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THE BRIDGE Kick-Off U.S. Tour This Week

Baltimore's favorite sons The Bridge kick-off a month long U.S. tour this week. After support stints earlier this year with the likes of Trombone Shorty, Galactic and Tea Leaf Green, the band will headline its own dates throughout the southeast into Texas and up the west coast before working their way back east across the midwest. The 23-date run comes in support of their latest album National Bohemian produced by Los Lobos' Steve Berlin. Watch the video for "Rosie" here.

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The Bridge tour dates are:

April 5 | Awful Arthur's | Blacksburg, VA
April 6 | The Pour House Music Hall | Raleigh, NC
April 7 | The Grey Eagle Tavern & Music Hall | Asheville, NC
April 8 | Double Door Inn | Charlotte, NC
April 9 | Smith's Olde Bar | Atlanta, GA
April 10 | The Pour House | Charleston, SC
April 12 | Melting Point | Athens, GA
April 13 | The Nick | Birmingham, AL
April 14 | Tipitina's | New Orleans, LA
April 16 | Old Settler's Music Festival | Austin, TX
April 19 | The Mint | Los Angeles, CA
April 20 | Slim's | San Francisco, CA
April 21 | Jambalaya | Arcata, CA
April 22 | WOW Hall | Eugene, OR
April 23 | Mississippi Studios | Portland, OR
April 24 | Tractor Tavern | Seattle, WA
April 26 | Top Hat | Missoula, MT
April 27 | Machinery Row | Great Falls, MT
April 29 | Cabooze | Minneapolis, MN
April 30 | Martyr's | Chicago, IL
May 5 | Beachland Ballroom | Cleveland, OH
May 6 | The Crooked I | Erie, PA
May 7 | The Rex Theater | Pittsburgh, PA
May 28 | Sterling Stage Folk Festival | Forest Hills, NY
June 4 | Crawfish Fest | Augusta, NJ
July 7 | Bottle & Cork | Dewey Beach, DE
July 10 | Ladew Gardens Summer Concert | Monkton, MD
July 15 - 17 | All Good Music Festival | Masontown, WV
July 29 - 31 | Black Sheep Family Reunion | Tidewater, OR
August 5 | Elysian Fields Festival | Boyce, VA

Woodcock Group Debuts 'Water Stories'

Woodcock Group's trio gives jazz listeners a piece of music works that evoke a great characteristic of eloquence impressive for an artist that has not even released its debut CD to stores, until now with Sunset Jazz. This Serbian jazz trio also composes and arranges its music and every song on this ten (10) song full length CD. Woodcock Group’s new debut album, Water Stories (Sunset Jazz Recordings) gives jazz aficionados great evidence there are new music artists in jazz that can carry a wide-ranged music of original songs taken as a conceptual, the album is now available to pre order at Amazon. The Jazz label is continuing to set up the full length CD for the May 3rd street day, with its' Sunset Classics & Jazz (SC&J) division, Sunset Distribution Company and then via Republic Universal for digital distribution into stores.

Woodcock Group is a band that is no doubt aware of its mixing modern jazz with traditional jazz music influenced by, among others, Thelonious Monk, McCoy Tyner, Dizzy Gillespie, Bill Evans and Art Blakey. Born and raised in Belgrade, Serbia, in the spring of 2009 pianist and composer Aleksandar Jovanovic founded the "Woodcock Group." What is now a trio with (Aleksandar) Jovanovic, Marko Fabry is on the bass while Aleksandar Cvetkovic does the drum work on the ten (10) song CD. Their first performance was at the "Umbria Jazz Balcanic Windows" Music Festival 2009 in Belgrade, which they won in a competition winning over 28 bands from the south-eastern Europe regions. Not to mention, they were listed in the top six as best young jazz band in Eastern Europe this year. "I not only plan on using this album to springboard a new sense of direction at Sunset Jazz (Recordings)", says label head, Don Lichterman, "we are also in hope of using Alex's (Aleksandar Jovanovic) A&R chops to gain more jazz acts for the label."

The debut album being released at Sunset (Jazz) is inspired by "water" as in a state of a "form" and (Don) Lichterman says that he, "loves the concept" of it. He (Lichterman) goes on to say that he also "loves the deep traditional style of this band (Woodcock Group)." Woodcock Group's debut recording entitled, Water Stories, has already gained international radio play with "Vrelo," the first song being worked to radio this year. And the CD has received great critical acclaim after the label released its initial press to blogs and social networks. Look for the CD to be available in stores everywhere that sells cds along with being made available at every retailer that sells downloads, ringtones and streams, on May 3rd this year!

National Jazz Museum in Harlem Events, April 4 - April 10, 2011

Upcoming events at the National Jazz Museum in Harlem for this week include:

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Monday, April 4, 2011

Jazz for Curious Readers

Art Taylor: Notes and Tones, a celebration

7:00 – 8:30pm

Location: NJMH Visitors Center

(104 E. 126th Street, Suite 2C)

FREE | For more information: 212-348-8300

Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor asked his subjects hard questions about the role of black artists in a majority white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with some of the most influential jazz musicians in jazz—including: Thelonious Monk, Erroll Garner, Elvin Jones, Nina Simone, Miles Davis, Dizzy Gillespie, and Dexter Gordon.

