road

Grateful Dead | Denver, Colorado | 11/20/73

Get lost in the majesty and mystery of Road Trips Vol. 4, No. 3. The 3-disc set features the entire November 21, 1973 concert at the Denver Coliseum as well as an excellent sequence of tunes from the second set of the previous night's Denver show (11/20/73)!

A prime slice of Rocky Mountain Dead, Road Trips Vol. 4 No. 3 offers up a psychedelicornucopia of wondrous new tunes including "Here Comes Sunshine," "Mississippi Half-Step," "Weather Report Suite," "They Love Each Other," and "Stella Blue." Each a classic in its own way, this crop of new songs proved indicative of some of the exciting new directions the band's music was taking. What's more, the band's killer second set features a spectacular hour-long medley that begins with "Half-Step," segues into "Playing in the Band," travels 715 miles due south for a little gunplay in "El Paso," dips back into the "Playing" jam for a spell, then into a superb "Wharf Rat," back to a dynamic "Playing" reprise, and is topped off by one of the best versions of "Morning Dew" from this period. My, oh my!

Sonically this is certain to exceed your expectations as it has once again been mastered to HDCD specs for maximum punch and clarity.

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Tune in to hear two tracks, "Here Comes Sunshine" and "Weather Report Suite," from Road Trips Vol. 4 No. 3: Denver '73. Both were brand-new songs released on the Wake Of The Flood album on October 15, 1973.

MilkDrive Releases Studio Album ROAD FROM HOME

MilkDrive, Austin’s phenomenal alt-folk-progressive acoustic string band, will release on April 5 its debut studio album, ROAD FROM HOME, which captures the quartet’s soulful, textural, multi-layer mix of rhythms, tempos, flavors, improvisation and its harmony vocals.

After its Austin CD Release Show, on Friday, April 8, at Saxon Pub, MilkDrive plays a number of nationally acclaimed music festivals: Old Settler’s on April 14, “Woodsongs Old-Time Radio Hour” on May 9, Pagosa Folk N’ Bluegrass in Colorado in June, and Rockygrass in Lyons, Colo., at the end of July.
ROAD FROM HOME was recorded at Mountainside Audio Labs in Nashville, produced by MilkDrive and Bil VornDick (Alison Krauss, Bela Fleck), and engineered and mixed by VornDick.
Like its independently released debut live album, the band’s new studio album features fingers flying at “unbelievable” speed, original tunes that go beyond extraordinary and “impeccable” arrangements. Both “Back” and “Dry Creek Inn” from ROAD FROM HOME have the old-school sound, with haunting mandolin and fiddle, but thoroughly modern lyrics on topics such as love and death bring it into the 21st century.

Keeping the Show on the Road With Railroad Earth

After 10 successful years on the road, Railroad Earth will mark their 10th anniversary with a special concert this May at the prestegious Wellmont Theater, in Montclair, NJ. The milestone will be one of many key performances throughout the Mid-West and Southern States, marking a turning point for the 6-piece rootsy Americana act who has shown remarkable growth in the last year.

Stillwater, NJ band, Railroad Earth, known in most circles as an Americana / improvisational band, brings the music world the rare blend of feel-good music filled with introspection and story-filled lyrics that shape not only the song, but the perspective of their devoted 'super-fan' listeners. Yet, this is not just another touring band to hit the scene with a large fan base that follows them from show to show. They are a group of deeply grounded musicians sharing a story that has been woven through a living counterculture since the 1960's --- when tuning in and dropping out was part of the daily norm.

Featuring an unusual cast of characters and instruments the Railroad Earth sound is made up of 6 parts, including: Todd Sheaffer (Lead vocals, acoustic and electric guitars), Tim Carbone (Violin, electric guitar, vocals), John Skehan (Mandolin, bouzouki, vocals), Andy Goessling (Acoustic and electric guitars, banjo, dobro, lap steel, mandolin, flute, pennywhistle, saxophones and vocals), Carey Harmon (Drums, hand percussion, vocals) and Andrew Altman (Upright and electric bass). The project features soaring arrangements, touching ballads and the kind of on the spot mid-song improvisation that leaves fans clamoring for more, and steady ticket sales growth in every market they visit!

