blues

G. Love Premieres "Fixin' To Die" Video

G. Love premieres the video for title track "Fixin' To Die" featuring Scott and Seth Avett today over at Vevo. Be sure to catch G. Love on tour in support of his new country blues and roots album, Fixin’ To Die, set for release on Brushfire Records on February 22, 2011. Recorded at Echo Mountain Studios in Asheville, NC, and produced by Scott and Seth Avett, the album is arguably G. Love’s most sincere and candid work to date.
Inspired by the shared musical heritage between G. Love and The Avett Brothers, the result is Fixin’ To Die, a collection of rearranged traditionals, a classic cover, and a slew of G. Love originals, many simmering for over a decade, all sharing a common goal: to strip away all pretense and capture the original spirit and sound G. Love has cultivated over his entire career but never fully embraced until now.
G. Love will make his first ever appearance at SXSW in 2011. Performance locations will be announced at a later date. The title track from the album is now available for free download.
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Tour Dates:

March 1 - Nashville, TN -  Exit/In
March 2 - Greenville, SC - The Handlebar
March 3 - Charleston, SC - Music Farm
March 4 - Raleigh, NC - Lincoln Theatre
March 5 - Norfolk, VA - The Norva
March 9 - Charlotte, NC - Visulite Theatre
March 10 - Jacksonville, FL - The Freebird
March 11 - Orlando, FL - Beacham Theatre
March 12 - St. Petersburg, FL - Jannus Landing
March 13 - Ft. Lauderdale, FL - Culture Room
March 16 - New Orleans, LA - House Of Blues
March 17-18 -  SXSW
March 19 - Dallas, TX - House Of Blues
March 20 - Corpus Christi, TX - House Of Rock
March 23 - Little Rock, AK - Revolution Music Hall
March 24 - Tulsa, OK - Cain’s Ballroom
March 25 - Austin, TX - Antone’s
March 26 - Houston, TX - House Of Blues

North Mississippi Allstars @ the Boulder Theater | 02.25

In the beginning, a father passed away and a child was born. Luther and Cody Dickinson lost their father, Memphis music legend Jim Dickinson, only months before Luther became one. Jim had always told them, “You need to be playing music together. You are better together than you will ever be apart.” Coincidentally, the Dickinson brothers were not together when Jim passed. At that moment, they were both off on their own, Luther with The Black Crowes and Cody with the Hill Country Revue.

Roy GAINES “Tuxedo Blues” Blues Award Academie' Best Blues Album

Roy Gaines & His Orchestra recorded their first CD “Tuxedo Blues” (Black Gold Records) in 2009 at Capitol Records, and has performed at local venues and events in 2010 including the Central Ave Jazz Festival, The Typhoon Restaurant and the Catalina Jazz Club.  The motto of this 17-piece orchestra is “Dress the blues up”.

Tuxedo Blues has been aired on KKJZ 88.1 FM by Helen Borgers, who also wrote the liner notes.  The blues we hear on this disc have been arranged for a swingin’ big band that could be performing at the elegant ballrooms of the most prestigious hotels.

The music harkens back to the days when Roy was part of a touring program, on the same bill with Count Basie’s Orchestra and Jimmy Rushing, under the influence of impresario John Hammond.  But the music transcends any one era.   Roy puts everything he has into everything he does.  And he is a visionary.  His plans for the evolution of this music – where it will be heard, played and grown – are exiciting.  Today a homage to Count Basie, tomorrow Duke Ellington.  Beyond – who knows?   One thing is for sure, it will be a class act!

B.B. King with Hazel Miller Trio @ Boulder Theater

His reign as King of the Blues has been as long as that of any monarch on earth. Yet B.B. King continues to wear his crown well. At age 76, he is still light on his feet, singing and playing the blues with relentless passion. Time has no apparent effect on B.B., other than to make him more popular, more cherished, more relevant than ever. Don't look for him in some kind of semi-retirement; look for him out on the road, playing for people, popping up in a myriad of T.V. commercials, or laying down tracks for his next album. B.B. King is as alive as the music he plays, and a grateful world can't get enough of him.

