music

Jonny Blu Tonight At The Iridium

Unique among his contemporaries, Blu composes, writes and co-produces all his original music. His CD releases “In Just That Kind Of A Mood” and his recent digital release “In A Groove” display his unique ability to write fun, contemporary music that still maintains the essence of the Sinatra Era classics. He has been touring extensively on the west coast of the US for the past few years and his music is featured on several nationally syndicated Adult Contemporary and Jazz radio and internet radio stations nationwide and internationally. In 2008, Jonny’s debut album was released in Eastern Europe by Universal Music, his music has been featured on several Swing and Jazz Compilation CDs and his songs In Just That Kind of a Mood and Ooh-Wee were featured multiple times on CBS’s Young and the Restless. His new album, Taboo (a co-production with Peer Music) is due out in the fall of 2009 featuring some classic Latin Standards like Taboo, Babaloo, and Sabor A Mi.

If you enjoy artists like Harry Connick Jr., Michael Bublé, Norah Jones, Jamie Cullum and the like, you will surely fall in love with the music of Jonny Blu.  For more info on Jonny and his music please visit him on the web at: www.jonnyblumusic.com.

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IRIDIUM
1650 BROADWAY (CORNER OF 51ST)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
HTTP://WWW.IRIDIUMJAZZCLUB.COM/
SETS AT 8:00 & 10:00PM

British Music Embassy Announces SXSW Lineup

In the 1960s, bands like The Beatles and The Rolling Stones put British popular music firmly on the international map. They were joined in later decades by artists as diverse as Led Zeppelin, David Bowie, The Sex Pistols and Oasis, making British music a distinctive international brand. British Music is thriving, both at home and overseas, because it continually renews itself, fusing cultural commentary, fashion and politics in a heady mix.

Dave McMurdo Jazz Orchestra | Rex Jazz & Blues Bar

Award winning Jazz Composer Chuck Iwanusa's latest composition, entitled "What Do You Want?", will be premiered by the Dave McMurdo Jazz Orchestra. The fourteen minute piece features tenor saxophonists Quinson Nachoff and Kelly Jefferson. Chuck's compositions have been professionally performed by bands in Western Australia, Kazakhstan, and Switzerland, as well as by numerous college and university ensembles.

Heralded as Canada's "Jazz Big Band of the Year" by The Jazz Report, the Toronto based Dave McMurdo Jazz Orchestra has toured throughout the world with performances from Moscow to New York City .  The DMJO has recorded six albums for Sackville Records, The Jazz Alliance and The Canadian Music Center, one of which was nominated for a Juno Award.

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Dave McMurdo Jazz Orchestra
Monday, February 15 9:30PM @ the Rex Jazz & Blues Bar
194 Queen Street West
Toronto, ONT M5V 1Z1
Reservations: 416.598.2475
http://www.therex.ca/

INFECTED MUSHROOM w. Matisyahu today

INFECTED MUSHROOM, one of Israel's biggest musical exports, is returning to their native land for a one-off concert TODAY, Wednesday, February 10, at Tel Aviv's Exhibition Grounds that will be broadcast live exclusively on www.YNETNews.com.

The psy-trance veteran duo, headed by Erez Eisen and Amit Duvedevani, has become one of the biggest acts in electronic music, performing in diverse locations around the world and gaining accolades from the international music press. This special performance is in celebration of the band's latest album, LEGEND OF THE BLACK SHAWARMA out now on Paul Oakenfold's Perfecto Records.  Joining INFECTED MUSHROOM is special guest American-born Hasidic Jewish reggae artist MATISYAHU who will perform the currently #1-charting remix of “One Day” with the band plus two other songs during this special event.

INFECTED MUSHROOM, special guest MATISYAHU  and FRIENDS OF NATASHA

Thursday, FEBRUARY 11th

2:30 PM PT – U.S.//5:30 PM ET – U.S.