For more information about Railroad Earth or tickets go to: www.railroadearth.com or check out their Electronic Press Kit

Up until the release of their October 2010 self-titled album (which gained great reviews in publications such as: Vanity Fair, Men's Health, Blurt, New York Time Out and, most recently, the esteemed music review blog, Daytrotter), Railroad Earth has nearly skirted the limelight - favoring the kind of success that connects them directly with their fans in a near instant communal experience. And in turn, the group has grown vastly over the years, primarily on rock solid national ticket sales and word-of-mouth grassroots marketing. And while Railroad Earth has made cameos on the pages of indie and mainstream journals as recently as last month, their dedication to the grit of American life and the road as traveling minstrels prevails.

Eddie Vedder Album "Ukulele Songs" Released 5/31

Eddie Vedder will release a solo album, Ukulele Songs, on Tuesday, May 31st (May 30th internationally) through Pearl Jam's Monkeywrench Records. Ukulele Songs is a collection of original songs and covers performed by Vedder on ukulele. The first single from the album, "Longing to Belong," will be available for sale through digital retailers on Tuesday, March 22nd (March 21st internationally).

Also released on May 31st is Water on the Road, a live-concert DVD directed by Brendan Canty of Fugazi and Christoph Green featuring performances from Vedder’s August 16 and 17, 2008 solo tour engagements at Washington, D.C.'s Warner Theatre. The DVD features a live performance of "You're True" from Ukulele Songs as well as a mix of Pearl Jam catalog, covers and songs from Vedder’s critically acclaimed, award-winning solo record, Into The Wild.

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Ukulele Songs Album Tracklisting:

1. Can't Keep

2. Sleeping by Myself

3. Without You

4. More Than You Know

5. Goodbye

6. Broken Heart

7. Satellite

8. Longing to Belong

9. Hey Fahkah

10. You're True

11. Light Today

12. Sleepless Nights (featuring Glen Hansard)

13. Once in Awhile

14. Waving Palms

15. Tonight You Belong to Me (featuring Cat Power)

16. Dream a Little Dream

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Water on the Road Live Concert DVD Tracklisting:

1. The Canyon

2. Sometimes

3. Trouble

4. Around the Bend

5. Girl From the North Country

6. Guaranteed

7. Setting Forth

8. Far Behind

9. No Ceiling

10. Rise

11. Golden State

12. Society

13. Forever Young

14. Ed Piano (Instrumental)

15. I’m Open

16. Man of the Hour

17. Driftin’

18. No More

19. You’re True

20. Ukulele Interlude (Instrumental)

21. Unthought Known

22.  Arc

23.  Hard Sun

24.  The Canyon (reprise)

Brian Setzer Gives Bluegrass a Rockabilly Spin

With its forays into bluegrass and traditional jazz, Brian Setzer's new album 'Setzer Goes Instru-MENTAL!' (out April 19 on Surfdog Records) has the guitar legend testing new waters and putting his signature Stray Cat stamp on a few instrumental favorites. Setzer didn't set out to create an all-instrumental affair but couldn't resist temptation when the music started heading in that direction.

"I didn’t start writing an instrumental record, per se," says Setzer. "I wrote 7 songs with lyrics, and then all of a sudden I just took a turn and started fooling around with 'Blue Moon of Kentucky,' except without any vocals. I started playing melody chords and thought, 'Wow, this is pretty cool!'  So the direction turned about halfway through my writing. I had never done an instrumental record, but I thought, well, now’s the time."

Setzer wrote six originals and revitalizes five jazz-bluegrass classics – “Blue Moon of Kentucky,” "Earl's Breakdown," "Cherokee," "Be-Bop-A-Lula," and "Lonesome Road." Recording each gave Setzer the chance to revisit old techniques and try new tricks, such as playing banjo on the Earl Scruggs' classic “Earl’s Breakdown,” or substituting jazz chords into traditional bluegrass on the Bluegrass Boys’ “Blue Moon of Kentucky.”

