blues

Lubriphonic to Open for Widespread Panic, CD Release Party & Free CD Download

Seasoned veterans of Chicago's blues scene Lubriphonic is a horn-infused, funk and soul stew.  The Gig Is On is their new CD which is due out later this fall and features a vintage sound steeped in soulful horn melodies that balance the searing guitar and pulsing rhythm section. To give the music community a ‘taster spoon’ of what Lubriphonic is all about, the band is offering the CD for free download via their websiteLubriphonic's funkier side shows up large with guest keyboardist Ivan Neville and his New Orleans treatment on four CD tracks. The CD Release Party for The Gig Is On is being held Saturday, September 25 at the Double Door in Chicago. Additionally, Lubriphonic is confirmed as the opening act at the October 8 Widespread Panic show at the Midland Theater in Kansas City, MO, a rare opening slot indeed for Widespread Panic, Confirms Hometown CD Release Party & Offers Free Download of New CD During September

Lubriphonic is the brainchild of guitarist Giles Corey and drummer Rick King which began as a residency at Chicago’s legendary Checkerboard Lounge, where they recruited some of the best blues, funk, and rock musicians in the city for improvisational live sessions in which the kinetic energy that make a band were initiated.  The evolution from performing as sidemen for the city’s most legendary blues stars such as Buddy Guy, Otis Rush and Koko Taylor into an original group came from the hunger of each musician to develop an intense and simmering sound.

That sound continues as Lubriphonic’s nationwide tour threads down the West Coast this week with their CD Release Party coming up in Chicago next week. Music fans of all ages and backgrounds will find something familiar and enjoyable about Lubriphonic and with no strings attached, everyone can download a full copy of their new studio CD, The Gig Is On, here.


Lubriphonic Tour Dates

Sep 16 - Santa Cruz, CA - Moe's Alley w/ Big Organ Trio

Sep 17 - Crystal Bay, NV - Crystal Bay Casino w/ Big Organ Trio

Sep 18 - San Francisco, CA - Red Devil Lounge w/ Bonerama

Sep 25 - Chicago, IL – Double Door

Sep 29 - Madison, WI - Majestic Theatre w/ Ivan Neville's Dumpstaphunk

Sep 30 - Davenport, IA - Redstone Room w/ Ivan Neville's Dumpstaphunk

Oct 1 - Urbana, IL - 88 Broadway

Oct 2 - Iowa City, IA - The Mill  

Oct 8 – Kansas City, MO – Midland Theater w/Widespread Panic

Oct 9 - Milwaukee, WI - Mo's Pub

Oct 10 - Milwaukee, WI- Mo's Pub

Oct 14 - Grand Rapids, MI- Billy's Lounge

Oct 19 - Pittsburgh, PA - Thunderbird Cafe

Oct 20 - Philadelphia, PA - World Café Live

Oct 21 - New York, NY - BB King’s w/Incognito

Oct 22 - Roanoke, VA - Martin's

Oct 23 - Atlanta, GA  - Variety Playhouse w/Incognito

Nov 5 – Charleston, SC - Pour House w/ Ivan Neville's Dumpstaphunk

Nov 6 – Charleston, SC - Pour House w/ Ivan Neville's Dumpstaphunk

Nov 11 - Live Oak, FL - Bear Creek Music Festival

Nov 12 - Live Oak, FL - Bear Creek Music Festival

Nov 13 – Atlanta, GA  - Smith’s Olde Bar

Nov 19 – Indianapolis, IN - Birdy’s

Nov 20 – Carbondale, IL - Tres Hombres

Pretty Lights Announces Massive Fall 2010 Tour!

Fresh off the heels of dropping his wildly successful second EP of 2010, Pretty Lights has some great news for his fans- he’ll be taking his visually stunning stage show on the road this fall, performing over 30 shows in the United States between
October and December.

Pretty Lights, the incredibly versatile producer (aka Derek Vincent Smith) self-released Spilling Over Every Side, his second (of three!) EP’s of 2010, on July 29th. In the past two weeks, the EP has been downloaded 50,000 times, proving the self-release model can work- and well, at that!

Pretty Lights performed to a sold-out crowd last weekend at his hometown venue of Red Rocks, and continues to hit the festival circuit for the duration of the summer, before heading out on the road with his new drummer Adam Deitch.

Pretty Lights Tour Dates

August 25 – The Valarium – Knoxville, TN
August 26 – Minglewood Hall – Memphis, TN
August 28 – CAC Warehouse – New Orleans, LA
September 3 – North Coast Music Festival – Chicago, IL
September 4 – Electric Zoo Festival – New York, NY
September 5 – Nocturnal Festival – Austin, TX
September 24 – Powellapalooza – Page, AZ
September 25 – West Beach Festival – Santa Barbara, CA
October 29 – Tabernacle – Atlanta, GA
October 30 – Patriot’s Point – Charleston, SC
October 31 – MoogFest 2010 – Asheville, NC
November 2 – Bourbon Street Ballroom – Baltimore, MD
November 3 – Electric Factory – Philadelphia, PA
November 4 – The National – Richmond, VA
November 5 – House of Blues – Boston, MA
November 6 – Washington Avenue Armory – Albany, NY
November 7 – Higher Ground – Burlington, VT
November 8 – Higher Ground – Burlington, VT
November 10 – Madison Theatre – Covington, KY
November 11 – Boma – Columbus, OH
November 12 – Fillmore – Detroit, MI
November 13 – The Rave – Milwaukee, WI
November 14 – First Avenue – Minneapolis, MN
November 15 – Sokol Auditorium – Omaha, NE
November 19 – Showbox SoDo – Seattle, WA
November 20 – McDonald Theatre – Eugene, OR
November 21 – Arcata Community Center – Arcata, CA
November 23 – Knitting Factory – Reno, NV
November 26 – The Wiltern – Los Angeles, CA
November 27 – House of Blues – Las Vegas, NV
November 28 – House of Blues – San Diego, CA
December 2 – Sunshine Theatre – Albuquerque, NM
December 3 – Telluride Conference Center – Telluride, CO
December 4 – Telluride Conference Center – Telluride, CO

