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Beats Antique Play DENVER At Ogden Theatre

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francisco’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.

Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2 major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised

US TOUR:

8/21 - Stephentown, NY - Bella Terra Music Festival
8/28 - Eugene, OR - McDonald Theatre
9/10 - Clarks Grove, MN - Harvestfest - Harmony Park
9/11 - Minot, ME - 1st Annual Dankfest
9/17 - Laytonville, CA - Earthdance
9/18 - Denver, CO - Ogden Theatre
9/24 - Seattle, WA - Decibel Festival @ Motor
9/25 - Arcata, CA - Aracata Theatre
9/28 - Fargo, ND - The Aquarium
9/30 - Madison, WI - Majestic Live
10/1 - Milwaukee, WI - Miramar Theatre
10/2 - Chicago, IL - Abbey Pub
10/3 - Grand Rapids, MI - The Intersection
10/6 - New Orleans, LA - Republic
10/9 - Austin, TX - Austin City Limits
10/11 - Mobile, AL - Alabama Music Box
10/12 - Birmingham, AL - Zydeco
10/13 - Nashville, TN - Exit/In
10/14 - Asheville, NC - TBD
10/15 - Charleston, SC - The Pour House
10/16 - Athens, GA - New Earth Music Hall
10/17 - Atlanta, GA - Masquerade - Hell Room
10/22 - Allston, MA - Harpers Ferry
11/11 - Vancouver, BC - Biltmore Cabaret
11/12 - Edmonton, AB - The Pawn Shop
11/13 - Calgary, AB - Royal Canadian Legion

New Riders of the Purple Sage will have a special Guest at Highline Ballroom, Donna Jean Godchaux

Donna Jean Godchaux will join The New Riders of the Purple Sage for a night of music at New York City's Highline Ballroom on August 28, 2010.  More information about the Highline Ballroom can be found here.  This show is taking place on August 28th, so get your tickets now!

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August 28, 2010
Concert starts @ 8PM
Doors open @ 6PM
Tickets $18.00 in advance
$22.00 day of show
Tickets
General Admission Standing Room

Limited seating available first come, first serve / All Ages

NRPS website

DJG   website

Highline Ballroom

Located at 431 W 16th St
New York, NY 10011
between 9th and 10th Ave
(212) 414-5994

Ana Sia at the Mishawaka Ampitheatre

Cervantes Masterpiece presents Ana Sia at the Mishawaka Amphitheatre on Friday, August 20th, 2010.  She has toured through clubs and forests all festival season long with serious stacks in the middle of nowhere.  The Electric Canyon show will feature Ana Sia leading crew including Octopus Nebula, Eskmo, and The Passage Project.

I was lucky enough to see her set at Summer camp that made arms sway, heads bob, and the same forced rush of an indoor thump to an outdoor amphitheatre.  Watching the crowd come alive is almost as enlightening as the musical experience itself.  I’ve said it before and I’ll say it again; if you aren’t dancing half as hard as she is on stage then step back.  There will be plenty rushing forward to dance with her.

The Mishawaka Amphitheatre is like a swing set of sound, the electric canyon crew will no doubt light it up.  Ana Sia has been warming up after parties enough.  Her worldly excursions are put to sturdy declarations of bass with treble dancing over the top.  It’s as if she embodies the Virgo through her music.  It’s time for the first lady of euphoric rhythm to lead the pack.  Her response to the crowd is always posed, graceful, and delicate with prayer hands in peaceful association.

Ana Sia co-creates her show with the audience.  The word puppeteer has a negative connotation, yet such a familiar feel at an Ana Sia show.  It’s not negative when you see how she handles the power of the beat.  Its fun like a puppet show, her music is beckoning you, “let me pull your strings.”  As hard as your feet will push you, the beat controls the strings that makes souls sing.

Four Never-Before-Released Live Albums By Jefferson Airplane

The argument rages on, but for many music fans in the ’60s, the best live band from the Bay Area was Jefferson Airplane. Formed during the summer of 1965 in San Francisco, the group triumphed in 1967 with Surrealistic Pillow, one of the key recordings of the Summer of Love, containing the hits “Somebody to Love,” “White Rabbit” and “Today.” The Airplane featured three master instrumentalists (Jorma Kaukonen, Jack Casady and Spencer Dryden) and three vocalists: Grace Slick (replacing original singer Signe Anderson in 1966), Marty Balin and Paul Kantner. The Rock ’n’ Roll Hall of Fame inductees made a total of eight studio albums and released a smattering of live albums including 1969’s Bless Its Pointed Little Head.

