artist

The Greencards' new 'The Brick Album' features Vince Gill, Sam Bush

From the first notes struck together in 2003 through tours with Bob Dylan and Willie Nelson, up to and beyond their fourth studio album in 2009, The Greencards have won steadily escalating acclaim for their multi-dimensional Americana vision. Each step they’ve taken has widened their appeal. Their releases have topped the Billboard Bluegrass charts. In both 2008 (for their Viridian album) and 2010 (for Fascination), they were nominated for Grammy Awards in the “Best Country Instrumental” category. They’ve earned ovations from “newgrass” music devotees at MerleFest and from indie-rock loyalists at Lollapalooza and the Austin City Limits Festival. RollingStone.com noted, “This imported band is creating some of the finest Americana around.”

But this four-piece band, spearheaded by Australians Carol Young and Kym Warner, is interested less in past accomplishments than in looking ahead for new goals to achieve. Produced and engineered by studio veteran Justin Niebank (Vince Gill, Marty Stuart, Keith Urban), The Brick Album on the band’s own Darling Street Records is the first to successfully infuse The Greencards’ eclectic musical references with the excitement they generate onstage.

“We’ve been striving for this since our first record,” says mandolinist Warner. “We recorded totally in one room this time, with very little isolation. It was all about doing the performance now, without going back to add anything later on.”

“What you’re hearing is all one take,” bassist and singer Young adds. “If someone really didn’t like what we’d done, we’d play it all again from the top rather than drop the part in. When you drop in a part, you lose a little bit of the feel. You’ve got to get a run-up to it.”

That immediacy was heightened by the addition of two new members of the group. Tyler Andal, a young fiddle whiz from Tennessee, reinforces both The Greencards’ grounding in roots music and their eagerness to let in the fresh air of newgrass, rock, folk elements, Latin America and much more. “He thinks outside the box,” Warner explains. “We’ve always had a strong rhythmic aspect to our music, and Tyler definitely brings that.”

The other recent arrival, former National Flatpicking Championship winner Carl Miner, excels as a guitarist in that tradition but more importantly applies his virtuosity equally well beyond it. “He’s good at everything,” Warner says. “He’s one of the most versatile musicians, and probably the most consistent, we’ve ever played with. With Tyler and him in the band, everyone is pulling in the same direction.”

Make that “directions.” The Brick Album kicks off with “Make It Out West,” a rhythmically irresistible chant powered by guest artist Sam Bush’s slide mandolin, with lyrics conjuring restless dreams and far horizons. From there the songs take listeners through ever-changing vistas — the Spanish-inflected “Heart Fixer,” whose vocals by Young and guest artist Vince Gill stir memories of Marty Robbins; the slinky, teasing “Mrs. Madness,” written by Warner after a night of watching Bored to Death; the magical “Girl in the Telescope,” which floats like a feather in sunlight; “Tale of KangaRio,” an intimate Brazilian dance of mandolin and guitar; “Loving You Is the Only Way To Fly,” a dreamy evocation of the Louvin and Everly Brothers, the pillars of classic country duet vocals.

There’s much more, but two tracks bear special mention. The wistful “Faded” is a sweetly harmonized tune, so natural that you don’t even notice its unusual 5/4 time signature. Similarly, “Adelaide” is a brisk instrumental, built over a rushing stream of chord changes made accessible by melodies and solos of eloquent coherence.

“As we get older, the more I think about it, the more we want something in music you can cling to,” Warner says. “That comes with melody. What we do on The Brick Album allows us to have something not only on the record but also on our live show. It brings it back to “more than anything, this is about lyrics and harmony.”

It’s also about integrating fans more than ever into the band’s process. The Greencards followed an independent path with The Brick Album, partnering with its followers rather than with record labels to fund its sessions. In exchange for contributing to the “Buy A Brick” project, each donor had his or her name permanently inscribed on a brick within the wall that comprises its cover art.

“The times have changed a lot in the music industry, not so much in the creative side but in business side of making music,” Warner says. “We just wanted to give something unique and special to people, not just by sending them an early copy of the record by putting their names on the artwork. That makes them fully a part of it.”

But it’s the music that makes us all part of this journey. Warner and Young were both steeped in country music; she charted several No. 1 singles in her homeland as a solo artist and he won the Australian National Bluegrass Mandolin Championship for four consecutive years. They moved to Austin, put together the first incarnation of The Greencards there and today call Nashville home.