For more than half a century, Riley B. King - better known as B.B. King - has defined the blues for a worldwide audience. Since he started recording in the 1940s, he has released over fifty albums, many of them classics. Over the years, B.B. has developed one of the world's most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist's vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. B.B. has mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.'s words, "When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille."

B.B. continues to tour extensively, averaging over 250 concerts per year around the world. Classics such as "Payin' The Cost To Be The Boss," "The Thrill Is Gone," How Blue Can You Get," "Everyday I Have The Blues," and "Why I Sing The Blues" are concert (and fan) staples. Over the years, the Grammy Award-winner has had two #1 R&B hits, 1951's "Three O'Clock Blues," and 1952's "You Don't Know Me," and four #2 R&B hits, 1953's "Please Love Me," 1954's "You Upset Me Baby," 1960's "Sweet Sixteen, Part I," and 1966's "Don't Answer The Door, Part I." B.B.'s most popular crossover hit, 1970's "The Thrill Is Gone," went to #15 pop.

More Info / Buy Tickets

First Aid Kit: Jack White-Produced Third Man Records Blue Series

Rising Swedish folk-pop duo First Aid Kit are among the latest artists to take part in Third Man Records' Blue Series of releases. The special series of 7-inch records, produced by Jack White and recorded at his own Third Man Studios in Nashville, has featured releases from Wanda Jackson, Laura Marling and Secret Sisters, among others.

For their Blue Series 7-inch, First Aid Kit recorded spine-tingling covers of Buffy Sainte-Marie's "Universal Soldier" (made famous in 1965 by Donovan) and classic blues standard "It Hurts Me Too", a song much loved by fans of Karen Dalton's 1969 folk-blues version. First Aid Kit, comprised of 17 and 20-year old sisters Klara and Johanna Söderberg, recorded the tracks with White during the Nashville stop on their US headlining tour in October. Joshua Hedley joins the duo on fiddle for both tracks, while touring drummer Mattias Bergqvist, their father Benkt Söderberg, and Jack Lawrence (The Greenhornes, The Raconteurs), also contribute additional instrumentation on "It Hurts Me Too." First Aid Kit won international acclaim this year for their stunning debut full-length album The Big Black And The Blue (Wichita Recordings).

Check out some coverage on The Raconteurs on the Grateful Web.

The White Buffalo New CD + Tour Dates

The White Buffalo represents an authentic homage to the times of hard touring, hard drinking artists who truly lived what they sang about. Seamlessly moving from heartfelt ballads to raucous bar songs, The White Buffalo sings with honesty and thoughtful reflection as he wanders the road, sharing his music.  Everything about him is big, from his imposing physical size to his amazing vocal range.  From his whiskey-drenched, growling lows to heart-stopping highs, The White Buffalo paints a touching picture, whether he stands alone or performs with his energetic, charismatic band.

After vigorously road testing his new material, The White Buffalo is releasing his latest EP, Prepare for Black & Blue on Ruff Shod Records, State Radio's imprint label through Nettwerk, this fall. Produced by Jimmy Messer, this collection of songs showcases The White Buffalo's stripped down unmistakable sound.

To catch a glimpse of the live White Buffalo experience, watch this live video of EP track "Into the Sun."

The White Buffalo Tour Dates:

Dec 10 - House of Blues - Boston, MA **
Dec 14 - Detroit Bar - Costa Mesa, CA
Dec 15 - The Mint - LA, CA
Dec 16 - Casbah - San Diego, CA
Dec 17 - Crepe Place - Santa Cruz, CA
Dec 18 - Hotel Utah - San Francisco, CA
Dec 19 - Hop Monk Tavern - Sebastopol, CA
** Calling All Crows w/ Chad Stokes & Friends

More winter tour dates to be announced soon

Blix Street Records To Release "Simply Eva" by Eva Cassidy

She left us way too soon, in November of 1996, but Eva Cassidy's voice has continued to resonate with fans around the world since the music she left behind began to be released two years after her passing from melanoma at the age of 33.On January 25, 2011, independent Blix Street Records will release SIMPLY EVA, a collection of 12 acoustic versions of songs with which she has been associated, all previously-unheard guitar and vocal only performances.