All-Stars Unite on Jerry Jams for Rex

August 9, 2010 marks the 15-year anniversary of legendary musician and Grateful Dead co-founder Jerry Garcia’s death. As a way to honor his musical and community legacy, the gifted musicians on this compilation have generously contributed stirring live performances of Jerry Garcia songs to benefit the Rex Foundation. Available August 10 in a variety of formats (see below), Jerry Jams for Rex was brought to life by Brad Serling of nugs.net and includes four exclusive previously unreleased live Garcia songs from Phish, Bruce Hornsby & The Noisemakers, The String Cheese Incident, and Keller & The Keels. Other artists featured on the album include The Black Crowes, Yonder Mountain String Band and more. All proceeds are a contribution to the Rex Foundation.

Furthering what Jerry Garcia and the Grateful Dead started 26 years ago, the Rex Foundation, a non-profit charitable organization, endeavors to fund grassroots programs that are often under the radar of larger funding entities, yet work in bold, innovative ways to carry out essential work toward a healthy environment, promotion of the arts, protection of indigenous cultures, assisting others less fortunate, building strong communities, and educating children and adults. The Rex Foundation has distributed $8.6 million in grants to over 1,000 programs across the U.S. and internationally, while also carrying out fundraising initiatives that foster creativity and positive community connections. Visit www.rexfoundation.org for a complete list of grantees and information about current initiatives.

Jerry Jams for Rex is possible because of the honorable contributions of music, resources and know-how of the participating artists and people involved in the initiative. The Rex Foundation extends its heartfelt thanks and appreciation for the generosity of spirit and action of all the people involved in creating Jerry Jams for Rex, as well as to all the people who purchase the compilation. Together, we honor Jerry Garcia and demonstrate the positive power of music and community spirit.

TRACK LIST

1. Bruce Hornsby & The Noisemakers - Lady With A Fan
(7/25/2009 - The Biltmore, Asheville, NC) *

2. The String Cheese Incident - Eyes of the World
(8/1/2001 - Greek Theatre, Los Angeles, CA) *

3. Railroad Earth - Mississippi Half-Step Uptown Toodeloo
(7/29/2006 - Stone Pony, Asbury Park, NJ)

4. The Black Crowes - Sugaree
(8/1/2006 LC Pavilion, Columbus, OH)

5. Moonalice - Goin' Down The Road Feeling Bad
(7/22/2010 - The Silvermoon Brewery, Bend, OR) **

6. Yonder Mountain String Band - Reuben And Cherise
(12/31/2009 - Fillmore Auditorium, Denver, CO)

7. The Waybacks - Dupree's Diamond Blues
(4/26/2007 - Watson Stage, MerleFest, NC)

8. Widespread Panic - Cream Puff War
(7/26/2010 Tennessee Theatre, Knoxville, TN)

9. Keller & The Keels - Mountains of the Moon
(6/17/2010 - Telluride Bluegrass Festival, Telluride, CO) *

10. Hot Buttered Rum - Cumberland Blues
(3/21/2009 - Crocodile Cafe, Seattle, WA) **

11. Steve Kimock Crazy Engine - Stella Blue
(7/25/2009 - Regency Ballroom, San Francisco, CA) **

12. Phish - Terrapin Station
(8/9/1998 - Virginia Beach Amphitheatre, Virginia Beach, VA) *

Lucky Peterson interprets Tom Waits, Lucinda Williams, Ray LaMontagne, Robert Johnson & Blind Willie McTell

Lucky Peterson was discovered by blues legend Willie Dixon when he was three years old, released his first record at five and soon after appeared on The Tonight Show. Trained by keyboardists Bill Doggett and Jimmy Smith, Peterson went on to play behind Little Milton, Bobby “Blue” Bland and Kenny Neal. On return from the “Young Blues Giants” tour of Europe, he signed first with Alligator, then Verve, Blue Thumb and Birdology/Dreyfus, where he recorded what Amazon.com called “his finest album,” Black Midnight Sun, in 2003. The New Yorker called him “a master of the guitar, organ and microphone.”

But Lucky’s journey was not a smooth one, and Peterson spent the next few years in transition, working to free himself of drug troubles that had affected his health, family life and professional life. He spent time in treatment, making one-off records for small European labels, but never a proper follow-up to Black Midnight Sun.

But you can always turn around. These words took on special meaning for the 45-year-old Peterson, which is why the first album since his rehabilitation is titled You Can Always Turn Around. It is an uplifting collection of songs that speak of struggles and salvation, using the gritty clarity of acoustic roots-blues (with modern touches) as its main musical vehicle.

