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Robert Randolph & the Family Band @ Boulder Theater | 10/21/11

97.3 KBCO & Z2 Entertainment are proud to present Robert Randolph and the Family Band at the Boulder Theater on Friday, October 21st, 2011. Tickets go on sale Friday, August 19th at 10:00 am for $28.50 in advance and $33.00 day of show.

This record is a celebration of African-American music over the past one hundred years and its social messages from the last thirty. Although we cover a whole timeline of different eras on We Walk This Road, what ties these songs together remain their message of hope, their ability to uplift.

After our last record, Colorblind, we began searching for a great producer to help guide the follow up. We wanted someone who understood me and the road I’ve walked this far, who understood our connections of my roots within rock and gospel and the church, who would help us put those things in their most compelling context.

T Bone Burnett shared the vision of how gospel, blues and rock could be put together in a way that could relate to my history and connect to my present. It was important to us that we make the record we wanted to make, even if the end result was unclassifiable. We just focused on making great songs and great music that spoke to me, and that reflected the way I try to speak to the world.

We recorded We Walk This Road over two years, after T Bone had finished his record with Alison Krauss and Robert Plant. We went into the studio with virtual libraries of songs, whole volumes worth of material to go through. T Bone brought in old archival songs from the twenties and thirties and many of them were in the public domain. I had songs that I had written with the band, or that other artists had sent me, and we sat down and starting sifting through history.


We Walk This Road was done in our belief in what we all need right now: young voices saying something positive without preaching in hopes of inspiring people. When you stick to what you believe in, and with the roots of where you come from, things will always work out.

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Robert Randolph and the Family Band

Boulder Theater

Friday, October 21st, 2011

Doors:  8:00 pm

Show Time:  9:00 pm

Leftover Salmon 2011 New Years Run!

Leftover Salmon is pleased to announce a special four night run on the west coast to ring in the new year. First hitting California with performances at the Belly Up in Solana Beach, then a night at the historic Great American Music Hall in San Francisco. After that it's off to the Pacific North West for two nights at the Roseland Theater in Portland, OR! This is sure to be a special and historic run.

Pre-sale fan ticketing goes on sale this Tuesday July 26th at 10am PST!

To purchase tickets and for more information go to www.leftoversalmon.com or click on the links below.

The Belly Up- Solana Beach, CA- December 28 (tickets)

Great American Music Hall- San Francisco, CA- December 29 (tickets)

Roseland Theater- Portland, OR- December 30-31 (tickets)

Spirits Of The Dead's "The Great God Pan!" Single Of The Day On AOL Spinner

Spirits of the Dead is a psychedelic-stoner-folk-rock band with one foot in the electric magic of the sixties/seventies and the other in the modern electric rock sound of 2012.  Guitarist Ole Øvstedal and vocalist Ragnar Vikse formed this genre blurring four-piece in 2007, and within a year they were already touring Scandinavia and Europe to critical acclaim.
Following success on the road, they recorded their first album live using analogue equipment.  It was mastered by George Marino (Led Zeppelin and Jimi Hendrix) giving it a vintage feel. Laden with spider riffs, soaring vocals, progressive interludes and dream-like melancholy.
Spirits of The Dead are unashamedly retro in sound. From the propulsive rhythms of White Lady / Black Rave to the Sabbath-esque doom of the glorious title track, the record basks in authenticity. But they are adding a portion of freshness that bring them out of the retro bag that holds so many striving bands trying to re-capturing the magic.
Influenced by the epic, heavy sounds of Dead Meadow and Black Mountain as much as they are their personal masters of the past – Black Sabbath, Led Zeppelin and King Crimson – the band have put together something wholly convincing and water tight.
Spirits of The Dead self titled album was a well executed and well crafted debut from a band with one eye set on the past and the other fixed firmly forward. Their debut album received great reviews all over the world giving them a growing attention as one to watch.
Voted in as 2010's 50 finest album of Classic Rock Magazine, and also adding a track on their 15 best songs of 2010 CD.
Their second album The Great God Pan is a much more folk, psychedelic and jazzy record. It takes you immediately on a journey through deep forests, over high mountains, builds you beautiful landscapes and tricks you into the darkest corners of Pan's Kingdom.We will reveal no more, the music will tell you the tale.
Spirits of the Dead consists of Ole Øvstedal (guitars), Ragnar Vikse (vocals), Geir Thorstensen (drums) and Kristian Hultgren (Bass).

