show

HEADTRONICS MAKE RARE OHIO STOP!

Headtronics is an electronic project from DJ Logic (Medeski, Martin and Wood; John Popper Project), Steve Molitz (Particle; Phil Lesh and Friends) and Ohio bass prodigy Freekbass (Bootsy Collins; Buckethead) that has already received national attention though the artists have only performed a very limited number of dates.

The trio was birthed from a collaborative effort during last summer's Universal Church of Love and Music Funk Festival in PA. Afterward, Freekbass said, “It turned out to be one of those magical musical moments, so we decided to play some full shows together.” The accolades and influences of the individual artists of Headtronics ranges from funk, to rock and roll, to hip-hop, but together Logic, Molitz and Freekbass create electronic funk that appeals to fans of all genres.

With only select performances scheduled thus far for 2011, Headtronics (named by the legendary Bootsy Collins) will bring its electronic infused funk to Cleveland, OH, on Thursday, January 27, 2011. The fresh beats of DJ Logic, groundbreaking bass lines of Freekbass and truly unique keyboard skills of Steve Molitz create a style and show not to be missed!

Check out some Headtronics video here.

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When:  Thursday, January 27, 2011

Where: Beachland Ballroom, 15711 Waterloo Road, Cleveland, OH 44110

Show Details: ALL AGES, Doors: 8pm, $15.00 GA

Band of Heathens new CD is 'Top Hat Crown & the Clapmaster's Son'

2010 was a year of making noise and news for the Band of Heathens. With 200-plus show dates, a fifth anniversary celebration, appearances at Lollapalooza and other top national festivals and a taping of Austin City Limits with Elvis Costello, it is remarkable that the Heathens even found time to write and record a new studio album, but they did.

The result is Top Hat Crown & the Clapmaster’s Son, a surprising, multi-faceted gem of a disc. Their third studio album and the fifth release overall, Top Hat Crown displays the wide range of classic influences fans and critics have come to admire in the band, yet they’ve added, built and grown. Producer George Reiff, celebrated for his work with the Black Crowes’ Chris Robinson, the Courtyard Hounds (Martie Maguire and Emily Robison of the Dixie Chicks) and Ray Wylie Hubbard, tended to the album’s vibe and spirit, which is reaching, rocking, bluesy, funky and enjoyable as hell, from its rocking opening to its serene acoustic conclusion.

The Band of Heathens is constantly being compared to The Band because of the musical finesse that overlays their timeless, rootsy core. And the three founding members are all skilled multi-instrumentalists who can play almost any position in the field. But TBoH has reached so many fans so fast because of the echoes of and subtle homage to so many different artists at the core of the Americana canon, including Tom Petty, Tony Joe White, the Grateful Dead, Leon Russell, George Harrison, and other rarified stylists. You can hear a little of all that at a Heathens show or on disc, and Top Hat Crown feels like the most coherent and mature encapsulation of those elements so far.

Given the timelessness of their sound, one gets the sense that Ed Jurdi, Gordy Quist and Colin Brooks would have gravitated toward the same essential feel had they met in 1975 or 2045. As it happens, it was in 2006 after each songwriter had established residency gigs on the same night of the week at Momo’s, an eclectic-minded club on Austin’s famous Sixth Street. Friendship, semi-regular sit-ins and harmony jags gelled into something quite rare: a band with three frontmen, each with enough humility and passion to invest in the larger project. The sum transcended the parts. Bassist Seth Whitney was a member from the get-go. Drummer John Chipman joined in 2007 as their road calendar got heavier.

The Heathens took their time getting their first studio album out, but when that eponymous debut was released in 2008, they proved they could write and record a coherent statement that measured up to their show. They followed relatively quickly with One Foot in the Ether toward the end of 2009. Both shot to the top of the Americana chart and remained there for months, evincing a longevity rare in any format of music. Each added songs to the band’s set lists that have become staples and favorites: “Jackson Station,” “Cornbread,” frequent set closer “Don’t Call on Me” and the rocking, cathartic “L.A. County Blues.”

Other kinds of recognition and respect rolled in. TBoH was honored as Best New Band at the Austin Music Awards and nominated as Best Duo or Group by the Americana Music Awards. The Wall Street Journal’s Jim Fusilli called theirs the best set he saw during South by Southwest 2009. And the rest of the press has been equally effusive: The Dallas Morning News calls them “a must-see show.” Maverick magazine says they’re “magnificent.”