This "Eva only" collection showcases Cassidy's extraordinary voice and superb guitar work as well as her unusual arrangements of sometimes familiar material to create a new and different listening experience for even the most devoted fans of her music. Whether it's her spare interpretation of Christine McVie's "Songbird," (which was the title cut of the initial breakthrough 1998 compilation from the Cassidy canon), the bluesy stylings of "People Get Ready" or the folk versions of "Wayfaring Stranger" and "Wade In The Water," it's Cassidy's voice that is front and center, unadorned. The new version of Paul Simon's "Kathy's Song" is extended to include three additional verses that did not appear on the previously released version.

In addition to including Eva's previously unreleased, re-defining version of "San Francisco Bay Blues," SIMPLY EVA is the first album to include the Blues Alley guitar/vocal performance of "Over The Rainbow" from the Rainbow video that triggered Eva Cassidy's rise to the top of the British Pop Charts in March, 2001. Recorded five years after the 1991 version heard on SONGBIRD (which country superstar Martina McBride recently cited among her favorite recordings on the ABC News Nightline "Playlist" feature, saying "I never get tired of it"), the included fully evolved version literally redefined this all-time number one popular song (according to a BBC radio poll). Other songs include "True Colors," "Who Knows Where the Time Goes," "Time After Time," "Autumn Leaves" and Eva's a cappella performance of "I Know You By Heart."

Blix Street President Bill Straw compiled the selections for SIMPLY EVA after initially searching the archives for a possible holiday track. "In doing so," he writes in the liner notes, "I literally heard Eva for the first time, again. That I was hearing the same songs in a different way actually added to my sense of re-discovery."

A special by-product of his quest was the discovery of a Cassidy rendition of "Silent Night," which has just been made available via iTunes and other digital outlets in time for the holiday season. Recorded in 1988, Eva's performance of the traditional Christmas classic is destined to become a holiday staple for years to come. It will be included on the iTunes digital download version of SIMPLY EVA as a bonus track when the album becomes available.

Born in Washington, DC, Eva Cassidy recorded and performed in the area for several years until her untimely death. She left behind a small, but impeccable body of recordings that have been meticulously curated and compiled by Blix Street Records with the support of her parents, Barbara and Hugh Cassidy.

In April, 1998, Blix Street posthumously released SONGBIRD, a collection chosen primarily from two other Cassidy albums, LIVE AT BLUES ALLEY and EVA BY HEART. It featured Eva's unqualified signature performance of "Over the Rainbow" as well as Sting's "Fields of Gold." Later that same year, Blix Street also released LIVE AT BLUES ALLEY and EVA BY HEART, the first national exposure for both albums, followed in May, 2000 by TIME AFTER TIME, a new compilation selected from her unreleased material.

But it was in 2001 that Eva Cassidy became an "overnight sensation" when the SONGBIRD compilation reached No.1 on the British charts. By the end of that year, the album had been certified triple-platinum in England (for sales of more than 900,000 sold) and gold in the U.S. (more than 500,000 units); the album, now six times platinum in England and platinum in the U.S., eventually hit No. 1 on Billboard's Internet Albums chart and topped the publication's Pop Catalog survey for 32 weeks. IMAGINE also hit No. 1 on the British charts in 2002 and commandeered the top slot on Billboard's Independent Albums chart. AMERICAN TUNE, another No. 1 in England in 2003, ultimately made it to No. 4 on Billboard's Independent Albums chart. WONDERFUL WORLD, a compilation of tracks from all the previous albums other than SONGBIRD, came out in 2004. SOMEWHERE, a collection that included two songs co-written by Cassidy as well as impressive covers, was released in 2008.