THURSDAY, FEBRUARY 11

12:30 AM - TEL AVIV, ISRAEL

Stream the performance live at WWW.YNETNEWS.COM

Javelin Announce US Tour

“George was pretty damn eclectic as a kid,” says Tom Van Buskirk, referring to his cousin/Javelin collaborator, George Langford. “I was more of a snob, growing up on the Beatles and classical music. Like I didn’t get into Nirvana until after MTV Unplugged came out. I’m always late to the party.”

Maybe that’s why Javelin formed in 2005—to throw a party of their own, one that sees nothing wrong with dropping crooked disco (“On It On It”), schoolyard funk (“Intervales Theme”), abstract R&B (“Dep”) and pitch-perfect pop (“Mossy Woodland”) in the same set. At least that’s the way things unfold on Javelin’s debut album, No Más, the eagerly-awaited follow-up to a self-released collection of demos (Jamz n Jemz) and a pair of limited Thrill Jockey 12-inches (Javelin, Number Two).

It’s as if Javelin were programmed to reproduce the golden age of every genre known to man, bouncing between samplers and strings, drum machines and drum sets, and a growing collection of guitars, horns and homemade thumb pianos. You read that right: Most of No Más’ dusty 45 moments aren’t lifted from actual recordcrates. They’re painstakingly recreated, note by note, from the jukebox in Javelin’s collective mind.

“I love making music that has flaws and human fingerprints all over it,” adds Langford. “There’s also that grey area where you can’t tell what’s a sample, although it leaves you wanting to say, ‘Hey, I did that!’”

There’s no denying who’s doing what at Javelin shows, ever-evolving pieces of performance art that leave the laptops at home and have more in common with the multi-tracked madness of an old Jamaican sound system than the standard guitar/bass/drums setup of a ‘band’.

“The worst thing in the world would be to have a wall of dudes staring at your gear, watching your every move,” says Langford, “So we try to inject as much life and energy into our performances as possible.”

When they first started playing around Providence, this meant an overwhelming array of “turntables, glockenspiels and percussion.” Now that they’ve settled in Brooklyn and stripped their restless sound down to its bare essentials, Javelin’s become known as the guys with the boom boxes, a Flaming Lips-like technique that’s allowed them to break down the artist/audience wall at such tour stops as New York’s Museum of Modern Art.

“A lot of people think they’re ornaments, but they play sound,” says Van Buskirk. “It’s like, ‘You really thought we dragged all of this here for nothing?”

Never. You see, everything has its place in a Javelin song, from the shimmering keys and brassy strut of “Shadow Heart” to the loony tune loops of “Oh! Centra.” So if you’re trying to ‘figure Javelin out’, don’t bother. These musical omnivores work their music like a rabid radio dial, leaving a tricky trail of sonic breadcrumbs in their wake. Or as Langford puts it, “The minute I start working in one style, I get distracted and want to work on another one. We kinda gave up on finding our ’sound’ years ago.”

Tour Dates
2/9 - Music Hall of Williamsburg - Brooklyn, NY*
2/16 - Academy 2 - Birmingham, UK*
2/17 - Oran Mor - Glasgow, UK*
2/19 - The Academy - Dublin, IE*
2/20 - Speakeasy - Belfast, NI*
2/21 - Academy 3 - Manchester, UK*
2/22 - The Faversham - Leeds, UK*
2/23 - Heaven - London, UK*
2/24 Windmill Brixton  LONDON, UK (headlining)
2/25 - Thekia - Bristol, UK*
2/26 - Digital - Brighton, UK*
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3/4 - E & L Auditorium - New York, NY
3/5 Trocodero Theatre w/ Man Man -PHILADELPHIA, PA
3/23 - The Jackpot Saloon - Lawrence, KS#
3/24 - Bourbon Theatre - Lincoln, NE#
3/25 - Public Space One - Iowa City, IA#
3/26 - The Bishop - Bloomington, IN
SAT 3/27 BIG EARS FESTIVAL - KNOXVILLE, TN
3/28 - Cafe Bourbon St - Columbus, OH
3/29 - The Cafe - Detroit, MI#
3/30 - And And And (Artspace) - Toronto, ON#
3/31 - The Friendship Cove - Montreal, QC#
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Yeasayer US Tour
SAT 4/3 WASHINGTON, DC 9:30 CLUB*
SUN 4/4 CARRBORO, NC Cat's Cradle*
MON 4/5 ASHEVILLE, NC Orange Peel*
TUE 4/6 ATLANTA, GA Masquerade*
WED 4/7 MEMPHIS, TN Hi Tone Café*
THU 4/8 DALLAS, TX Granada Theatre*
FRI 4/9 HOUSTON, TX House of Blues*
SAT 4/10 AUSTIN, TX The Parish*
SUN 4/11 AUSTIN, TX  The Parish*
TUE 4/13 MARFA, TX Crowley Theatre*
WED 4/14 TUCSON, AZ Club Congress*
THU 4/15 PHOENIX, AZ Rhythm Room*
FRI 4/16 - La Casa Encendida - Madrid, ES

