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YELLOWBIRDS Release Second Track "The Honest Ocean"

Yellowbirds, the new band formed by Sam Cohen of Apollo Sunshine, have released a second single entitled "The Honest Ocean." It follows the "The Rest Of My Life," their first song made available in October, which was later selected as a Spinner "Mp3 Of The Day" and described as "sunny, psychedelic folk. Warm and inviting," by the blog Unholy Rhythms.

Yellowbirds will offer one more single before their debut album The Color is released February 15, 2011 as an LP and download by The Royal Potato Family.

Stream "The Honest Ocean"
Mp3 Download "The Honest Ocean"
Available at iTunes | Amazon

More on Sam Cohen and Yellowbirds...

Sam Cohen grew up in Houston, Texas, and while the Texas of his teens may have been home to Big Oil, Enron, the Bush family, and the drab gray Astros jerseys of the 90's, he prefers to think of it as the Texas of yore, home to Roy Orbison, Buddy Holly, the Space Program, and rainbow orange Astros jerseys.  It stands to reason, then, that his current home of New York City must be the mythical Empire City: Rocky Mountains of architecture, epicenter of modern art, home to Charles Mingus and The Velvet Underground.

It was with these timeless inspirations in mind that Cohen created Yellowbirds, and set to work on his forthcoming "solo" outing The Color.  Double-speed auto-harp glissandos, glowing backwards pedal-steel, bubbling echo and fuzz guitars coalesce into a warm wall of sound.  As existential lyrical themes emerge, delivered nonchalantly over psyched-out aural landscapes, the picture emerges of a dust-blown, 4th dimensional Future West.  This is Cohen's quixotic world where "only the purist tones can be heard."

Upcoming Yellowbirds shows:
December 8 | Goodbye Blue Monday | Brooklyn, NY (acoustic set)
December 11 | The Rock Shop | Brooklyn, NY

Ladysmith Black Mambazo Keep the Music of their Childhood Alive

The centuries-old story of their country and culture has been the foundation of the a cappella singing group Ladysmith Black Mambazo since its beginnings, almost fifty years ago. On 'Songs From A Zulu Farm,' out January 25, 2011 (Listen 2 Entertainment Group), the nine-man group returns to their origins in the open fields of Zulu country to recreate the idyllic world in which they once lived by singing traditional folk tunes sung by mothers and fathers to children throughout the generations.

"These are songs from the earliest time in our lives," says Ladysmith Black Mambazo founder and frontman Joseph Shabalala. "When we sing these songs, we're singing from our personal history. It is such a joy for us to put these stories and songs together for our fans to enjoy too."

'Songs From A Zulu Farm' speaks to the universal joys of childhood. "Whether you are in Ladysmith, Virginia, or Ladysmith, South Africa, children are hearing songs they will carry with them for the rest of their lives and share with their own children," Shabalala says. "We hope that these songs sung to South African children can be enjoyed by families in many other places in the world."

Among the 16 tracks on 'Songs From A Zulu Farm' is "Old McDonald… Zulu Style," the classic children's song reworked in ways never before imagined as it's piped through the language and culture of the Zulu people.

Listen to "Old MacDonald" here.

Shabalala professes his love and longing for the times and places of his youth in “Thalaza,” a song he composed to encourage Zulus – and people of every nation and culture – to reconnect to the innocence of their younger years. “Your roots are who you are,” says Shabalala, who revisits the farmland of his youth every month. “I go home to see the sights I’ve known since I was a baby. When I see a field there, I see my father and mother standing with me as a little boy. I love going home because it is just that…home.”

Check out some Grateful Web coverage of Ladysmith Black Mambazo.

Stop Arctic Drilling From Harming Polar Bears

The Chukchi Sea off the northwest coast of Alaska is home to one of America's two populations of threatened polar bears and the only population of Pacific walrus. These great species of the Chukchi are losing their sea-ice habitat at an alarming rate, but that's not the only thing they have to worry about: Secretary of the Interior Ken Salazar wants to let Big Oil drill in their home.

This summer, thanks to a lawsuit brought by the Center for Biological Diversity and our allies, a federal court directed Secretary Salazar to redo the analysis of the environmental impacts of a massive Bush-era oil and gas lease sale in the Chukchi Sea.

But now, just two months later, Salazar has issued a draft document that leaves unanswered hundreds of questions about the impacts of drilling in the Arctic Ocean -- and the potential threat of a spill in those waters.

