great

COLLECTORS’ CHOICE TO REISSUE ABKCO’S CAMEO-PARKWAY CLASSICS

On June 22, 2010, Collectors’ Choice Music in conjunction with ABKCO Music & Records will begin a rollout of six reissues and compilations from the legendary Cameo and Parkway Records masters. The initial six CDs, including four twofers, are Rawhide’s Clint Eastwood Sings Cowboy Favorites, Bobby Rydell Salutes The Great Ones/Rydell at the Copa, Chubby Checker’s It’s Pony Time/Let’s Twist Again, The Orlons’ The Wah-Watusi/South Street, Terry Knight And The Pack/Reflections plus the compilation Remember Me Baby: Cameo Parkway Vocal Groups Vol. 1 which features The Lydells, The Dovells, The Tymes, Lee Andrews, Billy And The Essentials and more.

For some time ABKCO had been looking for the right team with whom to delve into its vaults to create an ongoing Cameo Parkway reissue program.  ABKCO found the right mix in Collectors’ Choice Music and have entered into an exclusive arrangement, ensuring that a flow of reissues and compilations will be available over the next few years. All releases will be curated by Teri Landi, ABKCO’s resident engineer and catalog archivist, and annotated by respected music journalists.

Jody Klein, CEO of ABKCO Music & Records commented, “We are delighted to have Collectors’ Choice Music onboard for these releases of great historical relevance. Their expertise in this area will ensure that the music that made Cameo-Parkway such a cultural touchstone will be enjoyed by music fans who have long awaited these collections.”

Much of the material has not been available since its original release on vinyl some 45-50 years ago. Both companies have approached these reissues with careful A&R, annotation, package design and sound engineering. Said Gordon Anderson, Sr. VP of Collectors’ Choice, “The opportunity for our company to release this material represents the culmination of a career-long dream for me, and a fervently-held dream for thousands of our Collectors’ Choice Music customers.”

Founded by Bernie Lowe and Kal Mann in December 1956, Philadelphia-based Cameo-Parkway was one of the great American indie labels during the late ’50s and ’60s.  It was home to big pop-rock and R&B stars like Bobby Rydell, Chubby Checker and The Orlons, as well as to all manner of styles and artists both famous and obscure. It also represents the last great, largely untapped repository of vintage pop music from the rock ’n’ roll era.

It has been argued that popular culture was forever changed by the impact of Cameo-Parkway hits. Cameo-Parkway was one of America’s leading independent labels during the era that preceded the British invasion, offering a breathtaking range of pop, soul, rock, novelty and dance records that have continued to resonate with fans over the past five decades.  The label’s biggest claim to fame is the string of dance craze hits that followed in the wake of “The Twist.”  These included “Mashed Potato Time,” “The Wah-Watusi,” “Bristol Stomp,” “Do the Bird,” “Hully Gully Baby,” “Pony Time,” “The 81,” “Limbo Rock” and, of course, “Let’s Twist Again.”

Beyond the dance songs — most of which originated in Philadelphia — Cameo-Parkway issued garage rock classics from the Midwest including ? And The Mysterians’ “96 Tears” as well as early tracks by Detroit’s Bob Seger, The Rationals and Terry Knight And The Pack. The label even embraced the British invasion, releasing sides by The Kinks and Screaming Lord Sutch. Soul played a significant role with singles by The Tymes, Patti LaBelle And Her Bluebells, Frankie Beverly And The Butlers, The Five Stairsteps, and Bunny Sigler. Beyond those, Cameo was the label home of Bobby Rydell, who transformed from “swingin’ pop idol” to a mature vocalist and was accepted by both teen and adult audiences with such hits as “Wild One,” “Kissin’ Time” and more adult fare such as “Volare” and “Sway.”  

Collectors’ Choice’s initial rollout of six CDs includes the following:

• Bobby Rydell — Bobby Rydell Salutes The Great Ones/Rydell at the Copa. These two 1961 albums — presented here in their original stereo mixes — represented an effort by Rydell to move beyond the limitations of his teen idol persona. The title of Rydell’s Cameo LP, Bobby Rydell Salutes The Great Ones, works on two levels.  It is an early tribute to the performers the young singer admired all his life, as indicated by the little caricatures of Al Jolson, Bing Crosby and Frank Sinatra in the upper corner of the LP’s cover, and the “great ones” in the title refers to songs from the Great American Songbook such as “Mammy,” “That Old Black Magic” and “All of You.”  By recording a live album at the Copa, Rydell was following a well-trodden trail left by other pop male vocalists like Bobby Darin and Paul Anka.  Jim Ritz contributed liner notes.