Tommy Keene's 'Behind the Parade' coming on August 30

When you’ve been pursuing your craft for the better part of 30 years and approximately a dozen albums without the benefit of universal adulation, you’re either wholly obsessed or doggedly determined. In Tommy Keene’s case, it’s likely a mixture of both. Hailed by some as power pop’s most fervent champion, he has been obsessed with making music for nearly three decades, toiling away with impressive results while winning the respect of a small but loyal group of listeners who hold everything he’s ever offered in the highest esteem. Long before now, Keene should have been welcomed into the pop pantheon, alongside McCartney, Rundgren, Wilson and all the other meticulous musicians long acknowledged for their creativity and consistency. Ask his devotees and they’ll tell you Tommy Keene is the equal of them all.

Behind the Parade, Keene’s latest album and his third release on Second Motion (including last year’s career spanning retrospective You Hear Me), schduled for August 30, 2011 release in three formats (CD, mp3 and limited-edition 180-gram vinyl), provides the latest body of proof. Like its predecessors, the disc affirms his pop proficiency, mastery of his craft and his ability to ensure instant accessibility given the benefit of emphatic hooks, irresistible refrains and the kind of vibrant, jangly melodies that bring to mind a distinctly ’60s sensibility. Keene may once have worshiped at the altar of the Beatles, Byrds and Beach Boys, but his synthesis of sounds transcends these retro references and stirs it into something that’s wholly fresh and exhilarating.

Ranging from the proto-Keene jangle of “Already Made Up Your Mind” and the edgy, power pop (no, he doesn’t mind that description — much) storytelling of “Running For Your Life” and “His Mother’s Son” to the moody, ambient instrumental “La Castana” and the horn-infused opener “Deep Six Saturday,” Behind the Parade finds Tommy ably taking a few risks while managing to play to his considerable strengths. Behind the Parade, along with his recent output, shows Keene is akin to an athlete rediscovering his prime, only in this artist’s case, he never left it.

Back in 1984, a six-song platter of pop perfection titled Places That Are Gone (Dolphin) put Tommy Keene onto the CMJ charts and atop the Village Voice EP of the Year poll. Blatantly romantic, unapologetically melodic, bittersweet but absolutely invigorating, it still stands as a powerful statement, not only establishing Keene as a unique singer-songwriter, but also as a guitarist with a sound as distinctive as Pete Townshend or Johnny Marr.

Keene made enough noise in the early ’80s to get the majors involved, and in 1986 he released Songs From the Film on Geffen. Produced by Beatles engineer Geoff Emerick, the album featured two MTV videos, “Listen to Me” and a re-recording of Places That Are Gone’s title track, and spent 12 weeks on Billboard’s Top 200. The 1998 CD reissue of Songs also includes one of the all-time great Keene rockers, “Run Now,” with inspired rhythm section work from drummer Doug Tull and bassist Ted Niceley, plus a terrific extended guitar solo. The singer as well as the song appeared in the Anthony Michael Hall movie Out of Bounds.


After releasing the Run Now EP in 1986, the original Tommy Keene group, which also included guitarist Billy Connelly, disbanded. Keene headed down to Ardent Studios in Memphis to record with producers John Hampton and Joe Hardy. The result was Based on Happy Times (Geffen, 1989). The ironically titled disc is the darkest album in the Keene catalog. Although his best material has always been infused with melancholia, Happy Times’ tracks like “The Biggest Conflict” and “A Way Out” reveal a more fatalistic outlook. The guitars are heavier, there is less jangle, and there aren’t as many hooky vocal harmonies. It is a beautifully crafted, sometimes brooding, arty rock record.

In 1996, Keene released Ten Years After (Matador), his first full-length album of all-new material in seven years. Produced by Keene and recorded by pop music wunderkind Adam Schmitt, the album contains classic pop hooks and the loudest guitars to date. For his next effort, Isolation Party (Matador), Keene recruited an all-star cast, getting some fine instrumental and vocal performances from former Gin Blossom Jesse Valenzuela and Wilco’s Jay Bennett and Jeff Tweedy. A live disc called Showtunes (Parasol), released in 2000, was followed up in 2001 with The Merry-Go-Round Broke Down for the SpinArt label. Tommy used his next effort, Drowning: A Tommy Keene Miscellany (Not Lame), to clean out his closets of 20 years’ worth of rarities, demos and unreleased sessions. One of the best hodgepodge records you’ll ever hear, more than one critic felt Tommy’s spring-cleaning LP bested many greatest hits packages.

