music

Steve Kimock News: SK&F shows, Wavy's B-day in NYC, Jamcruise, Europe

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SK&F plays next weekend in Colorado from June 3rd through June 5th and in California on July 14th& 15th .

Featuring Bobby Vega with Kyle Hollingsworth and Wally Ingram, the three-night run at Quixotes True Blue in Denver also has Ray White's Psychedelic Car Wash featuring Fareed Haque on the bill.


In July, SK&F featuring Bobby Vega returns to the Bay Area with two feature performances at the newly restored Uptown Theatre in Napa (July 14th) and at the Great American Music Hall (July 15th).

Pre-sale fanclub tickets for Uptown Theatre available TODAY (reserved seats, front/middle orchestra)

TICKETS on sale now for Great American Music Hall.

DOWNLOAD SK&F SHOW from 3.12.11 in Sebastopol, CA

Visit kimock.com for more info.

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Steve Kimock was thrilled to be a part of Bob Weir's world premiere HD webcast on Friday, May 13th, live from TRI Studios. Click image below for a recent clip of outakes of backstage and live footage, brought to you by TRI Studios.

Check out an interview with Kimock regarding his awesome experience at TRI and more!

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Wavy Gravy is turning 75 this year, and you're invited to his party!

Wavy Gravy will host a benefit concert for SEVA, tomorrow Friday May 27th at the Beacon Theatre in New York. Kimock had a blast playing Wavy's west coast party with ZERO, Bob Weir, Mickey Hart, Chris Robinson, and many others (see photos).

The NYC show will feature a legendary lineup of musicians,performing alone and together, including Jackson Browne, Ani DiFranco, Steve Earle, Allison Moorer, Bruce Hornsby, Dr. John, Jorma Kaukonen, Steve Kimock, Buffy Sainte-Marie and surprise guests.

BUY TICKETS

For more information visit www.seva.org/wavygravy

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Join us for the ultimate musical adventure at sea! Cabins on sale now for JamCruise 10. We can't wait to see you on the ship!

JAMCRUISE.COM.

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Adventuring through Europe in June & July, ending with a run of shows in Germany with old friend Billy Goodman. Looking forward to hanging with friends and fans in Bavaria and the Black Forest!

Saturday, June 25th, 2011 BIERMICHEL | Auenheimer Straße 11, 77694 Kehl on the Rhine 20:30 uhr |more info: 07851 3765 www.biermichel.de

Thursday, June 30th, 2011
JAZZHAUS HEIDELBERG | Leyergasse 69117 Heidelberg 20:30 uhr |more info: 06221 5818500 www.jazzhaus-hd.de *Billy Goodman with Steve Kimock, Steff Bollack and Marco Klein

Friday, July 1st, 2011 & Saturday, July 2nd
WEISSES ROSS | 91586 Immeldorf 21 uhr |more info: 09827-223 www.immeldorf.com

Sunday, July 3rd, 2011
TURNING POINT | Herrenwies 24, 76596 Forbach 20:30 uhr
more info: 07226 406 www.herrenwies.de/turning%20point.htm

THE BRIDGE: A Farewell Statement

Dear Family and Friends,

This next Thanksgiving will mark the 10-year anniversary of The Bridge.  It has been an amazing ride that we have shared with you all.  It is therefore with a heavy heart that we announce that this year will mark the end of The Bridge.  After ten years and thousands of miles, the harsh realities of life on the road have led us to a point where we can no longer sustain ourselves as a band.  We fought on to continue for as long as we could, because we truly believed in our music and cherished the deeply special connection that we have built with our audiences throughout the years.  But at the end of the day, the economy won, and we are forced to close up shop.

What started as a show for our friends on one Thanksgiving Eve has led us on a wild, beautiful journey beyond our expectations.  The long van rides, smoky bars, sleepless nights, wicked hangovers, cheap motels, and flat tires were all worth it for the chance to play music for you all and create those special moments that we live for.  It has been the most rewarding experience of our lives.  In true Bridge fashion, we will be giving you everything we have left for the rest of our shows.  We will be playing our final residency at 8x10, the house that built The Bridge, in the coming weeks, as well as our beloved All Good Festival, our favorite day of the year for the last 7 years.  And as if it was meant to be, we will be closing out our run as a band on our 10-year anniversary, Thanksgiving Eve, at Rams Head Live.  We plan on cherishing every last moment we have with you as The Bridge.

As chapters end and new ones begin, we will continue to pursue other musical endeavors, and hope to keep the spirit of this community alive.  We are forever grateful to you all, the people who we have gotten to know so well through the years, as well as those who have worked so hard and given so much of themselves for the band.  And lastly we want to thank each other, the members of the band both past and present, for sweating out the tough times and celebrating the high times together to try and live the dream.  We are truly brothers for life.  As sad as we feel that this experience is ending, we have no regrets. We feel we have achieved what we set out to do, which is to make people happy through our music.  We humbly thank you, from the absolute bottom of our hearts, for your love, support, and inspiration that has given us this opportunity.  It has been an honor and a privilege.