• Chubby Checker — It’s Pony Time/Let’s Twist Again: This twofer includes two albums from the height of the Chubby Checker twist phenomenon that he and Cameo-Parkway had spawned, virtually ruling the music charts in 1960 and 1961. The first album’s title track, “Pony Time,” went to #1, his only chart-topper besides “The Twist,” while Let’s Twist Again, his fourth album, hit #11, shortly followed by three Top 10 albums in a row. Also featured here are “We Like Birdland,” “The Watusi,” The Hully Gully,” “I Could Have Danced All Night,” “Let’s Twist Again” and more.  Jim Ritz penned the liner notes.

The Orlons — The Wah-Watusi/South Street. Discovered by high school classmate and future Cameo labelmate Len Barry, The Orlons (Shirley Brickley, Marlena Davis, Rosetta Hightower and Stephen Caldwell) were one of Cameo-Parkway’s most popular vocal groups and certainly the label’s top girl group. This twofer presents their only two charting albums from 1962 and ’63 respectively, and both featuring Top 5 title tracks. Heard here in their original pristine mono with notes by Gene Sculatti that contain quotes from Caldwell (he of the ultra-low “frog” voice), this reissue contains the title hits plus “Dedicated To The One I Love,” “Tonight,” “Cement Mixer” and more.

• Terry Knight And The Pack — Terry Knight And The Pack/Reflections. Although Cameo-Parkway was best known for rock ’n’ roll, pop and R&B, these albums (originally released on Cameo’s Lucky Eleven imprint) illustrate the label’s embrace of Midwestern rock. Flint, Michigan’s Knight And The Pack were a garage band with many regional hits that never broke nationally; they might have become stars but for the fact that band members Mark Farner and Don Brewer left to form Grand Funk Railroad, with Knight producing. In his liner notes, Jeff Tamarkin tells the story of their 1966-67 fuzz-laced sounds featured in “Numbers,” “You’re a Better Man Than I,” “The Lovin’ Kind,” “One Monkey Don’t Stop No Show,” “Dimestore Debutante” and others.

Clint Eastwood — Rawhide’s Clint Eastwood Sings Cowboy Favorites: Oscar-winning actor Clint Eastwood has demonstrated a musical streak throughout his acting and directing career, and this 1963 album catches him at the beginning. Fresh from his success on the TV series Rawhide, he croons (and quite convincingly so) a collection of cowboy favorites. The set includes the 1962 single “Rowdy” b/w “Cowboy Wedding Song,” as well as “San Antonio Rose,” Bouquet of Roses,” “Along the Santa Fe Trail,” “The Last Roundup,” “Sierra, Nevada” and more.  Jim Ritz contributed liner notes.

Remember Me Baby: Cameo Parkway Vocal Groups Vol. 1: There are collectors and there are doo-wop collectors, which is why Collectors’ Choice devoted its very first compilation in the series to the vocal groups whose recordings defined Cameo-Parkway during its earliest years. Heard here are The Gainors’ “You Must Be An Angel,” Billy And The Essentials’ “Remember Me Baby,” and never before released tracks by The Dovells and The Tymes, “Short On Bread” and “Did You Ever Get My Letter?,” respectively.  Also featured are rare tracks from The Anglos, The Defenders, The Exceptions, The Expressions, The Gleems, Pookie Hudson And The Spaniels, The Impacs, The Rays, Rick And The Masters, The Sequins, The Skyliners and The Turbans — 24 tracks in all. Annotated by Ed Osborne.

Multi-platinum country star, Dierks Bentley, at Boulder Theater this week!

Not so many years ago, he was singing for tips in Second Avenue bars and soaking up country music history at his day job working in the video tape library of the late, great Nashville Network. Today he's among the most successful and relevant country singers in the business. They say Nashville doesn't work like this anymore - that talented strivers with no connections don't stand a chance. But Dierks Bentley proved that Music City's engine still runs and that as a place for education, inspiration and validation, it has no parallel. Critics find him credible. Fans pack his shows. There are precious few new artists recording hits today about whom that can be said. Bentley's kind of country has never been straight-up-the-middle. Instead, the Arizona-native grew up on a potent hybrid of honky-tonk, bluegrass, singer/songwriters, classic country and modern rock & roll, forging his own sound along the way.