Don't let Secretary Salazar oil the Arctic. Please act now to tell Salazar that vulnerable Arctic species deserve better than his rushed and incomplete environmental analysis.

Click here to find out more and to take action.

Ronnie Penque: Only Road Home

You know him as bassist for the world famous New Riders of the Purple Sage. When not touring the country with The New Riders, Ronnie has been busy working with his solo project The Ronnie Penque Band. Now Ronnie and his band have released their first debut CD, ONLY ROAD HOME. The tracks of this classic Americana rock album are filled with great song writing, infectious grooves, sweet vocals, harmonies and a good old school feel. ONLY ROAD HOME is a hook-laden record with catchy melodies rocked out by Penque*s band.  This record will leave Classic Rock fans singing the songs for weeks.  The blend of Jam band, Rock, R&B, with a taste of Gospel, Country and a "Little Soul* will appeal to fans from The Grateful Dead, Tom Petty to The Eagles.  Penque’s song  writing has elements of  the greats before him like Bob Dylan and Robert Hunter. His voice brings back memories of Don Henley, Jerry Garcia, or Paul Simon. ONLY ROAD HOME is a fresh sounding old school Classic Rock album set to delight Classic Rock, Pop and Jamband fans alike.

The Ronnie Penque Band will be doing a string of CD release parties and shows in the Northeast

Jan 8th 2011 at 9 PM:  Mexicali Live, 1409 Queen Anne Road Teaneck, NJ 07666 Tickets can be purchased at www.mexicalilive.com

The Ronnie Penque Band is led by singer and bassist, Ronnie Penque. The band includes Ron's brother, Chris Penque on rhythm guitar, Jeff Pearlman on keys and vocals, Katie Pearlman on drums and vocals, and Andy Trister on lead guitar.  CD Available at www.ronniepenque.com

Ronnie's Bio:

Ronnie is best known as the bass player and vocalist of the world famous New Riders of the Purple Sage. When not working with NRPS Ronnie spends time with his solo project RONNIE PENQUE BAND which includes his brother Chris Penque on guitar, Andy Trister on lead guitar, Jeff Pearlman on keys and vocals, and Katie Pearlman on drums and vocals.

Ronnie started his music career as the original bass player in the popular New Jersey Grateful Dead cover band, Ripple. Ripple was formed in 1978. During the Ripple years Penque would also moonlight with other bands like Wig Jam and Splintered Sunlight. After Ripple retired in 2003, Ronnie was asked by keyboardist Melvin Seals of The Jerry Garcia Band to join his band, "Melvin Seals and JGB". Ronnie toured with Melvin and JGB for 3 years as lead singer and bassist. Penque then joined up with Buddy Cage and Johnny Markowski in Stir Fried which led to the reforming of The New Riders of the Purple Sage in 2005.Ronnie and the New Riders play over100 shows per year throughout the United States and Canada.

If the name Penque is familiar, Ron's uncle the late Romeo Penque was one of the most famous woodwind and flute players in the music industry who was best known for his work with Miles Davis. At age 12 Ronnie was taught to play bass by his father Ron Penque Sr., an accomplished session bass player for 20 years, who gave Ronnie his 57 Precision bass (Dads Bass) upon his retirement. Some of Ronnie's musical influences are The Grateful Dead*s Phil Lesh, NRPS bass player Dave Torbert, Donald Duck Dunn, John Entwistle, Paul McCartney and Jack Casady, among others.

Through the years Ron has also played with many other bands and great musicians including Bobby Weir, Mickey Hart, Vassar Clements, Peter Rowan, Melvin Seals, Robert Hunter, Wig Jam, Splintered Sunlight, Jeff Austin, Neon Gods, Stir Fried, John Popper, Jeff Mattson, John Dawson, Tony Trischka, Pete Sears, Buddy Cage,David Nelson, Barry Sless, Keller Wiliams, Donna Jean Godchaux, Jeff Pevar, Tom Constanten, Michael Falzarano, Johnny Markowski, Mark Karen, Jack Casady, GE Smith, Mookie Siegel, Pinetop Perkins and Tex Logan.

Introducing YELLOWBIRDS from Sam Cohen of Apollo Sunshine

Yellowbirds is the moniker for the latest musical exploits of Sam Cohen--songwriter, guitarist and vocalist in the psychedelic collective Apollo Sunshine.  Next Tuesday, October 12, Yellowbirds will release its debut track "The Rest Of My Life." The song is the first of three to be made available in the coming months, hinting at what's to come as Cohen puts the finishing touches on The Color, a full-length studio recording due in early 2011.