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Our remaining dates this summer are:

May 28 | Sterling Folk Festival | Sterling, NY tickets
June 1 | 8x10 Club | Baltimore, MD
June 8 | 8x10 Club | Baltimore, MD
June 15 | 8x10 Club | Baltimore, MD
June 22 | 8x10 Club | Baltimore, MD
June 4 | Crawfish Fest | Augusta, NJ
July 4 | TBA | Harrisonburg, VA
July 7 | Bottle & Cork | Dewey Beach, DE
July 10 | Ladew Gardens | Monkton, MD
July 17 | All Good Festival | Mastontown, WV
July 22 | Gathering of the Vibes | Bridgeport, CT
July 29-31 | Black Sheep Family Reunion | Tidewater, OR
August 5 | Elysian Fields Festival | Boyce, VA
August 7 | Flood City Music Festival | Johnstown, PA
August 12 | Hunt Valley Towne Center (acoustic) | Hunt Valley, MD
August 19 | Bella Terra Festival | Stephentown, NY

Sincerely,

Cris, Kenny, Dave, Mike, Patrick, and Mark

The Bridge

Tipper Sound Experience is Unleashed

Commencing this summer British composer and producer, Tipper, is embarking on a sonic pilgrimage, performing at select venues and festivals with the NeXuS Funktion One Dance Stacks originally designed by legendary sound guru Tony Andrews. Tipper will be joined by the highly sought-after lighting impresario Audiopixel to present an exclusive visual experience driven by highly attuned, audio responsive, 3D LED lighting software using intelligent control of light and color. Topped off with tour support from VibeSquaD the performances are intending to blow the minds of all who are lucky enough to encounter the TIPPER SOUND EXPERIENCE.

Tipper (real name DaveTipper) is widely acknowledged as one of Electronic music's pioneering innovators. He was signed to Sony as a teenager when he helped kickstart the Nuskool Breakbeat genre, creating the deepest and baddest basslines heard before, or since. He went on to inspire the Glitch Hop movement, focused on merging hip hop beats with electronic trickery through his seminal Tip Hop and Wobble Factor LP's. During this time he also composed one of the first albums produced and intended for release in the 5.1 surround sound format, and Surrounded was nominated Best Release Intended for Surround Sound. His talents in Sound Design and Digital Mastering have him in great demand with major music making software programs, and accordingly his work is quietly featured in the output of countless releases in various genres. His live performances consist largely of his own unreleased compositions, and he is highly regarded for scratching his own sounds over his music, creating a live element of turntablism stemming from prowess early in his career as a vinyl DJ.

THE TIPPER SOUND EXPERIENCE will feature a 5 way crossover sound system in a Quadraphonic Array with specialized sub woofers dedicated to 45 hertz and below; this configuration achieves incredible clarity and sonic accuracy punctuated by thick and luxurious super-low bass. When positioned this way for Tipper, these dance stacks are known for creating an immersive sound environment that transforms the dance floor into an ethereal field of holographic sound. The purity of the Funktion One design approach completely avoids the usual pitfall of system EQ with its associated phase problems, allowing all of Tipper's production trickery and nuance to be presented in an unfettered manner. This technology has won numerous international awards for Best Sound Product in the club world, and their installations have been behind countless 'Club of The Year' winners.

Audio Pro Lifetime Achievement Award recipient, and inaugural PLASA Gottelier Award winner Tony Andrews founded Funktion One with John Newsham in 1992. Whilst often imitated, their designs have been the first choice of many permanent and touring sound applications around the World including luminary clients Pink Floyd, Santana, and the Glastonbury Festival. They are globally known for their pioneering work and ethos, and consistently set the standard for modern audio engineering.

In their own words: We understand sound to be the most important of our senses and in fact, the root of the structure of the entire Universe. As such, we try to pay the amazing acuity of human hearing the respect it deserves by providing products that deliver as much resolution and detail as is possible. We also pay considerable attention to the emotional effect of not just music, but the sound itself, what you might call its 'quality'. In a world where everything is 'dumbing down' and finesse and subtlety are rapidly disappearing, it is a source of pride to us that we are continually going in the opposite direction, expanding the envelope. On a spiritual level, good music and good sound has the effect of opening peoples' minds and deepening their consciousness which can only be good for the planet.

THE TIPPER SOUND EXPERIENCE features a rare matchup of audio and visual talent and will include headline performances at The Big Bounce, Rain Dance, and SONIC BLOOM festivals, followed by a rare show at The Coconut Grove Grand Ballroom on Santa Cruz Beach Boardwalk and culminating with a special presentation at The Regency Ballroom in San Francisco. For more information about the TIPPER SOUND EXPERIENCE and ticket information, click here.