The Travelin' McCourys do not stand still. They are on the road and online entertaining audiences with live shows that include some of the best musicians and singers from all genres. It's always different, always exciting, and always great music. No other band today has the same credentials for playing traditional and progressive music. As the sons of bluegrass legend Del McCoury, Ronnie McCoury on mandolin and Rob McCoury on banjo continue their father's work a lifelong dedication to the power of bluegrass music to bring joy into people's lives. And with fiddler Jason Carter and bassist Alan Bartram, the ensemble is loved and respected by the bluegrass faithful. But the band is now combining their sound with others to make something fresh and rejuvenating. It's that attitude, backed up by talent, that marks great musicians, traditional or progressive. The Travelin' McCourys are twenty-first century musical pilgrims and adventurers. They're onto something new, just like Bill Monroe was in the 1940s, but now we can see and hear that adventure live or online.

More Info / Buy Tickets

Great American Taxi Donates Track to Coal Miners Relief Fund

Just in time for Earth Day (April 22), Great American Taxi, whose current album Reckless Habits is climbing the Americana radio airplay charts, has donated a free download of a song, “Appalachian Soul” culled from its debut album Streets of Gold, to raise awareness of the plight of coal miners and their communities in West Virginia. The track is offered free to radio stations that agree to direct listeners to GreatAmericanTaxi.com, which in turn links to West Virginia Council of Churches website, which collects donations for the miners.

GAT frontman Vince Herman, who grew up in West Virginia, comments: “Great American Taxi sends our thoughts out to the families and communities effected by the mining disaster at the upper big branch mine. We hope that their unconquerable Appalachian spirit and families can help them navigate these difficult times. The country and the world share in their grief. We need coal.  We need our miners to be safe. We need understanding on all sides of this contentious issue of our national energy policy. We would like to make Taxis' tribute to that  Appalachian spirit available as a download here and suggest a donation to the WV council of churches to assist  the families of our fallen brothers. Let's all come together and honor the families who have paid that ultimate price for our energy needs and hope that this is the last such disaster we must face.”

In the past five years, Great American Taxi has become one of the best-known headliners on the jam band circuit, their uninhibited sound a swinging concoction of swampy blues, progressive bluegrass, funky New Orleans strut, Southern boogie, honky tonk, gospel and good old fashioned rock ’n’ roll. That loose, anything-can-happen feel is the hallmark of Reckless Habits, the band’s second album, which was recorded in Loveland, Colo., with producer Tim Carbone (from Railroad Earth) bringing the feel of an onstage performance to the recording process. The new album was released through Thirty Tigers on March 2, 2010.

Blurt called Reckless Habits “a giddy combination of boogie, blues, bluegrass, nu-grass and honky-tonk, it's as readily infectious and genuinely freewheeling as its eclectic content might imply. Hopefully this Great American Taxi will continue to take listeners along for similarly spirited rides in the future.”  Country Standard Time called it  “a well rounded album that fully pays homage to Gram Parsons and his vision of a cosmic American sound that incorporates all the pages of the American Roots songbook.”

When banjo player Mark Vann of Leftover Salmon died of cancer in 2002, that band desolved. Salmon singer/guitarist/mandolinist Vince Herman had a few rough years and survived a broken neck before joining keyboardist Chad Staehly for a superstar jam to benefit the Rainforest Action Group in Boulder in March 2005. “We put together a dream band of the best local musicians for a one-off gig,” Herman recalls. “It worked so well we had to do it again, and again, and again.” And so Great American Taxi was born. The current lineup includes Herman, Staehly, guitarist Jim Lewin, bassist Brian Adams and drummer Chris Sheldon.

The Morning Pages Cover Lady Gaga

Brooklyn’s six-piece root-rockers The Morning Pages have just recorded an alt-country take on Lady Gaga’s "Telephone" along with a grainy lo-fi stock photography-esque video complete with slide guitars, cowboy hats and tin cans on strings, answering the question "How would "Telephone" play out in the 1850s?".  The ubiquitous song caught the attention of lead singer Grant Maxwell who decided to cover the song because "a great song is a great song and indie music doesn't have to be all dissonant and obscure and depressing all the time and on the other hand pop music could stand to sound a lot more organic and musical. My thought was they maybe we could combine the depth of roots music with the visceral enjoyment and popular appeal of mainstream music and get the next revolution started....also, I just couldn't get that song out of my head!" You can watch the new video HERE on YouTube.