Back on the road in 2004, Keene and band joined Guided By Voices on the East and West Coast legs of their farewell tour. Apart from some great gigs, the shows also led to Keene joining Pollard as a member of his post GBV band, The Ascended Masters, for their 2006 U.S. tour and a limited-edition live LP, Moon (Merge). The year also saw the release of Crashing the Ether (Eleven Thirty), which was performed and recorded primarily by Tommy himself at home with drums by John Richardson and contributions from regular Keene band members and friends. Sonically, the album is dazzling, with big drums and open, ringing guitars, and lyrically it was arguably a great leap forward.

Tommy quickly followed up Crashing the Ether with Blues and Boogie Shoes, an LP with Robert Pollard under the Keene Brothers moniker. Although side projects can sometimes be less than wholehearted efforts, tracks such as “The Naked Wall” or “Death of the Party” — as good a song as Keene or Pollard have written together or separately — show that neither artist held anything back.

2009’s In the Late Bright (Second Motion) displayed the full range of Keene’s songcraft over 11 tracks. The album kicked into high gear with “Late Bright,” a minor-key rocker that gets its tense and dramatic work done in two minutes flat. From there on out, the album delivered a fan-friendly collection of melodic hooks, vocal harmonies, inventive chord progressions and great guitar playing.

Keene summed up his solo output to-date with Tommy Keene You Hear Me: A Retrospective 1983-2009 (Second Motion), a two-CD collection holding over 40 of his best tunes (including an unreleased acoustic take of Crashing the Ether’s “Black and White New York”). Even then, fans debated what he included vs. what he left off — further proof of the man’s enduring songwriting prowess.

This Desert Rocks - Desert Rocks Music Festival

Besides a plethora of giant fiddle contests, I really have no festival experience to speak of. (Don’t get me wrong, fiddle participants can booze, substance-abuse, and play the shit out of acoustic instruments till the sun rises) But that's a different story.  Let's get back to Desert Rocks, and how I am so fulfilled with my first festival journey! It was a weekend of love and acceptance, filled with the young, the transient, the locals, and the Coloradoans (not all of them, but a lot).

June = Festivaaaaaaal!!!! | Great American Taxi

Dear Festivarians-

'Tis the season with the reason for getting out in the sun and soaking up some music.  We had a great holiday weekend and are looking forward to what June 2011 holds.  We hope you all can join us somewhere along the way this month from the 1st Annual John Hartford Memorial Festival to the long standing Kate Wolf Music Festival in beautiful Laytonville, CA.  We are really excited to be getting into Summer and hanging out with everybody.  Things start off tomorrow night in Lincoln, NE (yeah, we know what you're alll thinking, "CORN!").  We hope this message finds you all doing well and loving each other.  Peace.

Great American Taxi

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UPCOMING SHOWS

Zoo Bar | Lincoln, NE | Wed Jun 01 11 -- 08:30 PM | Tickets

Iowa City Yacht Club | Iowa City, IA | Thu Jun 02 11 -- 07:30 PM | Tickets

Bell's Eccentric Cafe and Brewery | Kalamazoo, MI | Fri Jun 03 11 -- 08:30 PM | Tickets

Ben Sollee's 'Close To You' Video Debut

Today, USA Today Pop Candy debuted the video for "Close To You" - a new track from cellist Ben Sollee's upcoming May 10th release, "Inclusions".

Ben's music incorporates a melting-pot of genres combined with storytelling lyricism.

You Ain't No Picasso recently posted that Ben is "at the start of something great" and I wholeheartedly agree.

Click here to check out the debut of Ben Sollee's of "Close To You."

Patrolled by Radar signs to Knitting Factory Records, readies 'Be Happy'

Patrolled by Radar’s Be Happy is an album of original songs penned by singer-songwriter Jay Souza. The ten tracks on Be Happy tell stories that could have taken place at any point during the last two centuries, as sung by troubadours such as Bob Dylan, Kris Kristofferson, Ray Davies or Townes Van Zandt. Be Happy is the band’s debut CD on Knitting Factory Records through RED Distribution, set for worldwide release on June 7, 2011.