One can anticipate similar praise for Top Hat Crown, as it stretches without breaking faith with the feel and integrity that got the Band of Heathens this far. Opener “Medicine Man” sets a hoodoo tone with slappy upright piano and a swaggering lyric sung by Gordy Quist.

Another early Quist lead is “Polaroid,” which the guys say was influenced by the Jayhawks and mid-career Beatles. It coasts along on a robust acoustic strum decorated by jangly chiming electric guitar — a pluperfect fusion of pop and roots. Ed Jurdi gets his first lead vocal licks in with “Should Have Known,” a deeply bluesy slow shake that bolsters the regret of the song. Colin Brooks evokes current events and the craziness of modernity with “Enough,” whose mantra-like lyric and mid-tempo groove will have people nodding along in time. Brooks also shines with his lead on “Gravity,” a tour-de-force of forward motion and organ-generated psychedelic colors. Then some bone-rattle percussion ushers in a glowing, single-chord jam ride and a three-part chorus that swells with love.

Fans of the band will note one familiar song here. “Free Again” was written, recorded and released as a single in a blast of energy in the summer of 2010, inspired by the mind-boggling Gulf of Mexico oil spill. It’s sincere and sarcastic, playful and chastising. And it’s part of a Louisiana theme that closes out the album and ties the whole project together. “Hurricane,” the album’s lone cover, a Nashville-written tune from an old Levon Helm album, is a poignant portrait of an aging Gulf Coast salt reflecting on storms and eerily anticipating Katrina. And “Gris Gris Satchel,” the final cut, is a gorgeous and soothing acoustic tune that evokes old New Orleans and memories of great Crosby, Stills & Nash tracks.

Like that historic group, the Band of Heathens is distinguished by collaboration and load-sharing. And while songwriting and vocal duties are chiefly handled by the three guys across the front of the stage, they are decidedly a five-man band, benefitting from the equal input of all. This can lead to a lot of deliberation and creative tension. But it also means the music that emerges has been through five filters and enjoyed the collaborative creative power of five music-loving minds. “When I write a song with Ed or Colin, I usually hear it a certain way in my head,” says Quist about the power of the process. “When we bring it in to the band, the song almost always comes out turned on its head, leaning in another direction from where it started.” Music fans nationwide will hear that distilled quality upon the release of Top Hat Crown.

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TOUR DATES:

Thurs., March 3  ANN ARBOR, MI
Fri., March 4  CHAMPAIGN, IL
Sat., March 5  ST LOUIS, MO
Fri., March  11  SAN ANTONIO, TX
Sat., March 12  DALLAS, TX
Tues., March 15  AUSTIN, TX (SXSW)
Sat., March 19  HOUSTON, TX
Tues., March 29   DENVER, CO
Wed., March 30   ASPEN, CO
Thurs., March 31   PARK CITY, UT
Fri., April 1  BOISE, ID
Sat., April 9  SANTA CRUZ, CA
Sun., April 10  SAN FRANCISCO, CA
Mon., April 11  FOLSOM, CA
Tues., April 12   BAKERSFIELD, CA
Wed., April 13   LOS ANGELES, CA
Thurs., April 14  PHOENIX, AZ
Sun., April 17  DRIFTWOOD, TX

The Pink Floyd Experience Performs "Animals" Live!

99.5 The Mountain & Westword are proud to announce that The Pink Floyd Experience will be performing Animals in its entirety, plus other classic Pink Floyd songs, at the Boulder Theater on Thursday, March 24th, 2011.

Without question, Pink Floyd remains one of the most influential rock bands of all time. Their record-breaking status is legendary.  The 1977 concept album Animals was a statement regarding the decline of society of the day.  While making the album did set in motion the discord that would eventually destroy the band, the subsequent tour for this release planted the seeds for what would become The Wall. Now, get ready for THE PINK FLOYD EXPERIENCE as they perform Animals live in its entirety! With an even more spectacular light show than before, full quadraphonic sound and six outstanding musicians dedicated to bringing you the most authentic Floyd experience possible, it’s “a must-see for any Pink Floyd enthusiast!” (C-News, Northampton, MA).