With their 2007 EP The Company You Keep, The Morning Pages immediately stood out from other Brooklyn acts by tracing their roots back to country and folk influences such as Willie Nelson, Gram Parsons, Waylon Jennings, and The Band. It was this EP that caught the attention of Russell Simins of the Jon Spencer Blues Explosion who went on to produce their upcoming debut full length Rising Rain.

The album’s standouts include joyous foot-stompers like “With The Lord,” “Move To The Country” and “This City Keeps Me Down,” as well as plaintive ballads like the album’s first single “My Name Is Lion.”

The Morning Pages New York Dates:
April 9th – Brooklyn, NY @ Spike Hill
May 6th – Brooklyn, NY @ Cameo
May 20th – New York, NY @ Rockwood Music Hall
May 27th – New York, NY @ Bowery Ballroom (Dylan Fest 2010)

Dreyfus Jazz Presents European Modernists

Jazz, once a singularly American invention and one of the United States’ greatest exports, has become a truly international phenomenon, with important players from all over the world making valuable contributions to the music’s evolution.  Europe, previously home to many of the most devoted connoisseurs of the art form, is now also the producer of some of the most innovative voices in jazz. With the inauguration of its European Modernists series Dreyfus Jazz is proud to bring U.S. audiences some of the best creative music being made on the continent today.  The first releases in the collection showcase musicians from Belgium, France and Italy, spotlighting two long respected veterans and a pair of important younger voices.  Taken together, Belgian guitarist Philip Catherine, French pianist Jean-Michel Pilc and Italians, drummer Aldo Romano and saxophonist Rosario Giuliani, these artists represent the continuing trend of noteworthy original music emanating from European environs.

Born in Belluno, Italy on Jan 16, 1941, Aldo Romano is the most senior of the four leaders, well known to audiences worldwide since his earliest recordings as a member of Don Cherry’s internationalist quintet featuring Argentinean saxophonist Gato Barbieri, German vibraphonist Karl Berger and French bassist Jean Francois Jenny Clark.  A resident of France since a young age, he’s played swinging drums with visiting American giants like Jackie McLean, Bud Powell, Lucky Thompson, J.J. Johnson, Johnny Griffin and Woody Shaw and avant garde explorations with Steve Lacy, Charlie Mariano, Frank Wright, Bobby Few and Bill Dixon through the years, giving his far reaching music a distinctively freewheeling flavor. His associations with fellow Europeans Michel Petrucciani, Rolf and Joachim Kühn, Enrico Rava and Michel Portal make him a particularly representative artist for this series.

Origine, Romano’s fourth effort for Dreyfus, finds the versatile artist returning to a romantic setting similar to that of his debut effort for the label, Chante, leading an expanded ensemble that displays his considerable capabilities as a composer.  Augmenting his jazz sextet featuring saxophonist/flutist Lionel Belmondo (who arranged all of the disc’s thirteen compositions) and trumpeter/flugelhornist Stéphane Belmondo (the date’s primary soloist), altoist Géraldine Laurent, pianist Eric Legnini and bassist Thomas Bramerie with a classical wind ensemble of clarinet, flute, English horn, bassoon, French horn and tuba, plus percussionist Xavier Desandre-Navarre.  The music is lush and beautiful, a decidedly successful melding of American and European sensibilities reflecting Romano’s wide ranging talents, which also include (like one of his influences, Bill Higgins) playing guitar and singing, the latter of which is heard to great effect on the final track, his “Jazz Messengers” with French lyrics by Yves Simon.

Guitarist Philip Catherine, born in London in 1942 to a Belgian father and British mother, was raised in Brussels’s where he began playing professionally while still a teenager.  Dubbed the "young Django" while still a youth, by the great Charles Mingus (on whose Three or Four Shades of Blues the guitarist recorded), Catherine came into his own voice playing in variety of settings, from bebop to fusion, including work with American expatriates Dexter Gordon and Chet Baker and European violin maestros Jean Luc Ponty and Stephane Grappelli. Since gaining recognition with American audiences for his two guitar work Larry Coryell, he has gone on to become one of the most highly respected artists on his instrument in both the U.S. and Europe.