Along the way, they have picked up some influential fans. Their 2009 release, Fascination, prompted Rosanne Cash to say, “The Greencards are a little island of truth and beauty in a sea of artifice and mediocrity. What a fine group, and what a great collection of songs.” Buddy Miller called it one of the year’s “most inventive discs.”

With this new release, the world becomes more than ever The Greencards’ stage. Their sound defies category, balancing taste and technique, engaging lyrics and melodies and wildly creative arrangements. There may be a wall on The Brick Album’s cover, but the future suggested on these tracks knows no barrier.

Kimock's NYC Residency, New Videos, Wavy Gravy's 75th

Come and listen to the stellar collaborations at Kimock's Spring residency at Sullivan Hall in NYC. Last week featured the legendary pairing of Kimock & NOLA great Henry Butler, along with John Morgan Kimock, Andy Hess and special guests Donna Jean Godchaux and Mark Muller.

DOWNLOAD SHOW

This Wednesday, March 30th, come and listen to Kimock throw down with Marco Benevento, Adam Deitch and Marc Friedman. On April 6th, old friends Pete Sears and John Molo will join Kimock & Andy Hess. Win Tickets HERE. Cool.

Visit kimock.com for more info.

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Kimock will play in a coast-to-coast celebration for Seva co-founder Wavy Gravy's 75th Birthday, as an all-star cast of musicians comes together to honor this beloved humanitarian activist.

Wavy Gravy's 75th Birthday Boogie!
a benefit for Seva Foundation
Saturday, May 14th
Craneway Pavilion, Richmond, CA
Friday, May 27th
Beacon Theater, New York, NY

BUY TICKETS

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On April 8th,,Everyone Orchestra collaborates with Steve Kimock, Kirtan artist Dave Stringer and visual artist Alex Grey for a cross-genre musical celebration of Love, Unity and Expressions of the Sacred. Musicians joining this special EO will be Asher Fulero, Jans Ingber, Steve Berlin, Robin Jackson, Damian Erskine, Julian Fritz and more.

Kimock looks forward to returning to Eugene for another special EO show the following night, Saturday, April 9th at the WOW Hall.

For more information visit www.seva.org/wavygravy

Saxophonist Plunky Releases R&B CD

J. Plunky Branch's new release, Plunky On Fire, is a funk jazz concept album that burns across a wide swath of the urban contemporary music landscape. Plunky On Fire takes us on a musical journey through down-tempo funk jazz; house-tempo dance; R&B love songs; spoken word; smooth mellow jazz; novelty funk; world soul message music; live gig clips and thought leader lecturing, all on one chockfull compact disc.

Saxophonist J. Plunky Branch and his group Plunky & Oneness create musical theater that combines the quirkiness of George Clinton and the musicality of George Duke with the vocal poetics of Jill Scott and Gil Scott Heron. Plunky's words and melodies are crafted over hip-hop influenced instrumental tracks produced by his son, Jamiah “Fire” Branch, hence the double entendre CD title.

The father-son duo has produced an album of 14 new songs that are both retro and ultramodern, a new organic-techno soul music that is jazzy, funky and highly danceable. Two songs are targeted for initial airplay: "On Fire," a hot, sax driven dance instrumental with a vocal hook; and "Inside These Walls" a quiet storm love song featuring Chyp Green on lead vocals.

Released on his own N.A.M.E. Brand Records label, this, Plunky's 25th album, will be available at CDBaby.com and all the most popular online sites, including i-tunes, Rhapsody and Napster. CD’s will be distributed to record stores by Liaison Record Distributors of Maryland. The March 29th release date also kicks off the Plunky & Oneness promotional touring in support of the new CD.

Plunky & Oneness is one of the most versatile and enduring funk jazz groups, having toured in the Mid-Atlantic region of the US, in Europe, Africa and the Caribbean for over 25 years. They have appeared in concert and at festivals with some of the biggest names in Black music, including Earth Wind & Fire, Frankie Beverly & Maze, B.B. King, Patti Labelle, Ray Charles, LL Cool J, Chuck Brown, Wyclef Jean and many others.