SIMPLY EVA now joins this classic catalogue that has already sold more than eight million CDs around the world.

Legendary Blues Collaboration to Celebrate 100 Years of Robert Johnson

How do you throw a 100th birthday bash for the most influential bluesman that ever lived? If you’re Big Head Todd and The Monsters, you gather some of the greatest living blues musicians and record 100 Years of Robert Johnson (February 1, 2011 - Ryko/Big Records), a stirring new tribute album featuring 10 potent interpretations of some of the most vital and durable music of the past century.

Big Head Blues Club, as the ad hoc ensemble is calling itself, features, in addition to the Colorado-based quartet—guitarist and vocalist Todd Park Mohr, bassist Rob Squires, drummer Brian Nevins and keyboardist Jeremy Lawton—special guests, blues legends B.B. King, Hubert Sumlin, Honeyboy Edwards and Charlie Musselwhite, as well as keepers of the blues flame Ruthie Foster, Cedric Burnside and Lightnin’ Malcolm.

Recorded at the legendary Ardent Studios in Memphis, and produced by Grammy award winning blues producer Chris Goldsmith (Blind Boys of Alabama), 100 Years of Robert Johnson will be released in early 2011, and supported by a national tour (“Blues at the Crossroads: The Robert Johnson Centennial Concerts”) featuring many of the participants in the sessions. A complete list of the tour dates is included below.

For Todd Park Mohr, who founded Big Head Todd and The Monsters with Squires and Nevins nearly a quarter-century ago, the project has served to re-introduce him to the iconic music of Johnson, whose songs provided many of the pioneering blues-rock bands—Led Zeppelin, the Rolling Stones, The Grateful Dead, Cream, Canned Heat, etc.—with some of their most popular material.

100 Years of Robert Johnson features several inspired takes on Johnson’s best known compositions. For Mohr and Goldsmith, the challenge in recording the tribute was to give new voice to Johnson’s music, to avoid copying the countless cover versions already extant. “In so many of the takes on Robert’s stuff, you don’t get the depth of emotion that’s in the lyrics and in Robert’s voice. That’s one thing that Chris and the band and my voice were able to bring to it. Chris had great ideas about how to represent the stuff, and all the musicians were just so good at what they did, the unique arrangements just came naturally.”

Robert Johnson’s story is the stuff of myth and legend alike, and his music has fascinated blues fans and musicians for more than seven decades. Born in Mississippi in 1911, Johnson recorded only 29 songs, all during the years 1936 and ’37. His unique guitar style and haunting vocal phrasing, and the evocative, often mysterious nature of his lyrics, made him a popular artist during his short time in the spotlight and has continued to intrigue since. A persistent tale that, as a young man, Johnson sold his soul to the Devil in order to become a more proficient musician has been attached to his biography since his untimely death at age 27—the alleged victim of a poisoning incident at the hands of the jealous husband of a woman with whom Johnson had been flirting.

A hundred years after the birth of its greatest artist, it looks like the blues itself is about to be reborn.

100 Years of Robert Johnson Track List:

1. Come On In My Kitchen (w. Charlie Musselwhite)
2. Ramblin' On My Mind
3. When You Got A Good Friend (w. Hubert Sumlin on guitar and Ruthie Foster)
4. Cross Road Blues (w. B.B. King)
5. Preachin' Blues
6. Kind Hearted Woman (w. Ruthie Foster)
7. If I Had Possession Over Judgement Day
8. Last Fair Deal Gone Done (w. Charlie Musselwhite)
9. All My Love Is Love In Vain (Todd solo vocal and acoustic guitar)
10. Sweet Home Chicago (just Honeyboy and Musselwhite)

Cedric Burnside plays drums on “If I Had Possession Over Judgement Day” and “Preachin Blues,” and acoustic guitar on “Ramblin On My Mind”

