music

Country Mice Announce Summer Tour Dates

What does Country Mice front-man Jason Rueger have in common with less than 300 people in the US?  Growing up in Beattie, that’s ruralest of rural Kansas. On a farm of course, that was passed down through three generations of his family and old enough to be on the Pony Express route. “Family, friends, and working the land gave us a good wholesome life”.
Walking dirt road paths, working and living off the land, squinting his eyes at the sun, but with headphones on, it is not the bucolic atmosphere but music that most inspires him.  At an early age, Rueger sets his sights for something different than the surrounding dirt and milo that stung his eyes and cut his hands.
Breaking away from the close-knit ties of friends and family, Rueger moves east, not to Nashville, where you might expect a country boy to venture, but to Brooklyn.  It doesn’t take long to hook up with fellow Midwest transplants Ben Bullington (guitar) and Kurt Kuehn (drums) as they all quickly band together, finding comfort in their shared sense of displacement.  Eventually, as the trio becomes more assimilated to their new surroundings, they recruit upstate New Yorker Mike Feldman (bass).
As Country Mice, they rally together to craft apocalyptic ballads through amplifier hazes that thicken into funnel clouds, drums that stomp-clap sedately before the storm peaks, and bass tones that thicken the bloodstream. Rueger draws on his small town rearing with sophistication beyond the ordinarily romantic and reductive Americana troubadour, and his songwriting is anything but dime a dozen.
Strong traces of Neil Young and Wilco are mixed into modern experimental guitar sounds that any fan of mid-90’s Sonic Youth and Dinosaur Jr. will love. Living and gigging in Brooklyn, Country Mice begin to fully develop their sound, which becomes by influenced the other hardworking bands of Brooklyn's fast-paced scene.
Their debut album Twister is out now.It's a record that sonically chisels through the calloused shell of glossy rock & roll to find the dissonant live wire beneath and play it for all its worth. It tells a tale of strained memory: the hardships, joys, and love of growing up in a small town in the Midwest, with the hopes and dreams of traveling the world – a record for every kid seeing the big world from his small bedroom window.
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Summer Tour Dates:
July 5 Brooklyn, NY @ Glasslands
July 9 Brooklyn NY @ Cameo Gallery
July 13 Rochester, NY @ Bug Jar
July 15 Chicago, IL @ Cal's Bar
July 16 N. Manchester, IN @ The Firehouse
July 17 Indianapolis, IN @ Melody Inn
July 18 Louisville, KY @ Sunergos
July 19 Little Rock, AR @ Vino's
July 20 Mobile, AL @ Alabama Music Box
July 21 San Antonio, TX @ Limelight
July 22 Austin, TX @ Stubb's
July 23 Oklahoma City, OK @ Blue Note Lounge
July 24 Tulsa, OK @ Sound Pony
July 25 Kansas City, MO @ The Riot Room
July 26 Columbia, MO @ Mojo's
July 27 St. Louis, MO @ Ciceros
July 28 Cincinnati, OH @ Southgate House
July 29 Atlanta, GA @ The Drunken Unicorn
July 30 Savanna, GA @ The Jinx
July 31 Durham, NC @ The Pinhook
Aug. 1 Philadelphia, PA @ Kung Fu Necktie

THE NATIONAL JAZZ MUSEUM IN HARLEM SUMMER GLOBALORIA WORKSHOP

The National Jazz Museum in Harlem is teaming up with the World Wide Workshop to create an innovative VIDEO GAME using Globaloria technology! We are looking for 6 special young people between the ages of 13-19 who we'll select and appoint as our official game designers. NO PRIOR EXPERIENCE NECESSARY!

This team of 6 prospective candidates must have the facility to present strong ideas, yet create and incorporate the ideas of the team as a whole. An emphasis is placed on the candidate's ability to use JAZZ music, innovation, and a compelling video game objective to efficiently create a product that will attract both young people and adults alike. Prospective candidates should have the facility to adopt World Wide Workshop and the National Museum of Harlem's existing visual identity. No previous experience necessary. Only requirement: captivating, original ideas.

The workshop will take place for 3 weeks from July 6 - July 27 (Mon-Fri only) at the National Jazz Museum in Harlem. In the afternoons the 6 game designers will collaborate on creating this new game. The experience will be interactive, including live performances, masterclasses, and trips to many exciting and historic NYC jazz locations.