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'Setzer Goes Instru-MENTAL!' Tracklist

(all songs written by Brian Setzer, unless otherwise noted)

1. "Blue Moon of Kentucky" (written by Bill Monroe)

2. "Cherokee" (written by Ray Noble)

3. "Be-Bop-A-Lula" (written by Tex Davis and Gene Vincent)

4. "Earl's Breakdown" (written by Earl Scruggs)

5. "Far Noir East"

6. "Intermission"

7. "Go-Go Godzilla"

8. "Lonesome Road" (written by Gene Austin, Nathaniel Shilkret)

9. "Hillbilly Jazz Meltdown"

10. "Hot Love"

11. "Pickpocket"

Dierks Bentley Announces 30-City Spring Tour

Multiple GRAMMY nominee and chart-topping country music star Dierks Bentley is slated to headline the 2011 JÄGERMEISTER COUNTRY TOUR kicking off March 17.  The 30-city tour runs through mid-May and will feature special guest Columbia Nashville road warrior Josh Thompson and brand new A&M/Octone duo Miss Willie Brown.  Each concert will also feature a local Jägermeister sponsored country act.

Pre-sale tickets are available to fan club members through www.dierks.com, while the general public will be able to purchase tickets beginning Jan. 21 and Jan. 28 through Ticketmaster.  The remaining cities will go on sale over the coming weeks.

“It’s a good thing we’ve got a video crew on the road with us capturing everything that goes down,” laughed Bentley.  “Putting my band, Josh Thompson, the Miss Willie Brown girls and a few thousand fans in a Jägermeister sponsored room with loud country music sounds like a pretty solid recipe for a great night!”

“For the brand’s 20th music tour, Jägermeister is bringing top country star Dierks Bentley to the stage to show our dedication and loyalty to country music,” says Bill Henderson, Senior Vice President of Marketing and Advertising at Sidney Frank Importing Company, Inc.  “In addition to this great line-up, Jägermeister is sponsoring over 25 country music acts to open the shows and is looking for more.”

2011 Jägermeister Country Tour Dates:
3/17            Wallingford, CT *
3/18            Sayreville, NJ **
3/19            Atlantic City, NJ **
3/20            Pittsburgh PA **
3/24            Lewiston, ME **
3/25            Poughkeepsie, NY
3/26            Reading, PA            **
3/27            Westbury, NY **
4/1              Los Angeles, CA **
4/2              Las Vegas, NV **
4/6              Houston, TX            **
4/7              Mescalero, NM **
4/13            Asheville, NC
4/14            North Myrtle Beach, SC **
4/15            Melbourne, FL
4/16            Boca Raton, FL                                           
4/21            Mankato, MN
4/22            Sioux Falls, SD
4/23            Clear Lake, IA
4/27            Salina, KS
4/28            Bloomington, IL
4/29            Saint Charles, MO                                                        
5/5              Akron, OH
5/6              Detroit, MI
5/7              Indianapolis, IN
5/11            Augusta, GA
5/12            Charleston, SC
5/13            Norfolk, VA
* Tickets On Sale Jan. 21
** Tickets On Sale Jan. 28

Afor-Zep & 56 Hope Road @ the Fox Theatre

Z2 Entertainment is proud to present Afro-Zep & 56 Hope Road at the Fox Theatre on Friday, February 11th.

AfroZep is a collective of Chicago musicians that assemble a few times a year to tour- performing a set of all Led Zeppelin tunes but re-done in the style of Afrobeat and Afropop. Some tunes are straight mash-ups of Fela Kuti and Zeppelin; others are Zep tunes but set to original grooves based off the music of artists such as Tinariwen, Thomas Mapfumo and Franco; and others are stripped down arrangements with tons of added traditional African drumming, like their take on 'When the Levee Breaks' which incorporates a rhythm of Malinke decent, called Soli. Arrangements such as this show how the roots of Plant and Page's songwriting can be traced even further back to the roots of blues music itself. The members of AfroZep have toured and recorded with various artists, such as: Chicago Afrobeat Project, 56 Hope Road, Starrunner, 1000 Vertical Feet, the Motet, Seneke West African Drum and Dance Ensemble, among many other of gospel, big band, jazz, rock and drumming ensembles based out of Chicago. Due to the rigorous schedules of its performers, the Afro-Zep is not a full time project and the band only tours a few times a year.  With their first tour taking place in Nov 2009 the band has already traveled to Illinois, Wisconsin, Michigan, Missouri, Kansas and Colorado.