The album, scheduled for September 28, 2010 release on Dreyfus Records, was made in the Catskills with master Woodstock musicians Larry Campbell, guitar (Bob Dylan, Levon Helm); Scott Petito, bass (The Fugs, Mercury Rev, Rick Danko Band); and Gary Burke, drums (Joe Jackson, Shania Twain). Peterson as usual plays a mix of instruments: duolian resonator, piano and acoustic and electric guitars. Also prevalent is the acoustic piano on which Lucky sounds like a bluesy Elton John. “He’s something of a genius — his piano playing reminds me of Aretha Franklin,” says drummer Burke, who has played behind Franklin on the road.

But it’s Peterson’s vocal instrument that some might find most arresting. Peterson wraps his voice around an eclectic selection of blues-based materials including songs by original Delta bluesmen Robert Johnson, Rev. Gary Davis and Blind Willie McTell up through the music of today’s top songwriters including Lucinda Williams, Tom Waits and Ray LaMontagne. The album closes with a version of Curtis Mayfield’s “Think.”

“This album is very different for me — it’s more from the heart,” says Peterson.  “The songs were picked by (co-producer) Doug Yoel, and he knew my heart. I feel like all these songs were for me.”  The album would be the last co-production of Francis Dreyfus, who passed away on June 24, before the album’s release.

One standout on the album is the civil-rights era anthem “I Wish I Knew How It Would Feel To Be Free,” written by Billy Taylor and popularized by Nina Simone. The new recording introduces Tamara Peterson, Lucky’s wife, a worthy blues singer in her own right. The chemistry between Lucky and Tamara on that session was so exciting that Larry Campbell was prompted to invite the pair to appear with the Levon Helm Band at the Midnight Ramble concert the following night.

Peterson creates something brand new on “Trampled Rose,” turning a wordless hook into a seductive Arabian-flavored line. The band responded to and fed the creativity of the newly awakened Lucky Peterson, and the results are truly special.

Peterson continues to tour, doing dates big and small. This new album should increase awareness of and demand for this one-of-a-kind musician.

And when off the road, he’ll be at his church in Dallas, Texas with his family, holding on, and playing for one very lucky congregation.

TRACK LIST:

1. I Believe I’ll Dust My Broom (Robert Johnson)
2. I'm New Here (Bill Callahan)
3. Statesboro Blues (Blind Willie McTell)
4. Trouble (Ray LaMontagne)
5. Trampled Rose (Tom Waits / Kathleen Brennan)
6. Atonement (Lucinda Williams)
7. Why Are People Like That (Bobby Charles)
8. Four Little Boys (James Peterson / Judge Peterson)
9. Death Don't Have No Mercy (Rev. Gary Davis)
10. I Wish I Knew How It Would Feel To Be Free (Billy Taylor and Dick Dallas)
11. Think (Curtis Mayfield)

National Jazz Museum in Harlem 2010 July Schedule

The July 2010 National Jazz Museum in Harlem schedule puts particular focus on the visual side of the jazz genre, as we feature classic films in our Jazz for Curious Listeners series (inaugurating a new collaboration with The Maysles Institute), interview one of the premier jazz photographers in the nation, Frank Stewart, for our flagship Harlem Speaks public program, and screen a rare film of “The High Priestess of Soul,” Nina Simone.

Since jazz is music for the soul, we feed your ears too, as the NJMH All-Stars will perform at Marcus Garvey Park before the airing of the Nina Simone film as well as at the Studio Museum in Harlem (our new programmatic partners) for the first Jazz at the Studio event, where the shades of blue and the blues will be pursued in sound and aesthetic fury.

We’ll also play the music of pianist Mal Waldron at our monthly Saturday Panel, spend an evening with the genius of Duke Ellington, and have a conversation with legendary jazz record producer Michael Cuscuna for the second of two monthly Harlem Speaks events.

Every single event this month is FREE, so since money is no object, take the time to join our swinging festivities!

Monday, July 5, 2010

Jazz for Curious Readers
An Evening With Duke Ellington
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Known as a composer/arranger/bandleader, duke Ellington was also a gifted author, and his autobiography, Music Is My Mistress, affords as much of an insight into his personality as his music does. Join us as we read and discuss Ellington the author.

Tuesday, July 6, 2010
Jazz for Curious Listeners

Jazz on Film: The Sound of Jazz
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Perhaps the most iconic jazz film ever made, The Sound of Jazz brought together 32 leading musicians from the swing era, including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones, and Coleman Hawkins; the Chicago style players of the same era, such as Henry "Red" Allen, Vic Dickenson, and Pee Wee Russell; and younger "modernist" musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots, but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow," one of the most poignant moments of jazz ever caught on film. The song brought back together Lester Young and Holiday; Young's blues solo is transcendent in its painful beauty and sophisticated simplicity.

Thursday, July 8, 2010

Harlem Speaks
Frank Stewart, Photographer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Frank Stewart is a photographer whose image-making work rises to the level of fine art.

He was born in Nashville, Tennessee in 1949, and grew up in Memphis and Chicago. He attended the Art Institute of Chicago and received a BFA in photography from Cooper Union in New York. Stewart has had numerous solo and group shows at Cooper Union Gallery, Washington Project for the Arts, Studio Museum in Harlem, Schomburg Center for Research in Black Culture, the International Center of Photography, Museum of Contemporary Art in Los Angeles, and Corcoran Gallery in Washington, D.C.