The host for the entire summer workshop is rising star pianist Jonathan Batiste and his band. Each day he will have something unique to offer, and allowing the 6 game designers to truly immerse themselves in this music we call JAZZ!

Call 212-348-8300 or email office@jmih.org for more info.

Moody Bluegrass Two Featuring Vince Gill, Ricky Skaggs, Sam Bush & More Available Now

Following 2004’s critically and commercially acclaimed tribute to the legendary Moody Blues, the GRAMMY nominated Moody Bluegrass, along with the highly successful Moody Bluegrass Live, Nashville’s finest have come together again to honor the Moody Blues with Moody Bluegrass Two…Much Love released nationwide this week!

“We have had so many cover versions of our songs over the years, but none have stood out like Moody Bluegrass. Nashville's most outstanding musicians have once again brought a new dimension to our songs,“ said Ray Thomas, co-founder of the Moody Blues.

Producer David Harvey returns for this second volume, which perfectly blends the brilliant songwriting of the Moody Blues with the bluegrass sounds of mandolins, banjos and even clogging. The collection of bluegrass covers includes Moody Blues members Justin Hayward, John Lodge and Graeme Edge, as well as band co-founders Mike Pinder and Ray Thomas and a wide assortment of Music City’s finest including Vince Gill, Ricky SkaggsSam Bush and more.

The record spans the entire Moody Blues catalogue, and includes fan favorites such as "Tuesday Afternoon" and "I Know You're Out There." Moody Bluegrass Two translates the Moody Blues’ original songs seamlessly and much like the first bluegrass tribute, the beauty of the original Moody Blues music shines.

Moody Bluegrass Two also features the talents of Tim O'Brien, Harley Allen, Peter Rowan, Jan Harvey, Ronnie Bowman, Emma Harvey, Larry Cordle, John Cowan, Jon Randall, David Harvey, Tim May, Andy Hall and Andy Todd.

For more information visit www.moodybluegrass.com.

Paper Bird w/ Dovekins at the Boulder Theater

97.3 KBCO & Westword are proud to present Paper Bird with Dovekins at the Boulder Theater on Thursday, September 8th, 2011.  Tickets go on sale Friday, June 24th for $14 General Admission tickets.

Paper Bird’s backbone is their songwriting, musicianship and a general allergy to all limitations and trends. With seven members and no leader, this band is pulled in every direction imaginable, but thanks to their unique instrumentation they are able to merge their spontaneous creativity into one, solid sound.

The members of the band- Sarah Anderson, vocals and trumpet; sisters Esmé and Genny Patterson, vocals; Tyler Archuletta, trombone; Paul DeHaven, guitar; Caleb Summeril, banjo; Macon Terry, upright bass – bring a Folk, Americana sound that pays homage to the American Bandstand of the 1950’s, with a hint of Roaring 20’s flare. But don’t be thrown off by their old-timey sound, Paper Bird maintains the Indie rock image and resonance of the current age with a progressive and complex style that keeps them on the forefront of the music scene. The band’s inception came a few years ago in Breckenridge, Colorado where they met for the first time. The members were busking in the streets where they earned a couple hundred dollars, bought some beers and dinner and decided to form a band. Shortly after they went into the studio and recorded their first self-released album Anything Nameless and Joymaking (2007), which has been a top selling record in local retail stores since its release.

The seven-piece Americana Folk band is boasted by three female lead singers and backed by outstandingly talented musicians, continually capture the hearts of new and old listeners. They were recently featured on NPR’s All Things Considered due their rare and beautiful approach to music. They were voted in the Top 10 Best Underground Bands by Denver Post two years in a row. In the last year they have played Red Rocks Amphitheater to over 8000 people and have shared the stage with Devotchka, These United States, Grace Potter & the Nocturnals, Brett Dennen, and Big Head Todd & the Monsters. Their haunting and authentic sound is a refreshing and breath taking experience.

The female vocals create a soulful, dynamic harmony that accentuates each singer, while giving the illusion of a single voice. The trombone, banjo, and guitar elevate the music to a higher level while the skilled notes of the bass reflect the harmonies. Each style bounces off the other, while each note appreciates the other. They make audiences feel love, excitement, and passion. A show not to be missed, a band that must be heard: Paper Bird is one of a kind.