* Yeasayer

Bing and Ruth Premiere Debut Single "Rails"

Brooklyn band Bing and Ruth is an 11-piece ensemble led by composer and pianist David Moore.  Described by the New York Times as "making the most of layered and atmospheric melody," the band utilizes clarinets, voices, cellos, and a buffet of other acoustic instruments to craft expansive soundscapes and quiet microtonal textures.  Formed among friends in 2006, they have self-released two records, the "Bing and Ruth" EP in 2006, and the full-length "Kentile Floors" in 2007.

In it's young life the ensemble has garnered a reputation for unique and engaging life performances, with recent shows in the New York area including the Wordless Music Series, the MATA Festival, the WFMU Festival, Stochastic Brooklyn, and the Darmstadt New Music Series at Issue Project Room.  They have shared the stage with a wide variety of performers among whom include Múm, Max Richter, and So Percussion.

Additionally they have become known for their habit of performing in unique spaces not normally associated with music; places like an abandoned meat locker, a rural chicken coop, a vacant apartment, and a warehouse rooftop.

David, along with Bing and Ruth, was recently commissioned to create two new multimedia works with filmmaker Sébastien Cros that saw their premier at the 2009 MATA Festival in New York City.

The ensemble has recently completed work on a new full-length album with an expected release in 2010.

Collectors' Choice introduces CCM Live label: J. WInter, Hot Tuna, Poco. J. Denver

Collectors’ Choice Music, the label that’s come to be known for compelling and often unexpected CD reissues, has announced the launch of Collectors’ Choice Music Live, a new label devoted to releasing great live performances, most of which have never previously been commercially available.

The series will launch April 20 with the release of four CDs: Johnny Winter And’s Live at the Fillmore East 10/3/70; Poco’s Live at Columbia Studios, Hollywood 9/30/71; Hot Tuna’s Live at the New Orleans House, Berkeley, CA September 1969; and John Denver’s Live at Cedar Rapids, 12/10/87.

According to Collectors’ Choice Music GM Gordon Anderson, “After some 15 years of reissuing albums and compiling artists, we’re convinced that some of the biggest remaining veins of gold in the vaults are the live shows that a lot of labels recorded of their artists in their prime, particularly those who made their reputation with improvisational prowess and/or ever-changing set lists. These first four releases on our new Collectors’ Choice Music Live label certainly fit that description.”

Johnny Winter And — Live at the Fillmore East 10/3/70: To commemorate the release of his Johnny Winter And album, Texas blues guitarist/singer Johnny Winter played some shows at New York’s Fillmore East, some of which were compiled on 1971’s Live Johnny Winter And, a classic live album of the era to which this release makes a nice bookend. He had just formed a new band consisting of former member of the McCoys (“Hang on Sloopy”) including Rick Derringer on guitar, bassist Randy Jo Hobbs, and drummer Randy Zehringer. Although the McCoys were none too familiar with Winter’s work, they proved quick studies and entered the studio to make the album Johnny Winter And within three weeks. The New York Times reviewed the Fillmore show, citing “a considerable improvement over Winter’s previous band. Winter and [Derringer] played solos back at each other, simultaneously and in alternation.” The live album contains the Winter hit “Rock and Roll Hoochie Coo” and his take on Bob Dylan’s “Highway 61” alongside  blues classics “Rollin’ and Tumblin’,” “It’s My Own Fault” and “Good Morning Little Schoolgirl.”