Arthur Taylor drummed with Coleman Hawkins, Bud Powell, Sonny Rollins, Charlie Parker, Miles Davis, John Coltrane, Thelonious Monk, and dozens of others. He was called ”one of the great drummers to come out of the fertile Harlem bebop scene” (New York Times) and ”one of the best bandleaders living or dead” (Village Voice). His band, Taylor’s Wailers, recorded several albums, and was based in New York City up until Taylor's death in 1995.

We welcome you to join this celebration of a classic of jazz literature.

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Tuesday, April 5, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm

Location: NJMH Visitors Center

(104 E. 126th Street, Suite 2C)

FREE | For more information: 212-348-8300

Count Basie's All American 4

The Count Basie Orchestra's All American rhythm section appropriately initiates our focus this month on great rhythm sections. Basie (piano), Walter Page (bass), Jo Jones (drums), and Freddie Green (guitar) together perfected what, after Louis Armstrong's style modeled it, became known as swing. From the mid-30's to early 40's, the Count Basie Orchestra popularized this feeling, contributing to the period of American history called the Swing Era. These four men blended into a "cohesive whole greater than the sum of its parts," as Loren Schoenberg, Executive Director of the National Jazz Museum in Harlem put it in The NPR Curious Listener's Guide to Jazz.

We invite you to swing on through to our Visitor's Center for this free event in which the sounds of Lester Young and the All American rhythm section will reign once again.

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Thursday, April 7, 2011

Harlem Speaks

James Spaulding, flutist/saxophonist

6:30 – 8:30pm

Location: NJMH Visitors Center

(104 E. 126th Street, Suite 2C)

FREE | For more information: 212-348-8300

James Spaulding has established his reputation as a masterful soloist for ensemble performances, and for many years was among the busier sidemen for Blue Note Records. An exceptional saxophonist and flutist, he is one of the many fine artists to come out of the Indianapolis, Indiana area. James is a modernist, with solid roots in classical jazz; his saxophone style is an extension of the Charlie Parker influence, but his overall concept incorporates much of the broad jazz saxophone heritage.

Spaulding's musical training started early, as he came from a musical family in his place of birth Indiana (his father was a professional musician who played the guitar and led his own big band, traveling throughout the country). James began playing a bugle when he was in grade school. He later took up the trumpet and saxophone on his own, and while in high school studied clarinet. He made his professional debut playing around Indianapolis with an R&B group.

From 1954 to 1957, Spaulding was in the army playing in service bands. When he was discharged, he settled in Chicago where he performed in clubs leading his own group, and had a stay with the Sun Ra Orchestra. He also furthered his flute studies there at the Chicago Cosmopolitan School of Music. In 1962, he arrived in New York City, and subsequently was associated with notables such as Freddie Hubbard, Bobby Hutcherson, Max Roach and the Ellington Orchestra.

In 1975, he received a bachelor's degree in music from Livingston College in New Jersey where he taught flute as an adjunct professor. James' daughters, Gina and Yvonne Spaulding were on the cover of his very first recording: The Legacy of Duke Ellington, recorded in 1975. Mr. Spaulding's range of performance experiences extends nationally and internationally, from the concert stage to jazz clubs to colleges and street fairs. His original music, a suite entitled "A Song of Courage," was performed by him with full orchestra and choir at the Voorhees Chapel at the Rutgers University campus from funds awarded him by the National Endowment for the Arts. He has been recorded on over 100 recordings.

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Sunday, April 10, 2011

Special Event: Mingus on Film with Loren Schoenberg

Sunday, April 10, 2011 | 2:00pm

Cantor Arts Center, Stanford University

328 Lomita Drive, Stanford, CA 94305

FREE|for more information: 650-723-4177

Loren Schoenberg, Director of the National Jazz Museum in Harlem, concludes the Remember Mingus series with an afternoon of rare film footage, live concert clips, and lively discussion about Charles Mingus’ music, life and legacy.

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Sunday, April 10, 2011

Loren Schoenberg with the Gunn School Jazz Band, Music of Jazz Great Charles Mingus

Community School of Music and Arts at Finn Center

230 San Antonio Circle, Mountain View, CA 94040

FREE|for more information: 650-917-6800

Stanford Lively Arts performance offering musical excerpts and conversation with Loren Schoenberg.

Marshall Crenshaw celebrates 30th anniversary with special NYC shows

“His intelligence, integrity, and passion for the great song always show up in his music,” wrote Robert Christgau in his Consumer Guide of Marshall Crenshaw. Over a span of 30 years, Crenshaw has released 13 albums, all of which have received the highest marks from critics and have earned him a fiercely local fan base. And now as Crenshaw prepares to transition from releasing physical albums to making his new music available in a subscription series to be announced soon, he will celebrate his first 30 years of recording in a special three-nighter at City Winery, 155 Varick St. in New York on Friday and Saturday, April 29-30, which are already sold out, with Sunday, May 1 just added. For information, click here.