Also, appearing is Dovekins who is made up of six goonish characters that are fun-loving and appreciate a good time.  Their shows have a range of instruments including stand-up bass, accordion, clarinet, piano, mandolin, trombone, banjo, tuba, spoons and washboard.  A psychedelic hoe-down may ensue.

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Paper Bird w/ Dovekins

& Spirits Of The Red City and The Claptet

Boulder Theater

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Thursday, September 8th, 2011

Doors:  7:00 pm

Show Time:  7:30 pm

Jim Lauderdale's Reason and Rhyme: Out TODAY

Can there be too much of a good thing?  If the question’s about collaboration between American roots music hero Jim Lauderdale and legendary lyricist Robert Hunter, the answer’s an emphatic “no!”  Marking the former’s debut on the respected Sugar Hill records label, Reason And Rhyme makes a compelling case for the continued vitality of the Lauderdale—Hunter partnership—and for Lauderdale’s unique and deeply satisfying approach to bluegrass.

“This one’s back to total bluegrass,” Lauderdale says of the collaborative follow-up to 2010’s electric Patchwork River, and so it’s no surprise that it features many of the musicians involved in previous bluegrass efforts like Could We Get Any Closer (2009) and 2007’s Grammy-winning The Bluegrass Diaries.  The close-knit crew, headed up by producer and resonator guitarist Randy Kohrs, is perfectly in tune with Lauderdale’s ‘grass-with-a-twist sensibilities, and whether it’s a return buddy like bassist Jay Weaver or new colleague Mike Compton (mandolin), each player delivers mightily with the genre’s characteristic virtuosity and emotional fire.

“We started on this one last August,” Lauderdale notes, “right after I finished touring with Elvis Costello.  Robert and I have worked just about every way you can think of—writing in the same room, adding lyrics to music and music to lyrics—but whichever way we go, he’s the lyrics guy and I’m the music guy.  This time around, we wanted to keep the momentum from Patchwork River going; I started sending him melodies, and ten days later we had 18 songs to choose from.”
The collaboration began over a decade ago, when Lauderdale was preparing for his first joint project with bluegrass patriarch Ralph Stanley, and quickly bore fruit, with more than 30 songs written before the first all-collaborative album, Headed For The Hills (2004).  “I’m not surprised, but I’m always blown away how creative he is lyrically,” says the singer/songwriter, who’s busy enough that finding time to record has always been among his greatest challenges.
With 11 fresh takes on the bluegrass sound that he’s loved since he was a teenager, this latest effort presents Jim Lauderdale at his most relaxed and rooted—and with the help of one of American music’s greatest lyricists, it’s a set that offers not only deep musicality, but deep meaning and vision.  Reason And Rhyme—it’s just the right name for just the right music.
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Jim Lauderdale 2011 Tour Dates

2011-06-22           Nashville, TN - Music City Roots
2011-06-24           Nashville, TN - Station Inn
2011-06-27           New York, NY - The Living Room
2011-07-22           Trumansburg, NY - Grassroots Festival
2011-07-24           Washington, DC - Hill Country
2011-07-26           Abindgon, VA - Virginia Highlands Community College
2011-08-06           Casper, WY - Beartrap Summer Festival
2011-08-08           Helena, MT - Myrna Loy Center
2011-08-10           Boise, ID - Alive After Five
2011-08-11           Snowmass Village, CO - Jazz Aspen Snowmass Summer Series
2011-08-13           Alta, WY - Targhee Music Festival
2011-09-06           The Woodlands, TX - Real Life - Real Music @ Dosey Doe
2011-09-17           Bristol, TN - Bristol's Rhythm and Roots Reunion
2011-10-06           Richmond, VA - Lewis Ginter Botanical Garden
2011-10-07           Asheville, NC - The Orange Peel - with the Blind Boys of Alabama
2011-10-13           Nashville, TN - Americana Music Conference

2011-10-21           North Bethesda, MD - Strathmore

Colin Stetson Named In NPR's Best Of 2011

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler.
New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or playing at jazz and new music festivals like Moers and London Jazz. His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, TV On The Radio and Bon Iver.  Colin also plays in Belle Orchestre and Sway Machinery.
The music on New History Warfare Vol. 2: Judges was captured entirely live in single takes at Montréal's Hotel2Tango studio, with no overdubs or looping, using over 20 mics positioned close and far throughout the live room. Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn that was multi-tracked.
The Judges sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse StudiosBen Frost.
The result is a highly original, experimental, euphoric record that fires on all levels: a document of an astoundingly strong and gifted player; a compositional tour-de-force; and a studio production bursting with intensity and inventiveness.
New History Warfare Vol. 2: Judges features cover art by Tracy Maurice and will be issued on CD in custom 100% recycled paperboard gatefold jacket and on 180gLP with a limited edition screenprinted poster contained in the first pressing. The album will also be available digitally.