But what most fans don’t know is that there are vast reserves of never-released live material by Jefferson Airplane capturing key moments in their history. On October 26, 2010, Collectors’ Choice Music Live will release four previously unreleased live albums: Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell, Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut, Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition, and Return to the Matrix 2/1/68.

The first three releases document the astonishing growth of the band, and follow the near-seamless absorption of Grace Slick’s voice and material into the Airplane’s sound just as they were entering the studio to record Surrealistic Pillow. The fourth release captures the group triumphantly returning to their home turf at Marty Balin’s club The Matrix for a relaxed, exploratory set in an intimate setting, performing material from their first four albums, including Crown of Creation, seven months before its release. Taken together, the four releases confirm that at its best, when Jorma was soaring, Jack rumbling and the three voices joining in ecstatic melisma, no other band could ascend to the heights attained by the Airplane. Hand-picked by a team of devotees, annotated by frequent Airplane flyer Craig Fenton (author of the book Take Me To A Circus Tent: The Jefferson Airplane Flight Manual), and featuring rare photos inside handsome digi-packs, these concerts distill and express the dream and promise of the Haight-Ashbury scene.

• Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell: The Grace Slick era of the Airplane has understandably received most of the attention paid the band over the years. But they had released a good album (Jefferson Airplane Takes Off) and were already a powerful live outfit before Slick came aboard. The 10/15/66 release not only marks the first appearance on CD of a live recording featuring Signe Anderson with the band, but also her very last show. Both Marty Balin and the Fillmore’s Bill Graham give her shout-outs. Songs include “3/5ths of a Mile in Ten Seconds,” “Tobacco Road,” “Midnight Hour,” “High Flyin’ Bird” and “Chauffeur Blues” (which Grace never performed out of respect for Signe, who’d made the old blues tune her own). It was the end of an era. But a new one was about to begin the very next day, and is the subject of the 10/16/66 release.

• Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut: The 10/16/66 volume chronicles the first set of concerts featuring Grace Slick as a member of the Airplane, a mere day after Signe Anderson officially left the band. The band has yet to add the material Slick brought to the band (“Somebody To Love” and “White Rabbit) to the set list, but Grace’s harmony work with Marty and Paul is impressive, and you can literally hear her confidence growing from the first set to the second. The album contains “The Other Side of This Life,” “Let Me In,” “Don’t Let Me Down,” “Run Around” and “High Flying Bird,” plus versions of “3/5ths of a Mile in 10 Seconds” and “Tobacco Road” with the new line-up, and Leiber & Stoller’s “Kansas City,” which has never appeared on any Airplane studio or live album. Surrealistic Pillow photographer Herbie Greene contributes photos. Things would never be the same for the band or for ’60s rock.

• Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition:  CCM Live subtitled these shows We Have Ignition as they believe this is when the Airplane transformed from a high-flying bird into a psychedelic spaceship (but not yet a Starship.) It’s difficult to believe, when comparing these November shows with Grace’s live debut on 10/16/66,  that only six weeks have elapsed. Not only has the band (particularly guitarist Jorma Kaukonen) progressed as musicians, but the infusion of Surrealistic Pillow material some four months before the album hit the stores shifts the focus of this folk-rock band to rock. Included are “Plastic Fantastic Lover,” “High Flyin’ Bird,” “Bringing Me Down,” “ D.C.B.A-25,” “My Best Friend,” “Go to Her,” “She Has Funny Cars,” “3/5ths of a Mile in 10 Seconds,” “Skip Spence’s “J.P.P. McStep B Blues,” “White Rabbit,” “Today” and more.  Two rarities are a mind blowing, 9:45-minute version of “The Other Side of Life” (performed for a photo session) that neither its author, the folk singer-songwriter Fred Neil, nor the band could ever have anticipated, and the only known recording of an instrumental known in some quarters as “My Grandfather’s Clock.” This is the Airplane at its early apex.