Crenshaw will perform his debut single and his self-titled debut album in sequence, adding as many other hits and favorites as time permits. He will be joined by Yo La Tengo guitarist Ira Kaplan, longtime associate Graham Maby on bass, drummer Josh Dion, and on the 29th by original drummer (and brother) Robert Crenshaw.

According to Crenshaw, “The emphasis in the advertising, etc. has been on my first album but this year actually marks the 30-year anniversary of the release of ‘Something’s Gonna Happen’ on Shake Records, my first record, and a really, really darn good one, produced by the late Alan Betrock and myself.  Therefore, this year marks my 30th year as a recording artist . . . amazing. It’s crazy!! Holy @!*&&^%!!!

“In 1978, by chance, not by design, I landed in New York City (with my wife) and the next few years were something like a whirlwind. We still do and always will look back on those days with great fondness; these anniversary shows will give me and everyone else in the room on those nights a chance to celebrate those times.”

“As it stands now we’re planning on mostly focusing on early repertoire, sprinkling in some middle period stuff, even some brand new stuff,” Crenshaw says. “I’m normally not that big on nostalgia and don’t plan to make a habit of it, but sometimes it can be a sweet feeling, harmless fun, etc.”

Rolling Stone, in its review of Crenshaw’s first long-player, called the album “1982's most gorgeous singer-songwriter debut,” adding, “every song here sounds like a classic.” Said Creem: “Marshall’s songs are perfect unto themselves — melodies, jaunty rhythms, super fine love lyrics and an exactly executed production that gives the songs a final and finished veneer when put on vinyl.”

Indeed, it was 1981 when Detroit-area native Crenshaw released his first single, “Something’s Gonna Happen” b/w “She Can’t Dance,” on New York Rocker founder Alan Betrock’s Shake Records label. The collectors’ site Discog calls it “As truly romantic, energetic and catchy as any early Beatles, British Invasion or Buddy Holly top hit record.” From it came the Warner Brothers contract that produced such classics as “(You’re My) Favorite Waste of Time,” “Someday Someway,” “Whenever You’re On My Mind” and “Cynical Girl.” The great songs continued with the Life’s Too Short album on MCA (“Fantastic Planet of Love”), three albums for Razor & Tie and the 2009 release Jaggedland (“Someone Told Me,” “Passing Through,” “Never Coming Down”). The Onion’s “A.V. Club” cited Jaggedland’s “sophisticated, warm, and carefully crafted melodies,” while SonicBoomers called it, “as good as anything he’s ever done,” adding, “There is a freshness of spirit to all these songs, like the artist is just starting out instead of being 30 years into a career.”

As The New York Times noted, “Mr. Crenshaw’s songs seem to roll off the guitar in a casual blend of pre-1970s styles — folk-rock, surf-rock, country and above all the Beatles — that put melody first. With his winsome tenor, he delves into the ways love goes right and goes wrong, from distant yearning to the aftermath of infidelity, hiding turmoil within the chiming tunes.”

And the Denver Post, reviewing a show from Crenshaw’s most recent tour, stated, “Crenshaw’s best songs, replete with irresistible hooks and perfect for his voice, are what drew critics and listeners from the beginning. Yet, in live performances, as well as on record, Crenshaw’s noted guitar talents shine through.”

As well as celebrating the first 30 years, the City Winery shows will mark the end of the album era for Crenshaw, who will shortly elaborate on plans to offer a subscription series to a quarterly series of vinyl and digital EPs, which will be available from his web site and other locations.

Further reflecting on his 30-year-old debut 45 RPM recording, Crenshaw notes, “I know that on that night I’ll be thinking of Alan Betrock. We already had some momentum on a couple of fronts: Robert Gordon’s version of ‘Someday Someway’ was causing a big sensation on NY radio, our club gigs were creating a lot of excitement, the press was getting on board, etc., but when Alan stepped into the picture it really put the pedal to the metal. We made a great record, my first, and really, I’d wanted to make a record with my name on it since I was a little kid. Alan put us in touch with another mover and shaker, the great Andy Schwartz, who had taken over New York Rocker magazine from Alan. There were others but that magazine was one of my bibles at the time; in fact I’d met Alan by responding to an ad that he’d run in the magazine announcing the launching of Shake Records.

“These guys had clout and credibility, not just with me but with everybody who was cool and involved with rock music in the city. Pretty soon ‘Something’s Gonna Happen’ was on the radio right alongside of Robert Gordon’s ‘Someday Someway’ and we were officially a big deal on the New York rock scene, something I was hugely proud of, and hopefully not too arrogant behind.”