Catherine, who has recorded over twenty albums under his own name since his 1974 Warner Brothers debut Stream (produced by the legendary French guitarist-vocalist Sacha Distel, who worked with Lionel Hampton, Dizzy Gillespie and John Lewis) and dozens more as a valued sideman, makes his sixth appearance as a leader on Dreyfus with Concert In Capbreton.  The live recording, featuring the guitarist’s working band with his longtime collaborator, Dutch bassist Hein Van De Geyn, Italian piano maestro Enrico Pieranunzi and former Bill Evans drummer Joe La Barbera, is a swinging affair documenting the group’s 2009 appearance in the charming seaside resort town in southwestern France.  The group stretches out on four standards from the Great American Songbook – “My Funny Valentine”, “My Foolish Heart”, “You’ve Changed” and “Speak Low”, along with two modern jazz classics, Sam Rivers’ “Beatrice” and Richie Beirach’s “Broken Wings” and a beautiful Van de Geyn solo bass piece “Change.”

Since moving to New York in 1995, virtuoso pianist/composer Jean-Michel Pilc has steadily earned a reputation one the city’s finest musical imports, working and recording regularly in many of the most important venues in the jazz capital of the world, including Sweet Basil, Small’s, Iridium and the Jazz Gallery, both as a leader and with the likes of Roy Haynes, Michael Brecker, Kenny Garrett and Richard Bona.  Born in Paris in 1960, where he taught himself piano, Pilc truly came into his own after moving to the United States and forming his longstanding trio featuring fellow Frenchman, bassist François Moutin (with whom he recorded his debut album, Funambule, in Paris in 1989) and the flexible Philadelphian drummer, Ari Hoenig.  An innovator with a deeply personal style of his own, Pilc has been called “musical genius’” by the Washington Post, while the New York Time’s Ben Ratliff astutely described him as “a splashy stunner who also has a Rubik's-cube mind for chord substitutions."

True Story, Pilc’s sixth album as a leader for Dreyfus since he began recording for the label back in 2001 with his Welcome Home, introduces the pianist’s remarkable new trio featuring veteran drummer Billy Hart and the great Russian born Mingus Dynasty bassist Boris Kozlov.  The program, predominantly composed by the leader himself, including the five part title track suite, continues on the idiosyncratic path blazed on his previous dates, with music that is both dazzling and unpredictable.  In addition to his other compositions, which include the classically tinged tribute “Mornings With Franz”, he also performs an original arrangement of Schubert’s “Relic” and typically unconventional interpretations of Cole Porter’s “My Heart Belongs To Daddy” and Tom Jones’ pop hit “Try To Remember”, with the former reimagined as a tango and latter serving as an Evanescent impressionistic journey.

Perhaps the least known artist presented in the European Modernist series, Rosario Giuliani is nonetheless an important new voice on the international music scene.  Born in Terracina, Italy in the saxophonist achieved deserved recognition when voted the best new talent in the 2000 critics poll Top Jazz conducted by Musica Jazz magazine. Since then he has gone on to garner attention for his work with artists like Gonzalo Rubalcaba, Cedar Walton, Marc Johnson, Charlie Haden, Phil Woods, Mark Turner and Jeff "Tain" Watts, as well as many of Europe’s best players.  Possessing a virtuosic technique reflecting a range of influences from Charlie Parker and Lee Konitz to John Coltrane and Wayne Shorter, Giuliani has proven himself to be a significant addition to the lineage of jazz saxophonists, capable of contributing valuably in a variety of situations.

Lennie’s Pennies, Giuliani’s tenth album as a leader and his fifth for Dreyfus, may well be the saxophonist’s best effort to date. Leading a quartet featuring Paris born Pierre de Bethmann on piano and Fender Rhodes, with expatriate Philadelphian Darryl Hall on bass and Joe La Barbera on drums, Giuliani proves himself to be a first rate on alto saxophone (which he plays exclusively on the date, eschewing the soprano sax that he has doubled on excellently on previous cd’s).  Opening with a blistering tempoed reading of Lennie Tristano’s title track, the leader leaves no doubt whatsoever concerning his powerful voice and technique. Elsewhere he expresses both a dreamy sensitivity, as well as a willingness to stretch boundaries when appropriate.  The program, which includes four originals penned by the leader and two from de Bethmann, as well as a couple of standards, Heyman and Young’s “Love Letters” and Irving Berlin’s “How Deep Is The Ocean” and a pair of modern jazz classics, Joe Zawinul’s “74 Miles Away” and Jimmy Rowles’ “The Peacocks” is one that should satisfy forward looking fans of straight ahead jazz.