•Poco —Live at Columbia Studios, Hollywood, 9/30/71: In the fall of ’71, Poco was arguably the most popular of the first generation country-rock bands. By then, their album Deliverin’ had cracked the Top 30 and Poco thanked its label, Epic Records, with a private showcase at the CBS Records’ Hollywood studio.  “We just set up as we would have for a small club,” recalls frontman Richie Furay, whose bandmates included guitarist/singer Paul Cotton (from the Illinois Speed Press), bassist Tim Schmidt (later of the Eagles), pedal steel player Rusty Young and drummer/vocalist George Grantham. By this time, Poco was evolving from country-rock towards an edgier rock sound. Says Furay, “Though we were innovators of the L.A. ‘country-rock’ sound, we weren’t going top be pigeonholed into being a one-sound band.” The 14 songs they performed for label employees that day were a solid cross-section of tunes that had appeared on its first four albums including the medley “Hard Luck Child/Child’s Claim to Fame/Pickin’ Up the Pieces,” plus “I Guess You Made It,” “A Man Like Me,” “Ol’ Forgiver,” “Heart That Music,” “Hurry Up,” “You Are the One” and more — an hour of music in all.

Hot Tuna: Live at the New Orleans House, Berkeley, CA September 1969: Hot Tuna was, of course, the blues band-within-a-band side project of Jefferson Airplane’s Jorma Kaukonen and Jack Casady that outlasted the parent band and continues to this day. Interestingly, the duo’s first commercial album, which made it to #30 on the Billboard pop album chart, was recorded live at Berkeley’s New Orleans House, but a lot more material was taped than was released. Much of it is issued for the first time on this 68-minute CD, which consists entirely of previously unreleased recordings. Explaining why they recorded their debut album was recorded live, Kaukoken says, “We tend to go places . . . and you lose a bit of that when you work in the studio. And it was cheaper too!” Of the 13 songs on this CD, six — “Death Don’t Have No Mercy,” “Winin’ Boy Blues,” “Uncle Sam Blues,” “I Know You Rider,” “Don’t You Leave Me Here” and “How Long Blues” — were included on the first Hot Tuna album, though the versions here are selected from different performances than the ones used on that LP.  Other songs include Blind Boy Fuller’s “Keep On Truckin’,” Rev. Gary Davis’ “Keep Our Lamps Trimmed and Burning” and “Candy Man,” and Blind Blake’s “That’ll Never Happen No More.”

John Denver: Live at Cedar Rapids, December 10, 1987: What is the sound of an audience eating out of the palm of a performer’s hand? Utter silence. And that’s what was heard during the two-hour-plus Iowa concert that comprises this two-CD set.  By 1987, Denver’s days as a Top 40 hitmaker were a decade in the past, but he remained a solid concert draw as a beloved, thoroughly American artist with a permanent place in the history of pop. It says much about Denver’s songwriting that, with the exception of half a dozen songs on which he’s accompanied by string quartet, he delivers two hours of solo music just his voice and 12-string guitar. The hits are here but so are new songs, some early-repertoire nuggets and a well-chosen cover or two.  Included are “Farewell Andromeda (Welcome to My Morning,” ”Take Me Home Country Roads,” “Rocky Mountain High,” “Annie’s Song,” “Love Is the Master,” “Mother Nature’s Son,” “Blow Up Your TV (Spanish Pipe Dream),” “Shanghai Breezes,” “Ohio” and more.