And looking toward the three dates at City Winery, Crenshaw says, “I’m excited to say that joining us on guitar all weekend, all night long, will be the great Ira Kaplan, somebody who really knows how to spice up the proceedings.”

DSO Four Winds Tour Continues Tomorrow

The Four Winds Tour continues on Wednesday as we kick off the West coast leg of the tour in Bellingham, WA at the Mt. Baker Theater then cruise down from the northwest corner to Seattle, Portland and Eugene, Oregon. From there it's on into California for shows in Arcata and Santa Cruz before dropping into San Francisco for 3 nights at the Great American Music Hall. The first night will be a Black Tie Dye Ball to benefit the Rex Foundation. There will be a special pre-show party and sound-check event hosted by The Rex Foundation. Visit their website for more info. After what are bound to be 3 epic nights in San Fran the bus heads east for shows in Reno, Aspen, Boulder and Fort Collins to close out the tour.

May the four winds blow you out to a show and safely home again. Visit our Tour Dates Page for full tour info.

Spring Tour!

Our 'Into The Sun' tour starts off with a bang on April 29th as we recreate the 40th anniversary of the famed 4/29/71 Grateful Dead setlist from their last show at the Fillmore East. Then its on to Princeton, NJ, New Haven, CT, Providence, RI, Westbury, NY, Philadelphia, Oneonta, NY, 2 nights in Burlington at Higher Ground, Boston, Keene, NH, Hampton Beach, NH, a special acoustic show at the Flying Monkey in Plymouth, NH, Stroudsburg & Harrisburg, PA before headlining 2 nights at the Mighty High Mountain Fest in Tuxedo, NY.

For every show on the tour we will be taking your votes for our Encore/Filler on our website. Each vote enters you for a chance to win tickets to the show you voted on. Visit our Tour Dates Page for complete tour info and to place your vote and enter for a chance to win tickets to a show near you!

DSO on Facebook

Join the conversation with Dark Star Orchestra on Facebook! Check out facebook.com/darkstarorchestra make your voice heard! Give the band feedback, make a song request, link to a favorite song - it's all about the music. See which show on our tour is closest to you with our On the Road app.

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TOUR DATES

DATE VENUE CITY DSO TICKETS
Four Winds Tour
03/30 Mt Baker Theater Bellingham, WA
03/31 The Showbox Seattle, WA
04/01 Crystal Ballroom Portland, OR
04/02 McDonald Theater Eugene, OR TICKETS
04/04 Arcata Theater Arcata, CA
04/06 Catalyst Santa Cruz, CA
04/07 Great American Music Hall San Francisco, CA
04/08 Great American Music Hall San Francisco, CA
04/09 Great American Music Hall San Francisco, CA
04/10 Knitting Factory Reno, NV TICKETS
04/13 Belly-Up Aspen, CO TICKETS
04/14 Boulder Theater Boulder, CO TICKETS
04/15 Boulder Theater Boulder, CO TICKETS
04/16 The Aggie Ft Collins, CO TICKETS
Into The Sun Tour
04/29 Irving Plaza New York, NY
04/30 McCarter Theater Princeton, NJ
05/01 Toad's Place New Haven, CT TICKETS
05/04 Lupo's Heartbreak Hotel Providence, RI TICKETS
05/05 Theatre at Westbury Westbury, NY TICKETS
05/06 Electric Factory Philadelphia, PA
05/07 Oneonta Theatre Oneonta, NY TICKETS
05/09 Higher Ground Burlington, VT
05/10 Higher Ground Burlington, VT
05/12 House of Blues Boston, MA TICKETS
05/13 Colonial Theater Keene, NH TICKETS
05/14 Hampton Beach Casino Hampton Beach, NH TICKETS
05/15 Flying Monkey Plymouth, NH
05/17 Sherman Theatre Stroudsburg, PA TICKETS
05/18 Whitaker Center Harrisburg, PA
05/20 Mighty High Mountain Fest Tuxedo, NY TICKETS
05/21 Mighty High Mountain Fest Tuxedo, NY TICKETS
Summer Festivals
06/03 Wakarusa Ozark, AR TICKETS
07/01 Gratefulfest 12 Garrettsville, OH
07/02 Gratefulfest 12 Garrettsville, OH
07/03 Gratefulfest 12 Garrettsville, OH
07/17 All Good Music Festival Masontown, WV TICKETS
07/21 Gathering of the Vibes Bridgeport, CT TICKETS
03/14 Jam in the Dam VI Amsterdam, NL TICKETS
03/15 Jam in the Dam VI Amsterdam, NL TICKETS
03/16 Jam in the Dam VI Amsterdam, NL TICKETS


National Jazz Museum in Harlem Events, April 2011

The National Jazz Museum in Harlem cordially invites you to our April public programs, which we promise will warm your hearts as much as the weather of spring brings miles of smiles to your face.

Our bi-weekly discussion series first features flutist/saxophonist James Spaulding and then composer Maria Schneider, who will be premiering a large-scale works at Carnegie Hall in May. We continue in the spirit of celebration for our once-a-month Jazz for Curious Readers session, focusing on drummer Art Taylor's classic book of interviews, Notes and Tones.