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56 Hope Road is a band bonded like a family, and as a result, their music has an unmistakable honesty and openness. Uncanny, intuitive communication creates an easy interplay on stage, making even the most layered tunes sound effortless. They allow the joy of spontaneous creativity to color their song-based arrangements - neither losing their musical center, nor restricting its growth. The music is acoustic funk at its finest with sounds reminiscent of G-Love and Special Sauce, Richie Havens, MMW, Grateful Dead, Paul Simon and Gomez. This Chicago-based “acoustic funk explosion” is known for clever songwriting, lush vocal harmonies and one of the tightest rhythm sections on the scene. Formed in 1999, 56 Hope Road is made up of vocalist/guitarist Dave Hamilton, drummer Greg Fundis, upright bassist Chad Sanders, saxophonist Casey Fitzpatrick, and often augmented by vocalist Anne Katzfey, and percussionist Matt Katzfey.

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Tickets are on sale at Fox Theatre Box Office. Call (303) 443-3399 for tickets by phone.

Tickets are also available through our website @ www.foxtheatre.com.

$7 adv / $9 dos

Tickets On Sale – Friday January 21st!

Beats Antique at the Boulder Theater

Z2 Entertainment is proud to present Beats Antique at the Boulder Theater on Friday, April 8th, 2011.

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francisco’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.


David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.


Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2  major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised.

Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale – January 21st, 2011!

Andy Friedman prepares 'Laserbeams And Dreams' CD

On April 5, 2011, artist and songwriter Andy Friedman will release his third studio album, Laserbeams and Dreams (City Salvage Records).  Produced by noted guitarist and producer David Goodrich (Chris Smither, Peter Mulvey), the album was recorded in Friedman’s Brooklyn neighborhood and cut in 24 hours with one overdub and mixed in the studio.  Complementing Friedman’s “art-damaged, ragged-but-right” (L.A. Weekly) approach and Goodrich’s restrained, atmospheric lead guitar and piano is rising-star upright bassist and composer Stephan Crump (Grammy®-nominated Vijay Iyer Trio, Jim Campilongo), whose latest album of “ingenious originals” (The New Yorker), Reclamation (recorded with his Rosetta Trio), NPR spotlighted among its top five jazz albums of 2010. The interplay of Friedman’s “engagingly singular” (Philadelphia Inquirer) songwriting and “slow, lugubrious, dipped in country heartache” (Hartford Advocate) strum with Crump’s “full, appealingly wooden sound” (The New York Times) calls to mind classic collaborations by Van Morrison with bassist Richard Davis on 1968’s Astral Weeks, or John Hartford and Dave Holland on 1972’s Morning Bugle Call — albums also recorded live in the studio without much pre-conceived musical planning.  “We captured the mood created,” says Friedman.  “It wasn’t our place to second-guess the results.”

Andy Friedman first hit the road as a self-described “Slideshow Poet” in 2002, leaving his day job as an office assistant in the Editorial Department at The New Yorker to accompany projections of his paintings, drawings, and Polaroids with readings of his poetry in dive bars and rock clubs around the nation.  The hybrid performance was applauded by journalists as “the coolest show to come around in a long time” (Good Times [Santa Cruz]), and introduced Friedman as “The King of Art Country” (City Pages [Minneapolis]).  The transition from traveling poet to rambling musician occurred when the “erudite redneck” (Boston Globe) picked up the guitar and sang for the first time in his life in 2005, shortly before recording his debut album, Taken Man (City Salvage Records), the title track of which landed at #30 on a New York Post “Best Songs” list that included over 200 hits by artists such as Bruce Springsteen, Neil Young, Andrew Bird, Amy Winehouse, and The National.

Friedman’s reputation as a “dusty, paint-splattered Americana sage” (Rochester News & Democrat) germinated with the release of the CD Weary Things (City Salvage Records) in 2009, garnering enthusiastic praise, a performance on NPR’s coveted Mountain Stage, a feature interview on XM’s Bob Edwards Show, and a growing audience.  The online cultural journal Slant hailed Friedman as “an arrival of one of the genre’s smartest and deepest talents.” His “hard-tack country originals” were described in The New Yorker as “the mark of a true artist,” while NoDepression.com called his songs “unforgettable.” Old Crow Medicine Show's Ketch Secor proffered the song “Weary Things” as a “certified, genuine American tune,” and Indie-icon Sufjan Stevens proclaimed, “I think the world of Andy Friedman. I’ve always wanted to be Andy Friedman.” Largely overlooked, Weary Things was highlighted alongside titles by Tom Waits and Chuck Prophet by the Associated Press among “The Best Overlooked Albums of 2009.” “Friedman can write a lyric, and he can deliver it,” declared Stephen Wine. “He is not to be overlooked, that’s for sure.”