Souza has been carrying around these songs inside his heart since he was a kid. His inspiration came from his mom, who sent him three cassettes that he played incessantly as a child — Johnny Cash, Neil Diamond and the Carpenters. Years later, his attention to craft can be heard throughout Be Happy, which will be released under the name Patrolled by Radar because Souza got tired of his band 50 Cent Haircut getting confused with rapper 50 Cent.

Knitting Factory CEO Morgan Margolis was so impressed with the band’s yearlong residency at the Hollywood club that he offered to both manage them and release the album on his label. It’s a story that could have come straight from one of Souza’s own songs, based on real life.

“The whole record was meant to be like that,” says Souza. “I wanted it to be rich in melody, dynamism and nuance. I’ll rewrite the words over and over until the allusion is just right. I try to make it less literal and more poetic. There’s always a better way to say something.”

The Boston-born singer-songwriter — whose great-great-grandfather was first cousin to Irish poet William Butler Yeats — has lived in L.A. since 1990. He continues to exhibit the qualities of his mentors in his music, first in his band 50 Cent Haircut, and now alongside the same musicians in Patrolled by Radar (guitarists Bosco Sheff and Bryan “BC” Coulter and bassist Bryan “Reno” Stone), with a timeless, narrative style that takes its cue from classic Americana roots: equal parts folk, rock, country, blues and soul.

The band’s music is featured as the closing song in two of the three MGM/Sony Walking Tall movies. Two of the tracks on Be Happy can be heard on the TNT show Men of a Certain Age, where they were placed by GO Music Services supervisor Gary Calamar who noted of Be Happy, “Wowza for Jay Souza. [Patrolled by Radar] is a great band with terrific songs. Bang and twang!”

Be Happy is a rather ironic title, given some of the grim stories Souza recounts in “Dressed for the Drought,” “Coat of Disappointment,” and “Fast Life Slow Death.” His honesty and sincerity is self-evident on the album’s “Carried Away,” written from the point of view of a soldier serving in the Middle East:

“I know it’s all the same to you/Everybody’s lookin’ for the thing they were meant to do/I’ll sit and sing a lonesome song.”

Elsewhere, Souza and Patrolled by Radar show themselves equally capable of creating the lush pop choruses of the Beatlesque title track, the slinky sexual double entendre rockabilly blues in “Walking” (“The first verse is about Adolf Hitler and the second, Johnny Cash,” he explains), the whimsical psychedelic folk of the Babar the Elephant-inspired “Pachyderm,” or even full-throttle rock ’n’ roll, which comes across loud and clear in the anthemic (and aptly named) “New Fight Song.”

“I see people having a hard time. It’s a strange time we’re in. The haves and have-nots are being drawn together in a way that’s weird,” Souza clarifies, though he’s finally seeing light at the end of the tunnel.

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Be Happy track listing

1.    Widow Next Door
2.    New Fight Song
3.    Dressed for the Drought
4.    Pachyderm
5.    Coat of Disappointment
6.    Fast Life, Slow Death
7.    Haywire
8.    Carried Away
9.    Be Happy
10.   Walking

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PATROLLED BY RADAR on tour

Wed., Apr. 13   LOS ANGELES, CA The Mint w/ The Band Of Heathens
Sat., Apr. 23   LOS ANGELES, CA Farmers Market Ranch Party
Sat., Apr. 30   CULVER CITY, CA Cinema Bar
Fri., May 6   BROOKLYN, NY Knitting Factory (Brooklyn) w/ Holly Golightly & The Brokeoffs
Sun., May 15   LOS ANGELES, CA Satellite (Silver Lake)
Fri., May 20   LOS ANGELES, CA Villains Tavern
Sun., Jun 12   LOS ANGELES, CA The Echo - Grand Ole Echo

Dark Star Orchestra's Grateful Summer

An outdoor concert is the perfect welcome to summer weather, and that's exactly how Dark Star Orchestra's Hearts of Summer Tour begins on June 24th. They'll play at Buffalo Place on the Harbor, then on to Indiana to play Piere's in Fort Wayne, and to the Weesner Amphitheater in the Minnesota Zoo. From the Zoo, we DSO be taking their carnival onto 3 nights at Gratefulfest 12, more on this later.