Today, years since their last live performance, Pink Floyd’s appeal continues and spans the generations. Their shows were described as theatrical with mind-blowing lights and unsurpassed sound. The show is not only onstage…it engulfs the audience!  In keeping with this tradition, THE PINK FLOYD EXPERIENCE is a full-on sensory assault – interpretive videos, plane crashes, flying pig, helicopter – it’s all there, LIVE!  This is the show for the ultimate Floyd Fan, and it gets closer to the true Pink Floyd concert experience every year!

In addition to Animals, all of Pink Floyd’s greatest hits are performed live including such favorites as “Money,” “Have A Cigar,” “Time,” “Comfortably Numb,” “Run Like Hell” and many rarities not often heard live.

Some Floyd Facts:  More than 200-million albums have been sold since 1967. Four Grammy nominations in the '70s, '80s, and '90s. They were one of the first bands to use pyrotechnics, video, and light shows in their stage acts. They were inducted into the Rock and Roll Hall of Fame in 1996. ”Dark Side of the Moon” broke all chart records when it stayed on the Billboard Top 200 Album charts for 741 weeks. It stayed there from 1973 to 1988. Nearly 1,000,000 Pink Floyd catalog albums are sold each year worldwide.

Don’t miss out!  THE PINK FLOYD EXPERIENCE.

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Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale Friday December 24th!

$30 adv / $35 dos

LivePhish Limited Released Today

On Sunday June 27, 2010, Phish played their sixth headline show (since 1998) at Merriweather Post Pavilion and the second show of a two-night stand to a hot, sticky summer crowd.  Merriweather Post is a wooden-roofed music amphitheater designed by Frank Gehry with excellent acoustics and a capacity of about 19,000.  The band opened set one with "Walfredo" which includes lyrics about Phish's first visit to the venue opening for Santana in 1992.  This rarity, performed only a half dozen times and for the first time in a decade, began a string of breakouts.  The number two spot featured Bob Marley's "Mellow Mood" (played for the first time since 2003’s IT festival), "Divided Sky" and 2010's first "Tela".  A couple more covers, Clifton Chenier's Bayou swinging "My Soul" and Norman Blake's "Ginseng Sullivan", were clustered mid-set along with "Sample In A Jar."  Set one wrapped up with "Brian And Robert" - bookended by Phish classics "Bathtub Gin" and "Run Like An Antelope", the latter of which contained teases of "Brian And Robert."  Set two was a seamless affair rooted in the show's theme song, "Saw It Again" (also played at Merriweather for the first time since IT).  This playful set hinged on exploratory playing and transitions like "Meatstick" > "Saw It Again" > "Piper" > "Ghost" which, like the rest of the set included deft teases of "Saw It Again".  Phish sealed the fate of this uncommon set by weaving their debut of the Rolling Stones' "Jumpin' Jack Flash" back into "Saw It Again".  The remainder of the show: "Contact", "You Enjoy Myself" (with teases of "Jumpin' Jack Flash") and Jimi Hendrix's "Fire" also included multiple nods to "Saw it Again" among its sonic treasures.

Listen to Meatstick > Saw It Again

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On Saturday July 3, 2010, Phish returned to the Atlanta area for the first time since 2003 to begin the final two-night stand of Leg 1 of their summer tour.  Verizon Wireless Amphitheatre at Encore Park is a general-admission multi-purpose amphitheater with a capacity of about 12,000.  Phish had played this exact date in Atlanta eleven years ago in 1999.  The band kicked off the show with "Character Zero" and the only "Destiny Unbound" of Leg 1, followed by "Rift".  A request from the audience earned a trip to Gamehendge for "McGrupp And The Watchful Hosemasters" before a concentrated "Bathtub Gin" and the year's first "Mountains In The Mist".  The combination of "NICU" > "Gumbo" > "My Sweet One" spotlighted Page (aka "Leon") and Fish, who penned the latter two songs.  Set one concluded with "Stealing Time From The Faulty Plan",  "Strange Design”, the only "Sanity" of summer and "Run Like An Antelope" to close the set.  Set two began with an opening sequence of the The Velvet Underground's "Rock And Roll" > "Prince Caspian” (with a jam that entered "Dave's Energy Guide" territory) > "Tweezer" > "Slave To The Traffic Light".  This sublime Tweezer/Slave combination was featured on LiveBait Vol. 02.  Set two continued with "Bouncing Around The Room" > "Possum" and "Backwards Down The Number Line" > "Harry Hood" > "Loving Cup".  The Encore, "Sleeping Monkey" > "Tweezer Reprise", capped a great first performance at Alpharetta.