Concord Original Jazz announces six new reissues

Concord Music Group will release six new titles in the Original Jazz Classics Remasters series on June 14, 2011. Enhanced by 24-bit remastering by Joe Tarantino, generous helpings of bonus tracks (many of them previously unreleased), and new liner notes that provide historical and technical context, the series showcases some of the most pivotal recordings of the past several decades by artists whose influences on the jazz tradition is beyond measure.

The six new titles in the series are:

  • Chet Baker: In New York
  • Ornette Coleman: Something Else!!!
  • Thelonious Monk: Thelonious Alone in San Francisco
  • Cannonball Adderley with Bill Evans: Know What I Mean?
  • Bill Evans Trio: Explorations
  • Ella Fitzgerald and Joe Pass: Easy Living


“These six releases bring us to 20 titles altogether since the launch of the series in March 2010,” says Nick Phillips, Vice President of Catalog and Jazz A&R at Concord Music Group and producer of the series. “Each occupies an important place in any quality jazz collection.”

Chet Baker: In New York

Recorded in September 1958 for Riverside, Chet Baker’s In New York features saxophonist Johnny Griffin, pianist Al Haig, bassist Paul Chambers and drummer Philly Joe Jones. In addition to the half-dozen tracks from the original album, the reissue includes a bonus seventh track — “Soft Winds,” a blues composition written by Benny Goodman and Fletcher Henderson.

The recording provides a glimpse of the trumpeter “coming off a run of popularity, critical praise, and commercial success the likes of which few musicians have known,” according to the new liner notes by Doug Ramsey. By the late ’50s, Baker had won numerous awards throughout the decade for his instrumental work, and was even regarded as a romantic idol for his singing.

“Baker had been somewhat pigeonholed as a West Coast cool jazz artist,“ says Phillips, “but this recording illustrates that he was right at home playing with New York musicians — who dealt with their own stereotype of being harder edged and more aggressive. On this recording, they all seem to meet effortlessly somewhere in the middle.”

Of the ongoing tug-of-war between Baker’s artistic successes and his personal battles with substance abuse, Ramsey adds: “It will be a long time before Chet’s struggles with his demon are forgotten, but one day when the headlines have finally disappeared, the beauty of his music will still be shimmering in the air.”

Ornette Coleman: Something Else!!!

Recorded at Contemporary’s studios in Los Angeles in February and March 1958, Ornette Coleman’s Something Else!!! features Don Cherry on pocket trumpet, Walter Norris on piano, Don Payne on bass, and Billy Higgins on drums. The first of two albums that Coleman recorded for Contemporary, Something Else!!! marks the saxophonist’s debut as a leader. “He was a very influential but at times controversial artist,” says Phillips. “Right out of the gate he was doing something that was just so different from what people were used to hearing,” says Phillips.  ”Although structurally-speaking, the music in this recording is based on established song forms, you can hear very clearly that Coleman is starting to break free of the limitations of conventional harmony.”

Neil Tesser writes in his new liner notes that Coleman traced jazz back to its roots to rid the music of its increasingly elaborate harmonic structures and other constraints. “Without the limitations imposed by such harmonic patterns, his band would freely travel into, out of, and between musical keys,” says Tesser. “As Ornette said in the original notes, ‘I think one day music will be a lot freer. The pattern for a tune, for instance, will be forgotten and the tune itself will be the pattern . . .’ When he recorded Something Else!!! that day was still a little ways off. In these performances, you hear him in the last throes of unshackling the past.”

Thelonious Monk: Thelonious Alone in San Francisco

Recorded on Riverside in October 1959, Thelonious Alone in San Francisco was a sequel of sorts to Thelonious Himself, recorded two years earlier. In addition to the album’s 10 original tracks, the reissue includes an alternate take of “There’s Danger in Your Eyes, Cherie.”

“With Thelonious Alone in San Francisco, Monk proved that his earlier success as a solo artist was not a fluke,” says Tesser in his liner notes for the reissue. “And in rejecting all the ‘rules’  for playing without accompaniment — as he’d rejected so many rules before — Monk expanded the entire concept of the solo piano idiom. Without Monk’s recordings as bedrock, it’s hard to imagine similarly intimate (though otherwise quite different) solo albums that would eventually come from Bill Evans, Herbie Hancock, Keith Jarrett, Chick Corea or even McCoy Tyner.”

For as unique as Monk’s style was, “he stayed pretty consistently within that style throughout the remainder of his career,” says Phillips. “That’s not to imply that there was any lack of creativity on his part. Within the unique style that he established, there was so much to explore and develop. But he still sounds unmistakably like Thelonious Monk, no matter what chapter of his career you listen to.”

Cannonball Adderley with Bill Evans: Know What I Mean?

