 70th anniversary of Blue Note Records. His own latest release, Into the Blue, is a collection of ten tunes steeped in melody and groove that Nicholas says “embodies the sensibilities of beauty, elegance and simplicity” and delivers “danceable tempos.”

Tonight's discussion is the first of two consecutive Jazz for Curious Listeners he's leading . . . don't miss this chance to engage with a jazz master in the making.

Friday, June 11, 2010

Harlem in the Himalayas
Craig Harris Quartet
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

Born in Hempstead on Long Island, N.Y. in 1953, Craig Harris is a graduate of the renowned music program of SUNY at Old Westbury. Profoundly influenced by its legendary founder and director, the late Makanda Ken McIntyre, Craig's move to New York City in 1978 quickly established him in the forefront of young trombonists, along with Ray Anderson, George Lewis and Joseph Bowie.

First playing alongside another of his teachers at SUNY, baritone saxophonist Pat Patrick in Sun Ra's Arkestra for two years, Harris embarked on a world tour with South African pianist/composer Abdullah Ibrahim (Dollar Brand) in 1981. Highly affected by their stay in Australia, Craig played with Aborigine musicians and returned with a dijeridoo, a haunting wind instrument that has become a part of his musical arsenal ever since.

Upon his return, Harris became a member of such major groups as David Murray's Octet, the Beaver Harris-Don Pullen 360 Degree Musical Experience, Sam Rivers' various orchestral aggregations, Lester Bowie's Brass Fantasy and many, many more. He also played for the now dearly-departed Lena Horne in her Broadway orchestra for a year.

Harris has performed all over the world with his own ensembles and has recorded numerous albums for various labels; tonight hear this innovative creative spirit make music with his quartet that will certainly be a highlight of the Harlem in the Himalayas roster of concerts in 2010.

Tuesday, June 15, 2010
Jazz for Curious Listeners
Hear Me Talkin' To You: Nicholas Payton
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Since 1994 when Nicholas Payton made his recording debut as a leader with From This Moment, the trumpeter has been lauded as a significant, top-tier voice in jazz. Even though he started out as a “young lion of jazz,” heralded as one of the new-generation guardians of the hard bop flame, Payton consistently committed himself to discovering his voice outside of the strict confines of that rearview mirror approach to the music.
While his jazz journey has taken him down many roads – from heritage artist to electric experimenter – the 34-year-old trumpeter has arrived at a new plateau of jazz maturity with Into the Blue, his ninth album and his first for Nonesuch. It’s at once a nod to the past and a leap into the future. “It’s an amalgam of every recording I’ve done up until now,” says Payton. “As a musician, as an artist, you’re always trying to zero in on the bull’s eye as a means of becoming a better version of yourself. With Into the Blue, I’ve been able to find the kind of music that’s more inclusive of all of my life. The approach and the ideas of my music have become more singular, more cohesive. I had no agenda in terms of a specific genre or style, only to be true to who I am now.”

True to himself: that's a fitting way to describe Payton's approach to music and the issues that he addresses in writing, online, and at rare public discussion appearances such as last week's Jazz for Curious Listeners. Come witness the continuation of Payton's improvisation on life, the mind and spirit.

Thursday, June 17, 2010

Harlem Speaks
Paquito D'Rivera, Composer/Saxophonist/Clarinetist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Born on the island of Cuba, Paquito D'Rivera began his career as a child prodigy. A restless musical whiz during his teen years, Mr. D’Rivera created various original and ground-breaking musical ensembles. As a founding member of the Orquesta Cubana de Musica Moderna, he directed that group for two years, while at the same time playing both the clarinet and saxophone with the Cuban National Symphony Orchestra. He eventually went on to premiere several works by notable Cuban composers with the same orchestra. Additionally, he was a founding member and co-director of the innovative musical ensemble Irakere. With its explosive mixture of jazz, rock, classical and traditional Cuban music never before heard, Irakere toured extensively throughout America and Europe, won several Grammy nominations (1979, 1980) and a Grammy (1979).