• Return to the Matrix 2/1/68: The Airplane returned to the first club they ever played, the Matrix, in 1968 for a 103-minute show at the height of their commercial prowess. They band premiered two songs from the Crown of Creation album (which was months away from being released): “Share a Little Joke” and an instrumental version of “Ice Cream Phoenix.” They also performed “Blues From an Airplane,” a song from its first (pre-Slick) album. Also here: “Somebody to Love,” “Young Girl Sunday Blues,” “She Has Funny Cars,” “Two Heads,” “Martha,” “Kansas City,” “Other Side of this Life,” “Today,” “Won’t You Try/Saturday Afternoon,” “It’s No Secret,” “Watch Her Ride,” “Plastic Fantastic Lover,” “Ballad of You and Me and Pooneil,” “White Rabbit,” “Fat Angel” and  “3/5ths of a Mile in 10 Seconds.”

Pretty Lights Drops Second (Of Three!) EP's of 2010

Pretty Lights, the ultra-versatile Colorado-based producer dropped his second EP of 2010, Spilling Over Every Side, late yesterday via www.PrettyLightsMusic.com. Spilling Over Every Side is the second in a trilogy of EP’s due this year. The first installment, Making Up A Changing Mind, was released March 2nd in the same fashion, with the third and final due out later this fall. Fans have gone crazy for this self-release model;
the albums have been downloaded nearly a million times.

Pretty Lights is headlining the legendary Red Rocks Amphitheatre in Morrison, CO on August 7th! The 9,500 capacity venue SOLD OUT more than two weeks in advance. Opening the show will be Mimosa, Emancipator, and Zion I; all in addition to Pretty Lights’ two sets (including a special downtempo set).

Pretty Lights is also excited to announce the addition of a new drummer, Adam Deitch, beginning with Wanderlust Festival on July 30th in California this weekend.  He has done session/live work for everyone from Wyclef and Eve to Justin Timberlake in addition to his own projects Break Science and Lettuce. Expect Pretty Lights shows to be taken to a whole new level!

Pretty Lights will be announcing fall tour dates soon, so keep your eye out!

Upcoming Pretty Lights Tour Dates

07/3 SQUAW VALLEY, CALIFORNIA Wanderlust Festival
08/07 MORRISON, COLORADO Red Rocks Amphitheatre
08/14 SAN FRANCISCO, CA Outside Lands
08/14 SAN FRANCISCO, CA The Independent (night show)
08/25 KNOXVILLE, TN The Valarium
08/26 MEMPHIS, TN Minglewood Hall
08/28 NEW ORLEANS, LA CAC Warehouse
09/03 CHICAGO, IL North Coast Music Festival
09/04 NEW YORK, NY Electric Zoo Festival
09/05 AUSTIN, TX Nocturnal Festival
09/25 SANTA BARBARA, CA West Beach Festival

JERRY GARCIA A RETROSPECTIVE

JAM STAMPEDE

Featuring members of the Zen Tricksters

Klyph Black, Tom Circosta, Dave Diamond

with Mike Mizwinski and Freeman White (Donna Jean Godchaux Band)

Special Guests

Michael Falzarano   ( New Riders of the Purple Sage, Hot Tuna)

Johnny Markowski  (New Riders of the Purple Sage)

http://www.thenewriders.com/

Barry Mitterhoff      (Hot Tuna)

http://hottuna.com/

Jason Crosby          (Robert Randolph, Susan Tedeschi Band)

http://www.robertrandolph.net/

http://www.susantedeschi.com/

at Brooklyn Bowl 61 Wythe Avenue Williamsburg Brooklyn NY

Show Date: August 9, 2010

Tickets: $5.00

Online ticketing:

Venue phone

Doors:  6:00pm

Show:   8:00pm

Band website: http://www.reverbnation.com/tomcircosta

Venue/Promoter website: http://www.brooklynbowl.com/calendar/

THE SHOW

A Celebration and Retrospective of Jerry Garcia his music and his musical influence and involvement with other musicians and bands. The Jam Stampede which features members of the Zen Tricksters will perform Grateful Dead, Jerry Garcia Band, New Riders, Hot Tuna and other music that Jerry Garcia created and influenced.