For live performances, we direct you to The Rubin Museum's cherrywood-lined acoustic performance space, where Fred Hersch will play solo piano, and Scott Robinson will lead a quartet the likes of which you've never seen -  before for Harlem in the Himalayas. The Players Club is yet another beautiful setting for jazz players, which is why we point to this month's show by the National Jazz Museum in Harlem All Stars!

On the West Coast, at Stanford University, Executive Director Loren Schoenberg will lead a special class of Charles Mingus on film. And right here, at the Visitor's Center of the museum, we feature classes on the role of the rhythm section in jazz, from the 1930's to the 60's, in four Jazz for Curious Listeners sessions as well as our Saturday Panel, in which the Jonathan Batiste Trio will swing for you, and explain it at the same time.

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Friday, April 1, 2011

Harlem in the Himalayas

Fred Hersch, solo piano

7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Pianist and composer Fred Hersch has been called "one of the small handful of brilliant musicians of his generation" by Downbeat and has earned a place among the foremost jazz artists in the world today. From the late 70's onward as a sideman to jazz legends including Joe Henderson, Art Farmer and Stan Getz, he has solidified a reputation as a versatile master of jazz piano, as well as a relentlessly probing composer and conceptualist. His career as a performer has been greatly enhanced by his composing activities, a vital part of nearly all of his live concerts and recordings May of 2011 will see the premiere of My Coma Dreams for actor/singer, animation/multimedia and mixed ensemble. Hersch is considered to be the most prolific and widely-praised solo jazz pianist of his generation. Palmetto has just released Alone at the Vanguard which documents his second solo engagement at the legendary club.  An early review in All Music Guide calls it "a once-in-a-decade album that will stay with you long after the final track fades out."

Don't miss this opportunity!

Monday, April 4, 2011

Jazz for Curious Readers

Art Taylor: Notes and Tones, a celebration
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor asked his subjects hard questions about the role of black artists in a majority white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with some of the most influential jazz musicians in jazz—including: Thelonious Monk, Erroll Garner, Elvin Jones, Nina Simone, Miles Davis, Dizzy Gillespie, and Dexter Gordon.

Arthur Taylor drummed with Coleman Hawkins, Bud Powell, Sonny Rollins, Charlie Parker, Miles Davis, John Coltrane, Thelonious Monk, and dozens of others. He was called ”one of the great drummers to come out of the fertile Harlem bebop scene” (New York Times) and ”one of the best bandleaders living or dead” (Village Voice). His band, Taylor’s Wailers, recorded several albums, and was based in New York City up until Taylor's death in 1995.

Tuesday, April 5, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Count Basie's All American 4

The Count Basie Orchestra's All American rhythm section appropriately initiates our focus this month on great rhythm sections. Basie (piano), Walter Page (bass), Jo Jones (drums), and Freddie Green (guitar) together perfected what, after Louis Armstrong's style modeled it, became known as swing. From the mid-30's to early 40's, the Count Basie Orchestra popularized this feeling, contributing to the period of American history called the Swing Era. These four men blended into a "cohesive whole greater than the sum of its parts," as Loren Schoenberg, Executive Director of the National Jazz Museum in Harlem put it in The NPR Curious Listener's Guide to Jazz.

We invite you to swing on through to our Visitor's Center for this free event in which the sounds of Lester Young and the All American rhythm section will reign once again.

Thursday, April 7, 2011

Harlem Speaks

James Spaulding, flutist/saxophonist

6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

James Spaulding has established his reputation as a masterful soloist for ensemble performances, and for many years was among the busier sidemen for Blue Note Records. An exceptional saxophonist and flutist, he is one of the many fine artists to come out of the Indianapolis, Indiana area. James is a modernist, with solid roots in classical jazz; his saxophone style is an extension of the Charlie Parker influence, but his overall concept incorporates much of the broad jazz saxophone heritage.

Spaulding's musical training started early, as he came from a musical family in his place of birth Indiana (his father was a professional musician who played the guitar and led his own big band, traveling throughout the country). Jamesbegan playing a bugle when he was in grade school. He later took up the trumpet and saxophone on his own, and while in high school studied clarinet. He made his professional debut playing around Indianapolis with an R&B group.

From 1954 to 1957, Spaulding was in the army playing in service bands. When he was discharged, he settled in Chicago where he performed in clubs leading his own group, and had a stay with the Sun Ra Orchestra. He also furthered his flute studies there at the Chicago Cosmopolitan School of Music. In 1962, he arrived in New York City, and subsequently was associated with notables such as Freddie Hubbard, Bobby Hutcherson, Max Roach and the Ellington Orchestra.