BAMcafe Live: Beat Kaestli - "Far From Home - A Tribute to European Song"

Beat Kaestli is a vocalist, songwriter and producer residing in New York City. After establishing himself in the Swiss music scene, he moved to New York to broaden his musical horizon, leaving behind a promising career in his homeland. He was awarded a scholarship to the Manhattan School of Music (BM) and received the Ella Fitzgerald Foundation scholarship to graduate in 2008 with a Masters Degree from the Aaron Copland School of Music (MA). While honing his craft alongside noteworthy Jazz performers, such as Jane Monheit, Jason Moran and Stefon Harris, he immersed himself in Manhattan's fiercely competitive music scene, emerging as a seasoned performer. He now appears in clubs such as The Blue Note, Birdland, The Bitter End, The Jazz Standard, The Stone aCd Sweet Rhythm, performing with Jazz greats, like Esperanza Spalding, Jon Hendricks, Clarence Penn, Gregoire Maret, Joel Frahm , Billy Drummond, Magos Herrera and Victor Prieto. In 2005, Beat was the chosen vocalist for the Glenn Miller Orchestra, thrilling audiences in concert halls across the USA. Kaestli is touring the world extensively with his own projects, showcasing his music in renowned clubs and at festivals across the US, Europe, Mexico and Canada. His new release "Far From Home - A Tribute to European Song" is scheduled to be released fall 2009.

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"A compelling re-imagining of European popular song, refracted through the polyvalent experiences of an expat in New York."

Friday, February 26th, 9:30 PM (one set only!)
30 Lafayette Avenue, Brooklyn, NY 11217
718.636.4100
http://www.bam.org/view.aspx?pid=1923
FREE

Transportation: 2, 3, 4, 5, B, Q to Atlantic Avenue

featuring:

Beat Kaestli - voice

Ben Stivers - piano

Matt Wigton - bass

Fred Kennedy – drums

Victor Prieto - accordion

and special guest Magos Herrera - voice

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Upcoming shows in USA/Europe/Mexico:

Jan 30th/31st - RBB Live Concert Broadcast, Berlin, Germany
Feb 26th - BAM Cafe, Brooklyn, NYC
March 5th - Jazz Club Bamberg, Germany
March 8th - RBB Radio "The Voice", Berlin, Germay http://www.kulturradio.de/frequenzen/index.html
March 8th - "Shared Night Vocal Duos", B-Flat, Berlin, Germany
March 9th - Kulturzentrum Reberhaus Keller, Bolligen, Switzerland
March 10th - Ludwigs w/Jan Eschke, Munich, Germany
March 11th - Cafe Lido w/ Christian Elsaesser, Munich Germany
March 19th - Jazzclub Uster, Switzerland
March 20th - Thalwil w/ Eliane Amherd, Switzerland
March 26th - JazzTone, Loerrach, Germany
March 31st - Bix Jazz Club, Stuttgart, Germany
April 8th - Brooklyn Library, NYC
April 19th - Bar Next Door, NYC
May 16th - Talent and Voices at CENART, Mexico City
Oct 2nd-5th - Generations Festival Frauenfeld, Switzerland
Oct 11th - "Shared Night" w/ Alexa Rodrian & Elisabeth Rodrian, B-Flat, Berlin (tbc)
Oct 13th - Le Pirate, Rosenheim, Germany
Oct 15th - Birdland, Ettlingen w/Elisabeth Lohninger, Germany
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For More information on Beat Kaestli go to: www.beatkaestli.com

2010 University Of Michigan Jazz Festival "Charles Mingus Day"

The 2010 University Of Michigan Jazz Festival  "Charles Mingus Day" will take place February 13th at 7:30p.m. at the Power Center for the Performing Arts in Ann Arbor, Michigan. The festival announced today that Congressman John Conyers Jr. would receive the first, "University of Michigan John Conyers Jr. Jazz Advocacy Award". This award is named in his honor and serves as recognition of extraordinary achievement in the world of Jazz by an advocate or patron.

In recognition of Black History Month and the Jazz Festival tribute to Charles Mingus, three virtuoso bassists, Christian McBride, Robert Hurst and Rodney Whitaker, will take the stage together in an historic improvised performance.