Know What I Mean? was recorded between January and March 1961, with bassist Percy Heath and drummer Connie Kay supporting the saxophonist and pianist. The reissue includes three bonus tracks that are alternate takes of “Who Cares?,” “Toy” (previously unreleased), and “Know What I Mean?”.

“This album takes two artists who were part of the legendary, historic 1958 Miles Davis Sextet and pairs them together,” says Phillips. “The modal approach that Evans was pioneering in the context of that 1958 group reveals itself in some of the material that he and Cannonball are playing on this album.”

Orrin Keepnews, who produced the original recording sessions, writes in his new liner notes for this OJC Remasters reissue, “One of the many advantages of working with a man like Julian Adderley was that he was totally stubborn about pursuing an idea he believed in. And, quite simply, he thoroughly believed in the validity of an album based on his moving very much in a Bill Evans–influenced direction.

In his liner notes to the original recording, Joe Goldberg observes that while not all of the selections are ballads, an “aura of relaxation” permeates the recording. “In this instance it can be recognized as simply a matter of four highly skilled artists away from their usual tasks and delighting in one another’s musical company,” he says. “Nothing more really need be said about the results of their meeting than that the feeling of delight comes through.”

Bill Evans Trio: Explorations

Recorded in New York in February 1961 for Riverside, Explorations was the last album this version of the Evans trio would make in a recording studio. Bassist Scott LaFaro and drummer Paul Motian also appear on Sunday at the Village Vanguard and Waltz for Debby — both live recordings, released later in 1961 — but LaFaro died in a car accident shortly after the live sessions. This reissue features four bonus tracks, including previously unreleased alternate takes of “How Deep Is the Ocean?” and “I Wish I Knew.”

“Evans’ sound and approach was his own by ’61,” says Ashley Kahn in his new liner notes. “His piano style had fully matured, as had the interplay of the trio . . . Upon entering Bell Sound’s studio on February 2, 1961, producer Orrin Keepnews immediately noted the three had ‘made giant strides towards the goal of becoming a three-voice unit rather than a piano player and his accompanists.’”

What’s more, the disparity of styles between the unreleased alternate takes and their counterparts that made the final cut on the original record “illustrates that jazz masters like these are real improvisers,” says Phillips, “and no two takes are ever going to sound the same — because no two moments in jazz are ever the same.”

Ella Fitzgerald and Joe Pass: Easy Living

Recorded in Los Angeles in 1983 and 1986, Easy Living was one of a series of Ella Fitzgerald–Joe Pass collaborations on Pablo throughout the ’80s. In addition to the original album’s 15 tracks, the reissue also includes two previously unreleased bonus tracks — alternate takes of “Don’t Be that Way” and “Love for Sale.”

Easy Living and the other collaborations between these two veterans “worked on many levels,” says Tad Hershorn in his liner notes for the reissue. “As her voice aged and deepened, Fitzgerald discovered partial remedies in her phrasing, choices of keys and the pleasing maturity that now enveloped her still youthful voice. Pass was the perfect foil to display her diminishing resources to their best and most emotive advantage. Ella was known to incessantly toy with songs in her restless artistic striving, so one can perceive the music she made with Pass as a direct extension of her creative method. The leanness of their music underscores that even this late in her career, Ella Fitzgerald retained her bonafides as a singer for whom words did matter: not every song was merely a vehicle for her to bat notes out of the park. The allure was in the quiet majestic intimacy that focused an audience’s attention on full absorption of the musings of joy, wistfulness, and melody.”

The level of confidence with which each of these two musicians performs on this recording is hard to miss.  “The fact that Ella could walk into the studio with a bunch of lead sheets,” says Phillips, “and they could do a little rehearsal on the spot, figure out the best key for her, and he could just play it in any key behind her — all of that takes some phenomenal musicianship . . . They have a very conversational, relaxed sensibility about them, and both musicians seem very much at ease performing together and recording together in the studio.”

My Morning Jacket Announce Erykah Badu & Rachel Dratch as Special Guests for "Unstaged"

My Morning Jacket’s upcoming performance  for American Express’ “Unstaged” music series – in partnership with VEVO and YouTube – is just around the corner, and the band has revealed new exciting details about the event.  The live-stream of the band’s 5/31 Louisville show, which airs at 9pm EDT, will feature Grammy award-winning singer Erykah Badu and actress Rachel Dratch.  The band has also released a series of trailers for show – click HERE to watch the latest one, a.k.a. “The My Morning Jacket Shower Scene.”  Other recent trailers include  a request for fans to send in artistic photos of their eyeballs, to be featured as a part of the live-stream, which is being directed by award-winning filmmaker Todd Haynes.  The guys have also requested attendees of the show to come dressed in fancy clothes to match the grandeur of the venue, the historic Louisville Palace Theater.