Listen to Bathtub Gin

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On Sunday July 4, 2010, Phish celebrated their second Independence Day in the Atlanta area (they played Lakewood Amphitheatre July 3 and 4, 1999).  The second show of a two-night stand and the last show of Summer Leg 1 began appropriately with an A capella performance of "The Star-Spangled Banner" followed by a return to Gamehendge for "Punch You In The Eye" > "Colonel Forbin's Ascent" > "Fly Famous Mockingbird"(narration-free except for Trey pointing out the Mockingbird).  Next came some animal songs in the form of "Camel Walk" and "Ocelot" before a three-song combination of "Heavy Things" > "My Friend, My Friend" > "Lawn Boy" after which the rowdy crowd began to chant "USA, USA."  Set one concluded with "David Bowie" and a fiery "Gotta Jibboo".  After more patriotic chanting by the crowd, Phish kicked off a mostly non-stop set two with "Down With Disease" > "Piper" > "Ghost" > "Waste" > "Julius".  "Mike's Song" > "Tela" was next and was the first and only time in nearly fifteen years that these two songs were paired this way.  After an Independence Day greeting from Trey, the band dropped into the year's only performance of "Harpua".  Trey used his holiday "Harpua" narration to educate Atlanteans and visitors alike about "the history of our country as we know it", pointing out that both the real and alternative history books in schools are full of lies.  Instead, he explained, the nation's true history is to be found within Phish's music.  This rap led perfectly into the band's first and only performance of Rage Against The Machine's "Killing In The Name", sung by Fish with all the spirit of the holiday.  A burst of energy from the crowd acknowledged the message was received.  "Killing in The Name" returned to "Harpua" > "Weekapaug Groove", capping this unique Mike's Groove.  The instrumental "First Tube" filled the Encore slot, closing Leg 1.

Listen to Gotta Jibboo

Mogwai Premieres New Album Track "San Pedro"

Mogwai premiered “San Pedro,” another stellar track from the amazingly titled new album, Hardcore Will Never Die, But You Will, which is set to be released on February 15, 2011 on Sub Pop Records in North America, and through the band’s very own label in the UK, Rock Action Records.

The track “Rano Pano” from the upcoming album will also be released as a 7” single on January 18th via Sub Pop, with the non-album track “Hasenheide” as the B-side. And if you pre-order the album on SubPop.com you get a pair of earplugs, and for anyone that has been to a Mogwai gig knows, this is the perfect accompaniment gift! Rock Action will release “Mexican Grand Prix” as a single on February 7th, along with the non-album b-side “Slight Domestic.”

Check Out the Premiere on Pitchfork or Snag the Download HERE.

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Hardcore Will Never Die, But You Will tracklisting:


White Noise

Mexican Grand Prix

Rano Pano

Death Rays

San Pedro
Letters To The Metro

George Square Thatcher Death Party
How To Be A Werewolf

Too Raging To Cheers

You're Lionel Richie
 


There will also be a Limited Edition version of the album, which includes a bonus CD featuring a 26 minute long piece called "The Singing Mountain," recorded for Douglas Gordon and Olaf Nicolai’s "Monument for Forgotten Future" installation in Essen, Germany. The band will be bringing their awesome live show across the globe, kicking off their world tour with a 5 show stint in their native Scotland before heading out to Japan, Ireland, UK, Europe and US with one-off shows taking place in Tokyo, Japan on February 2nd, with more details to follow. Pre-sale tickets for the bands US tour are available now via mogwai.co.uk.

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North American Tour Dates:

