Singer/songwriter Israel Nash Gripka releases his sophomore album entitled Barn Doors & Concrete Floors TODAY, March 29, 2011. Building on the success of his debut release, New York Town (2009), Gripka is poised to increase his fan base both stateside and abroad. In fact, strong buzz for the upcoming release in the UK, lead UNCUT Magazine to include a track from the new album on their March cover mount.
In addition to a new record, the Ozark native has been passionately supporting Food for Thought a program created by his mother. Across 29 counties in southwest Missouri, children often go home to an empty dinner plate. Many of these children rely on school meals alone for their daily nutrition. In the Pierce City school system where Gripka grew up, 71% of children qualify for free or reduced lunches. Food for Thought was established to help by providing the most at-risk children with backpacks filled with healthy, easy open foods to eat over the weekends. “It is such a great program,” says Gripka. “I’m honored to help give back to my hometown and help kids in need.” In addition to working with his mother to obtain donations, Gripka is working on a music festival this summer to raise money for the program.
Multiple tours in the US and Europe, growing recognition as a songwriter and new philanthropic endeavors, the last two years left Gripka with renewed passion. He set out to write new songs, with new sounds and new ideas from these experiences. The nostalgic and uplifting record starts off with the reflective, harmonica infused, “Fools Gold.” It then slips into the bittersweet ache of “Goodbye Ghost” and UNCUT’s March cover mount “Baltimore” before settling into the flirty “Red Dress.”
Harkening back to the days of Neil Young and Bob Dylan, Gripka’s vision was to record in a studio that was, in fact, not a studio at all. In the heart of a dusty, old barn nestled deep in the Catskill Mountains, Gripka, along with co-producer/drummer Steve Shelley (Sonic Youth) and a merry band of musicians, created the highly anticipated follow up. “I really wanted to capture sounds that no other place could create,” says Gripka. “I wanted to throw away clocks, avoid set hours, eat around a big table for dinner and sit around a warm fire at night. The idea was to create an environment where nothing else really mattered except making music.”
Gripka presents a musical experience that is both old and new. In an almost conflicting manner, Gripka uses his upbringing as the son of a southern Baptist minister to contrast the realities of his life through music. From drinking to praying, from churches to county jails and from sorrow to revival, his songs are stories and reflections that kick like classic Rock N’ Roll all while pining with the heart of Americana roots, complete with undertones of soul trampled country, and gospel choirs.
The 11 track record plays like a vinyl relic you might find in your parent’s basement. “When artists make records that are unencumbered by regimented schedules,” says Gripka. “And you turn off contact from the outside world and really reflect, you can hear that in the recording.” Listeners will hear it loud and clear on Barn Doors & Concrete Floors.
For more information about Israel Nash Gripka, to purchase the album or donate to Food for Thought visit www.israelgripka.com.