The festival feature concert will also include the University of Michigan Jazz Ensemble, The Christian McBride Band and the Detroit Jazz Festival Orchestra under the direction of Dennis Wilson. The DJFO will feature a new composition by Christian McBride entitled "The Movement Revisited". This composition is an important expression of the Black experience through the language of Jazz and will also be performed on February 14th at 7:30pm at Second Ebenezer Church in Detroit.

The University of Michigan Jazz Festival is a noncompetitive event providing collegiate, high school and middle school students an opportunity to interact with the music faculty of the University of Michigan as well as other distinguished educators.  The Festival is open to students, educators, and music lovers of all ages and is presented by the School Of Music Theatre & Dance through the Department of Jazz and Contemporary Improvisation with additional support from numerous academic units within the University Of Michigan.

EOTO Takes The Country By Storm With Innovative Live Electronic Music

From dance halls to intimate theaters worldwide comes EOTO - the nation’s top innovator in glitchy electronic, bass thumping, dub-step themed music. With performances booked well into 2010 including dates in Tucson, Albuquerque, San Diego and all along the western seaboard, EOTO is taking the country by storm with their innovative brand of live electronic music.

What EOTO achieves on stage is nothing short of astounding. Performed with all of the bells and whistles of a traditional electronic artist plus the addition of live drums, vocals, bass and guitar, the duo creates each and every bass ridden noise right before your eyes -without the addition of a single pre-recorded track. Known for their 100% live improvised performance, EOTO is breaking ground into a new sub culture of music while standing against some of the nations best live DJ’s in the country.

With leagues of sold-out theater performances in 2009, the project started out as an avenue for the duo to blow off steam and generally just have a good time playing around with technology with music. Now, a full time project for the pair with a seemingly endless tour featuring over 600 shows in 4 years and sold out performances in every market in the country. With no signs of stopping, EOTO fine-tunes their approach and skill with each and every show they play, leaving the next performance more unique then the last.

The project will be careening the countryside in 2010 with back-to-back performances scheduled well into late spring and festival dates booked swiftly behind it. The project will be playing along the mountain west and up the west coast before heading back to middle America, through the South, and over to the East Coast in support of their third release, Fire The Lazers, which is now available on iTunes or at a show near you.

For more information about EOTO check out the MySpace

TOUR DATES:
2/5/2010 Rialto Theater - Tucson, AZ
2/6/2010 Aggie Theatre - Fort Collins, CO
2/15/2010 Three20South - Breckenridge, CO
2/16/2010 Samana Lounge - Vail, CO
2/17/2010 Belly Up - Aspen, CO
2/18/2010 Eldo - Crested Butte, CO
2/18/2010 Eldo - Crested Butte, CO
2/19/2010 Fly Me To The Moon - Telluride, CO
2/20/2010 Abbey Theatre - Durango, CO
2/21/2010 Santa FE Brewing Co - Santa Fe, NM
2/22/2010 The Launchpad - Albuqurque, NM
2/23/2010 The Sail Inn - Tempe, AZ
2/24/2010 Orpheum Theatre - Flagstaff, AZ
2/25/2010 E -String Bar and Grill - Henderson, NV
2/27/2010 Winston's - San Diego, CA
2/28/2010 SOhO - Santa Barbara, CA
3/3/2010 Cooper's Ale Works - Nevada City, CA
3/4/2010 Crystal Bay Club Casino - Crystal Bay, NV
3/5/2010 103 Harriet - San Francisco, CA
3/6/2010 Don Quixote's - International Music Hall Felton, CA
3/7/2010 Hopmonk Tavern - Sebastopol, CA
3/8/2010 Red Fox Tavern - Eureka, CA
3/11/2010 The WOW Hall - Eugene, OR
3/12/2010 Berbati's Pan - Portland, OR
3/17/2010 The Palace - Missoula, MT
3/24/2010 The Cider House - Knoxville, TN
4/9/2010 Fox Theatre - Boulder, CO
4/23/2010 Cabooze - Minneapolis, MN