Paquito D'Rivera is the first artist to win Latin Grammy's in both Classical and Latin Jazz categories (2003), for Stravinsky’s Historia del Soldado (L'Histoire du Soldat) and Brazilian Dreams with the New York Voices. The other historic recipient who has won duo Grammy's in both Classical and Jazz categories is Wynton Marsalis.

D’Rivera is a recipient of the National Medal for the Arts, presented at the White House by President George W. Bush in 2005, and was named one of the 2005 NEA (National Endowment for the Arts) Jazz Masters.

While Paquito D'Rivera's discography includes over 30 solo albums in Jazz, Bebop and Latin music, his contributions to classical music are impressive. They include solo performances with the London Philharmonic, the London Symphony, the Warsaw Philharmonic Orchestra, the National Symphony Orchestra, the Baltimore Symphony, the Florida Philharmonic Orchestra, and the Brooklyn Philharmonic. He has also performed with the Puerto Rico Symphony Orchestra, the Costa Rica National Symphony, the Simón Bolivar Symphony Orchestra, the Bronx Arts Ensemble, and the St. Luke’s Chamber Orchestra, among others.

In addition to his extraordinary performing career as an instrumentalist, Paquito D'Rivera has rapidly gained a reputation as a dynamic composer. The prestigious music house, Boosey and Hawkes, is the exclusive publisher of Mr. D'Rivera’s compositions. Recognition of his significant compositional skills came in 2007 with the award of a John Simon Guggenheim Fellowship in Music Composition, and the 2007-2008 appointment as Composer-In-Residence at the Caramoor Center for Music and the Arts with the Orchestra of St. Luke’s. His works often reveal his widespread and eclectic musical interests, ranging from Afro-Cuban rhythms and melodies, including influences encountered in his many travels, and back to his classical origins.

Also a gifted author, Mr. D’Rivera’s book, My Sax Life, was published in Spain by the prestigious literary house, Seix Barral, and contains a prologue by Guillermo Cabrera Infante. Acclaimed by the public and critics alike, the English edition was released by Northwestern University Press in November 2005.

The National Jazz Museum in Harlem is proud to feature one of the most respected and beloved artists in jazz this evening for what promises to be a discussion full of fun by a free-spirited virtuoso artist who puts profound feeling into his music, no matter the style or genre.

Friday, June 18, 2010

Harlem in the Himalayas Loren Stillman/Russ Lossing Duo
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

A saxophonist and composer from Brooklyn, Loren Stillman is hailed as a writer and a stylist that has found a previously unoccupied slot in the jazz spectrum. He's been recognized as one of today's truly original creative voices by publications such as The New York Times, Downbeat Magazine, Jazziz and Jazz Times as well as by National Public Radio. A former student of Lee Konitz and David Liebman, Stillman has performed and recorded throughout the United States and Europe and Japan with his own ensembles, and with those led by Charlie Haden, Carla Bley, Paul Motian, John Abercrombie, Andy Milnes DAPP Theory, Eivind Opsviks Overseas, Tyshawn Soreys Obliquity, Vic Juris Quartet and The Vanguard Jazz Orchestra.

Russ Lossing is a provocative, fresh leader in creating alternatives to long held conceptions in music. His individual voice, as a pianist, teacher and composer, is sought out as an authority in the jazz and avant-garde fields emerging in music today. He's has composed over 300 works and is in special demand as a world class jazz pianist and improviser.  Lossing has seven CDs as leader and is featured on over 30 other CDs as sideman and collaborator with world acclaimed musicians such as Paul Motian, Dave Liebman, John Abercrombie, Mat Maneri and Mark Dresser. He has composed 21 film scores from avant-garde shorts to full length documentaries for PBS, BBC and world broadcast performances, as well as dramatic features both foreign and domestic.  He has numerous television and live radio performances and interviews in the U.S.A. and Europe relative to his distinction as a performer and composer.

Tonight's performance promises to be an adventure into musical territory both expansive and introspective, not to be missed by those with a cutting-edge sensibility.

Friday, June 18, 2010

Jazz at the Dwyer
Afro-Cuban Jazz Dance Night: David Oquendo and Havana 3
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$15 | More information: info@DwyerCC.org
<mailto:info@DwyerCC.org>

A Night to Remember!