Sam Cohen grew up in Houston, Texas, and while the Texas of his teens may have been home to Big Oil, Enron, the Bush family, and the drab gray Astros jerseys of the 90's, he prefers to think of it as the Texas of yore, home to Roy Orbison, Buddy Holly, the Space Program, and rainbow orange Astros jerseys.  It stands to reason, then, that his current home of New York City must be the mythical Empire City: Rocky Mountains of architecture, epicenter of modern art, home to Charles Mingus and The Velvet Underground.

It was with these timeless inspirations in mind that Cohen created The Color by Yellowbirds, his "solo" debut.  Double-speed auto-harp glissandos, glowing backwards pedal-steel, bubbling echo and fuzz guitars coalesce into a warm wall of sound.  As existential lyrical themes emerge, delivered nonchalantly over psyched-out aural landscapes, the picture emerges of a dust-blown, 4th dimensional Future West.  This is Cohen's quixotic world where "only the purist tones can be heard."

Listen to Yellowbirds'

{play}images/mp3/therestofmylife.mp3{/play}

Grandchildren Play DENVER At Larimer Lounge On 10.18

In Grandchildren, every memory is a montage of sound. The beat-driven, orchestral-pop epics play like an audio scrapbook of memories from songwriter Aleks Martray's life.

Martray, the son of a high-ranking military officer, and Grandchildren's creator, was born on a US army base in Germany and raised on both sides of the Atlantic.  “I was restless from a really young age,” he explains, “Growing up in flux between different places I gravitated towards more intangible things like stories, melodies, movies, and dreams, and so early on music became a way of making a home for myself.”

Grandchildren’s debut album, Everlasting, feels like a culmination of all that restlessness. A sonic collage of the sentimental and the confrontational- the album is a safe haven for multiple realities- fusing tribal beats, frayed electronics, fireside folk melodies, richly-woven orchestral-pop flourishes and even field recordings from Martray’s journeys across Central America, the Caribbean and Africa.

“The project began during my nomadic mid-20’s. I was split between Baltimore, Philadelphia, NY, DC, and travels abroad. I think the music is a reflection of a young person processing their own coming of age through constant self inflicted culture shock. The textures of the final album span time and space,” he says. “And yet, it comes across as one seamless reality. You can feel the influences but you can’t put your finger on them.”

During this time Martray’s closest thing to home was a small 3rd floor bedroom in a dilapidated Victorian house in west Philadelphia known as Danger Danger. At the height of its illegal phase, this notorious underground venue hosted everything from IDM-infused metal (Genghis Tron) to frantic free-jazz (Marshall Allen of the Sun Ra Arkestra). These eclectic sounds billowed up towards Martray’s make-shift bedroom recording studio, taking what began as a solo experimentation in dizzying new directions.

“The songs evolved through the recording process,” explains Martray, “they were so layered that when I went to play them live, so much had to be sampled. That’s when I realized this wasn’t a solo project. It’s music for a small orchestra.”

With that in mind, Martray brought his fellow housemates—a motley crew of instrument-swapping misfits—into the fold one by one. This included drummer Roman Salcic, a Croatian transplant reared on American rock music; jack of all trades Tristan Palazzolo; math-thrash guitarist Adam Katz; bassist/percussionist Russell Brodie; and classical-pianist-turned-synth-slinger John Vogel. Over the course of one daunting year, the group developed Grandchildren’s 10-song album into a live set that’s as seamless and widescreen as the recordings.

“It looks spontaneous to people,” explains Katz, “but everything’s carefully choreographed on our end.”

A lot of that stems from a two-month North American tour in 2008, one that was plagued by chicken pox, blizzards, border patrols, and van break-ins. This not only brought them closer together; it gave Grandchildren the chance to perfect the ebb and flow of their live set.

“And now that everything’s down to a science,” says Martray, “it becomes a form of art in and of itself. As full and layered as the album is, it rests on the backbone of those early bedroom recordings. Kind of like with a car, where you keep replacing parts until the whole thing is new. By the end you can’t even remember what came from where. The process hides within the sound.”  He pauses and adds, “We want people to feel the music first, and ask questions later.”