Apr 19: 9.30 Club, Washington DC

Apr 20: Starlight Ballroom, Philadelphia

Apr 21: Webster Hall, New York

Apr 22: Webster Hall, New York

Apr 23: Paradise Rock Club, Boston

Apr 25: Olympia Theater, Montreal

Apr 26: Phoenix Concert Theatre, Toronto

Apr 27: Mr. Smalls Theatre, Pittsburgh

Apr 28: St. Andrews Hall, Detroit

Apr 29: Metro, Chicago

Apr 30: Slowdown, Omaha

May 2: Bluebird Theater, Denver

May 3: In The Venue, Salt Lake City

May 5: Wonder Ballroom, Portland

May 6: Commodore Ballroom, Vancouver

May 7: Showbox at the Market, Seattle

May 9: Regency Ballroom, San Francisco

May 10: Mayan Theater, Los Angeles

May 11: Belly Up Tavern, Solana Beach

May 13: Sunshine Theatre, Albuquerque

May 15: Granada Theatre, Dallas

May 16: Stubbs Waller Creek, Austin

May 17: Warehouse Live, Houston

May 19: Workplay Theater, Birmingham

May 20: Center Stage, Atlanta

The Builders & The Butchers: 'Lullaby' Song Premiere

Today The Builders and the Butchers premiered "Lullaby," the first song off their upcoming third album Dead Reckoning, on My Old Kentucky Blog. The urgent, ominous track can now be heard and downloaded here. Dead Reckoning will be released February 22nd, 2011 on Badman Recording Co.

The Builders will also head out on tour in support of friends Murder By Death early next month. The month-long string of dates begins February 1st at Cosmic Charlie's in Lexington, KY, and wraps up February 20th at The Waiting Room in Omaha, NE, and includes a hometown album release show February 15th at the Wonder Ballroom in Portland, OR.

Dead Reckoning is a bold and dynamic set of 12 tracks, a raucous musical blend that culls from folk, back porch bluegrass, and unplugged blues. Led by Ryan Sollee's fervent vocals and the big drum sound of the deconstructed kit split between Brandon Hafer and Ray Rude, the album ranges from pounding anti-anthems to more subdued, haunting tracks to gospel-tinged laments. Sollee, writing against the backdrop of the recent downturn, found himself relating to and drawing inspiration from American music of the 1930s. The timeless songs on Dead Reckoning follow suit, weaving gothic stories with common threads like absolute good and evil, addiction, religion, and the father and the son. The album was recorded predominantly live over eight days in Portland with the help of Adam Selzer (The Decemberists, M. Ward, She & Him) and engineer Dylan Magierek (Mark Kozelek, Starfucker, Thao Nguyen), in effort to finally capture the unbridled energy of The Builders' renowned live show.

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The Builders and the Butchers tour dates (all in support of Murder By Death):

FEB. 1 LEXINGTON, KY COSMIC CHARLIE'S

FEB. 2 MEMPHIS, TN HI-TONE CAFÉ

FEB. 3 NEW ORLEANS, LA THE PARISH

FEB. 4 DENTON, TX RUBBER GLOVES

FEB. 5 AUSTIN, TX RED 7

FEB. 7 ALBUQUERQUE, NM LOW SPIRITS BAR & STAGE

FEB. 8 TUSCON, AZ PLUSH

FEB. 9 SAN DIEGO, CA THE CASBAH

FEB. 10 COSTA MESA, CA DETROIT BAR

FEB. 11 LOS ANGELES, CA ECHOPLEX

FEB. 12 SAN FRANCISCO, CA BOTTOM OF THE HILL

FEB. 13 SACRAMENTO, CA HARLOW'S NIGHT CLUB

FEB. 15 PORTLAND, OR WONDER BALLROOM

FEB. 16 SEATTLE, WA TRACTOR TAVERN

FEB. 17 GARDEN CITY, ID VISUAL COLLECTIVE ARTS

FEB. 18 SALT LAKE CITY, UT BAR DELUXE

FEB. 19 DENVER, CO BLUEBIRD THEATER

FEB. 20 OMAHA, NE THE WAITING ROOM

Marty Nelson of the original Manhattan Transfer Returns to Performing

It has been more than thirty years since Marty Nelson has performed live.  He returned to the stage last month at Chico’s House of Jazz in Asbury Park, NJ.  His show “A Tribute to Sinatra, plus . . .?” is true to its name. Marty uses his favorite Sinatra hits as the core of his show, but adds many personal touches.

Marty explains how he started as a teenager with the original Manhattan Transfer (Capitol Records) and then went on to produce for Lifesong Records, and eventually became a New York City freelance studio singer.  He performed and recorded with artists that ranged from Frank Sinatra to The Village People to Leonard Bernstein.  He also sang on more than 1,000 national radio and TV commercials – and this is where the “plus . . .” of his show’s title comes into play. Marty was often asked to do solos on commercials that called for a Sinatra “sound,” and he not only gives the audience tasteful renditions of many classic pop/jazz songs, but he also sings some of his better known commercials.  (The audience really enjoyed hearing these memorable jingles.)