Dance was formerly a mainstay of the public ritual of jazz performance, and remains an essential part of the variety of Latin American music. The Afro-Cuban legacy in jazz brings dance to the forefront, as declarative horns and clave-based rhythms kiss the American impulse to swing. Come ready to do your own thing . . . on the dance floor at the Dwyer Cultural Center in Harlem!


David Oquendo was born in Havana, Cuba in 1958.  Self taught, Oquendo absorbed the essence of the Afro Cuban rhythmical vernacular in the poorest neighborhoods of his native city. At 12 years of age, David started playing guitar and singing in several “Rock” bands around Cuba.  Even though he was not conservatory trained, his passion for music, his discipline and self-criticism, took him to the point where eventually he was considered one of the best guitar accompanist in Cuba. This was evident in his appearances at “El Rincon del Feeling”, “Cabaret Tropicana”, “Cabaret Internacional de Varadero”, “ Salon Rojo” at the Hotel Capri and many more venues.



As accompanist, David has worked with artist of the caliber of: Moraima Secada, Elena Burke, Lucho Gatica, Meme Solis, Maggie Carles, Lenny Andrade, and many others.  As guitarist, singer, composer, arranger and bassist, David has performed in concerts and recordings in Cuba, Panama, Dominican Republic, Austria, Canada, Greece, Spain, Brasil, Bermuda and the US with names such:  Paquito D’Rivera, Compay Segundo, Marc Anthony, Johnny Ventura, Ray Barreto, Arturo Sandoval, Giovanni Hidalgo “Manenguito”, Mauricio Smith, Andy Gonzalez, Manny Oquendo, Johnny Pacheco, Gilberto Santarrosa, El Gran Combo, Jose Luis Quintana “Changuito”, Willie Chirino, Regina Carter, Candido Camero, Patato Valdez, Gato Barbieri, Carlos Ponce, Sergio Vargas, Rudy Calzado, Basilio, Yomo Toro, Anthony Rios, Jose Fajardo, Israel Lopez “Cachao”, Graciela and Chico O’Farril to mention a few.

David has a Grammy Award for the album “Tropicana’s Nights” with Paquito D’Rivera, a Grammy Nomination for “Bebop Timba” with Raphael Cruz and three Latin Grammy Nominations for “Raices Habaneras”, “50 Years of Mambo” and “Paquito D’Rivera Presenta Las Hermanas Marquez”.

Founder and director of the Afro Cuban folklore group “Raices Habaneras”, which has been performing, without interruption, every Sunday since 1996 what has become known as “Domingos de la Rumba” (Rumba Sundays), David’s mission is to expose the public to a genuine representation of the “Rumba” genre.  David, was musical director and producer for “The Cuban Rumba All Stars”, a first time, historical collaboration by members of Cuba’s Rumba groups:  Los Munequitos de Matanzas, Yoruba Andabo, Clave y Guaguanco, Obba ILU, Coro Folklorico Cubano, Raices Profundas y Grupo Tata Guines.

As a member of Faculty of Harbor Conservatory for The Performing Arts, since 2002, he is teaching guitar, Cuban tres, bass, voice and the Afro-Cuban folklore workshop, the Latin Band workshop, the Guitar ensemble and the Vocal training Group Class.

David has appeared in: “El Show de Cristina” in Univision, the series “OZ” in HBO, “Harmony in the Kitchen” in the Food Network, “State of the Arts” and “The Cuban Americans” in PBS, The Ivan Acosta’s films “How to Create a Rumba” and “ Candido Hands of Fire”, The Heddy Honigmann’s film “Dame la Mano”, “Al Rojo Vivo” in Telemundo and “Orgullo Hispano” in Channel 47 Telemundo NYC, “Sabado al Mediodia” and “Al Despertar” in Channel 41 Univision NYC.  As well as WBGO Jazz 88.3 FM, WBAI 99.5 FM and WADO 12.80 AM radio in NYC.  He has also performed in prestigious stages such as: Madison Square Garden, Carnegie Hall, Radio City Music Hall, Avery Fisher Hall, Town Hall, Beacon Theatre, NJPAC Newark, Symphony Space, Cami Hall, Seattle International Children Festival, Jackie Gleason Theater, Olympia Theater at Gusman Center and Tropigala at The Fontainebleu in Miami Beach as a part of The 4th Annual Latin Grammy’s performance, The WOMAD Festival in Spain, Tenerife’s Carnival, Sao Pablo and Rio de Janeiro Jazz Festival in Brasil, The JVC Jazz Festival, Ravinia Jazz Festival, San Francisco Jazz Festival and The Montreal Jazz Festival.