US Dates:

09/20 – First Unitarian Church – Philadelphia, PA (w/ No Age)

09/26 - The Roebling Inn - New York, NY

10/08 – Johnny Brenda’s – Philadelphia, PA (w/ Special Guests)

10/18 – Larimer Lounge – Denver, CO (w/ Seabear)

10/19 – Kilby Court – Salt Lake City, UT (w/ Seabear)

10/20 – Neurolux – Boise, ID – (w/ Seabear)

10/23 – Mississippi Studios – Portland, OR (w/ Seabear)

10/25 – Independent – San Franciso, CA (w/ Seabear)

10/26 – Troubadour – West Hollywood, CA (w/ Seabear)
10/27 – Casbah – San Diego, CA (w/ Seabear)

The Voice Project - Singing Ugandan Child Soldiers Back Home

The Voice Project launches to support Ugandan women’s groups who are using music to bring the child soldiers home - Featuring Andrew Bird, Mike Mills, Edward Sharpe & The Magnetic Zeros, Joseph Arthur, Joe Purdy, Dawes, SoKo & many more to come...

The Voice Project a US based non-profit supporting the women of Northern Uganda who have been using music effectively to bring soldiers home from Africa’s longest running war, the 24 year old conflict that has devastated the region of Northern Uganda, Congo, Southern Sudan and CAR.

Many soldiers fighting with Joseph Kony's LRA were abducted as children and forced to fight. Many were made to kill their own friends and family, and while many do eventually escape, they often hide in the bush ashamed and afraid to come home because of what they were made to do.

Women in the region, widows and rape survivors, have been banding together into groups to care for each other and the orphans left by the war. Often without the right to even own land, these women have been taking a lead role in the Peace and Reconciliation efforts, one of their main tools: using messages carried in songs spread on the radio and by word of mouth into the bush to let the soldiers know that they are forgiven and that they should come home. And it's working. Soldiers have been hearing the songs and coming home.

Considering the atrocities the women have been subjected to, this is clearly not only one of the greatest uses of music, but also one of the greatest acts of compassion, love, and forgiveness one can find. Co-Founder Hunter Heaney first heard of the women’s efforts and how they were using music to call the soldiers home while working at an IDP camp (Internally Displaced Persons) in the tiny village of Agoro on the Uganda/Sudan border in 2008. He learned the women’s songs from different groups in the region and when they asked him to teach them some, the first one to come to mind was Joe Purdy’s “Suitcase.” Heaney brought the story of how the women were using music home with him, telling friends like music producer Chris Holmes and filmmaker Anna Gabriel. Together they assembled a team of friends like Internet entrepreneurs Kelleigh Faldi and CC Lagator, Web Developer Jason Young, Nicole Grable from the NGO world, and music industry veterans like Jay Sweet, Andrea von Foerster and Ana Calderon, and together started The Voice Project to support the women.

The story was passed to Alex Ebert from Edward Sharpe & The Magnetic Zeros who offered to combine the record release party for his new band’s debut album Up From Below with the project to raise money for the ladies. The money was used to start a small farm in Gulu. The women celebrated and sent their thanks in song, a phone call to Heaney singing the Joe Purdy tune he had taught them nine months before, and a short video of them singing the chorus to Edward Sharpe’s “Home” which has been making its way around the Internet.

From there, the idea for the “cover chain” was born. Taking the lead from the women in Uganda, the friends decided to keep the chain going and have artists pass on the story of the women to other musicians by each covering another’s song, with The Voice Project team filming each link as a series of episodes that would eventually circle back around to the women in Uganda, posting each online and raising money along the way from sponsors, advertisers and donors to support the women, the peace movement, and rehabilitation programs for former child soldiers.

Episodes featuring Andrew Bird, Mike Mills, Dawes, Joseph Arthur, Tom Freund, Joe Purdy and SoKo have already been shot and posted, with upcoming links from Peter Gabriel, Devendra Banhart, The Submarines, Bedouin Clash and many more on the way. A number of non-profits have also been getting behind the project in hopes of raising awareness and support for the war-torn region, including Oxfam International, Witness, HOPE and others.

Santa Barbara Celebrates Earth Day's 40th Anniversary with Earth Day Festival

On April 17-18, thousands of communities around the world will celebrate the 40th anniversary of Earth Day. On the California Central Coast, the community of Santa Barbara, together with regional not-for-profit Community Environmental Council, lays claim to sparking the Earth Day movement forty years ago.