Laserbeams and Dreams tackles themes of religion, aging, disillusionment, and family, but images of death prevail in all forms. The gospel dirge “Time for Church” is the album’s opener, and finds Friedman renouncing religion in favor of drink, music, and art.  “It’s time for church/It’s five o’clock,” he sings. “Pour a drink/let the record play.” Friedman’s vocals boom with an echo recalling the classic Nashville Sound recorded by Chet Atkins at RCA in the late ’50s and ’60s. The lilting “Motel on the Lake” presents death as the crumbling façade of a once vibrant Catskill Mountain summer resort community more famously referred to as the Borscht Belt, which the singer now reports “whips the children.” Goodrich brings haunting upright piano to “May I Rest When Death Approaches,” a song based on a series of poems written by Friedman’s father-in-law days before his passing.  “Roll On, John Herald” is at once a tribute to the late John Herald — a founding member of the seminal late-’50s bluegrass trio the Greenbriar Boys, who died of a self-inflicted gunshot wound in the summer of 2005 — and a humbling, dark portrayal of life as an obscure legend on the road. “When Vin played him on Idiot’s Delight/I knew John Herald had died,” growls Friedman, who befriended the singer when Herald invited the then “slideshow poet” to open a string of dates in 2003.  In “Quiet Blues,” recorded minutes after the ferocious “Roll On, John Herald,” Friedman laments with newfound vocal sensitivity the death of peace and quiet in the digital age.  “Hey, Command Z/bring the quiet blues back to me,” he warbles. “Recording those two songs without a break was like a biathlon,” says Friedman. Singer-songwriter Jen Chapin, who is married to Crump, lent the guitar played by her father — the late Harry Chapin — to Friedman for the recording of Laserbeams and Dreams.

It’s not all death and despair for Friedman, who approaches these themes with the acerbic wit and dark humor of a New Yorker gag cartoon — a pastime with which the singer has found past success under the pseudonym Larry Hat. With “Going Home (Drifter’s Blessing),” Friedman delivers an anthem for the little-known folksinger trying to make it out on the road, whose faith in himself is tested by long drives, missed family, and dismal turnouts, but can only wish the life on his children and theirs.  In “Down by the Willow,” the album’s closer, Friedman is seduced by the serenity of life in the country but is “shackled and chained” to the gritty confines of the city, revisiting the famous car wash scene from the 1967 Paul Newman classic Cool Hand Luke.

Friedman will perform the record in its entirety, accompanied by David Goodrich and Stephan Crump, on select dates during the Laserbeams and Dreams tour.

The White Buffalo New CD + Tour Dates

The White Buffalo represents an authentic homage to the times of hard touring, hard drinking artists who truly lived what they sang about. Seamlessly moving from heartfelt ballads to raucous bar songs, The White Buffalo sings with honesty and thoughtful reflection as he wanders the road, sharing his music.  Everything about him is big, from his imposing physical size to his amazing vocal range.  From his whiskey-drenched, growling lows to heart-stopping highs, The White Buffalo paints a touching picture, whether he stands alone or performs with his energetic, charismatic band.

After vigorously road testing his new material, The White Buffalo is releasing his latest EP, Prepare for Black & Blue on Ruff Shod Records, State Radio's imprint label through Nettwerk, this fall. Produced by Jimmy Messer, this collection of songs showcases The White Buffalo's stripped down unmistakable sound.

To catch a glimpse of the live White Buffalo experience, watch this live video of EP track "Into the Sun."

The White Buffalo Tour Dates:

Dec 10 - House of Blues - Boston, MA **
Dec 14 - Detroit Bar - Costa Mesa, CA
Dec 15 - The Mint - LA, CA
Dec 16 - Casbah - San Diego, CA
Dec 17 - Crepe Place - Santa Cruz, CA
Dec 18 - Hotel Utah - San Francisco, CA
Dec 19 - Hop Monk Tavern - Sebastopol, CA
** Calling All Crows w/ Chad Stokes & Friends

More winter tour dates to be announced soon