Jim Lauderdale at the Fox, Fri Aug 27

Jim Lauderdale is a multi-talented performer and songwriter, with successes in both country and bluegrass music. His roots stem from the Carolinas, yet his career has taken him all over the United States and abroad, making him an international recording artist with an ever-growing fan base. Jim won "Artist of the Year" and "Song of the Year" at the first "Honors and Awards Show" held by the Americana Music Association in 2002. Subsequently, he has hosted this same show for the last seven years.
He is among Nashville's "A" list of songwriters, with songs recorded by artists such as: Patty Loveless, George Jones, The Dixie Chicks, Solomon Burke, Mark Chesnutt, Dave Edmunds, John Mayall, Kathy Mattea, Lee Ann Womack, Gary Allan, Blake Shelton. Vince Gill, and George Strait. He also contributed several songs to the successful soundtrack of the George Strait film, "Pure Country." Not content to just write hits for the stars, he's toured with the likes of Lucinda Williams, Mary Chapin Carpenter, Rhonda Vincent and Elvis Costello, among others.
Jim's musical influences include the legendary Dr. Ralph Stanley and George Jones. These influences and his unique sense of melody and lyric help forge a sound that is truly his own. He is a 2 time Grammy winner, winning his first in 2002 with Dr. Ralph Stanley for "Lost in the Lonesome Pines" (Dualtone). His next one came for his second "solo" bluegrass album, "The Bluegrass Diaries" (Yep Roc 2007) at the 50th Grammy Awards. His first CD with Dr. Stanley, "I Feel Like Singing Today" ( Dualtone/Rebel 1999) received a Grammy nomination as did his first solo bluegrass CD titled "Bluegrass"(Yep Roc) from 2006. His current release, "Patchwork River" May 11th, 2010 (his second collaboration with Grateful Dead lyricist,  Robert Hunter) is currently climbing the Americana radio charts.
As a performer his credits include production, writing and collaborating on albums such as, "Wait 'Til Spring" (SkyCrunch/Dualtone 2003) with Donna the Buffalo, and "Headed for the Hills" (Dualtone 2004) his first total project with Robert Hunter. The remainder of Jim's 18 albums include: "Planet of Love" (Reprise 1991), "Pretty Close to the Truth" (Atlantic 1994), "Every Second Counts" (Atlantic 1995), "Persimmons" (Upstart 1998), "Whisper" (BNA 1998), "Onward Through It All" (RCA 1999), "The Other Sessions" (Dualtone 2001), "The Hummingbirds" (Dualtone 2002), "Bluegrass" (Yep Roc 2006), "Country Super Hits, Volume 1" (Yep Roc 2006), "Honey Songs" (Yep Roc 2008), and "Could We Get Any Closer?" (SkyCrunch 2009).
All Ages / GA  / $15.00 adv / $17 DOS
Internet 24-7 at www.foxtheater.com
Phone: During box office hours: 303.443.3399

Particle, Oct 30 @ the Fox Theatre

Not your typical jam band (they have just as many disco and electronica influences as anything else), Particle started in 2000 in Los Angeles with keyboardist Steve Molitz, drummer Darren Pujalet, bassist Eric Gould, and guitarist Dave Simmons. Tragically, Simmons died just two months after the band started, but Particle found his replacement in Charlie Hitchcock. Gaining fans from the pure energy of their live show, Particle released their debut album, Launchpad, in 2004. The next year Hitchcock left the band, and Scott Metzger and Ben Combe took his place on guitar, also bringing in vocals -- a new addition for the group. Particle celebrated their first-ever performance with the new lineup by recording it and releasing its highlights (along with pieces from another show) as Transformations Live for the People in 2006.

All Ages / GA  / $18.00 adv / $23.00 DOS

Amelia's Mechanics Flies West: Colorado Tour Dates Announced

Amelia's Mechanics embarked on an extensive, inaugural spring tour performing from Florida to West Virginia immediately following the release of their debut album North, South. After taking a short break from touring in June, the band is excited to be back performing for fans this July and working on a new studio project this August.
Amelia's Mechanics debut album North, South is available for purchase on iTunes and Amazon
Starting July 1st, Amelia's Mechanics will appear live on the 98.7 FM Simon morning show, the Fox 8 morning news, and the Fun Fourth Festival in the Triad area of North Carolina before flying west to Colorado to perform an extra string of tour dates in support of their debut album North, South produced by Jim Avett (father to the Avett Brothers.)
While in Colorado, the band will perform a special July 4th show at Quixote's True Blue in Denver, CO with regional favorite Oakhurst; will headline the D-Note in Arvada, CO on July 6th as part of the Colorado Music Business Association showcase; will perform with internationally touring bluegrass artist Steep Canyon Rangers (whose Deep in the Shade just moved back in to the Top 10 on Billboard's Bluegrass Album Charts) at Quixote's True Blue in Denver, CO on July 8th; and will be honored to perform as support to the legendary Nitty Gritty Dirt Band at the Boulder Theater in Boulder, CO on July 9.
Now using the Radio Submit digital delivery system for presentation to disc jockeys and internet radio: Download Songs for Radio Here