Saturday, June 19, 2010

Saturday Panels A Piano Extravaganza
12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Special guest: Ethan Iverson and others

The National Jazz Museum in Harlem is proud to present four hours of live piano jazz as we welcome into our museum holdings the Steinway piano of the late Dick Katz, kicking off our Memorial Concert Series in his honor.

Renowned as a repository of the variety of jazz piano styles from the earliest years of the idiom to the modern styles of the 40s, 50s, and 60s, Katz was last at the museum during our Saturday panel on Papa Jo Jones in 2009. His body was weak, and his gait slow that day, but his eyes gleamed with delight as he discussed Jones's life and career, and the generation of musicians that were central to his own development as a jazz artist.  

In tribute to this friend of the museum and exemplar of the continuum of jazz piano styles, we'll feature hours of the versatility of jazz piano by Katz's friends and admirers.
Tuesday, June 22, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Orrin Evans
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

We continue with a month of conversations led by jazz musicians on topics not usually associated with jazz musicians with pianist Orrin Evans, whom Executive Director Loren Schoenberg invited to participate based on "illuminating chats spurred on Facebook."

Born in Trenton, NJ but raised in Philadelphia, acoustic pianist Orrin Evans was among the "Young Lions" of straight-ahead jazz who emerged in the 1990s, as was the previous Jazz for Curious Listeners guest host, Nicholas Payton. Evans' main focus is hard bop, although he has occasionally ventured into soul-jazz and R&B when backing such vocalists as Denice King http://www.artistdirect.com/nad/music/artist/card/0,,525768,00.html and his wife, Dawn Warren http://www.artistdirect.com/nad/music/artist/card/0,,679983,00.html.

Expect a far-reaching discussion with jazz at the starting gate, and audience participation and feedback determining the finish line.

Sunday, June 27, 2010

Special Event
Evening of Brazilian music and jazz: Vanderlei Pereira 5
2:00 – 4:30pm
Location: Riverside Theatre (at the Riverside Church)
91 Claremont Avenue, betw. 120th and 122nd
FREE | For more information: 212-348-8300

Music by drummer, percussionist, composer and educator Vanderlei Pereira and friends. Come dance!
Drummer Vanderlei Pereira is one of the most sought-after musicians on the contemporary Brazilian jazz scene. Combining a prodigious knowledge of Brazilian rhythms with dazzling technique and a distinctive touch, Vanderlei has captivated audiences with his unique and electrifying performances.

Yet Vanderlei Pereira's proficiency on the drum set extends beyond his mastery of Brazilian rhythms. He received a Diploma in Jazz Studies from the Mannes College of Music in New York City, where he studied with the renowned jazz drummers John Riley and Vernel Fournier. In addition, Vanderlei has studied with the Latin jazz drum and percussion masters Ignacio Berroa, Bobby Sanabria and Johnny Almendra. He has incorporated these diverse influences into his playing and, as a result, has earned the respect of both straight-ahead and Latin jazz musicians on the demanding New York scene, where he is widely admired and respected for his musical versatility.

Tuesday, June 29, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Orrin Evans
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Influenced by McCoy Tyner, Horace Silver, Bud Powell, and Thelonious Monk, among others, our guest host Orrin Evans graduated from high school in the early 1990s and studied at Rutgers University in New Brunswick, NJ before going on to private study with Kenny Barron, and work as a sideman with Ralph Peterson, Duane Eubanks, singer Lenora Zenzalai-Helm and Bobby Watson. In fact, Watson's effect on Evans has been so affecting that Evans's latest CD, Faith in Action (on Posi-Tone Records), is a tribute to the silvery alto saxophonist.