Delloween featuring Del McCoury Band, Keller Williams, and The Travelin' McCourys


Halloween: A time for costumes, sweet treats, trickery, AND quickly becoming a holiday known for hot music collaborations.  The Del McCoury Band and Keller Williams have a long history together as well as a history of cutting edge Halloween extravaganzas, so the progression to creating a Halloween event together seems only natural.  Delloween will close out the festival season with a 2 day, 2 city indoor festival on wheels with a loopless acoustic set from Keller Williams to start the night, followed by  a set with The Del McCoury Band, and ending with a special late night set featuring both The Travelin’ McCourys and Keller Williams!

The Del McCoury Band, Keller Williams, and The Travelin’ McCourys are festival veterans hitting just about every major festival in the country this summer and Del even has his own festival – DelFest, so that festival spirit will be the backbone of Delloween.  All the Delloween artists are known for pushing the boundaries of music; Williams debuted his Show For Kids this summer at several heavy hitting festivals (with music from his album KIDS) while The Del McCoury Band has been touring and playing in support of the American Legacies album with Preservation Hall Jazz Band and The Travelin’ McCourys have been promoting the wildly successful Bluegrass Balls series. Delloween will follow suit with innovative sets that all but erase the boundaries of a regular theatre gig.

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Del McCoury Band

Led by a living bluegrass legend (whom The Washington Post hails a "national treasure") and featuring four immensely skilled musicians (including sons Ronnie on mandolin and Rob on banjo, with Jason Carter on fiddle and Alan Bartram on bass), The Del McCoury Band has rightfully received numerous accolades including more than three dozen International Bluegrass Music Association Awards, a Grammy, and multiple Grammy nominations.  This world-class ensemble performs original and traditional compositions with eloquent harmonies and "ferocious, purebred musicianship" (USA Today) that has earned them a wide range of fans, from their diverse group of "Del-Heads" to such respected musicians as Steve Earle, David Grisman and members of Phish and The String Cheese Incident.  In 2008, Del started his own music festival, and DelFest has quickly become one of the premiere music festivals on the east coast.  The band also regularly appears at some of the top festivals in the country including Newport Folk Festival, New Orleans Jazz Fest, Bonnaroo, Philadelphia Folk Fest, High Sierra, Grey Fox, and Austin City Limits Fest.

Keller Williams

Since he first appeared on the scene in the early ’90s, Keller Williams has defined the term independent artist. And his 16 recordings tell only half the story. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. Williams’ solo live shows—and his ability to improvise to his determinedly quirky tunes despite the absence of an actual band—quickly became the stuff of legend, and his audience grew exponentially when word spread about this exciting, unpredictable performer. Today, whether performing as a one-man band (a stage show constructed around Keller singing his compositions and choice cover songs while accompanying himself on an acoustic guitar connected to a Gibson Echoplex delay system that allows him to simulate a full band), with a backing band (of which he has many - Keller and The Keels, Williams with Moseley, Droll and Sipe, Grunge Grass among others), or solo acoustic with simply he and his guitar, Keller always reveals himself as an artist of great stylistic breadth and infinite imagination. He is a singer, songwriter and musician, always on a quest for the new. Keller Williams has never followed the prescribed path laid out by the conventional music business but rather one of his own making. It’s a path that has served him well.

The Travelin’ McCourys

The Travelin’ McCourys do not stand still. They are on the road—and online—entertaining audiences with live shows that include some of the best musicians and singers from all genres. It’s always different, always exciting, and always great music.

No other band today has the same credentials for playing traditional and progressive music. As the sons of bluegrass legend Del McCoury, Ronnie McCoury on mandolin and Rob McCoury on banjo continue their father’s work—a lifelong dedication to the power of bluegrass music to bring joy into people’s lives. And with fiddler Jason Carter and bassist Alan Bartram, the ensemble is loved and respected by the bluegrass faithful. But the band is now combining their sound with others to make something fresh and rejuvenating.