“We are incredibly honored that Todd Haynes has agreed to direct this show for us,” said lead singer Jim James. “We can’t wait to immerse ourselves in his creative vision and masterful take on this live-streamed performance. Fans will certainly be in for a magical and surreal ride.”

My Morning Jacket’s new album, Circuital, will be released on May 31st by ATO Records.  It was recorded in Louisville, KY and Nashville, TN, and was co-produced by frontman Jim James and Tucker Martine (R.E.M., Sufjan Stevens, The Decemberists). Head over to their Facebook page to hear “Holdin on to Black Metal” and “Circuital,” two of the new songs that will appear on it.

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My Morning Jacket Tour Dates:

* = $1 from each ticket will be donated to a local charity
Go to www.mymorningjacket.com for more details

05/31:  Louisville, KY @ Louisville Palace Theater
06/02-06/05:  Ozark, AR @

Wakarusa Festival
06/05:  Hunter, NY @ Mountain Jam
06/09-06/12:  Manchester, TN @ Bonnaroo Festival
06/16:  Milwaukee, WI @ Riverside Theater
06/17:  Chicago, IL @ Auditorium Theatre
06/22:  Los Angeles, CA @ Pantages Theatre
06/24: Oakland, CA @ Fox Theatre
06/26:  Seattle, WA @ Paramount Theatre
06/28:  Portland, OR @ Edgefield
06/29:  Vancouver, BC @ Orpheum
06/30-07/03:  Quincy, CA @ High Sierra Music Festival
7/2 Santa Barbara, CA Santa Barbara Bowl
07/11:  Toronto, ON @ Kool Haus
07/12:  Montreal, QC @ Metropolis
07/16: Southwold  @ Latitude Festival
07/17: London  @ Somerset House
8/2 St. Louis, MO The Pageant 
8/3 Kansas City, MO Uptown Theater 
08/04:  Denver, CO @ Red Rocks Amphitheatre
08/05-08/13:  Bangor, ME @ The KahBang Festival

TOUR DATES W/ NEKO CASE:
8/7 Indianapolis, IN The Lawn at White River State Park 
8/8 Columbus, OH LC Pavilion 
8/10 Pittsburgh, PA Stage AE 
8/12 Columbia, MD Merriweather Post Pavilion 
8/14 Boston, MA Bank Of America Pavilion 
8/16 Rochester Hills, MI Meadow Brook 
8/17 Cincinnati, OH PNC Pavilion at Riverbend Music Center
8/20 Alpharetta, GA Verizon Wireless Amphitheater 
8/21 Charlotte, NC Time Warner Cable Uptown Amphitheater

Legendary Pianist Steve Kuhn at the Triad - NYC

This Friday, May 27th, New York's acclaimed Triad Theatre on the upper west side presents a special jazz concert, featuring a solo performance by pianist Steve Kuhn and a performance by Saxophonist Daniel Bennett and his band.  Steve Kuhn will perform selections from his critically acclaimed album, "Mostly Coltrane" on the ECM label.  The Daniel Bennett Group will perform selections from their newest album, "Peace and Stability Among Bears."  Advance discounted tickets are available for purchase at www.brownpapertickets.com/event/171424.  Tickets are available at the door for $25.  The concert starts at 9:30pm and is an all-ages event. The Triad is located on the upper west side, at 158 West 72nd Street.

Legendary pianist Steve Kuhn has established himself as one of the preeminent voices in the jazz world. Kuhn began his illustrious career performing as a sideman with the likes of Stan Getz, John Coltrane, and Art Farmer.  At the end of the 1960's he spent four years living in Europe. Upon returning to the United States, Kuhn began his long-term affiliation with the revolutionary record label ECM.  This resulted in a string of important albums including Trance, Ecstasy, Non-Fiction,and important collaborations with Sheila Jordan.  In the mid-80's, Kuhn co-founded the popular 'All Star Trio', with bassist Ron Carter and drummer Al Foster. Kuhn also launched a revolving edition of his trio with bassist David Finck and various drummers, like Joey Baron, Lewis Nash, Billy Drummond, Kenny Washington and Bill Stewart. Steve Kuhn has released over 20 critically acclaimed albums on the Blue Note, Concord, and ECM labels. Kuhn continues to tour extensively throughout the world, with a strong following in the United States, Europe and Japan.