Evans recorded his first CD as a leader, The Orrin Evans Trio, for his own Black Entertainment label in 1994. After that, he signed with Criss Cross and recorded numerous CDs. Most recently, he's released a DVD titled, "Live All Over the Place," excerpts from which he may share tonight.

Livia Devereux @ Metropolitan Room May 25

Vocalist Livia Devereux performs with her band at The Metropolitan Room on May 25 at 7pm. The band for this performance consists of Sarah Jane Cion on piano, Anthony Masi on saxophone, Tony Ventura on acoustic bass and Kirk Devereux on drums.  Livia is celebrating the release of her new CD “Night Winds Whisper”

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“Night Winds Whisper” is an expression of Livia Devereux’s various musical influences such as jazz, R&B, swing and pop. She accomplished this by employing talented New York City musicians from various musical backgrounds under the direction of arranger and producer, Rob Filomena. Livia and Rob brought in a great cast of players such as pianist Sarah Jane Cion, Grammy nominated bassist Phil Palombi, the SYOTOS horn section consisting of trombonist Chris Washburn, Ole Mathisen on saxophone and John Walsh on trumpet. The CD was recorded, mixed and mastered by Grammy winning engineer Luis F. Herrera.

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Livia Devereux | The Metropolitan Room | May 25th, 2010

$15.00 advance tickets  are recommended and available at www.metropolitanroom.com or by calling 1-212-206-0440

Pete Francis Kicks off Summer Tour

New York City based singer-songwriter, Pete Francis, is set to release his new album The Movie We Are In this May 2010. Whereas Francis’ previous solo albums were largely self-produced, he uprooted his more traditional approach to album-making and assembled an entirely new crew with Los Angeles based producer Jeff Trott (right hand man to Sheryl Crow as writer and guitarist).

Says Francis, “In the past I’ve worked with acoustic guitar, bass, drums, B3 organ, but I wanted to bring a modern electronic element into my music. When first speaking with Jeff Trott, I quickly realized he had great musical instincts and that he was getting my tunes. And then, he brought ideas to the table that I hadn’t imagined. I saw a new musical landscape could be created with my songs by working with him.”

The musicians that Trott assembled for the recording sessions helped to create this colorful landscape. Having worked with artists such as Beck, Nine Inch nails, Gnarls Barkley, Willie Nelson, Queens of the Stone Age, Dr. Dre, and Scott Weiland, the musicians (Brian LeBarton, Justin Meldal-Johnsen, John O’Brien, Victor Indrizzo and others) provided an extraordinary musical palette of talent and sensibility.

When asked about the project, Trott says, “It really became apparent to me that Pete was a very creative and colorful song-writer. What I liked was that there was this very good sense of Pete’s personality from happy go lucky to dark and brooding. All these aspects were amazing to work with and the lyrics were very colorful. I think that’s one of the things I really enjoy about Pete’s songs… that it’s sometimes hard to really figure out what the meanings are and I think that’s missing in a lot of music - the mystery of what a song is.”

The opening track, “Glue”, generates a feeling of weightlessness by combining organic instrumentation with futuristic sounds. This song solidly represents what’s to follow on the album’s consistent mix of fresh and classic, electronic and acoustic, known and unknown… Each listen unlocks a new guitar lick, synth riff, bass groove, drum program, live drumbeat or horn swell, and even the sounds of the sparsely used Ethiopian instrument cumbus. Midway through the album, the listener gets catapulted into the up-tempo and joyous revelry of “Love Shakes You Down” a sing-a-long with the familiar bell sounds of Motown combined with a  string synth creating a modern and retro sound all at once. The slower, more melodic songs of the album like “St. Paul’s Fair” and “Didn’t Know I Built It” lure the listener into dream-states with rich deep vocals, sampled sounds from a town square in Italy, trance-like Wurlitzer pedaling, and vivid lyrics.