Lightin’ Malcolm plays electric guitar on “Ramblin on my Mind,” “Gotta Good Friend,” and “If I Had Possession Over Judgement Day” and plays acoustic guitar on “Preachin Blues” and “Kind Hearted Woman”

BLUES AT THE CROSSROADS: THE ROBERT JOHNSON CENTENNIAL CONCERTS tour featuring Big Head Todd and The Monsters and special guests David “Honeyboy” Edwards, Hubert Sumlin and Cedric Burnside & Lightnin’ Malcolm is as follows:

Jan. 28 San Francisco, CA Regency Ballroom

Jan. 29 Costa Mesa, CA Orange County Performing Arts Center

Jan. 30 San Diego, CA (2 shows) Anthology

Jan. 31 Santa Barbara, CA Campbell Hall / UCSB

Feb. 04 Austin, TX Paramount Theatre

Feb. 05 Dallas, TX Lakewood Theatre

Feb. 10 Ann Arbor, MI Hill Auditorium / U of M

Feb. 11 Chicago, IL Orchestra Hall

Feb. 12 Kansas City, MO Uptown Theatre

Feb. 13 Meridian, MS Riley Center / MSU

Feb. 16 Chapel Hill, NC Memorial Hall / UNC Chapel Hill

Feb. 17 New Bethesda, MD The Music Center at Strathmore

Feb. 18 Boston, MA Berklee School of Music

Feb. 24 Ridgefield, CT Ridgefield Playhouse

Feb. 25 Princeton, NJ McCarter Theatre

Feb. 26 Blue Bell, PA Montgomery County Community College

Feb. 27 New Bedford, MA Zeiterion Theater

March 4 Milwaukee, WI Potowatomi Casino

March 5 Omaha, NE Holland Performing Arts Center

March 6 Minneapolis, MN Orchestra Hall

March 8 Urbana, IL Krannert Center – Tyrone Festival Theatre

Albert King/Stevie Ray Vaughan on PBS

PBS has announced that the Albert King with Stevie Ray VaughanIn Session program will air as a special on its stations  throughout the month of December (check local listings). Grammy Award winning bluesman Robert Cray will serve as special fundraising host on the public television broadcasts.

In 1983, when legendary blues guitarist Albert King, then age 60, was joined by his disciple Stevie Ray Vaughan, then age 29, on a Canadian sound stage for the live music TV series In Session, magic took place.  Albert King with Stevie Ray Vaughan In Session is not simply a television program: it’s a summit of two master musicians. The only known recording of King and Vaughan performing together, this is the concert that blues fans in general, and Stevie Ray Vaughan fans in particular, have been waiting for.

The audio recording of the performance went on to sell more than 325,000 units from two releases: the first in 1999, the second in 2009. On November 9, 2010, Stax Records, a division of Concord Music Group, released In Session as both a DVD and a deluxe DVD/CD combination.

SonicBoomers.com noted: “Both men are gone now, but rare recordings like In Session remind us of a time when blues giants still walked the earth side by side.”

"As a document of what was probably the greatest night in the musical life of SRV (Stevie Ray Vaughan), this belongs in the collection of every true fan,” said the Austin American-Statesman.  Musicologist Samuel Charters says in his new liner notes for the package, “it’s also clear, nearly 20 years later, that this was a special moment in the careers of each of the two men.  It was evident from the first choruses that they were playing for each other. And that was the best audience either of them could ever have.”

An hour and 45 minutes, approximately, was taped of the two. What will thrill viewers who are fans of the blues, players of the blues, and who adore SRV, is that the televised concert includes at least one SRV tune — “Texas Flood” — that was not included on either of the two CD releases of the session.

The innovative Canadian television series was conceived with the intention of pairing musicians who were related stylistically, but seldom had an opportunity to play together. Albert King wasn’t sure whom he’d been booked to jam with on December 6, but he recognized the young Texan immediately — not as fast-rising star Stevie Ray Vaughan, but as Little Stevie, the skinny kid who’d been coming around and eventually sitting in every time Albert passed through Austin.