Critically acclaimed New York saxophonist Daniel Bennett has recently shared concert stages with artists like Bill Frisell, Charlie Hunter, James Carter, Billy Martin (Medeski, Martin & Wood), Jerry Bergonzi, and David Fiuczynski.  The Boston Herald described Daniel Bennett’s music as, “exploratory folk-jazz.” Bennett’s musical journey began as a graduate student at the prestigious New England Conservatory in Boston, Massachusetts.  During this time, Bennett began to compose songs that featured folk melodies played on the saxophone in a jazz quartet format.  Bennett's chord progressions also maintained a unique minimalist quality, influenced by composers like Steve Reich and Philip Glass. The Boston Phoenix described Bennett's style as, "an unusual folk-minimalist approach."  The music was innovative, yet remarkably accessible to a broad spectrum of listeners. The Boston Globe described Bennett’s music as “a mix of jazz, folk, and trance.”  The Daniel Bennett Group has released four albums on the Bennett Alliance label, A Nation of Bears, The Legend of Bear Thompson, Live at the Theatre, and Peace and Stability Among Bears.  Daniel Bennett’s "Folk Jazz" music has found a broad fan base that is unusual for a modern jazz outfit. Insite Magazine called Daniel Bennett’s music, “refreshingly capricious and trippy."

The world-renowned Triad Theatre has hosted performances by entertainers like Slash, Joan Osborne, Lisa Loeb, Paula Cole, Susan Lucci, Buddy Miles, Ravi Coltrane, Debbie Gibson, David Crosby, George Benson, Max Weinberg, John Entwistle, Tracey Morgan, Kathie Lee Gifford, Matthew Broderick, Rachel Dratch, and Steve Gutenberg. The Triad was the original home for Off-Broadway hits like "Forever Plaid," "Forbidden Broadway," and "Secrets Every Smart Traveler Should Know."

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Friday, May 27th

Triad Theatre

158 West 72nd St, New York, NY

Purchase Tickets HERE!

New Jersey 2011 Jazz Society Jazzfest

Each year since 1976, the New Jersey Jazz Society has presented Jazzfest, one of the best mainstream jazz festivals in the entire metropolitan area.  This year is no exception as this popular jazz festival presents nine hours of great music in the air conditioned comfort of two concert halls plus outdoor entertainment, a food court and vendors selling everything from hard-to-find CDs to crafts and interesting merchandise. Jazzfest will take place on the campus of the College of Saint Elizabeth in Morristown, New Jersey on Saturday, June 11th from Noon to 9:00 p.m.

The afternoon lineup includes:

· The Winard Harper Sextet with special guest Phillip Harper and a rare reunion of the renowned Harper Brothers.

· The always entertaining Jay Leonhart joined by Harry Allen on saxophone and Joe Cohn on guitar.

· The swinging sounds of the Jazz Lobsters Big Band featuring Carrie Jackson on vocals and Larry McKenna on Tenor Sax.

· And the ever popular Ken Peplowski Quartet.

In the food court, the trad sounds of Emily Asher’s Garden Party will fill the air and the virtuoso trombonist will be joined by Dan Levinson on reeds, Bria Skonberg on Trumpet, Jared Engel on Banjo and John Phillip on Sousaphone.

The evening concert kicks off at 6:00 p.m. with the exciting vocals and guitar of Allan Harris and his Quartet followed by the critically acclaimed Ellington Legacy Band under the leadership of Edward Kennedy Ellington II. The Legacy Band also includes Norman Simmons on piano and Virginia Mayhew on Tenor Saxophone. Also at the evening concert, the New Jersey Jazz Society will honor Mayor Mary Anna Holden of Madison, and Jon Brauer and Anthony Ferrara of Toyota of Morristown.

Most of the music takes place in two venues, Dolan Hall in the Annunciation Center and the Octagon Theatre right next door. As an extra bonus, there will be a variety of vendors offering a wide selection of food, hard to find records, jazz CDs, art and crafts of all kinds. Admission to the craft and food court is free.

Jazzfest is made possible through the generous support of Toyota of Morristown, RXR Realty, the Star-Ledger, WBGO Jazz99FM, Hot House Magazine, Songbirds Agency, Hullarious Productions and the Madison Arts and Culture Alliance.


SPECIAL ROOM RATE FOR JAZZFEST ATTENDEES

The Best Western Morristown Inn is the official festival hotel and offers a special discount room rate for attendees of the festival. The Morristown Inn is located just two miles from the College. For reservations, call 973-540-1700.

ORDER TICKETS BY JUNE 9 FOR SAVINGS

The College of Saint Elizabeth is on Route 124 (36 Madison Avenue) just a couple miles east of Route 287 in Morris Township, New Jersey. Tickets for Jazzfest are only $55.00 in advance, and $70.00 at the gate. New Jersey Jazz Society members enjoy a special rate available through the website. Full time students with valid ID are only $10.00 at the gate. Parking is free and train travel is easy with a station right at the college gate.  The gates open at 11:30 a.m. and the music begins at noon. For more information on tickets and directions visit the New Jersey Jazz Society website (www.njjs.org) or call the NJJS Hotline at 800-303-NJJS (6557).