Plunky has also been active in music education and arts and culture presentations and some of his insights on aesthetics and African concepts of the groove are presented as interludes on the album. His positive empowerment and political messages are infused in the lyrics of several of the songs as well. He comments, "I just think it’s important to inspire people to reach for their highest aspirations and I believe it can be done while we're having fun; what some call partying with a purpose."

Plunky On Fire presents R&B as art music and this concept extends to the CD cover as well. The original portrait of Plunky on the front was painted by French artist, Dan Brussat; and the inside photograph taken at the Virginia Museum of Fine Arts was shot by the design and layout artist, Danja Mowf. On this album the music and the art are hot like fire…

Web site: www.plunkyone.com CD Link: www.cdbaby.com/cd/plunky

John Hartford Stringband Nominated for Grammy Best Traditional Folk Album

GRAMMY voting is wrapping up for the dozens of nominees in scores of categories, including for John Hartford Stringband’s tribute album to the late, great singer-songwriter, MEMORIES OF JOHN (Red Clay/Compass Records), in Category 68: Best Traditional Folk Album, as February 13 approaches and the 53rd annual GRAMMY Awards presentation in Los Angeles.

In what would be 10 years after his passing in 2001, the same group of musicians who appeared on John Hartford’s last five Rounder Records projects and were his final touring band — Chris Sharp on guitar, Bob Carlin on banjo, Matt Combs on fiddle, Mike Compton on mandolin and Mark Schatz on bass — are eager to win the GRAMMY as further tribute to the banjo wizard, guitar picker, vocalist, musical innovator and multiple GRAMMY Award-winning recording artist who penned the megahit “Gentle on My Mind.” Stringband members were joined on MEMORIES OF JOHN by special guests Tim O’Brien, Bela Fleck, Alison Brown, Alan O’Bryant, George Buckner and Eileen Carson Schatz. The album also features Hartford himself on several previously unreleased tracks as well as voiced instructions to the band from previous rehearsal tapes.

Praxis Collaborate w/ Iggy Pop, Serj Tankian & Mike Patton

On January 25th, the eclectic, experimental hard rock project Praxis will release the latest creation, a bone-crunching new album titled Profanation: Preparation for a Coming Darkness.  The new album finds the trio once again collaborating with various musicians, this time with the spotlight clearly on lead vocalists.  Among them are Iggy Pop, System Of A Downs Serj Tankian, Mike Patton, RAMM:ΣLL:ZΣΣ, Doctor Israel, Wu-Tang protégé Killah Priest and Jamaica-born toaster Hawk.

The US release of Profanation comes with two live bonus tracks not included in the rare, Japan-only import.  The album is also one of the last recordings to feature the gothic futurist RAMM:ΣLL:ZΣΣ, an incredibly multi-talented visual artist, hip hop icon, performance artist, and one of the most unique humans to patrol this planet.

Since 1992, the core members of Praxis – Buckethead (guitars), Bill Laswell (bass), and Brain (drums) – has churned out an eclectic series of albums rooted in aggressive avant-rock improv with slabs of hip-hop, psychedelic, funk thrown in.  On top of that, a constantly morphing army of innovators including John Zorn, Bootsy Collins, Bernie Worrell, Yamantaka Eye(Boredoms), Grandmixer DXT, and scores more have contributed to past Praxis live and studio projects – each one a unique musical experiment.

Click here to listen to "Furies," featuring Iggy Pop.

deadmau5 to release new album '4x4=12' december 6

Anyone that attended a deadmau5 show in North America this year would have experienced electrifying live renderings of material from his first full length artist album 4x4=12, due out December 6 on Ultra Music.  Performing in front of hundreds of thousands at major festivals and venues from coast to coast including Coachella, Bonnaroo, Electric Daisy Carnival, Austin City Limits and Treasure Island to name a few, electronic music’s most talked-about artist and producer unveiled a wide range of new songs to accompany his roof-raising visual show.

With his revolutionary LED mau5head which flashed space scenes and robot smiley faces, deadmau5--at his full production shows and extended sets at his “unhooked” gigs--highlighted his sets with tracks like “Cthulhu Sleeps,” “Some Cords” and the atmospheric track “Raise Your Weapon” featuring Picture Book singer Greta Svabo Bech.