Willie Nelson, Rhett Miller, Robert Earl Keen and More Pay Tribute to Sara Hickman

With an unwavering dedication to increased awareness and funding for arts education and a passion for art and the creative process, Sara Hickman provides a unique and powerful voice for women, her generation and the value and importance of the arts in school. It is no wonder more than 30 Texas music legends including Willie Nelson, Rhett Miller, Shawn Colvin, Robert Earl Keen and dozens more have come together to both pay tribute and add to her philanthropic endeavors with The Best of Times. Sales of this compilation CD, available nationwide August 23, 2011, will benefit Theatre Action Project (TAP), a non-profit that brings art, music and theatre to Central Texas schools.

The 38-track double disc project was inspired by a recent slash in arts funding by Texas State Legislature. “I wanted to utilize my position as the Official State Musician of Texas to promote families being creative together,” says Hickman. “Many times this starts with children bringing home ideas they learn at school.”

The compilation CD was created to raise funds for TAP and help the organization take the arts and theatre back into the schools. Hickman goes on to say, “I knew thousands and thousands of Texas children were missing out on what art, music, theater, dance and writing can bring to their lives.” Hickman’s goal is to raise $250,000 for TAP and share her story with Texas state legislature on Arts Day in an effort to have arts funding fully reinstate in Texas schools.

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Tour Dates:

06/17/2011 - Dallas, TX - Kessler Theater

06/18/2011 - Croton-On-Hudson, NY - Clearwater Great Hudson River Revival

07/13/2011 - Wimberley, TX - Wimberley Village Library

07/25/11 -07/31/11 - Swannanoaa, NC - Swannanoa Gathering

09/08/2011 - Lincoln, IL - First Presbyterian Church

09/09/2011 - Chicago, IL - Heartland Cafe

09/15/2011 - Austin, TX - Bethany United Methodist Church

09/21/2011 - Nashville, TN - Music City Roots

09/22/2011 - Birmingham, AL - Moonlight on the Mountain

09/23/2011 - Decatur, GA - Eddie's Attic

09/25/2011 - Memphis, TN - Levitt Pavilion-Memphis

10/01/2011 - Houston, TX - Unitunes Coffeehouse

TUPAC AMARU SHAKUR FOUNDATION ANNOUNCES “2PAC 40TH BIRTHDAY CELEBRATION”

Afeni Shakur and the Tupac Amaru Shakur Foundation announce details for the 2PAC 40th Birthday Celebration Concert, at the Atlanta Symphony Hall in Atlanta, GA, June 16, 2011. Hosted by comedian/actor Mike Epps, this star-studded event will feature a headlining appearance by GRAMMY® award-winning artist Erykah Badu, as well as performances by legendary soul artists Roy Ayers and Eric Roberson, and hip-hop heavyweights Too $hort, Bun B, and 8 Ball and MJG. Proceeds from the event benefit the Tupac Amaru Shakur Foundation.

“I am deeply honored to have been invited by Afeni Shakur to celebrate her son’s remarkable life,” says Badu. “I don’t take this distinction for granted.”

Since 2009, presenters, Mike Epps and Afeni Shakur have drawn thousands of 2Pac fans from around the globe to Atlanta for an annual day of music, art and culture in recognition of the icon’s lasting impact and influence. The event aims to not only revive Tupac’s spirit through art, but offer a prophetic representation of the late artist at age 40 – complete  with a musical soundtrack that spans the soulful jazz sounds of Roy Ayers and to West Coast rap contemporaries such as Too $hort.

“With this event, we help keep Tupac’s legacy alive,” says Epps, “not only by bringing together the fans that know and love his music, but also by supporting his organization, and the causes he worked so hard for during his lifetime.”

Past celebrations have included performances by Rick Ross, Wacka Flocka, Lil’ Scrappy, M1 of Dead Prez and more. At last year’s concert, Dekalb County officials presented Afeni Shakur and Mike Epps with a proclamation officially naming June 16th as “Tupac Day.”

This June 16 will mark the 40th birthday of Tupac Shakur, a man whose impact on culture worldwide through his art, activism and passion is felt to this day. This year, fans, family, artists and performers alike will gather at the Atlanta Symphony Hall to both celebrate the life and further the cause of this remarkable individual.