Sarabeth Tucek Streams New Album On AOL

Sarabeth Tucek is set to release her sophomore LP, Get Well Soon, on May 24th on Ungawa Records. It’s a stunning record that, although not a concept album as such, forms a narrative based around the death of Sarabeth’s father, or as she beautifully describes it “an impressionistic rendering of a time ruled by grief”. The 12 tracks were “sequenced and resequenced for weeks” in order for the story to emerge and the end result sees not one wasted word or unnecessary note; all we’re left with is “just pure feeling”.
Sarabeth was born to a psychiatrist and a psychologist in Miami, but grew up in New York. She was a latecomer to music, her first calling being acting. However, after a few years in Hollywood, her singing and songwriting was encouraged by people on the music scene she fell in with. She first made an impression singing backing vocals on Smog’s 2003 album Supper and then in the film ‘Dig!’, where she sings a song she had just written called "Something For You". The Brian Jonestown Massacre went on to cover the song (retitled "Seer"), but Sarabeth’s own version became her debut single, on Sonic Cathedral, back in February 2007.
This stark and simple song won her legions of fans and her self-titled debut album followed a few months later (on the Echo label) to rapturous reviews. Produced by Ethan Johns and Luther Russell, its understated style was an inspiration to a number of singer-songwriters who followed in Sarabeth’s wake, including Laura Marling, who approached Johns to produce I Speak Because I Can after hearing it.
However, despite everything seemingly going so right, at home everything was going wrong. “Some very bad things happened during the first record and after,” recalls Sarabeth. “It was as if all that had ever troubled me, hurt me, came back just as I was embarking on what should’ve been the happiest time of my life. It all came back and said, ‘Not so fast...’
“I don’t think my mind could handle all the good coming its way. It was unfamiliar terrain and I didn’t know how to traverse It. Predictably, my drinking got out of control and that led to a couple car accidents, jail and legal troubles.I wanted to leave LA anyway, but now I felt I sort of had to. I hoped that by coming back home to New York I would be able to forge some kind of redemptive break from the past. To forgive myself.”
The move has informed much of the music on Get Well Soon. The warmth of the West Coast has gone, replaced by a much rawer sound, all recorded over an intensive 15-day period in a basement in Southampton, Pennsylvania. “We recorded this record in a house where we also lived,” Sarabeth explains. “My friends Robert and Peter from Black Rebel Motorcycle Club recorded ‘Howl’ there. It’s owned by the Nicgorski family who are all very musical: Billy, who offered me the basement, and his brother have played in lots of bands, their sister Maria sings on ‘State I Am In’ and their father Wally spent his mornings on the front porch singing in his rocking chair. Making a record where I am singing to and about my father and seeing and hearing their dad out there every morning served up a pretty strong and bittersweet feeling for me.”
“I think we managed to capture a unique mood down in that basement,” adds producer Luther Russell. “As guests in someone’s home we got a feeling that might not have happened in a regular studio. Sarabeth wanted to be somewhere totally unfamiliar; the material was incredibly personal to her, so she had to feel right about where she did it. My job was to capture that feeling, and fast. The plan was to mix it in LA, but it turned out that all the magic was there in the rough mixes I did as we went along – so that is what you hear. I think that’s why it’s such an immediate record, because it really was completed in those two weeks... but with a lifetime of preparation, of course.”
The rawness of the recording reflects the subject matter and provides the perfect accompaniment to Sarabeth’s voice, which seems stronger, more confident and more crystalline than ever, like Karen Dalton or a less histrionic Cat Power, as she deftly conveys her grief with an eloquent, understated majesty. The musical reference points of the first album – Neil Young, Dylan, The Velvet Underground, Big Star – are still there, but somehow amplified, and Sarabeth is definitely not looking towards the current music scene for inspiration. “It’s odd how placid a lot of music seems now; so washed out in sound and feeling,” she says. “It’s like antidepressant music to take antidepressants to. I don’t really give a shit. I am more likely to buy a new book now than a new record.”
This would explain the number of literary references on Get Well Soon. The opening track "The Wound And The Bow" is named after a book of essays by Edmund Wilson, in which Sarabeth discovered and subsequently became obsessed with the myth of Philoctetes, a play by Sophocles in which the protagonist suffers a wound so grotesque that he is left alone on an island to live in a cave and tend to his injuries. The title of "Exit Ghost" was taken from the Philip Roth novel, but he appropriated it from ‘Hamlet’, where it is written as a stage direction. “The scene when Hamlet sees his father’s ghost became lodged in my head,” explains Sarabeth. “And his subsequent madness I understood in a more personal way.”
The narrative ends with the title track and a resolution of sorts. “I feel like I’m either the patient or the doctor, somebody always has an ache,” she says. “When I wrote the title track I had a friend of mine on my mind. She was so sad... just inconsolable and it was painful to see her like that. The title is a reminder to keep myself well. It’s hard to explain the ferocity of the grief I experienced when my father died. I really felt like it was going to kill me, so to be here... well, I just wanted to remind myself of what I survived.”