Ironically, as modern technology and the internet makes the planet seem smaller and smaller, the jazz world continues to expand exponentially with creative artists from all over contributing their individual voices and homegrown influences to the music’s ever growing canon. The four artists featured on the Dreyfus European Modernist series, Aldo Romano, Philip Catherine, Jean-Michel Pilc and Rosario Giuliani, are each important voices in this once all-American music, reflecting the new wide world of contemporary jazz.

DiscoverHope Fund Present: Band Together for Hope

Come enjoy the music and contribute to the global effort to end poverty for some of the 3 billion people who live on less than $2 a day and are trapped in poverty so they cannot adequately feed, clothe, or shelter themselves or their families. DiscoverHope Fund (DHF) is a 501(c)3 promoting abundance for women and their families in economic poverty through microcredit and entrepreneurial training.  DHF’s “Microcredit Plus” model implements a dual approach to poverty alleviation—providing microloans and entrepreneurial training to help loan recipients build their businesses. DHF asks loan recipients what they need to build and sustain their business; then it answers with business trainings, literacy classes, artisan workshops and more. A percentage of ticket sales and funds from an on-site opportunity drawing will go toward our work to create a new consciousness of prosperity that women can pass onto their children, families, communities, society, and this world. DiscoverHope is proud to present an evening of great music starring Americana without Borders allstars – Great American Taxi.

In the past five years, Great American Taxi has become one of the best-known headliners on the jam band circuit. Their uninhibited sound is a swinging concoction of swampy blues, progressive bluegrass, funky New Orleans strut, Southern boogie, honky tonk country, gospel, and good ol’ fashioned rock ’n’ roll. Great American Taxi was born when singer, guitarist, and mandolin player Vince Herman of Leftover Salmon joined keyboard player and singer Chad Staehly for a superstar jam to benefit the Rainforest Action Group in Boulder, in March of 2005. “We put together a dream band of the best local musicians for a one-off gig,” Herman recalls. “It worked so well we had to do it again, and again, and again.” Great American Taxi quickly evolved into one of the best country-, rock-, and bluegrass- influenced jam bands in the land, masterfully blending acoustic and electric instruments into music they call “Americana Without Borders."

Great American Taxi has been equated with roots rockers like the New Riders of the Purple Sage, Grateful Dead, Wilco, Uncle Tupelo, The Byrds, and Little Feat. Herman finds the comparisons flattering. “We’re definitely connected to all the acts in the country/rock spectrum, as well as the spirit of Gram Parsons and Woody Guthrie,” he says. “We want to address the issues appropriate to our times, while making music that gets people up and moving.”

The benefit will also feature an amazing opportunity drawing with a grand prize of 2 tickets to 2010 10th Anniversary Summer Camp Music Festival in Chillicothe, IL as well as other prizes such as signed and unsigned rock artwork, local gift certificates, and other amazing prices to be announced.

Who: Great American Taxi, Chicago Farmer & Farmaggedon

Where: Coconut Louie’s 2303 E. Washington Bloomington, IL

When: Thursday, April 15th 2010

WHY: To support Discover Hope Fund

COST: $8

WEB: www.discoverhopefund.org

30db: One Man Show

Jeff Austin & Brendan Bayliss are pleased to announce the long-awaited studio debut from their new project, 30db! One Man Show will be available in stores and online on May 11th, and the duo will be touring with their great band in support of the release. The band features Cody Dickinson (of North Mississippi Allstars), Eric Thorin and Nick Forster. Visit www.30db.net to preview the album, and for up-to-date news, pre-order info & tour dates.

30db Tour Dates, Pre-Sale Monday, March 22 Noon local
May 6 Minneapolis, MN Cabooze
May 7 Madison, WI Barrymore Theater
May 8 Chicago, IL Lincoln Hall
May 19 Boulder, CO Fox Theatre
May 20 San Francisco, CA Great American Music Hall *on sale Sun 3/21
May 21 Seattle, WA Tractor Tavern
May 22 Portland, OR Berbati's Pan
** The first 20 ticket purchasers in the pre-sale will receive a backstage meet and greet with the band!