Stevie idolized Albert, as did many other “modern” electric axe-men. Albert may have been overshadowed by B.B., but Jimi Hendrix, Keith Richards, Eric Clapton, Robbie Robertson, Mick Taylor, and Joe Walsh — all of them listened to him, listened again and again, and were heavily influenced by his style.

At the time of the taping, the buzz may have been around Stevie, but Albert was clearly in charge of the music.  Earlier in the year, in May, David Bowie’s “Let’s Dance” featuring Stevie at his blistering Albert King-inspired best, hit the top of the Billboard pop singles chart; in June, SRV’s debut album Texas Flood came out, and MTV put “Pride and Joy” into their rotation. He never looked back.

During their performance, Albert ruled over the proceedings like a benevolent father, retaining control while allowing his guest loads of solo space in which to display his awesome command of the electric guitar.  The interplay between the two blues masters is uncannily empathetic, and Albert’s fans will find special pleasure in hearing him play rhythm parts at such length.  Aside from SRV’s two vocals — “Pride and Joy” and “Texas Flood” — all the other tunes are from Albert’s repertoire.  Viewers have the ineffable treat of seeing Albert King perform “Born Under a Bad Sign,” his trademark blues hit, as well as “Call It Stormy Monday.”

Sadly, King and Vaughan would not share a stage together ever again. Vaughan, 31 years King’s junior, died in a helicopter crash in the fog on the way back from a concert in 1990. King outlived him by two years, dying of a heart attack in 1992. They didn’t meet often, and their careers took different paths. But we can all be grateful for that one long day in a television studio when sparks flew and this timeless performance was forever captured.

The PBS special Albert King with Stevie Ray VaughanIn Session contains the following songs: “Born Under a Bad Sign,” “Call It Stormy Monday,” “Texas Flood,” “Pride and Joy,” “Match Box Blues,” and “Don’t Lie to Me.”

Girl Talk's New Album, All Day, Out Today

Celebrating 10-plus years of sample-obsessed production and relentless touring, Gregg Gillis returns with All Day, his fifth album as Girl Talk, and his most epic, densely layered, and meticulously composed musical statement to date.  Continuing the saga from the previously acclaimed albums, Night Ripper and Feed The Animals, Gillis lays down a more diverse range of samples to unfold a larger dynamic between slower transitions and extreme cut-ups.  With the grand intent of creating the most insane and complex pop collage album ever heard, large catalogs of both blatantly appropriated melodies and blasts of unrecognizable fragments were assembled for the ultimate Girl Talk record (clocking in at 71 minutes and 373 samples).

Earlier this year, Girl Talk finally took a break from touring, festival dates, and college shows, in order to create this album that is now being released immediately after its completion.  While posting the album as a free download on the Illegal Art label's site allows All Day to reach his fan-base quickly and with minimal cost, Gillis spent more time on this album than any previous release and considers it the most fully realized and evolved manifestation of the Girl Talk aesthetic.

Download Girl Talk’s All Day here for free.

(There are no strings attached to this free download – no email address needed, no potential donation, or anything of that nature, and it will remain this way indefinitely.)

Since the release of Feed The Animals, things have flourished for Girl Talk. He's played almost 300 shows and hardly taken a full week off from hitting the road. He's playing even larger venues and making even more of a spectacle -- he's employed a small crew of toilet paper launching stage hands, who also propel confetti, balloons, and inflate oddly chosen props into the audience. For the New Year's Eve show to ring in 2010, a team was hired to build a life-size house, with attention to fine details, on the stage at Chicago's Congress Theater.  Described as the craziest house party ever, Girl Talk continues to please live audiences as the mass of sweaty bodies at his shows continually grows. Touring highlights from the last couple of years include the Vancouver Olympics, large festivals such as Coachella, Austin City Limits, Bonnaroo, Lollapalooza, V-Fest, Sasquatch, Rothbury, Monolith, Planeta Terra, and trips to Australia, Japan, South America, Europe, and Mexico.