This year, 20,000 will gather for Santa Barbara’s Earth Day 40 Festival (www.SBEarthDay.org) on April 17-18. Under the apropos 2010 theme “Bringing It Home,” the celebration recognizes not only Earth Day’s 40th Birthday, but also the community’s own legacy of environmental stewardship.

For four decades, Santa Barbara has harnessed its mindful community members, innovative leaders, and abundant access to renewable energy resources to help lead the environmental movement. Today, with the ongoing support of the Community Environmental Council and its aggressive “Fossil Free by ’33” initiative, the community continues to serve as a model for how to move an entire region away from fossil fuels.

In 1969, the devastating images of a massive oil spill from an oil platform off Santa Barbara’s coast galvanized California into action and caught the attention of the rest of the nation, including Senator Gaylord Nelson, founder of Earth Day. The resulting swell of outrage and concern gave rise to the first Earth Day in 1970, as well as to the creation of the Community Environmental Council – the largest and most established environmental organization in the region, and the host of Santa Barbara’s Earth Day 40 Festival.

Today, the Community Environmental Council (CEC) is leading a campaign to move Santa Barbara County away from fossil fuels in one generation – Fossil Free by ’33. This bold, regionally driven blueprint seeks to head off a nearly perfect storm of energy-related concerns, including rapidly diminishing oil supplies (“peak oil”), growing concern over our national security because of our dependence on foreign oil, volatile fuel prices, and climate change.

The Fossil Free campaign is particularly timely following the climate talks in Copenhagen last December, in which international leaders noted that more than half of the actions needed to address global warming will be led not by national or international policies, but through local initiatives and leadership.

“Copenhagen will likely be a central theme as communities around the world prepare for the 40th anniversary of Earth Day,” says CEC Assistant Director Sigrid Wright, noting that the collective international Earth Day events are expected to touch over a billion people. “We believe that climate change is the responsibility of every community to address and that Santa Barbara and California are out in front on this issue.”

In downtown Santa Barbara, the Santa Barbara Earth Day 40 Festival will offer real-world solutions, with participation by approximately 250 emerging green businesses, cutting edge technology vendors, and regional and national environmental organizations. Other features will include:

• a two-day amateur Green Shorts Film Festival,
• the largest known private
Green Car Show in the country, and
• a Green Home Pavilion – a re-enactment of a 1,200-square foot home, featuring the latest green construction materials, home décor products, and energy-saving appliances and technologies.

Earth Day brings us together to celebrate, recharge and focus our energies and resources on ending our dependence on fossil fuels,” says Wright.

“This is a pivotal time in history for the environmental movement because for the first time ever, being free of fossil fuels is actually within reach," says Wright. “The CEC and the community of Santa Barbara are committed to reaching this goal by 2033. The region has unique access to renewable energy resources – particularly the sun, wind and ocean. And, as history has shown, the size of the community – small enough change course with relative speed, yet large enough to matter when those changes are made - makes us poised to lead the charge."

My Morning Jacket Hit The Road With The Preservation Hall Jazz Band

It’s been almost a full year, but the wait is finally over.  My Morning Jacket are ready to bring their electrifying live show back on the road.  The guys will make their way around the Southeastern United States this Spring, including a performance at this year’s Jazzfest in New Orleans.  MMJ are also excited to both try something new with their choice for an opening act, and bring some of the spirit of NOLA along with them.  The band is honored that the historic Preservation Hall Jazz Band will be supporting them on the run.

The connection with the PHJB originated in the Spring of 2009 when MMJ frontman Jim James was invited to sing with them at their home turf, New Orleans’ legendary Preservation HallJames recorded two songs with the band: “St. James Infirmary” and “Louisiana Fairytale.”  The tracks will appear on the bands forthcoming album,  PRESERVATION: An Album To Benefit Preservation Hall & The Preservation Hall Music Outreach Program, out February 16th.

“When I got the invitation to go to the legendary Preservation Hall – where SO much of the music we now know and love on this earth found its early roots – I did not waste a minute,”  James reminisces.  “Getting to sing while the guys played with such glorious bursts of sound – all live in that holy room with the ghosts and garbage trucks crankin’ along – was an experience I’ll never forget.”

The PHJB’s leader Ben Jaffe shares his memory of playing with James: “I couldn’t have imagined Jim fitting in any better with the guys at Preservation Hall.  Creating music is not a science.  There is no tried and true formula.  There is an unspoken bond amongst musicians.  One that exists in the notes we choose.  Jim’s like our long lost cousin coming home for the first time.”

