ideas

THE NATIONAL JAZZ MUSEUM IN HARLEM SUMMER GLOBALORIA WORKSHOP

The National Jazz Museum in Harlem is teaming up with the World Wide Workshop to create an innovative VIDEO GAME using Globaloria technology! We are looking for 6 special young people between the ages of 13-19 who we'll select and appoint as our official game designers. NO PRIOR EXPERIENCE NECESSARY!

This team of 6 prospective candidates must have the facility to present strong ideas, yet create and incorporate the ideas of the team as a whole. An emphasis is placed on the candidate's ability to use JAZZ music, innovation, and a compelling video game objective to efficiently create a product that will attract both young people and adults alike. Prospective candidates should have the facility to adopt World Wide Workshop and the National Museum of Harlem's existing visual identity. No previous experience necessary. Only requirement: captivating, original ideas.

The workshop will take place for 3 weeks from July 6 - July 27 (Mon-Fri only) at the National Jazz Museum in Harlem. In the afternoons the 6 game designers will collaborate on creating this new game. The experience will be interactive, including live performances, masterclasses, and trips to many exciting and historic NYC jazz locations.

The host for the entire summer workshop is rising star pianist Jonathan Batiste and his band. Each day he will have something unique to offer, and allowing the 6 game designers to truly immerse themselves in this music we call JAZZ!

Call 212-348-8300 or email office@jmih.org for more info.

The Dodos at Fox Theatre | 09.27.11

Z2 Entertainment is proud to present The Dodos with The Luyas at the Fox Theatre on Tuesday, September 27th. Tickets go on sale Friday, June 17th at 10:00 am.

The drums hit you in the chest first, spraying your speakers like swift gunshots. But then Meric Long’s finger-picked chords kick in, cascading across Logan Kroeber’s brass knuckle beats like only the best Dodos songs can.

This forward motion feeling has driven the duo since 2005, but several key changes lift their fourth LP (No Color) to another level. For one thing, the band reunited with Portland producer John Askew, the man behind the boards of the Dodos’ first two full-lengths,Beware of the Maniacs and Visiter. Having an old friend around was like adding an honorary third member; a voice of reason who can isn’t afraid of vetoing ill-fated ideas. Ideas like glossy layers of vibraphone that lost their luster halfway through.

The main focus of No Color was to bottle the frenzied folk approach that’s been there since the beginning. And it works damn well, from the dagger-drawing dynamics and brain-burrowing choruses of “Black Night” to the hairpin turns and splashy percussion of “Good.” And then there are the songs that’ll make you want to dub old episodes of 120 Minutes, including the instrumental break of “Don’t Stop” and the sneak attack solo that weaves its way around the steely rhythms of “Don’t Try and Hide It.”

“I have a love for ‘90s riffs that I haven’t gotten to showcase in this band,” says Long. “The most fun I had with this record was when I got to strap on the electric guitar and come up with Billy Corgan riffs while the tape was rolling.”

There’s less room for error than there’s ever been.  “We’re more naked this way,” explains Long. “You can hide a lot of your mistakes on an acoustic, but with an electric, every single note is much louder and more piercing. So I have to be way more on top of my playing now.”

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The Dodos

w/ The Luyas

Fox Theatre

Tuesday, September 27th

Doors:  8:30 pm

Show Time:  9:00 pm

The Dodos Announce U.S. & European 2011 Tour Dates

The drums hit you in the chest first, spraying your speakers like swift gunshots.