In 1975, he received a bachelor's degree in music from Livingston College in New Jerseywhere he taught flute as an adjunct professor. James' daughters, Gina and Yvonne Spaulding were on the cover of his very first recording: The Legacy of Duke Ellington, recorded in 1975. Mr. Spaulding's range of performance experiences extends nationally and internationally, from the concert stage to jazz clubs to colleges and street fairs. His original music, a suite entitled "A Song of Courage," was performed by him with full orchestra and choir at the Voorhees Chapel at the RutgersUniversitycampus from funds awarded him by the National Endowment for the Arts. He has been recorded on over 100 recordings.

Sunday, April 10, 2011

Special Event: Mingus on Film with Loren Schoenberg

Sunday, April 10, 2011 | 2:00pm
Cantor Arts Center, Stanford University | FREE

Loren Schoenberg, Director of the National Jazz Museum in Harlem, concludes the Remember Mingus series with an afternoon of rare film footage, live concert clips, and lively discussion about Charles Mingus’ music, life and legacy.

Tuesday, April 12, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Duke Jordan/Tommy Potter/Max Roach

After Charlie "Bird" Parker and Dizzy Gillespie parted ways on the bandstand, Bird formed a quintet featuring Miles Davis and Jordan (piano), Potter (bass) and Roach (drums). Although they maintained the swing of their forebears as heard in last week's class, the way they dealt with accents and tempo transformed to perform the style that became known as bebop. Join us to hear the sonic transformation that revolutionized jazz.

Wednesday, April 13, 2011

Jazz at the Players

Melba Joyce and The National Jazz Museum in Harlem All Stars 7:00pm

Location: The Players

(16 Gramercy Park S. | get directions)
$20 | Reservations: reservations@theplayersnyc.org or 212-475-6116

If you've never been to the elegant setting of The Players, we urge you to reserve a seat asap, because the down-home swing of the National Jazz Museum in Harlem All Stars will make you tap your feet with glee, most happily, and swing your troubles away.

Melba Joyce was born in Dallas, Texas where she grew up under the warm and instructive musical influence of her mother and grand-parents.  Her father, Melvin Moore, a prominent vocalist with the jazz and swing bands of his era (including Dizzy Gillespie, with whom he toured and recorded )was also one of Melba's influences. After her family moved to Los Angeles, Melba was immediately noticed by musicians and soon found herself opening for such renowned artists as Miles Davis, Freddy Hubbard and Smokey Robinson & the Miracles.

Melba tirelessly toured the war-torn fields of Vietnam to entertain the troops at the height of that horrid conflict, an experience that raised her social conscience to new heights.  When Melba returned, she was appointed panelist for the Congressional Black Caucus of Women in Jazz Forum. She produced the first Women in Jazz Festival at Harlem's Schomburg Center for Black Culture; and became a principal in the Day of the Child Series for UNICEF.  With funding from the National Endowment for the Arts, Ms. Joyce produced Jazz For Special People, a musical education series for the handicapped.

In 2008, The Central Park Conservancy presented Melba with a very special recognition through the City of New York for creating and producing The First Women's Jazz Festival. The program, held in Harlem at the park's Dana House, featured  Kunle Abodunde reading of a chapter from his unreleased book.  During Melba's tour assignment in Nigeria as a Jazz Ambassador, Abodunde  attended her performance and being deeply impressed included a chapter in the book describing what he felt about the evening.

Her long and impressive career has spanned three decades in the company of and sharing top billing with such giants of the music world as Louis Armstrong, Sarah Vaughn, Louis Jordan, Lionel Hampton, Tony Bennett, Joe Williams, Marvin Gaye, Smokey Robinson and so many others.

Friday, April 15, 2011

Harlem in the Himalayas

Scott Robinson Quartet

7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Scott Robinson, bass saxophone
JD Parran, basssaxophone
Vinny Golia, bass saxophone
Warren Smith, drums, percussion

A respected performer in all areas of jazz, from traditional to avant-garde, Scott Robinson brings audiences an unusual pairing of three bass saxophones with percussion for this raucous and soulful concert—his encore performance at the Rubin Museum. The recipient of numerous awards and fellowships, Robinson, who is known for his work on unusual and obscure styles of saxophones, has been the winner of a number ofDown Beat Critics Polls and Jazz Journalists Association awards in recent years.

Tuesday, April 19, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Red Garland/Paul Chambers/Philly Joe Jones

Miles Davis was a key member of the Charlie Parker Quintet, whose rhythm section was the focus of last week's class. This week we'll hear how Davis and other giants came into their own with the solid yet flexible support of one of the most grooving and soulful rhythm sections in the history of the idiom. The mid-50’s classics we'll listen to tonight are never old, but hearing them could make you feel younger. Don't miss it!

Thursday, April 21, 2011

Harlem Speaks

Maria Schneider, Composer

6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their debut recording, Evanescence. With that recording, Schneider began to develop a highly personal way of writing for her 17-member collective, tailoring her compositions to distinctly highlight the unique voices of the group. Subsequently, the Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She has received numerous commissions and guest conducting invites, working with more than 85 groups from over 30 countries spanning Europe, South America, Australia, Asia and North America.