No one would deny that Francis has earned his stripes in the independent music scene. He formed the fiercely independent band Dispatch in 1995 whose uncommonly loyal fan-base bid them farewell at The Last Dispatch concert in 2004 with an attendance of 110,000 people from around the world. Since then, his career has infiltrated many musical worlds including performing his solo music at festivals around the country, reuniting with his Dispatch pals for three sold out nights at Madison Square Garden, having his solo music featured in films and television, and performing in the presence of Zimbabwean Prime Minister Morgan Tsvangirai at the Kennedy Center in Washington D.C..

Commenting on his new album and departure from his Dispatch days, Francis says, “It’s good to get out of your comfort zone. I tried to let this motto resonate at every turning point of this record’s evolution.” When asked if there is an overall theme to The Movie We Are In, Francis explains, “I like to leave this up to the listener. Hearing an album is similar to visiting a museum. The listener has to have his or her own conversation with the artwork and create their own interpretations."

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US Spring / Summer Tour
(more dates to come)

May 18 World Cafe Live
Philadelphia, PA Doors: 7:00 PM
Ages: All Ages

May 19 Cafe 939
Boston, MA Doors: 7:30
Ages: All Ages

May 20 Wheel House
Narragansett , RI Doors: 8:00 PM
Ages: 18+

May 21 Red Square
Troy, NY Doors: 7:30
Ages: All Ages

May 22 The Stone Church
Newmarket, NH Doors: 8:00 PM
Ages: 18+

May 23 Fairfield Theatre's Stage One
Fairfield, CT Doors: 7:00 PM
Ages: All Ages

May 25 Jammin Java
Vienna, VA Doors: 7:30
Ages: All Ages

May 26 Joe's Pub
New York, NY Doors: 6pm
Ages: All Ages

Jun 01 Nightcat
Easton, Maryland Doors: 8:00 PM
Ages: All Ages

Jun 03 3rd + Lindsley
Nashville, Tennessee Doors: 8:00 PM
Ages: All Ages

Jun 05 Wakarusa Festival
Ozark, Arkansas Ages: All Ages

Jun 06 Wakarusa Festival
Ozark, Arkansas Ages: All Ages

Jun 08 SPACE
Evanston, Illinois Doors: 7:00 PM
Ages: All Ages

Jun 09 Rumba Cafe
Columbus, Ohio Doors: 8:00 PM
Ages: 18+

Jun 10 Club Cafe
Pittsburgh, PA Doors: 8:00 PM
Ages: 21+

Aug 10 Musikfest
Bethlehem , PA Doors: TBD Ages: All Ages

Jack Grace Band & Luther Wright and the Wrongs

With a new CD titled Drinking Songs for Lovers, one might be forgiven for believing that Jack Grace should ease up a little. A singer, songwriter and guitarist who has made a career out of following no one’s rules but his own is probably going to keep doing his thing until his liver lays down the law.

He’s earned praise from press and peers, and even a couple of legends. Opening for Jerry Lee Lewis afforded him a quotable anecdote after Lewis, listening to the band’s set backstage at BB Kings in NYC, quipped, “he sounds like that Cash kid, only good.” After Lewis’ set, Jack shook his hand and told him it had been an honor to share the stage with him. Lewis leaned in and said, "I really enjoyed your set."

A consummate live performer, lyricist, singer and guitarist, Jack is at the helm of a powerhouse band that plays kick the can with any musical genre that it stumbles across. Intelligence, humor and unpredictable cross-pollinations of musical categories await. But don’t take our word for it. "If you don't laugh and cry at the same time as Grace and his gracefully loose band navigate their way through such gems as ‘If You're Gonna Raise a Drunk’ and ‘Morning Margaritas,’ you better check your pulse. You might be disgracefully dead." – James Reaney, London Free Press (London, ON)

Luther Wright has been writing, recording and performing music for over 16 years now. In 1994 he joined up with Sarah Harmer to play lead guitar in the Canadian, pop-rock band, "Weeping Tile" (WEA/Atlantic). During the next 5 years of full-on touring and recording Luther and his roots compadres formed the now-renowned, country/punkgrass road daemons, "Luther Wright & The Wrongs".