Stewart was a member of the first team of North American journalists invited by the government of Cuba to photograph the Island in 1977; he was also invited by the Los Angeles Committee to photograph the 1984 Olympics. He has been granted two photographic fellowships from the National Endowment for the Arts, a New York Creative Artist Public Service Award, and a 2002 NFFA fellowship. He was honored as Artist-in-Residence at the Studio Museum in Harlem in 1975, at Kenkeleba House in 1987, and at the Light Work Gallery at Syracuse University in 1989. His photographs were published in Sweet Swing Blues on the Road (text by Wynton Marsalis; published by WW Norton) and Smokestack Lightning: Adventures in Barbecue Country. Most recently, his work was featured in Romare Bearden: Photographs by Frank Stewart (published by Pomegranate) and The Sweet Breath of Life: A Poetic Narrative of the African-American Family (Frank Stewart, ed., with text by Ntozake Shange and photographs by Kamoinge Inc.; published by Simon & Schuster).

Stewart currently serves as Senior Staff Photographer for Jazz at Lincoln Center. He is a member of Kamoinge, a New York-based collective of African-American photographers. In addition to showing examples of his excellent jazz photography, Stewart will share anecdotes about his world travels with Wynton Marsalis, as well as accounts of times spent with Romare Bearden and Albert Murray as a driver.

Tuesday, July 13, 2010
Jazz for Curious Listeners

Jazz on Film: The Last of the Blue Devils
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Kansas City in the 1930s was a wild, wide-open place. Under political boss Tom Pendergast, the booze flowed freely, prostitution and gambling flourished, and the Depression pretty much passed the city by, making it an ideal spawning ground for some great music. Pianist-bandleader Count Basie, saxophone immortals Lester Young and Charlie Parker, and blues belters Big Joe Turner and Jimmy Rushing were all working there, along with a host of lesser-known but nonetheless formidable musicians, and they all played the blues, Kansas City style.


Director Bruce Ricker's 90-minute The Last of the Blue Devils chronicles the 1979 reunion of many of these legendary players, combining interviews, vintage film footage, photos, and some inimitably swinging performances by Basie, Turner, pianist Jay McShann, and many others to create an intimate, good-natured portrait of what one old-timer calls the "cool, relaxed sound" of the city. The camaraderie among these men, all of whom are colorful raconteurs, is palpable. But it's the music, surely, that's the main attraction; performances include some familiar tunes, like Turner's "Shake, Rattle & Roll" and a Basie big band version of "Night Train" (featuring tenor saxophonist Jimmy Forrest, the tune's composer) that's as greasy as the local barbecue. The Last of the Blue Devils is an absolute delight not to be missed!

Wednesday, July 14, 2010
Special Event
Film: Nina Simone Great Performances: College Concerts and Interviews
(Andy Stroud, USA, 60 mins.)
Music: The National Jazz Museum All-Stars
7:30-9:30pm
Location: Marcus Garvey Park (Lawn A located on the Madison Avenue side of the park between 122nd and 124th Streets)

A rare film of a radical artist in performance and in interviews, where she shares her views on race relations, and the role artists play in culture and society.
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone, was an American singer, songwriter, pianist, arranger, and civil rights activist. Although she disliked being categorized, Simone is arguably most associated with her performance of jazz music. Simone originally aspired to become a classical pianist, but her work covers an eclectic variety of musical styles that include classical music, jazz, the blues, soul, folk, R&B, gospel, and pop music. Her vocal style is characterized by intense passion, a loose vibrato, and a slightly androgynous timbre, in part due to her unusually low vocal range which veered between the alto and tenor ranges (occasionally even reaching baritone lows). Also known as The High Priestess of Soul, she paid great attention to the musical expression of emotions. Within one album or concert she could fluctuate between exuberant happiness and tragic melancholy.

Nina Simone recorded over 40 live and studio albums, the greatest body of her work being released between 1958 (when she made her debut with Little Girl Blue and 1974. Songs she is best known for include "My Baby Just Cares for Me", "I Put a Spell on You", "Four Women", "I Loves You Porgy", "Feeling Good", "Don't Let Me Be Misunderstood", "Sinnerman", "To Be Young, Gifted and Black", "Mississippi Goddam", "Ain't Got No, I Got Life" and "I Want a Little Sugar in My Bowl". Many of her songs are featured on motion picture soundtracks, as well as in video games, commercials and TV series.

This event is brought to you by the Maysles Cinema, Target ® and The National Jazz Museum of Harlem
Sunday, July 18, 2010

Jazz at The Studio
BLUE: A Shade of Difference
2:00 – 4:00pm
Location: The Studio Museum in Harlem
(144 West 125th Street)
FREE | For more information: 212-348-8300

Season Opener/Target Arts & Wonder Weekend Celebration

In this the kick-off performance of a new series, The NJMH All-Stars contemplate the color, the mood and art works that deal with the concept of blue and the blues. Blues, of course, are fundamental to jazz. But blues is way more than a simple, folk musical form. Many think the blues symbolize sadness and melancholy only; but blues music encompasses a full range of human emotion as a counter to what writer Albert Murray called “the blues as such.” Experiencing the variety of feelings evoked by Miles Davis’s recording, Kind of Blue, the best-selling jazz recording of all time, demonstrates this effect . . . as will today’s concert at the Studio Museum in Harlem.

Tuesday, July 20, 2010

Jazz for Curious Listeners
Jazz on Film: Sound—John Cage and Rahsaan Roland Kirk PLUS!
7:00 – 8:30pm
Location: The Maysles Institute
(343 Malcolm X Blvd / Lenox Ave (Between 127th and 128th Streets))
FREE | For more information: 212-348-8300
Tuesday, July 27, 2010

*Note tonight's special location.