MMJ Tour Dates With The Preservation Hall Jazz Band:

04/20:  Birmingham, AL @ Alabama Theater

04/21:  Nashville, TN @ Municipal Auditorium

04/23:  Atlanta, GA @ Chastain Park

04/24:  New Orleans, LA @ Jazzfest

04/27:  St. Augustine, FL @ St. Augustine Amphitheater

04/28:  Charleston, SC @ Family Circle

04/30:  Raleigh, NC @ Koka Booth

05/01:  Columbia, MD @ Merriweather Post Pavilion

05/02:  Columbus, OH @ LC Outdoor Pavilion

Bonerama's New Album "Bringing It Home"

photo copyright of Bonerama- for the Grateful Web

When Bonerama struts onstage with its four-trombone frontline, you can guess it's not quite like any rock 'n' roll band you've seen.  When they tear into some vintage New Orleans funk, there's no questioning from which city these guys hail. And when those 'bones start ripping into Hendrix and Led Zeppelin licks, all stylistic bets are off.

Bonerama carries the brass-band concept to places unknown.  Hailed by Rolling Stone's David Fricke as "The ultimate in brass balls," last Fall the band served as the House Band for the live all-star comedy event COMIC RELIEF.  The 2006 event, which featured a long list of A-talent including hosts Billy Crystal, Whoopi Goldberg and Robin Williams, was recorded live from Ceasar's Palace last November. Recently, Bonerama snagged the coveted "Best Rock Band" honor from the 2007 Big Easy Awards.

Since live performance is what Bonerama is all about, it's no coincidence that their third album, Bringing It Home, is also their third consecutive live disc.  It also testifies to the amount of tightening-up the band's done in recent years. Joining another stack of Bonerama originals are covers ranging from the Meters and George Porter Jr. to the Beatles (two from the White Album, no less) to Thelonious Monk. And when they take on Led Zeppelin's "The Ocean" – with trombones doing the familiar backing vocals along with the big guitar riff – you can practically hear the audience's jaws dropping.

The current list of confirmed Bonerama tour dates is as follows:

July 13 Martyr's Chicago IL

July 14 Bastille Days Festival Milwaukee WI

July 18-19 Broadway Oyster Bar St. Louis MO

July 20 Iowa City Yacht Club Iowa City IA

July 21 Sioux Falls Jazz & Blues Festival Sioux Falls SD

July 22 Vaudeville Mews Des Moines IA

July 25 The Blue Gator Athens OH

July 26 Peaches Grill Yellow Springs OH

July 27 The Livery Benton Harbor MI

July 28 Beaches International Festival Toronto Ontario

August 02 Panama City Beach Concert Series Panama City Beach FL

August 03 MOJO Kitchen Jacksonville Beach FL

August 04 The Bamboo Room Lake Worth FL

August 05 The Green Parrot Key West FL

August 09 Gottrocks Greenville SC

August 10 Visulite Theatre Charlotte NC

August 11 Paetec Jazz Festival Baltimore Baltimore NY

August 25 Mid City Lanes New Orleans LA

September 08 Hot Springs Jazz Festival Hot Springs AR

September 16 Telluride Blues & Brews Festival Telluride CO

September 21 Monterey Jazz Festival Monterey CA

September 22 The Crystal Bay Club Crystal Bay NV

October 06 Private Party New Orleans LA

October 07 Gretna Heritage Festival Gretna LA

October 27 Voodoo Music Experience New Orleans LA

More dates will be announced.

Even in a city that doesn't play by the rules, New Orleans' Bonerama is something different.  They're not a traditional brass band, but they've got brass to spare—even with no trumpets or saxes in sight. Bonerama features a dizzying display of trombone talent; four trombones, to be exact. Band leaders Mark Mullins and Craig Klein (of Harry Connick's band) shelf any jazz subtlety for Bonerama, opting instead for heavy funk, rock 'n' roll, and pure horn muscle.  Mullins and Klein are joined by fellow boners Steve Suter and Rick Trolsen, imaginative and dynamic sousaphone player Matt Perrine and edgy experimental guitarist Bert Cotton.  The band also features a rotating cast of New Orleans ' finest drummers, including Russell Batiste, Stanton Moore, Eric Bolivar, and Terence Higgins.