Known on one hand for their brilliantly executed, country/bluegrass reworking of Pink Floyd’s classic The Wall, Luther and the band have also recorded and released three all-original albums, Hurtin' For Certain (1997), Rogers Waltz (1999), the valentine gone awry, Guitar Pickin' Martyrs (2003), and the recently released, Instrumentality. Also to boot, they made two cds of original childrens music under the guise of Butterfingers.

Wednesday June 9, 8:30pm

JACK GRACE BAND & LUTHER WRIGHT + THE WRONGS
w/A Steak Show & Dave Houghton
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Tickets are on sale through the Boulder Theater box office | Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030

Here We Go Magic Announce US Summer Tour

Here We Go Magic is a five-piece band made up of members Luke Temple, Kristina Lieberson, Michael Bloch, Jennifer Turner, and Peter Hale. They originally came together in New York in early 2009 through a series of chance encounters, overheard conversations and supernatural occurrences.

From disparate musical backgrounds, the five found immediate common inspiration in a collection of unique 4-track recordings created by lead singer Luke Temple. These recordings were released in February, 2009 as the self-titled Here We Go Magic (Western Vinyl).

Since this initial spark the band's creative momentum has been unwavering. Together they have developed a broad array of musical material and honed an explosive live sound all their own. They spent much of 2009 on successive North American and European tours with bands such Department of Eagles, Grizzly Bear, and the Walkmen, before retreating to a house near East Branch, NY to record their second full length LP.

Pigeons, set for release on Secretly Canadian on June 8th, was produced and recorded by Here We Go Magic over four months in the late Summer and Fall of 2009.  The band plans extensive touring in conjunction with its release.

US Summer Tour
June 08 - Music Hall of Williamsburg - Brooklyn, NY +
June 10 - Bonnaroo Music Festival - Manchester, TN
July 18 - Pitchfork Music Festival - Chicago, IL
July 19 - The Waiting Room - Omaha, NE *
July 20 - Hi Dive - Denver, CO *
July 22 - Neurolux - Boise, ID *
July 23 - Doug Fir Lounge - Portland, OR *
July 24 - Capitol Hill Block Party - Seattle, WA
July 25 - Media Club - Vancouver, BC *
July 28 - Great American Music Hall - San Francisco, CA *
July 29 - Troubadour - West Hollywood, CA * #
Aug 01 - The Rhythm Room - Phoenix, AZ *
Aug 03 - The LOFT at the Palladium - Dallas, TX *
Aug 04 - Emo's Outside - Austin, TX * #
Aug 06 - The Earl - Atlanta, GA * #
Aug 07 - Cat's Cradle - Carrboro, NC * #
Aug 08 - The Black Cat - Washington, DC *
Aug 09 - Johnny Brenda's - Philadelphia, PA

+ w/ The War on Drugs
* w/ Beach Fossils # w/CURFEW

Boulder Theater welcomes Angelique Kidjo

Angelique Kidjo digs into her roots with her new Razor & Tie release, Oyo. Roots that reach far beyond her West African homeland of Benin, because Grammy Award winning singer, dancer and songwriter Kidjo is a definitive 21st century world artist. Her art roves across boundaries, genres and ethnicities, finding the connections that link musical forms from every part of the world,while still bonding closely with her own traditions.

The songs on Oyo, embrace rhythm & blues, soul music, jazz,and Beniese melodies, as well as four of her own original works. Featuring her unique interpretations of songs from artists as diverse as James Brown, Otis Redding, Miriam Makeba, and Santana and including guests John Legend, Bono, Roy Hargrove and Dianne Reeves. Oyo is a truly diverse collection reflecting the music that inspired Angelique growing up.

Born in Benin (West Africa), Angelique Kidjo is a Grammy award-winning music recording artist deemed "Africa's premier diva" by Time Magazine. Kidjo's internationally acclaimed repertoire includes collaborations with various recording artists such as Carlos Santana, Peter Gabriel, Alicia Keys, Josh Groban, Branford Marsalis, Joss Stone, and many more. Known for her dynamic and uplifting music, she has translated her distinctive work in the arts to that of philanthropy; by promoting education for girls in Africa through her foundation, Batonga and as a UNICEF Goodwill ambassador Kidjo travels the world to inspire and empower.