Also included on 4x4=12 is the deadmau5 vs. Wolfgang Gartner collaboration “Animal Rights,” which Beatport described as “…a huge club record that combines the styles of both producers and has been heavily compared to Daft Punk. We here at Beatport welcome the new direction and give it our thumbs up.”

The album’s next single “Sofi Needs A Ladder,” featuring a vivacious delivery by vocalist Sofi, made its live debut this past March at the Ultra Music Festival in Miami where deadmau5 was joined by Sofi and iconic drummer Tommy Lee in front of 50,000 fans and the track has been the opening piece on his current tour. Ultra Music will make it available on October 31.  Other highlights from the album include “One Trick Pony,” which Sofi also appears on, and the Michael Woods remix of “I Said,” a deadmau5 collaboration with U.K. DJ/producer Chris Lake.

In addition to many of the high-profile performances, 2010 has been a spectacular year thus far for the Toronto-based deadmau5.  He served as the MTV Video Music Award’s House Artist in September where Travie McCoy, Jason Derulo, and Robyn performed never-before-heard mau5-mixes of their current hit singles with him during the show.  He also made guest appearances on hit television shows “Gossip Girl” and “CSI: Crime Scene Investigation.” Meanwhile, gaming fans can now find deadmau5 starring as an in-game playable character in Activision Publishing Inc.’s DJ Hero 2. (His smash #1 Billboard single “Ghosts ‘n Stuff”—which appeared on his last mix album For Lack of a Better Name (Ultra Music)—is also included on the game’s soundtrack.)

Recently profiled with a feature in Rolling Stone’s “Hot List” issue, deadmau5 will make his last North American appearances this year with three shows at New York City’s legendary Roseland Ballroom October 28, 29 & 30, the Voodoo Experience in New Orleans October 31 and a New Years Eve show December 31 at the Shaw Conference Center in Edmonton, Canada. The first two nights of his Roseland Ballroom ‘trifecta’ shows will feature his powerful festival show supported by a fantastic cast of guests such as Q-Tip, Busta Rhymes, Erol Alkan, Afrojack and JDH & Dave P.  The final night, for his “unhooked” show, will feature his hit smash “I Remember” collaborator Kaskade as well as Calvin Harris, Pete Tong and Sleepy & Boo. deadmau5 will bring his full production show to Voodoo and his Edmonton ‘Mau5quarade’ NYE night also featuring guests Skrillex, Showtek, Mike De Rosa, Mikey Wong and Seelo Mondo.

In addition to a full album format, Ultra Music is also making 4x4=12 available via the iTunes Complete My Album program which permits single purchases through the digital retailer to apply for the full album when it releases.  Following “Sofi Needs A Latter” on October 31 will be “Some Chords” on November 7, “Right This Second” on November 14, “Bad Selection” on November 21 and “Raise Your Weapon” on November 28.

The complete track listing for 4x4=12 is:

1. Some Chords

2. Sofi Needs a Ladder

3. City In Florida

4. Bad Selection

5. Animal Rights

6. I Said (Michael Woods Remix)

7. Cthulhu Sleeps

8.  Right This Second

9.  Raise Your Weapon

10. One Trick Pony

11. Everything Before

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deadmau5’s North American tour dates for the remainder of 2010 are:

Thu      10/28   New York, NY              Roseland Ballroom (Full)

Fri        10/29   New York, NY              Roseland Ballroom (Full) – Sold out

Sat       10/30   New York, NY              Roseland Ballroom (Unhooked) – Sold out

Sun      10/31   New Orleans, LA         Voodoo Experience (Full)

Fri        12/31   Edmonton, CANADA   Shaw Conference Center (Full)

THE DEFINITIVE DAVE BRUBECK

Over the course of seven decades, Dave Brubeck has become one of the most iconic and influential figures in all of jazz. In that time, the pianist/composer/bandleader continually has defied conventions and preconceptions by grafting elements of numerous styles — classical, Latin, pop and more — into a solid and unwavering jazz foundation and creating a musical hybrid that still is deeply rooted in the jazz tradition. While his 1959 opus, Time Out, is considered a landmark recording, it represents only the tip of the iceberg that is Brubeck’s massive and enduring body of recorded work.