The Felice Brothers Announce 9/29 Show at Webster Hall

On the heels of two sold-out shows at Brooklyn, NY's The Bell House last week, The Felice Brothers have announced a September 29th headlining show at New York City's Webster Hall. Tickets for the show will go on-sale this Thursday, May 26th at 12pm ET. The band, whose live show was deemed "dark, rowdy, and mesmerizing" by SPIN, wrapped up their two-month spring tour with The Bell House shows and will continue playing throughout the summer, next up at Brighton Music Hall in Boston, MA, on Friday.

The Felice Brothers' fourth LP Celebration, Florida arrived in stores on May 10th via Fat Possum and continues to catch attention from press outlets including The A.V. Club, Billboard, Cowbell, Maxim, The New York Daily News, SPIN, Time Out New York, and The Wall Street Journal. The band's striking Ian Cinco-directed video for lead single "Ponzi" premiered on The A.V. Club earlier this month and can now also be seen and shared via here. A "Ponzi" song stream debuted on SPIN.com in late March and can be embedded using the below code.

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The Felice Brothers tour dates:

MAY 27 BOSTON, MA BRIGHTON MUSIC HALL*

MAY 28 HARTFORD, CT BOMB FESTIVAL (Comcast Theatre)

JUNE 15 BALTIMORE, MD OTTOBAR

JUNE 16 RICHMOND, VA GROOVIN IN THE GARDEN (Maymount)**

JUNE 17 JIM THORPE, PA MAUCH CHUNK OPERA HOUSE

JUNE 18 CROTON-ON-HUDSON, NY CLEARWATER FESTIVAL

JULY 21-23 CALGARY, ALB CALGARY FOLK FESTIVAL

JULY 30 NEWPORT, RI NEWPORT FOLK FESTIVAL

SEPT. 10 DALEVILLE, VA DALEVILLE TOWN CENTER

SEPT. 29 NEW YORK, NY WEBSTER HALL

NOV. 29 MUNICH, DE FREIHEIZ

NOV. 30 FRANKFURT, DE BATSCHKAPP

DEC. 1 KOLN, DE GLORIA

DEC. 2 HAMBURG, DE UBEL & GEFAHRLICH

DEC. 3 BERLIN, DE POSTBAHNHOF

DEC. 6 LONDON, UK KOKO

DEC. 7 MANCHESTER, UK MANCHESTER ACADEMY 2

DEC. 9 GLASGOW, UK ABC

DEC. 10 BELFAST, UK SPRING & AIRBRAKE

DEC. 11 DUBLIN, IR ACADEMY

DEC. 12 BIRMINGHAM, UK INSTITUTE

DEC. 14 BRUSSELS, BE AB BOX

DEC. 15 UTRECHT, NL TIVOLI

DEC. 16 GRONIGEN, NL OOSTERPOORT

DEC. 18 NIJMEGEN, NL DOORNROOSJE

* Willy Mason supporting

** co-headline with North Mississippi Allstars

www.websterhall.com

Suzanna Choffel To Release New Album, 'Steady Eye Shaky Bow,' May 24

Suzanna Choffel, whose dusky vocals are as intriguing as her indie-soul-pop originals and sultry stage presence, releases on Tuesday, May 24, her latest album, STEADY EYE SHAKY BOW, a collection of upbeat melodies and ballads that Choffel describes as “blues-colored dark grit” drawing from musical influences that include Stax-style jazz and Motown R&B.

Choffel and her band — Kyle Thompson on drums, Johnny Vogelsang on bass, Laura Scarborough on vibraphone and synthesizer, and Chris Gebhard on keys and guitar —will make numerous special appearances around the new release. The band recently performed at SXSW Music Festival, including a show at Auditorium Shores with Blue October.

Around the release of STEADY EYE SHAKY BOW, Choffel will tour in Texas in May and June, including an Album Release Show in Austin. The album has already yielded “Raincloud,” with its smart, witty lyrics and soulful syncopated sound that is more than pop, the song infused with the flavor of New Orleans with the backing by Big Sam’s Funky Nation, and a video viewed on YouTube more than half a million times.
Another song on the new album is “Archer,” from whence the album’s title comes, a song that exemplifies Choffel’s unique lyrical expression of the emotions inherent in relationships.
Multiple award-winner Choffel was named Indie Artist of the Year at the 2009 Austin Music Awards and won top honors in the John Lennon Songwriting Contest.
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Suzanna Choffel upcoming shows include:
May 13, Saxon Pub, Austin
May 19, The Shady Grove, Austin
May 20, Luna, San Antonio
May 24, Waterloo Records In-Store, Austin
May 28, One World Theatre, Austin (Album Release Show)
June 11, McGonigel’s Mucky Duck, Houston
June 16, Buddy Holly Center, Lubbock