Upon returning east in mid-July, Amelia's Mechanics will perform with  Brooklyn-based Americana group Yarn at the Charleston Pour House on July 13th in Charleston, SC; will join JJ Grey & Mofro at the Pour House Music Hall on July 18th in Raleigh, NC; and Molly McGinn and Molly Miller (of Amelia's Mechanics) will perform a special acoustic set to headline a songwriter's showcase at the Old Social Club in Winston-Salem, NC on July 15. The band closes out July with a bang during "An Evening with Amelia's Mechanics" at the Founders Lawn of Guilford College on July 25th in Greensboro, NC as part of the Eastern Music Festival's Fringe Series.
This August, Amelia's Mechanics will head back in the studio with 3-time Grammy winner Steven Heller (producer of Doc Watson's Legacy and David Holt's Stellaluna) and Laurelyn Dossett (most notably the songwriter of "Anna Lee" which Levon Helm recorded on his Grammy-winning DirtFarmer album,) who was hired to assist the female songwriters with song cultivation and development. Pre-production work on the new studio project began about two months ago and a release date for this material  has not been announced.
AMELIA'S MECHANICS 2010: SUMMER TOUR DATES

SHOW DATE  -  VENUE  -  SHOW INFORMATION  -  CITY/ STATE  -  BUY TICKETS          
July 3 - Fun for the Fourth - 98.7 FM Simon Stage - Greensboro, NC - TICKETS
July 4 - Quixote's True Blue - with Oakhurst - Denver, CO - TICKETS
July 6 - D-Note - Colorado Music Business Showcase - Arvada, CO - TICKETS
July 8 - Quixote's True Blue - with Steep Canyon Rangers - Denver, CO -
TICKETS
July 9 - Boulder Theater - with Nitty Gritty Dirt Band - Boulder, CO - TICKETS
July 13 - Charleston Pour House - with Yarn - Charleston, SC - TICKETS
July 15 - Old Social Club - Songwriter's Showcase - Winston-Salem, NC - TICKETS
July 18 - Pour House Music Hall - with JJ Grey & Mofro - Raleigh, NC - TICKETS
July 25 - Eastern Music Festival - Guilford College Lawn - Greensboro, NC - TICKETS
Aug 14 - Swing Into Wyndham Championship - Festival - Jamestown, NC - TICKETS
Aug 28 - Jack of the Wood - An Evening With AMC - Asheville, NC - TICKETS

The String Cheese Incident's 2010 dates will stream live through iClips

Coming off of The String Cheese Incident’s huge return to the stage last summer at ROTHBURY, the band will play a handful of select dates in 2010: Colorado’s historic Red Rocks Amphitheatre on July 23rd, 24th and 25th, Horning’s Hideout, outside of Portland, Oregon on July 30th, 31st and August 1st, and Hampton Coliseum during Halloween weekend. Tickets for Red Rocks and Horning’s Hideout sold out in just minutes, and Hampton Coliseum seats are moving quickly.

But there is good news for SCI fans who can’t make it to the shows - iClips has teamed up with The String Cheese Incident to broadcast every show in 2010.

Broadcasts are available for $7.99 per show, or bundle your purchases: $15 for all three Red Rocks shows, $20 for 3 nights at Horning’s Hideout (including streaming of other acts on the bill), $10 for both Halloween shows. Also, choose a $45 all access pass for every show in 2010, $60 premium all access which includes every show and one show poster, or $100 premium all access which includes every show plus signed posters from each venue. All options are available now at www.iclips.net.

Tickets for The String Cheese Incident’s Hulaween shows on October 29th and 30th are still available, please visit www.stringcheeseincident.com for ticketing information.