Concord Music Group provides a sweeping look at that body of work in The Definitive Dave Brubeck on Fantasy, Concord Jazz and Telarc. The ambitious two-disc collection — the latest in CMG’s ongoing Definitive series — assembles some of Brubeck’s earliest session work from the 1940s as well as some of his more recent recordings from the past few decades. The Definitive Dave Brubeck is set for release on November 16, 2010, in celebration of the music icon’s 90th birthday on December 6.

The collection’s comprehensive liner notes — written by music journalist and historian Ashley Kahn and based on a recent interview with Russell Gloyd, Brubeck’s manager/producer/conductor of more than 30 years — carefully parse out each of the 26 tracks in the set and the relationship between the two distinct periods represented on each disc. Disc 1 chronicles the Fantasy years, from the very beginning of Fantasy Records in the 1940s to the end of 1953, when Brubeck still was learning, absorbing, experimenting and recording mostly standards and other jazz repertoire — already proving himself to be a top-tier musician and bandleader. Disc 2 follows the artist from the 1980s to the early years of the 21st century, performing many of his own compositions, still exploring and creating vibrant music.

“The link between these two discs is one of consistency,” says Gloyd, producer of The Definitive Dave Brubeck collection. “Most of the elements of Disc 2 — melodic ideas and musical innovations, the choice of songs and sidemen — can be traced back to Disc 1, especially with the early Trio recordings.”

Regardless of where one lands on the continuum of Brubeck’s career, the exploratory nature of his approach to music remains constant. “Whether it’s his earliest recordings or his more recent releases, Brubeck is consistently probing, curious and inventive,” says Nick Phillips, Concord Music Group’s Vice President of Jazz and Catalog A&R and director of Concord’s Definitive series. “He’s a rare artist who has never put up barriers between genres. Here you have someone who was studying classical music and classical composition in a conservatory setting, but ultimately decided to become a jazz artist. That, however, didn’t mean he’d put up a wall between jazz and classical, or jazz and Latin, or what have you.”

As one example, Russell Gloyd cites Brubeck’s Trio recording of “How High the Moon”:  “Note that Dave cut this right at the height of bop but took it in a completely different direction, recording counterpoint for the first time and winding up closing in the style of a Bach chorale.”  Another example, more than three decades later, is Brubeck’s recording of “Take Five” live in the Soviet Union, in which he quotes the theme from the first movement of Shostakovich’s Fifth Symphony in his piano improvisation.

The juxtaposition of the early and recent recordings within a single collection highlights what Kahn calls the “scripted quality” to the Dave Brubeck story, “as if some master novelist sketched out the narrative in advance. There’s hardly a wasted step or a creative dead-end in his career; early decisions and musical forays consistently predicted or prepared Brubeck for what followed . . . To recognize this aspect of Brubeck’s career is to grasp the idea that serves as the foundation for this collection: the first time the earliest echoes of his musical genius have been combined with his best recordings of recent years.”  Indeed, it makes for a most fitting celebration of the 90th anniversary of the legendary artist’s birth.

On Monday, December 6th, Turner Classic Movies (TCM) will also celebrate Brubeck’s birthday with the premiere of Dave Brubeck: In His Own Sweet Way, a new documentary executive-produced by Clint Eastwood and narrated by TCM Essentials co-host Alec Baldwin. Directed by Bruce Ricker, the film features perceptive interviews with such well known luminaries as George Lucas, Sting, Wynton Marsalis and Bill Cosby and performances by Keith Emerson, Yo-Yo Ma and David Benoit.

For all of the insight provided by The Definitive Brubeck, the story is far from over.  Unimpeded by the approach of his 90th birthday in early December, Brubeck continues to follow the narrative. “He has always been, and continues to be, a restlessly creative artist,” says Gloyd.

TRACK LIST:

Disc 1
I Found a New Baby
The Way You Look Tonight
(Back Home Again In) Indiana
Laura
Singin’ in the Rain
That Old Black Magic
Sweet Georgia Brown
Perfidia
Avalon
How High the Moon
Look for the Silver Lining
This Can’t Be Love
My Romance
Lulu’s Back in Town
Over the Rainbow
How High the Moon
All the Things You Are

Disc 2

Koto Song
Black and Blue
St. Louis Blues
Take Five
(Variations On) Brother, Can You Spare a Dime?
Here Comes McBride
Waltzing
Day After Day
Forty Days

Kyle Park To Release FALL EP on September 21

Country singer Kyle Park, who believes his fans deserve more than one album every 12 months, will release on September 21 his second EP this year that will ultimately become the foundation of a full-length album he will release in 2011.

