software

iClips and GenAudio Team Up For Enhanced Widespread Panic Webstream This Weekend

iClips, the leading provider of live concert event broadcasting, and GenAudio Inc., developer of AstoundSound 3D spatial audio software, announce their relationship to enhance iClips webcast audio content. The Widespread Panic live concert event webcast, June 24 – 26 at Red Rocks Amphitheatre, will be presented in AstoundSound.

The AstoundSound special software implementation for live events, called AstoundLive®, enables processing and mixing of any audio output that is split-off from the front of house and fed as multiple mono and stereo inputs. The final “astounded” audio is then synchronized with the video recording in real-time. This enables music lovers to enjoy a 3D audio listening experience during the webcast. No special hardware is required to enjoy this unique 3D spatial audio experience. Any two speakers or headphones will enable webcast viewers to enjoy the “Astounded” stereo mix in real-time as the live event is being broadcast.

Although not necessary, GenAudio recommends for optimal 3D audio listening pleasure of the astounded Widespread Panic webcast, using a good set of headphones or external computer speakers. You can access the webcast at www.iclips.net. “We are excited to be utilizing this audio technology," said Nate Parienti, Founder and CEO, iClips. “After a successful test drive of the AstoundSound technology during our stream of the New Orleans Jazz and Heritage Festival in conjunction with AEG Network Live, we realized that we wanted to utilize AstoundSound in our other webcasts as well; it’s a real game changer in audio for live event broadcasting.”

AstoundSound processing enables fans to listen more critically to the music with unsurpassable intelligibility. It significantly enhances the artist-fan connection by elevating the auditory senses to a new level of listening pleasure. The AstoundLive® software uses unique digital audio filters based on actual human brain response measurements. The processed 3D audio remains in-phase, center channel imaging is not affected, and the resulting processed audio has no tone colorization. These characteristics are unique to the AstoundSound technology.

“We see our new relationship with iClips as the key for bringing AstoundSound into the live event space thanks to the introduction from John Rubey, President of AEG Network Live,” said Jerry Mahabub, Founder, Chairman and CEO, GenAudio. “Widespread Panic fans viewing the webcast will be able to hear the event as if they are at the concert venue, thanks to our ‘Astounding’ 3D audio processing.”

For additional information about the Widespread Panic webcast please visit www.iclips.net.

Tipper Sound Experience is Unleashed

Commencing this summer British composer and producer, Tipper, is embarking on a sonic pilgrimage, performing at select venues and festivals with the NeXuS Funktion One Dance Stacks originally designed by legendary sound guru Tony Andrews. Tipper will be joined by the highly sought-after lighting impresario Audiopixel to present an exclusive visual experience driven by highly attuned, audio responsive, 3D LED lighting software using intelligent control of light and color. Topped off with tour support from VibeSquaD the performances are intending to blow the minds of all who are lucky enough to encounter the TIPPER SOUND EXPERIENCE.

Tipper (real name DaveTipper) is widely acknowledged as one of Electronic music's pioneering innovators. He was signed to Sony as a teenager when he helped kickstart the Nuskool Breakbeat genre, creating the deepest and baddest basslines heard before, or since. He went on to inspire the Glitch Hop movement, focused on merging hip hop beats with electronic trickery through his seminal Tip Hop and Wobble Factor LP's. During this time he also composed one of the first albums produced and intended for release in the 5.1 surround sound format, and Surrounded was nominated Best Release Intended for Surround Sound. His talents in Sound Design and Digital Mastering have him in great demand with major music making software programs, and accordingly his work is quietly featured in the output of countless releases in various genres. His live performances consist largely of his own unreleased compositions, and he is highly regarded for scratching his own sounds over his music, creating a live element of turntablism stemming from prowess early in his career as a vinyl DJ.

THE TIPPER SOUND EXPERIENCE will feature a 5 way crossover sound system in a Quadraphonic Array with specialized sub woofers dedicated to 45 hertz and below; this configuration achieves incredible clarity and sonic accuracy punctuated by thick and luxurious super-low bass. When positioned this way for Tipper, these dance stacks are known for creating an immersive sound environment that transforms the dance floor into an ethereal field of holographic sound. The purity of the Funktion One design approach completely avoids the usual pitfall of system EQ with its associated phase problems, allowing all of Tipper's production trickery and nuance to be presented in an unfettered manner. This technology has won numerous international awards for Best Sound Product in the club world, and their installations have been behind countless 'Club of The Year' winners.

Audio Pro Lifetime Achievement Award recipient, and inaugural PLASA Gottelier Award winner Tony Andrews founded Funktion One with John Newsham in 1992. Whilst often imitated, their designs have been the first choice of many permanent and touring sound applications around the World including luminary clients Pink Floyd, Santana, and the Glastonbury Festival. They are globally known for their pioneering work and ethos, and consistently set the standard for modern audio engineering.

In their own words: We understand sound to be the most important of our senses and in fact, the root of the structure of the entire Universe. As such, we try to pay the amazing acuity of human hearing the respect it deserves by providing products that deliver as much resolution and detail as is possible. We also pay considerable attention to the emotional effect of not just music, but the sound itself, what you might call its 'quality'. In a world where everything is 'dumbing down' and finesse and subtlety are rapidly disappearing, it is a source of pride to us that we are continually going in the opposite direction, expanding the envelope. On a spiritual level, good music and good sound has the effect of opening peoples' minds and deepening their consciousness which can only be good for the planet.

THE TIPPER SOUND EXPERIENCE features a rare matchup of audio and visual talent and will include headline performances at The Big Bounce, Rain Dance, and SONIC BLOOM festivals, followed by a rare show at The Coconut Grove Grand Ballroom on Santa Cruz Beach Boardwalk and culminating with a special presentation at The Regency Ballroom in San Francisco. For more information about the TIPPER SOUND EXPERIENCE and ticket information, click here.

Nonprofit CASH Music previews upcoming release

What Wordpress did for bloggers, we're doing for musicians. CASH Music is a 501(c)3 nonprofit organization and our mission is to create open source tools and services that benefit artists and music. The goal is to help artists find sustainability and to encourage innovation in the music industry. We're doing this by building world class open source software designed specifically for the new music industry: tools handling promotion, distribution, commerce — creating the connection between artist and audience.

Too many companies have tried to control the music market and instead have stifled real innovation and freedom for artists. An open source solution will allow tools to be built for the community and improved upon as they are used by that community. We can stop reinventing ways to collect email addresses and focus on real innovation in the music tech space. This benefits artists, managers, labels, and even tech startups.

CASH Music began with the vision of Kristin Hersh, Donita Sparks, Robert Fagan, and Billy O'Connell and has since grown into the organization it is today. Led by Jesse von Doom and Anthony Batt, CASH Music is working on solutions that will range from an instant-setup hosted solution for music sites right down to fully customized, host-your-own code. Every line will be released in the open source and built on open standards.

We want to change everything by creating open source software that freely gives musicians total control over the presentation, sharing, and sale of their music — enabling them to make a living off of their art, building strong direct relationships with their audience.

Learn more about CASH Music by visiting their website.