Schneider’s music blurs the lines between genres, and as a result, her long list of commissioners has become quite varied. They include the Norrbotten Big Band and Danish Radio Orchestra with Toots Thielemans and Ivan Lins, the Metropole Orchestra in the Netherlands (several works), Orchestra National de Jazz (Recapitulation), Carnegie Hall Jazz Orchestra (El Viento), Monterey Jazz Festival (Scenes from Childhood, Willow Lake), The American Dance Festival (for dance company, Pilobolus–Dissolution), University of Miami Concert Jazz Band (Three Romances), Jazz at Lincoln Center (Buleria, Soleá y Rumba), Los Angeles Philharmonic Association (Aires de Lando), Peter Sellars’ New Crowned Hope Festival (Vienna’s Mozart Festival–Cerulean Skies), Kronos Quartet (String Quartet No. 1) and the Saint Paul Chamber Orchestra with soprano, Dawn Upshaw (Carlos Drummond de Andrade Stories), a work that will receive its New York premiere at Carnegie Hall, May 13th, 2011, conducted by Schneider.

Schneider’s most recent work (premiering June 12th, 2011), co-commissioned by the Ojai Festival, The Australian Chamber Orchestra and Cal Performances, will blur boundaries further as it features the Australian Chamber Orchestra, Dawn Upshaw, and two musicians long associated with Schneider’s own orchestra: pianist Frank Kimbrough, and multi-instrumentalist Scott Robinson. For this work, she is incorporating poems by poet Laureate and Pulitzer Prize winner Ted Kooser, from his book ”Winter Morning Walks.”

Schneider continues to be a pioneer in funding her projects. She recently composed two works for her own orchestra with the involvement of commissioners, not from arts organizations, but directly from her ArtistShare® fan base. "Concert in the Garden" and her orchestra’s latest album, "Sky Blue" (on which Cerulean Skies was recorded) were both named “Jazz Album of the Year” by the Jazz Journalists Association and the DOWNBEAT Critics Poll.

Saturday, April 23, 2011

Saturday Panels

The Beat Goes On: The Jonathan Batiste Trio Demonstrates What The Rhythm Section does

12:00 – 4:00pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

This Saturday panel is a perfect complement to and extension of our Jazz for Curious Listener's focus on great rhythm sections. Jonathan Batiste’s Trio will demonstrate how the piano comps, the bass walks and the drums ride the cymbals, yes, but that's only the start. You'll witness, live, how the bass and drums lock-in together creating the basis for the swing; how the trio ebbs and flows and communicates non-verbally to create musical magic. Not only should this class not be missed, it's also a chance to introduce jazz music to those curious about it, but haven't heard it up close and personal enough yet to connect with it. Do them and yourself a favor!

Tuesday, April 26, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

 McCoy Tyner/Jimmy Garrison/Elvin Jones

We started in the 30's with the rhythm section fronted by Count Basie, then moved to the 40's with a foundational group of three, and thereafter transitioned to the 50's. For our last session of this month's Great Jazz Rhythm Sections theme, we land on the doorstep of a classic 60's rhythm section that supported the Great John Coltrane. McCoy's percussive style, with Garrison's booming bass, and Jones' polyrhythmic fire combined to change the course of the music yet again.

Jam Stampede @ Brooklyn Bowl w/ Mark & Kenny

The Jam Stampede will perform at their ongoing Dead Center event at Brooklyn Bowl on April 19, 2011. We were too excited to wait another day until 4/20 for this show so we are performing on 4/19.

For the first time Mark Karan (Jemimah Puddleduck, Ratdog) will be joining us for the festivities and Kenny Brooks (Alphabet Soup, Ratdog) will join us again after having such a good time last October.

With the help of our good friends Mark and Kenny we will again revisit some of the Grateful Dead lore and explore some new ground with the tunes through the expression of these two great instrumentalists who played together in RatDog and have put their own historic stamp on the music.

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Brooklyn Bowl

61 Wythe Avenue

Brooklyn, NU

4/19/2011 @ 8PM

Sheryl Crow @ Boulder Roots & Blues Summit

For Sheryl Crow, the title of her seventh album isn?t just a location; it's a state of mind. "I grew up in a small town 100 miles from Memphis, and that informed not only my musical taste, but how I look at life," she says. "The drive to Memphis is all farmland, and everyone is community-oriented, God-fearing people, connected to the earth. The music that came out of that part of the world is a part of who I am, and it's the biggest inspiration for what I do and why I do it."

So for the Kennett, Missouri native, calling the disc 100 Miles From Memphis is a statement of purpose, both musical and emotional. It also marks a long-awaited return by the nine-time Grammy winner to the sounds that first drew her to making music.

The results evoke a time when soul and passion filled the radio waves, when the sweat and joy of a recording session could be captured forever on wax. Sometimes the musical references?Al Green, Sly and the Family Stone, Stevie Wonder?are made apparent, but the album?s eleven songs are characterized more by capturing a classic spirit than by imitating any specific style.