Like Miriam Makeba was before her, Kidjo is the continent's most internationally celebrated female musical exponent. And yet, the GRAMMY-winning artist has lived outside Africa for more than two decades. She currently resides in New York City, where she is an exceptionally active member of the music scene, and she reaches people around the world with her recordings, tours and philanthropic work.
Friday June 18
97.3 KBCO & Westword present
Angelique Kidjo
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Tickets are on sale through the Boulder Theater box office | Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030

Pete Francis | Summer Tour 2010 | New LP

New York City based singer-songwriter, Pete Francis, is set to release his new album The Movie We Are In this May 2010. Whereas Francis’ previous solo albums were largely self-produced, he uprooted his more traditional approach to album-making and assembled an entirely new crew with Los Angeles based producer Jeff Trott (right hand man to Sheryl Crow as writer and guitarist). Says Francis, “In the past I’ve worked with acoustic guitar, bass, drums, B3 organ, but I wanted to bring a modern electronic element into my music. When first speaking with Jeff Trott, I quickly realized he had great musical instincts and that he was getting my tunes. And then, he brought ideas to the table that I hadn’t imagined. I saw a new musical landscape could be created with my songs by working with him.”

The musicians that Trott assembled for the recording sessions helped to create this colorful landscape. Having worked with artists such as Beck, Nine Inch nails, Gnarls Barkley, Willie Nelson, Queens of the Stone Age, Dr. Dre, and Scott Weiland, the musicians (Brian LeBarton, Justin Meldal-Johnsen, John O’Brien, Victor Indrizzo and others) provided an extraordinary musical palette of talent and sensibility.

When asked about the project, Trott says, “It really became apparent to me that Pete was a very creative and colorful song-writer. What I liked was that there was this very good sense of Pete’s personality from happy go lucky to dark and brooding. All these aspects were amazing to work with and the lyrics were very colorful. I think that’s one of the things I really enjoy about Pete’s songs… that it’s sometimes hard to really figure out what the meanings are and I think that’s missing in a lot of music - the mystery of what a song is.”

The opening track, “Glue”, generates a feeling of weightlessness by combining organic instrumentation with futuristic sounds. This song solidly represents what’s to follow on the album’s consistent mix of fresh and classic, electronic and acoustic, known and unknown… Each listen unlocks a new guitar lick, synth riff, bass groove, drum program, live drumbeat or horn swell, and even the sounds of the sparsely used Ethiopian instrument cumbus. Midway through the album, the listener gets catapulted into the up-tempo and joyous revelry of “Love Shakes You Down” a sing-a-long with the familiar bell sounds of Motown combined with a  string synth creating a modern and retro sound all at once. The slower, more melodic songs of the album like “St. Paul’s Fair” and “Didn’t Know I Built It” lure the listener into dream-states with rich deep vocals, sampled sounds from a town square in Italy, trance-like Wurlitzer pedaling, and vivid lyrics.

No one would deny that Francis has earned his stripes in the independent music scene. He formed the fiercely independent band Dispatch in 1995 whose uncommonly loyal fan-base bid them farewell at The Last Dispatch concert in 2004 with an attendance of 110,000 people from around the world. Since then, his career has infiltrated many musical worlds including performing his solo music at festivals around the country, reuniting with his Dispatch pals for three sold out nights at Madison Square Garden, having his solo music featured in films and television, and performing in the presence of Zimbabwean Prime Minister Morgan Tsvangirai at the Kennedy Center in Washington D.C..

Commenting on his new album and departure from his Dispatch days, Francis says, “It’s good to get out of your comfort zone. I tried to let this motto resonate at every turning point of this record’s evolution.” When asked if there is an overall theme to The Movie We Are In, Francis explains, “I like to leave this up to the listener. Hearing an album is similar to visiting a museum. The listener has to have his or her own conversation with the artwork and create their own interpretations."