If you have never seen Dick Fontaine’s groundbreaking film paring John Cage and Rahsaan Roland Kirk, run, don’t walk, to this screening. In addtionl, we’ll be showing examples of experimental film and experimental jazz including shorts by Shirley Clark and Rudy Burckhardt and a reception with Manny Kircheimer's Stations of the Elevated playing.

Tuesday, July 27, 2010

Jazz for Curious Listeners
Jazz on Film—Thelonious Monk: Straight No Chaser
7:00 – 8:30pm
Location: The Maysles Institute
(343 Malcolm X Blvd / Lenox Ave [between 127th and 128th Streets])
FREE | For more information: 212-348-8300

*Note tonight's special location.

Filmmaker Bruce Ricker couldn't believe his luck: Michael and Christian Blackwood's extensive 1968 footage of the groundbreaking modern jazz pianist and composer Thelonious Monk, including the only footage of the very private Monk off stage, turned out to be in excellent condition. The reels were, in Ricker's words, "just sitting there like the Dead Sea Scrolls of jazz." Ricker, as co-producer, joins director and fellow producer Charlotte Zwerin, executive producer Clint Eastwood and others to bring these scrolls to astonishing life. Their Thelonious Monk: Straight No Chaser combines the Blackwood's rare footage of Monk in studio on tour and behind the scenes with new interviews, archival photos and more to create a landmark aural and visual treat released 20 years after the original footage was shot.

Here are the tunes you’ll hear tonight, in order of appearance: Evidence; Rhythm-a-ning; On the Bean; Round Midnight; Well, You Needn't; Bright Mississippi; Blue Monk; Trinkle, Tinkle; Rhythm-a-ning; Ugly Beauty; Ask Me Now; Just a Gigolo; Crepuscule with Nellie; I Should Care; We See; Osaka T.; Evidence; Epistrophy, Don't Blame Me; Ruby, My Dear; I Mean You; Lulu's Back in Town; Off Minor; Pannonica; Boo Boo's Birthday; Misterioso; Monk's Mood; Sweetheart of All My Dreams; and Round Midnight.

Need we say more? See you at the Maysles Institute!


Thursday, July 29, 2010

Harlem Speaks
Michael Cuscuna, Record Producer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Michael Cuscuna is a discographer, writer and record producer par excellence.
He played drums, saxophone and flute during his teenage years, but wasn’t professional material. So, instead, he turned his attention to radio and recordings. He had a jazz show on WXPN and worked for ESP-Disk in the late 1960s, while also writing for Jazz & Pop Magazine, Rolling Stone and Down Beat. After stints at WMMR in Philadelphia and WABC-FM (now WPLJ) in New York as a progressive rock DJ, he took a position as a producer with Atlantic Records in the 1970s, recording Buddy Guy, Dave Brubeck and the Art Ensemble of Chicago. He also produced albums by Bonnie Raitt (Give It Up), Martin Mull, Luther Allison and Chris Smither. He also produced for ABC (doing reissues of Impulse! albums), Arista, Muse, Freedom, Elektra and Novus. From 1975 to 1981 he went through the Blue Note archives and recovered many unissued sessions which are now prized.

Along with Charlie Lourie, he founded Mosaic Records in 1983 specializing in jazz reissue box sets, with almost 200 releases as of 2009. Artists surveyed include highly visible masters like Thelonious Monk, Miles Davis, and Nat “King” Cole, and lesser known artists such as Tina Brooks and Ike Quebec. Cuscuna has won three Grammy Awards for his releases. Since 1984, Cuscuna has been a special consultant, producer, and reissue director of Blue Note Records.

Saturday, July 31, 2010

Saturday Panels The World of Mal Waldron 12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

A pianist with a brooding, rhythmic, introverted style, Mal Waldron's playing was flexible enough to fit into both hard bop and freer settings. Influenced by Thelonious Monk's use of space, Waldron had his own distinctive chord voicings nearly from the start. Early on, Waldron played jazz on alto and classical music on piano, but he switched permanently to jazz piano while at Queens College. He freelanced around New York in the early '50s with Ike Quebec (for whom he made his recording debut), Big Nick Nicholas, and a variety of R&B-ish groups. Waldron frequently worked with Charles Mingus from 1954-1956 and was Billie Holiday's regular accompanist during her last two years (1957-1959). Often hired by Prestige to supervise recording sessions, Waldron contributed many originals (including "Soul Eyes," which became a standard) and basic arrangements that prevented spontaneous dates from becoming overly loose jam sessions.

He mostly led his own groups after Holiday's death, although he was part of the Eric Dolphy-Booker Little Quintet that was recorded extensively at the Five Spot in 1961, and also worked with Abbey Lincoln for a short stint. He wrote three film scores before moving permanently to Europe in 1965, settling in Munich in 1967. Waldron, who occasionally returned to the U.S. for visits, was a major force in the European jazz world. His album Free at Last was the first released by ECM, and his Black Glory was the fourth Enja album. Waldron, who frequently teamed up with Steve Lacy (often as a duet), kept quite busy up through the '90s, featuring a style that evolved but was certainly traceable to his earliest record dates. Among the many labels that have documented his music have been Prestige, New Jazz, Bethlehem, Impulse, Musica, Affinity, ECM, Futura, Nippon Phonogram, Enja, Freedom, Black Lion, Horo, Teichiku, Hat Art, Palo Alto, Eastwind, Baybridge, Paddle Wheel, Muse, Free Lance, Soul Note, Plainisphere, and Timeless. In September of 2002, Waldron was diagnosed with cancer. Remaining optimistic, he continued to tour until he passed away on December 2 in Brussels, Belgium at the age of 76.