As the show develops, Marty reveals more of his creative side with original arrangements of “Black Magic” (based on the Billy Daniels hit) and a version of Minnie the Moocher that features an extended vocal scat where he takes the audience on an improvisational journey, touching on classic rock hits from the Beatles to Bruce Springsteen and more.  He peppers the show with stories about his experiences in the music business and even does an interactive segment with the audience where he brings a person onstage and does an impromptu scat lesson.

His energy is infectious and his intimate soulful ballad renditions draw you in (especially a marvelous version of “Send in the Clowns” where Marty performs it almost entirely with only stand-up Bass accompaniment).

If you are looking for a Sinatra sound-alike lounge review, you won’t get it here.  But if you want an evening of great music with a touch of fun, you’ll really enjoy Marty Nelson’s show.

Henry Rollins debuts Deerhoof vs. Evil on KCRW this Saturday!

“I am very happy to be able to play Deerhoof's excellent new album Deerhoof vs. Evil in its entirety during my weekly show on 89.9 FM KCRW. A lot of the deejays at KCRW play Deerhoof often, so a new album from them is always welcome. We will play Deerhoof vs. Evil in the second hour of the show, at 7 pm PST on January 8. Tune in if you can.”
Henry Rollins
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Deerhoof upcoming tour dates:
jan 27 - Sacramento, CA - Harlow's (w/ Nervous Cop)
jan 28 - San Francisco, CA - Great American Music Hall (w/ Nervous Cop, Ben Butler and Mousepad)
jan 29 - Los Angeles, CA - Echoplex (w/ Nervous Cop, Ben Butler and Mousepad)
feb 01 - Austin, TX - Mohawk (w/ Nervous Cop, Fingaar Bangaar, Ben Butler and Mousepad)
feb 02 - Dallas, TX - South Side Music Hall (w/ Nervous Cop, Ben Butler and Mousepad, Yann Teirsen)
feb 03 - Memphis, TN - The Hi Tone (w/ Nervous Cop, Ben Butler and Mousepad)
feb 04 - Nashville, TN - Mercy Lounge (w/ Nervous Cop, Ben Butler and Mousepad)
feb 05 - Athens, GA - 40 Watt (w/ Nervous Cop, Ben Butler and Mousepad)
feb 06 - Raleigh, NC - King's (w/ Nervous Cop, Ben Butler and Mousepad)
feb 07 - Washington, DC - 9:30 Club (w/ Nervous Cop, Ben Butler and Mousepad)
feb 08 - Brooklyn, NY - Ridgewood Masonic Temple (w/ Nervous Cop, Buke And Gass, Ben Butler and Mousepad)
feb 10 - Cambridge, MA - Middle East (w/ Nervous Cop, Ben Butler and Mousepad)
feb 11 - Philadelphia, PA - Theatre of Living Arts (w/ Nervous Cop, Ben Butler and Mousepad)
feb 12 - Pittsburgh, PA - Altar (w/ Nervous Cop, Ben Butler and Mousepad)
feb 14 - Pontiac, MI - The Crofoot Ballroom (w/ Nervous Cop, Marco Polio, Ben Butler and Mousepad)
feb 15 - Chicago, IL - Bottom Lounge (w/ Nervous Cop, Ben Butler and Mousepad)
feb 16 - Madison, WI - High Noon Saloon (w/ Nervous Cop, Ben Butler and Mousepad)
feb 17 - Minneapolis, MN - Triple Rock Social Club (w/ Nervous Cop, Ben Butler and Mousepad)
feb 18 - Iowa City, IA - Blue Moose (w/ Ben Butler and Mousepad)
feb 19 - Omaha, NB - Waiting Room (w/ Ben Butler and Mousepad)
feb 21 - Denver, CO - The Marquis (w/ Ben Butler and Mousepad)
feb 25 - Seattle, WA - Neumo's (w/ Special Explosion, Ben Butler and Mousepad)
feb 26 - Portland, OR - Holocene (21+ show w/ Ben Butler and Mousepad)
feb 26 - Portland, OR - Holocene (6pm ALL AGES show! w/ Neal Morgan)
mar 13 - Purchase, NY - SUNY Purchase Student Center
mar 14 - New York, NY - JapanNYC Festival at Le Poisson Rouge (w/ Ichi)
apr 19 - Paris, FR - La Maroquinerie
apr 20 - Belfort, FR - Impetus Festival at Le Poudriere
apr 21 - Metz, FR - Les Trinitaires
apr 22 - Lyon, FR - L'Epicerie Moderne
apr 23 - Lausanne, CH - Impetus Festival @ La Romandie
apr 24 - Schorndorf, DE - Manufaktur
apr 26 - Kortrijk, BE - De Kreun
apr 27 - Amsterdam, NL - Melkweg
apr 28 - Groningen, NL - Vera
apr 30 - Aarhus, DK - Pop Revo Festival at Voxhall
may 01 - Hamburg, DE - Hafenklang
jul 01 - London, UK - Performing Milk Man at Alexandra Palace (w/ The Flaming Lips performing The Soft Bulletin and Dinosaur Jr performing Bug)