Dierks Bentley @ Boulder Theater

Not so many years ago, he was singing for tips in Second Avenue bars and soaking up country music history at his day job working in the video tape library of the late, great Nashville Network. Today he's among the most successful and relevant country singers in the business. They say Nashville doesn't work like this anymore - that talented strivers with no connections don't stand a chance. But Dierks Bentley proved that Music City's engine still runs and that as a place for education, inspiration and validation, it has no parallel. Critics find him credible. Fans pack his shows. There are precious few new artists recording hits today about whom that can be said. Bentley's kind of country has never been straight-up-the-middle. Instead, the Arizona-native grew up on a potent hybrid of honky-tonk, bluegrass, singer/songwriters, classic country and modern rock & roll, forging his own sound along the way.

The Travelin’ McCourys do not stand still. They are on the road—and online—entertaining audiences with live shows that include some of the best musicians and singers from all genres. It’s always different, always exciting, and always great music. No other band today has the same credentials for playing traditional and progressive music. As the sons of bluegrass legend Del McCoury, Ronnie McCoury on mandolin and Rob McCoury on banjo continue their father’s work—a lifelong dedication to the power of bluegrass music to bring joy into people’s lives. And with fiddler Jason Carter and bassist Alan Bartram, the ensemble is loved and respected by the bluegrass faithful. But the band is now combining their sound with others to make something fresh and rejuvenating. It’s that attitude, backed up by talent, that marks great musicians, traditional or progressive. The Travelin’ McCourys are twenty-first century musical pilgrims and adventurers. They’re onto something new, just like Bill Monroe was in the 1940s, but now we can see and hear that adventure live or online.

Thursday April 22 8:00pm
AEG Live presents
DIERKS BENTLEY & THE TRAVELIN' McCOURYS, "UP ON THE RIDGE" TOUR
w/Hayes Carll
-
Tickets will be on sale through the Boulder Theater box office
Internet 24-7 at www.bouldertheater.com
Phone: During box office hours 303-786-7030

Folk, Americana & Alt-Country in Fort Fun

On February 26, 2010, James McMurtry, Great American Taxi, and the Cracker Duo graced Fort Collins with their music and their special blends of Folk, Americana, and Alt-Country. Folk culture is defined as a specific group of people relating to a certain locale.  Fort Collins night of folk music couldn’t have been more appropriate on the anniversary of Johnny Cash’s birthday.

PRAANG Bounces Back Into Denver For 2 Nights

The highly improvised quartet known as PRAANG featuring the all-star cast of Steve Kimock, Michael Travis, Jason Hann and Jamie Janover is scheduled to perform at Quixote's (formerly Owsleys) on Jan. 29 and Jan 30th.

PRAANG was born in December of 2006, due to the most unusual circumstances. Thanks to the legendary blizzards in Denver, which closed local airports for consecutive days, and left Steve Kimock stranded in town with 2 nights of music booked and no band in sight. Out of the blue, four unlikely musicians came together for the first time to recover a near snowed out show with no notice, no plan and no rehearsal. It's no surprise the 600 person venue came close to sell-out that weekend with word of mouth buzz alone - the caliber of musicians performing on a single stage was unthinkable at the time. Today, PRAANG is still purely experimental, instrumental and continues to play rare intimate performances, rain, snow or shine.

Known for a highly improvised performance, PRAANG is the strange combination of live electronic music, dub step and house music coupled with ethereal Hammered Dulcimer and the soaring, often psychedelic, voice of a guitar. The quartet, much like the experimental jazz bands of the past, performs with no form or known songs in their repertoire. Instead, the musicians pick themes or great storylines as their subject of improvisation. One member might say "tsunami" as they explode into an epic jam that tosses and turns like the great waves of the sea -- or a "tribal march", with a strong focus on drums, may come out of their explorations. It's as fun of a project to watch as it is to dance to.

January 29 & 30, 2010
Praang feat. Steve Kimock, Michael Travis, Jason Hann and Jamie Janover
Quixote's (formerly Owsley's)
2151 Lawrence St
Denver, CO 80205
Set: 10:00 PM
17+ Tickets: $20/ $22