NATIONWIDE BENEFIT CONCERTS for the Fishermen & Wildlife affected by the Gulf Coast Oil Spill

On July 1st, 2010, a nationwide effort on behalf of independent club's will take place to benefit those directly affected by the Gulf Coast Oil Spill. We are all aware of the severity of this tragedy to the region and the global ecosystem.  What many are unaware of, as the oil continues to gush, the  Gulf Coast communities are quickly being devastated. The local and global economy will suffer irreparable damage that will last for many years to come. The ramifications will be that many families will not be able to survive financially in the very near future (http://www.dirtycajuns.com) : (http://tinyurl.com/2g487xj).

In addition to the dire situation facing the wetlands we have many people in our own back yard needing assistance.In the spirit of Independence Day, indie venues across the US are donating a % of of door revenues or ticket sales to the fishermen of the Gulf Coast and the clean up efforts. Many of our fellow Americans in the foreseeable  future will have no livelihood, are preparing to leave their homes, and are now lining up for food handouts. With hurricane season on the horizon there is reason for great concern. We've learned how essential it is to be prepared for the worst.

The funds will dispersed directly to the people in need through charity organizations directly aiding fishermen & their families, as well as those associated with wildlife relief efforts.

In conjunction with the events of July 1st, Coast to Coast will also be unifying a collective social media outreach campaign, which will be lead by Sloane Berrent (http://answerwithaction.com)

This is an opportunity for us to save lives and make a difference in an unnatural disaster of epic proportions where many want to get involved but don't know how. This is the way the music industry can help. No agenda other than working together for a common cause to raise monies and directly help the communities and support the efforts to save the wetlands and native species of the Gulf Coast.

The following venues will be participating:

The Roxy (Los Angeles, CA)

Viper Room (Los Angeles, CA)

Spaceland (Los Angeles, CA)

The Echo (Los Angeles, CA)

The Mint (Los Angeles, CA)

Fais Do Do (Los Angeles, CA)

The Comedy Store (Los Angeles, CA)

Saint Rocke (Hermosa Beach, CA)

Winston's (San Diego, CA)

Downtown Brewing Co. (San Luis Obispo, CA)

Mojito (San Francisco, CA)

Fox Theatre (Boulder, CO) - Euforquestra & Ocote Soul Sounds - Bands donating a % of all merchandise sales

Boulder Theater (Boulder CO)  -  Zane Lamprey "Drinking Made Easy" Comedy Tour

Triple Door (Seattle, WA)

Tipitina's (New Orleans, LA)

The Blue Nile (New Orleans, LA)

The Shed BBQ & Blues Joints (Lafayette, LA)

George's Majestic (Fayetteville, AR)

Neumeier's Rib Room (Fort Smith, AR)

The Shed BBQ & Blues Joints (Ocean Springs, MS)

The Shed BBQ & Blues Joints (Gulfport, MS)

Soul Kitchen (Mobile, AL)

The Shed BBQ & Blues Joints (Mobile, AL)

The Shed BBQ & Blues Joints (Destin, FL)

The Press Room (Portsmouth, NH)

MOON TAXI ANNOUNCE SUMMER TOUR!

Nashville road warriors Moon Taxi have been steadily picking up steam across the country, building a loyal following of music fans dedicated to the band’s relentless energy, inspired songwriting, and instrumental prowess. Having opened for the likes of Gov’t Mule, Umphrey’s Mcgee, Matisyahu, and DJ Logic, the five-piece are hitting the road for an extensive summer headlining tour.

Formed three years ago in Nashville, TN, Moon Taxi hit the ground running and hasn’t slowed down, beginning by pounding the Southeast club circuit and soon selling out venues in their hometown. Honing their skills on the road and developing a unique sound that joins together a multitude of rock sub-genres into an explosion of red hot rock n’ roll, the band has found its home on the live stage. Vocalist and guitarist Trevor Terndrup commands his position as a frontman-to-watch with his high-flying vocals and magnetic personality that combine with his band mate’s technical skill and complex sonic structures to create a joyous force of nature. Drummer Tyler Ritter anchors the group with propulsive and evolving beats while bassist Tommy Putnam delivers lines that groove between soul and rock, laying a textured foundation that’s both unyielding and unrestricted. Some of the most explosive moments are sparked by Wes Bailey on keys and guitarist Spencer Thomson, whose dizzying solos are met with instant gratification from their audience.  The band’s tenacity on stage and on the road has led to securing coveted slots at festivals such as 10,000 Lakes Festival, Moe’s Summer Camp and Birmingham’s City Stages and is captured on the vibrant and explosive live album, Live Ride, released in 2009. Be sure to catch Moon Taxi at these intimate gigs before they catapult into the rock n’ roll stratosphere.