SCI Brings Back Winter Carnival

The String Cheese Incident announces today that in 2011 they will be bringing back the always highly anticipated Winter Carnival. Set for Thursday, March 10, Friday, March 11, and Saturday, March 12 at the amazing 1STBANK Center in Broomfield, CO, the three-night run continues the long standing tradition of bringing SCI fans and diverse musical guests to Colorado for a snowy celebration. Joining SCI at Winter Carnival 2011 is British producer/electro-artist Ott, influential bluegrass legends J.D. Crowe & The New South and New Orleans’ premier new-school funk band, Ivan Neville's Dumpstaphunk.

Tickets to Winter Carnival: Pre-sale begins Wednesday, January 12 at 10am MST at www.stringcheeseincident.com, with public on-sale on beginning Saturday, January 15 at 10 am MST at www.tickethorse.com. As a special thank you to the fans, each ticket purchased will include a free MP3 download of that evening’s show from livecheese.com.



The String Cheese Incident community has come to expect a Conscious Alliance Food Drive at SCI events. For Winter Carnival, a 3‐panel event poster will be designed (one panel for each night). As always, the limited edition posters will be made available to concertgoers who contribute 10 non-perishable food items per panel, or 25 items for the complete set. Food collected at Winter Carnival 2011 will benefit the Pine Ridge Reservation in South Dakota. Visit www.consciousallaince.org for more information.

2010 was a remarkable year for The String Cheese Incident, with more than 15 years of touring under their belt the band entered a new phase where select events and special destinations took the place of long stretches on the road. This new touring model was highlighted by sold out stops at Red Rocks Amphitheatre and Horning’s Hideout, and monstrous “Hulaween” Incidents at Hampton Coliseum. 2010 also found SCI launching the acclaimed classic archival series Rhythm of the Road, which kicked-off with the legendary Vol 1: Incident in Atlanta - 11.17.00 show from Atlanta, GA.

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Winter Carnival 2011 Show Details:

Thursday, March 10 @ 7:00pm
with very special guest Ott

Friday, March 11 @ 7:00pm
with very special guest J.D. Crowe & The New South

Saturday, March 12 @ 7:00pm
with very special guest Ivan Neville's Dumpstaphunk

1STBANK Center
11450 Broomfield Lane, Broomfield, CO
Doors at 6:00pm

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Tickets are $55.00 each. SCI Ticketing pre-sale begins Wednesday, January 12 at 10 am MST at www.stringcheeseincident.com. Public on-sale begins Saturday, January 15 at 10 am MST at www.tickethorse.com.

Each ticket purchased will include a free MP3 download of that evening’s show, redeemable at livecheese.com.

“Enhanced Incident” ticket and travel packages are available beginning January 12 at www.stringcheeseincident.com.

Check out Grateful Web interviews with String Cheese Incident's Jason Hann and Michael Travis.

DEAD CENTER at THE BROOKLYN BOWL

The Jam Stampede will perform at their ongoing Dead Center event at Brooklyn Bowl on January 25, 2011.  Michael Falzarano (New Riders, Hot Tuna) and Barry Mitterhoff (Hot Tuna) will join us again after having such a good time last August at the very well received Jerry Garcia Retrospective.

With the help of our good friends Michael and Barry we will again revisit some of the Grateful Dead lore. On this date January 25, 1971, 40 years ago, a very propitious year for the Dead, The NRPS and the Grateful Dead performed at the Seattle Center, Seattle Wash. This was a very common occurrence back at that time and sadly short lived.

In homage to that time and place, Jam Stampede will again mine the Grateful Dead and New Riders catalogue for yet another great Dead Center Show at the Brooklyn Bowl.

Brooklyn Bowl 61 Wythe Avenue Williamsburg Brooklyn NY | Show Date: January 25, 2011