From there it's Southbound to follow up on their recent sold out show at The National in Richmond! It'll be the second year in a row for DSO at the Greenfield Lake Amphitheatre in Wilmington, NC, before they head to the mountains for a gig at Pisgah Brewing, and on to The Lincoln Theatre Plaza in Raleigh. They'll put on our shades and flip-flops as they drive up the coast to a night at The Norva and two nights at The Bottle and Cork in Dewey Beach, DE.

The closing week of the tour is a monster. It starts at The All Good Music Festival and ends in Atlantic City at The Hilton. In between, DSO will make their first appearance at the Papermill Island Amphitheater, followed by their grand return to Gathering of the Vibes and the Bergen PAC in Englewood, NJ.Tickets for many of their shows are on-sale now via DSOtix.

Visit their website for more details. Hope to see you on the road!

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DATE VENUE CITY DSO TICKETS
Four Winds Tour
04/06 Catalyst Santa Cruz, CA
04/07 Great American Music Hall San Francisco, CA
04/08 Great American Music Hall San Francisco, CA
04/09 Great American Music Hall San Francisco, CA
04/10 Knitting Factory Reno, NV TICKETS
04/13 Belly-Up Aspen, CO TICKETS
04/14 Boulder Theater Boulder, CO TICKETS
04/15 Boulder Theater Boulder, CO TICKETS
04/16 The Aggie Ft Collins, CO TICKETS
Into The Sun Tour
04/29 Irving Plaza New York, NY
04/30 McCarter Theater Princeton, NJ
05/01 Toad's Place New Haven, CT TICKETS
05/04 Lupo's Heartbreak Hotel Providence, RI TICKETS
05/05 Theatre at Westbury Westbury, NY TICKETS
05/06 Electric Factory Philadelphia, PA
05/07 Oneonta Theatre Oneonta, NY TICKETS
05/09 Higher Ground Burlington, VT
05/10 Higher Ground Burlington, VT
05/12 House of Blues Boston, MA TICKETS
05/13 Colonial Theater Keene, NH TICKETS
05/14 Hampton Beach Casino Hampton Beach, NH TICKETS
05/15 Flying Monkey Plymouth, NH
05/17 Sherman Theatre Stroudsburg, PA TICKETS
05/18 Whitaker Center Harrisburg, PA
05/20 Mighty High Mountain Fest Tuxedo, NY TICKETS
05/21 Mighty High Mountain Fest Tuxedo, NY TICKETS
Hearts of Summer Tour
06/03 Wakarusa Ozark, AR TICKETS
06/24 Erie Canal Harbor Buffalo, NY
06/25 Piere's Fort Wayne, IN TICKETS
06/26 Park West Chicago, IL
06/27 Weesner Amphiteater Apple Valley, MN
06/29 The Intersection Grand Rapids, MI
07/01 Gratefulfest 12 Garrettsville, OH TICKETS
07/02 Gratefulfest 12 Garrettsville, OH TICKETS
07/03 Gratefulfest 12 Garrettsville, OH TICKETS
07/06 The National Richmond, VA TICKETS
07/07 Greenfield Lake Amphitheatre Wilmington, NC
07/08 Pisgah Brewing Black Mountain, NC TICKETS
07/09 Lincoln Theatre Plaza Raleigh, NC TICKETS
07/10 The Norva Norfolk, VA TICKETS
07/13 Veteran's Park Amphitheater Springfield, OH
07/14 Bottle and Cork Dewey Beach, DE TICKETS
07/15 Bottle and Cork Dewey Beach, DE TICKETS
07/17 All Good Music Festival Masontown, WV TICKETS
07/20 Papermill Island Amphitheater Baldwinsville, NY TICKETS
07/21 Gathering of the Vibes Bridgeport, CT TICKETS
07/22 Bergen PAC Theatre Englewood, NJ
07/23 Hilton Atlantic City Atlantic City, NJ TICKETS
03/14 Jam in the Dam VI Amsterdam, NL TICKETS
03/15 Jam in the Dam VI Amsterdam, NL TICKETS
03/16 Jam in the Dam VI Amsterdam, NL TICKETS