Don’t miss your chance to catch MOON TAXI live this summer:

6/10/10                       Ithaca, NY @ Castaway’s

6/11/10                       Freeport, ME @ Music Bar

6/12/10                       Newton, NJ @ Hobo Bar

6/13/10                       Brooklyn, NY @ Southpaw

6/16/10                       Frostburg, MD @ Dante’s

6/17/10                       Annapolis, MD @ The Whiskey

6/18/10                       Cleveland, OH @ Beachland Tavern

6/19/10                       Columbus, OH @ Basement

6/20/10                      Indianapolis, IN @ Birdy’s

6/22/10                       Toledo, OH @ Frankie’s

6/23/10                       S. Haven, MI @ Foundry

6/24/10                      Three Rivers, MI @ Riviera Theatre

6/25/10                       Kalamazoo, MI @ The Strutt

6/26/10                       Dayton, OH @ Canal Street

6/27/10                       Lexington, KY @ Cosmic Charlie’s

6/30/10                      Cincinnati, OH @ Southgate House

7/1/10                        Chicago, IL @ House of Blues, Porch State

7/2/10                        Minneapolis, MN @ 400 Bar

7/7/10                         Boulder, CO @ Rock N Soul Cafe

7/9/10                         Denver, CO @ Moe’s

7/14/10                       Reno, NV @ Crystal Bay

7/15/10                       San Francisco, CA @ The Union Room @ Biscuits and Blues

7/17/10                       San Diego, CA @ House of Blues

7/24/10                      Nashville, TN @ Exit/In

7/29/10                       Dallas, TX @ The Loft

7/30/10                      Oklahoma City, OK @ The Conservatory

7/31/10                       Denton, TX @ Boiler Room

8/8/10                        Logan, OH @ Rootwire Music Festival

8/13/10                       Alexandria, LA @ Spirit’s, Foods and Friends

8/28/10                       Turin, NY @ Snow Ridge Ski Resort

Moon Taxi is Trevor Terndrup (Vocals, Guitar), Spencer Thomson (Guitar), Tommy Putnam (Bass), Wes Bailey (Keys) and Tyler Ritter (Drums)

Crowded House To Release "Intriguer"

Following up on their 2007 release, Time On Earth – their first studio recording in fourteen years – New Zealand dream-pop auteurs Crowded House deliver Intriguer, scheduled for release on July 13th, 2010, on Fantasy Records, a division of Concord Music Group.The internationally acclaimed group begins a nationwide tour of the U.S. and Canada in support of the new album on Monday, July 12th. Also available that day will be the 2-disc Intriguer Deluxe Edition, featuring a special bonus live DVD.
Produced by Jim Scott (Wilco), Intriguer once again brings together singer/guitarist and chief songwriter Neil Finn with original Crowded House bassist Nick Seymour and keyboardist/guitarist Mark Hart, who’d been with the band from 1989 until its last days. Also on board is drummer Mark Sherrod, the relative newcomer to the family, having joined the band for the making of the aforementioned Time On Earth. Recorded at Roundhead Studios in Auckland, New Zealand, in the spring and summer of 2009, the album includes songs that “have been worked over on the road and transformed a few times, some all the way back to square one,” says Finn. “It’s a good place to return to from time to time.” Intriguer opens with “Saturday Sun,” a track whose straightforward backbeat calls to mind the best elements of ‘60s pop. The follow-up track, “Archer’s Arrows,” takes a more ominous turn with the help of some carefully layered vocals and the violin work of Lisa Germano (who later reappears on the pensive “Even If”).
“Falling Dove” is both melancholy and defiant, while “Isolation” derives its dreamlike sensibility from a heavy dose of guitar tremolo and the dreamlike vocals of Finn’s wife, Sharon Dawn Johnson. Both of these tracks, positioned back-to-back in the sequence, benefit from the psychedelic guitar work of Liam Finn, Neil’s son and longtime collaborator in the studio and onstage.
“Twice If You’re Lucky” is a prime example of the aforementioned evolutionary process that left its mark on most of the songs on Intriguer. “We played an alternative version, more complex and mysterious on tour, then deconstructed back to the original, simple form in the last week of recording,” Finn explains. “I am inclined to circle songs, looking for any bit of advantage I can find – a verse, a chord or a word to change.”
“Elephants” is the wistful closer, driven by lush piano harmonies that seek to linger a while and take in the fleeting moment before the story comes to close. “Intriguer is exotic in parts, traditional in origin,” says Finn. “Through many a twist and turn we fashioned some drama and intrigue. You will find some threads that go back through all that history and some new discoveries as well that will need to be followed up. Its part of the continuum and it may just be the best thing we’ve done…until the next one.”
2007’s Time On Earth, turned the band on to what Finn calls “the scent of something new.” Thankfully, for the rest of us, Intriguer proves the Crowded House story in many ways, is just beginning.

TOUR DATES

Jul 12 - Toronto, ON - Massey Hall
Jul 13 - Montreal, QC - Metropolis
Jul 15 - Ottawa, ON - Lebreton Flats Park
Jul 16 - Buffalo, NY - Erie Canal Harbor
Jul 17 - Boston, MA - House of Blues
Jul 19 - New York, NY - Bowery Ballroom
Jul 20 - New York, NY - Bowery Ballroom
Jul 21 - New York, NY - Bowery Ballroom
Jul 23 - Montclair, NJ - Wellmont Theatre
Jul 24 - Atlantic City, NJ - House of Blues
Jul 26 - Vienna, VA - Wolftrap
Jul 28 - Clearwater, FL - Ruth Eckerd Hall
Jul 29 - Miami, FL - Fillmore Miami Beach
Jul 30 - Orlando, FL - Hard Rock Live
Aug 1 - Atlanta, GA - Tabernacle
Aug 2 - Nashville, TN - Ryman Auditorium
Aug 4 - Austin, TX - Stubb’s Walker Creek
Aug 5 - Dallas, TX - House of Blues
Aug 19 - Los Angeles, CA - Club Nokia
Aug 20 - Los Angeles, CA - Club Nokia
Aug 22 0 San Diego, CA - Humphrey’s Concerts by the Bay
Aug 23 - San Francisco, CA - Warfield
Aug 24 - Saratoga, CA - Mountain Winery
Aug 26 - Troutdale, OR - Edgefield Amphitheater
Aug 28 - Seattle, WA - Chateau Ste. Michelle Winery
Aug 29 - Vancouver, BC - Queen Elizabeth Theatre
Aug 30 - Victoria, BC - Royal Theatre
Sep 1 - Edmonton, AB - Northern Alberta Jubilee Auditorium
Sep 2 - Calgary, AB - Southern Alberta Jubilee Auditorium
Sep 4 - Apple Valley, MN - Zoo Amphitheater
Sep 5 - Chicago, IL - House of Blues Sep 6 - Chicago, IL - House of Blues