Crow explains that the way 100 Miles From Memphis was recorded is crucial to its slinky grooves and rolling rhythms. Produced by Doyle Bramhall II and Justin Stanley ("I knew they could get that old soul feeling with authenticity," she says), and cut mostly live with a regular crew of musicians, the album presented a new set of challenges for her as a singer and a songwriter.

With the musical direction already established, the album's messages crystallized in one night at Crow's farm, outside of Nashville. "Having a three year old, you don't get too much quiet time," she says, "but I sat up one night, and I worked all night long and came up with the better part of five lyrics."

What emerged was a set of songs that are unusually open and direct for someone often celebrated for the care and craft of her writing. "This music called for emotion, a place of sensuality and sexuality, and that's a little challenging for me," she says. "Sometimes it's easier for me to hide behind more intellectual lyrics. So it was a great stretching experience to show more vulnerability in my writing."

The songs on 100 Miles From Memphis display impressive range, in feeling and performance. First single "Summer Day" is a delightfully breezy slice of glory-days AM radio pop. "I wanted to experiment with writing something simple and positive," says Crow. "The feeling of a great, solid love, not just a new love, but something everlasting."

Crow, of course, first reached the spotlight as a back-up singer with Michael Jackson, and adds that "I Want You Back" was the first single she ever bought. "It wasn't a conscious choice to do an homage, but it wound up being a very bittersweet thing," she says. "Michael's death brought a lot of stuff back for me, so it was nice that we could include this."

For Sheryl Crow, 100 Miles From Memphis is the right album at the right moment. "My last record (2008's Detours) was pretty political, extremely personal, and more lyric-driven," she says, "so it seemed like a great time to do something soulful and sexy and more driven by the music." It took a lot of years, but with this set of songs, she finally made it back home.

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More Info / Buy Tickets

Black Tie-Dye Ball with DSO on April 7th

Put on your favorite tie-dye and join us Thursday, April 7th at the Great American Music Hall in San Francisco for a Black Tie-Dye Ball with Dark Star Orchestra. From 6:00 - 8:00 enjoy a Sound Check Party, followed by drinks, finger foods and mingling with the artists.  Click here for ticket details, including how to join the pre-show party even if you already have your concert tickets.

Enjoy great music while also supporting the Rex Foundation by being part of these upcoming Rex Musical Caravan East Coast events:

* Saturday, April 2, Half Step, playing Grateful Dead music at the Vail-Leavitt Music Hall in Riverhead, NY, will contribute $2.00 per ticket to the Rex Foundation. Click here for details.

* Saturday, April 9, Reflections Band, now in its third year on the Rex Musical Caravan, is joined by Lo Faber and Aaron Maxwell of God Street Wine at Mexi Cali Live in Teaneck, NJ, as described here in more detail.

As you check out the Rex website for news and information about our work, know that it is your support and involvement that makes everything possible.  If you can't join us for an upcoming event, check out the different ways you can support Rex and help us keep covering just a little more ground.  Thank you!

National Jazz Museum in Harlem March 7 - March 13, 2011

Upcoming events at the National Jazz Museum in Harlem for this week include:

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National Jazz Museum in Harlem

March 7 - March 13, 2011

Schedule

Monday, March 7, 2011

Jazz for Curious Readers

Ethel Waters: His Eye Is On The Sparrow, a celebration
Host: Father Peter J. O’Brien

7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

His Eye Is On The Sparrow is rightfully acclaimed as one of the greatest autobiographies by an American female singer; with the able assistance of noted journalist andbiographer Charles Samuels, Ethel Water's life and career journey is captured there in all of its joy, sorrow, bitterness, forgiveness, and spirit of perseverance no matter what she faced.

Tonight we celebrate the book and remember the bright star that was Ethel Waters.

Tuesday, March 8, 2011

Jazz for Curious Listeners

FILM SHOW: Sing Me A Swing Song: Great Jazz Vocalists – Ethel Waters

Host: Father Peter J. O’Brien

7:00 – 8:30pm
Location: Maysles Cinema - 343 Lenox Avenue between 127th & 128th Street
DONATION SUGGESTED| For more information: 212-348-8300

Vocalist and actress Ethel Waters (1896-1977) was a key figure in the development of African American culture between the two world wars. She broke barrier after barrier, becoming the first black woman heard on the radio, the first black singer to perform on television, the first African American to perform in an integrated cast on Broadway, and the first black woman to perform in a lead dramatic role on Broadway. As a singer Waters introduced over 50 songs that became hits, including standards of the magnitude of "St. Louis Blues" and "Stormy Weather." Her jazzy yet controlled vocal style influenced a generation of vocalists, black and white, and her career, encompassing stage, song, and screen, flowered several times in comebacks after tumbling to lowpoints.

See Ethel Waters perform on film andearn about the rise and fall and rise again of a great American artist of song, and hear recordings that document the sound and style that made Ethel Waters such an influence.