Tickets are priced at $45-150.00, and are available exclusively at www.16thofjune.com.

Rubblebucket Premiere "Worker" with Spinner, NYC Bike Film Festival

Leading up the release of Omega La La on June 21 via Sin Duda Records, Rubblebucket is happy to premiere their latest track, “Worker” with Spinner this morning. The site had great things to say about the band, writing, “Like a love child of the Rapture and Dirty Projectors, Rubblebucket have been churning out highly polished pop since their inception, and their upcoming record, Omega La La, is sure to have you grooving in your skinny jorts this summer.” Listen to the track HERE, and read Spinner’s piece on the hand HERE. As a part of the band’s upcoming summer tour dates, Rubblebucket is also headlining Bikes Rock!, the opening night of the Bicycle Film Festival in New York City, on 6/22 at Santos Party House. Check out the band’s full summer tour below.

Omega La La marks a milestone for Rubblebucket. Recorded last year at Plantain/DFA Studios with Producer Eric Broucek (LCD Soundsystem, Cut Copy, Hercules and Love Affair) at the helm, the record is the Brooklyn eight piece’s most adventurous record yet, with the band dipping into everything from the dancey indie-pop arrangements to Fela-Kuti inspired afro-beat stomps. The album opens with “Down in the Yards,” a track that builds off the ebb and flow of a droning, two-note guitar riff, only to explode into a triumphant chorus anchored by the band’s horn section. That track is followed up by the buoyant psych-pop gem, “L’homme.” “Silly Fathers” and a reworked version of “Came Out of a Lady” show off the band’s penchant for creating pop songs that stick in your head. “Raining” is an eccentric pop song built around intertwining vocal lines and a cascading synth. And so far the record has earned a wealth of praise, with Stereogum hailing the record’s “Tricky arrangements, whistle solos, and disco guitar leads” and PasteMagazine calling the album “instrumentally rich but catchy enough to ass-kick Katy Perry off the pop charts (in a just world)—mega-melodic without sacrificing an ounce of atmosphere or creativity.”

For Rubblebucket, it’s been a long journey to make Omega La La. Led by the musical couple of bandleader/trumpeter Alex Toth and frontwoman Kalmia Traver, Rubblebucket has spent the last four years building a reputation as a band that blurs the lines between psychedelic indie rock, upbeat dance, and radiant, left-field arrangements. In 2009, Rubblebucket released a self-titled album that turned heads. SPIN hailed the band as a "must-hear artist from the CMJ Festival” in 2009 and the band won that year’s Boston Music Award for Live Act of the Year.  The band then relocated to Brooklyn and released the Triangular Daises EP in 2010. A stylistic precursor to Omega La La, the Triangular Daises EP was hailed by The Wall Street Journal, NYLON, Paste, and a host of others.

Rubblebucket Premieres Latest Track “Worker” with Spinner Today  Download the Mp3 HERE

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Rubblebucket Spring/Summer Tour Dates:

06/16: Cleveland, OH @ Beachland Ballroom
06/17: Spencer, IN @ Stable Studios Music Festival
06/18: Grand Rapids, MI @ Founders Fest
06/22: New York, NY @ Santos Party House – NYC Bicycle Film Fest
06/28: Pittsburgh, PA @ Rex Theatre
06/30: Madison, WI @ Majestic Live
07/02: Rothbury, MI @ Electric Forrest Festival
07/08: Rochester, NY @ East End Festival
07/09: Schuylkill, PA @ Midsummer Meltdown
07/15: Buffalo, NY @ North Fork Music Park
07/16: Greenfield, MA @ Green River Fest
07/24: Bridgeport, CT @ Gathering of the Vibes
07/29: Floyd, VA @ Floyd Fest
07/30: Floyd, VA @ Floyd Fest
08/13: Burlington, VT @ Grand Point North
08/18: Stephentown, NY @ Bella Terra
08/19: Brooklyn, NY @ Brooklyn Bowl
08/20: Sheldon, VT @ Liberate Festival
09/03: Chicago, IL @ North Coast Festival
09/04: Mohawk, NY @ Moe.Down
09/10: Peru, NY @ Backwoods Pondfest
10/08: Roseland, VA @ The Festy
11/11: Live Oak, FL @ Bear Creek Music & Arts Fest