As previously announced, Girl Talk will be touring extensively in 2011 in support of this release.

Tracklisting:

01. Oh No

02. Let It Out

03. That's Right

04. Jump on Stage

05. This Is the Remix

06. On and On

07. Get It Get It

08. Down for the Count

09. Make Me Wanna

10. Steady Shock

11. Triple Double

12. Every Day

Girl Talk Tour Dates:

Fri. 11/19/10 – Buenos Aires, Argentina @ Hot Festival

Sat. 11/20/10 – Sao Paulo, Brasil @ Planeta Terra Festival

Tue. 11/23/10 – Santiago, Chile @ Centro Cultural Amanda

Fri. 12/3/10 – Pittsburgh, PA @ Stage AE

Sat. 12/4/10 – Pittsburgh, PA @ Stage AE

Fri. 12/31/10 – Milwaukee, WI @ The Rave

Wed. 01/05/11 – Cleveland, OH @ House of Blues

Thu. 01/06/11 – Columbus, OH @ LC Pavillion

Fri. 01/07/11 – Covington, KY @ Madison Theater

Sat. 01/08/11 – Louisville, KY @ Expo Five

Mon. 01/10/11 – New Orleans, LA @ House of Blues

Thu. 01/13/11 – Houston, TX @ House of Blues

Fri. 01/14/11 – Austin, TX @ Austin Music Hall

Sat. 01/15/11 – Dallas, TX @ Palladium

Mon. 01/17/11 – Memphis, TN @ Minglewood Hall

Tue. 01/18/11 – St. Louis, MO @ The Pageant

Thu. 01/20/11 – Birmingham, AL @ Workplay

Fri. 01/21/11 – Atlanta, GA @ Tabernacle

Sat. 01/22/11 – Charleston, SC @ Gaillard Municipal Auditorium

Mon. 01/24/11 – Knoxville, TN @ Valarium

Tue. 01/25/11 – Charlotte, NC @ The Fillmore

Thu. 01/27/11 – Raleigh, NC @ Disco Rodeo

Fri. 01/28/11 – Norfolk, VA @ NorVa

Sat. 01/29/11 – Richmond, VA @ The National

Mon. 01/31/11 – Baltimore, MD @ Ram’s Head

Tue. 02/01/11 – Washington, D.C. @ 9:30 Club

Fri. 02/04/11 – Philadelphia, PA @ Electric Factory

Sat. 02/05/11 – Montclair, NJ @ Wellmont Theatre

Thu. 02/24/11 – New York, NY @ Terminal 5 (SOLD OUT)

Fri. 02/25/11 – Providence, RI @ Lupo’s

Sat. 02/26/11 – Boston, MA @ House of Blues

Mon. 02/28/11 – Portland, ME @ State Theater

Mon. 03/01/11 – Montreal, QC @ Metropolis

Thu. 03/03/11 – Royal Oak, MI @ Royal Oak Music Hall

Fri. 03/04/11 – Chicago, IL @ Congress Theater

Mon. 03/07/11 – Madison, WI @ Orpheum

Tue. 03/08/11 – Minneapolis, MN @ First Ave

Fri. 03/11/11 – Denver, CO @ Ogden Theatre

Mon. 03/14/11 – Missoula, MT @ Wilma Theater

Tue. 03/15/11 – Seattle, WA @ Showbox

Thu. 03/17/11 – Portland, OR @ Roseland

Fri. 03/18/11 – Oakland, CA @ Fox Theater

Sat. 03/19/11 – Pomona, CA @ Fox Theatre

Mon. 03/21/10 – Los Angeles, CA @ Palladium

Tue. 03/22/10 – San Diego, CA @ SOMA

Wed. 03/23/10 – Tempe, AX @ Marquee