The Fabulous Thunderbirds to play Greeley Blues Festival

For over thirty years, The Fabulous Thunderbirds have been the quintessential American band. The group's distinctive and powerful sound, influenced by a diversity of musical styles, manifested itself into a unique musical hybrid via such barnburners as “Tuff Enuff” and “Wrap It Up.”

Founding member Kim Wilson spearheads the group as it evolves into its newest incarnation. “We started as a straight blues band.” vocalist and harmonica player Wilson says. “We now incorporate a mixture of a lot of different styles. We're an American music band and we're higher energy than ever before.” The Fabulous Thunderbirds features Jay Moeller on drums, Johnny Moeller and Mike Keller on guitar, and Randy Bermudes on bass.


Wilson’s musical talents have garnered him multiple Blues Awards and Grammy Nominations. The Blues Foundation 2008 blues Music Awards named Wilson "Instrumentalist - Harmonica" category.  In 2006, he was named “Contemporary Blues Male Artist of the Year” in 2006, and “Lookin’ for Trouble!” was named Blues Song of the Year in 2004. Wilson has contributed to the work of many other great artists such as the legendary Muddy Waters (who called him his “son”), contemporary artist Bonnie Raitt, guitar legends Stevie Ray Vaughn and brother Jimmy Vaughn, and Martin Scorsese’s movie “The Blues." With his current movie project “Cadillac Records,” Wilson continues to focus on the music he loves.

With over 20 albums recorded and millions sold, Kim Wilson and The Fabulous Thunderbirds tour the world performing their own unique style of music. Ranging from pop anthems like “Powerful Stuff” which was featured in the Tom Cruise movie “Cocktail," to the low down blues of "Chicago," this brand of honest music brings fans back time and again.

Having shared the stage with The Rolling Stones, Joe Cocker, Carlos Santana and blues legends BB King and Buddy Guy and countless others, The Fabulous Thunderbirds continue to tour Europe and the North America, bringing more great music to their fans worldwide.



The Fabulous Thunderbirds will be playing the Greeley Blues Festival, at the Island Grove Arena, 425 North 15th Ave., in Greeley, on June 12 at  7:25 PM.



The Festival runs June 11 and 12, and tickets are  $25 in advance, $30 at the gate.  There are also limited prefered seating passes available for $50. Children under 12 are admitted for free.  For more information, please call 970-356-5000. Call the Chamber at 800-449-3866 for booster packet phone orders.  The web site is http://greeleybluesjam.wordpress.com/.

KEANE ANNOUNCE HEADLINING U.S. TOUR

Celebrated UK trio KEANE will embark on a headlining US tour this summer in support of their new album Night Train, out tomorrow on Cherrytree/Interscope Records. The tour kicks off July 20th in Oakland, CA and sees the band traveling across the country, wrapping up August 11th in Minneapolis. Tickets go on sale May 14th. Tour dates below.
Supporting the tour will be Travis frontman Fran Healy and Ingrid Michaelson. KEANE’s most recent release features eight refreshingly innovative tracks written and recorded while the band was on a 28-country arena tour in support of their album Perfect Symmetry. Night Train includes several songs that challenge the boundaries of genre via unique collaborations with Somali/Canadian rapper K’NAAN and Japanese funk singer Tigarah. The album has already been lauded for its signature brooding rock combined with synth-pop flourishes, leading Rolling Stone to say that with its “brass-bolstered soul” and “electro-flavored dance pop…Keane have proved themselves masters of…pop perkiness.”  Alternative Press drew comparisons to David Bowie and Radiohead and People gave it three out of four stars.
Since their inception in 2003, KEANE has sold 10 million copies of their three award-winning albums and seen remarkable success with their singles “Somewhere Only We Know,” “Everybody’s Changing” and “Bedshaped,” among many others.  The band’s particular brand of evocative piano rock propelled by literate, heartfelt songcraft has propelled them to worldwide adoration  and success.

TOUR DATES
July 20 - Fox Theatre - Oakland, CA
July 21 - Greek Theatre - Los Angeles, CA
July 23 - House of Blues - Las Vegas, NV
July 25 - Warehouse Live - Houston, TX
July 26 - House of Blues - Dallas, TX
July 28 - Chicago Theatre - Chicago, IL
August 3 - Bank of American Pavilion - Boston, MA
August 5 - Merriweather Post Pavilion - Baltimore, MD
August 6 - Waterfront - Brooklyn, NY
August 7 - Mann Center - Philadelphia, PA
August 10 - Riverside Theatre - Milwaukee, WI
August 11 - 1st Ave. - Minneapolis, MN