The featured single from Park’s FALL EP is “All Night,” a love song with smart lyrics about how long it might take to heal a broken heart, with or without a new paramour. Again, Park’s pure country voice and pure country vibe shine through in his modern country, “rock with a twang” style.

Park spent the year touring, and he will continue on the road behind the new release. The recording artist routinely plays 200 shows a year in venues, music festivals and intimate honky-tonks, in all corners of the Lone Star State.

As Robert K. Oermann of MusicRow advises, “Lend him your ears.”

For MP3s and more, visit http://www.mcguckinpr.com. Also see www.kyleparkmusic.com.

The Fabulous Thunderbirds to play Greeley Blues Festival

For over thirty years, The Fabulous Thunderbirds have been the quintessential American band. The group's distinctive and powerful sound, influenced by a diversity of musical styles, manifested itself into a unique musical hybrid via such barnburners as “Tuff Enuff” and “Wrap It Up.”

Founding member Kim Wilson spearheads the group as it evolves into its newest incarnation. “We started as a straight blues band.” vocalist and harmonica player Wilson says. “We now incorporate a mixture of a lot of different styles. We're an American music band and we're higher energy than ever before.” The Fabulous Thunderbirds features Jay Moeller on drums, Johnny Moeller and Mike Keller on guitar, and Randy Bermudes on bass.


Wilson’s musical talents have garnered him multiple Blues Awards and Grammy Nominations. The Blues Foundation 2008 blues Music Awards named Wilson "Instrumentalist - Harmonica" category.  In 2006, he was named “Contemporary Blues Male Artist of the Year” in 2006, and “Lookin’ for Trouble!” was named Blues Song of the Year in 2004. Wilson has contributed to the work of many other great artists such as the legendary Muddy Waters (who called him his “son”), contemporary artist Bonnie Raitt, guitar legends Stevie Ray Vaughn and brother Jimmy Vaughn, and Martin Scorsese’s movie “The Blues." With his current movie project “Cadillac Records,” Wilson continues to focus on the music he loves.

With over 20 albums recorded and millions sold, Kim Wilson and The Fabulous Thunderbirds tour the world performing their own unique style of music. Ranging from pop anthems like “Powerful Stuff” which was featured in the Tom Cruise movie “Cocktail," to the low down blues of "Chicago," this brand of honest music brings fans back time and again.

Having shared the stage with The Rolling Stones, Joe Cocker, Carlos Santana and blues legends BB King and Buddy Guy and countless others, The Fabulous Thunderbirds continue to tour Europe and the North America, bringing more great music to their fans worldwide.



The Fabulous Thunderbirds will be playing the Greeley Blues Festival, at the Island Grove Arena, 425 North 15th Ave., in Greeley, on June 12 at  7:25 PM.



The Festival runs June 11 and 12, and tickets are  $25 in advance, $30 at the gate.  There are also limited prefered seating passes available for $50. Children under 12 are admitted for free.  For more information, please call 970-356-5000. Call the Chamber at 800-449-3866 for booster packet phone orders.  The web site is http://greeleybluesjam.wordpress.com/.

Boulder Theater welcomes Angelique Kidjo

Angelique Kidjo digs into her roots with her new Razor & Tie release, Oyo. Roots that reach far beyond her West African homeland of Benin, because Grammy Award winning singer, dancer and songwriter Kidjo is a definitive 21st century world artist. Her art roves across boundaries, genres and ethnicities, finding the connections that link musical forms from every part of the world,while still bonding closely with her own traditions.

The songs on Oyo, embrace rhythm & blues, soul music, jazz,and Beniese melodies, as well as four of her own original works. Featuring her unique interpretations of songs from artists as diverse as James Brown, Otis Redding, Miriam Makeba, and Santana and including guests John Legend, Bono, Roy Hargrove and Dianne Reeves. Oyo is a truly diverse collection reflecting the music that inspired Angelique growing up.

Born in Benin (West Africa), Angelique Kidjo is a Grammy award-winning music recording artist deemed "Africa's premier diva" by Time Magazine. Kidjo's internationally acclaimed repertoire includes collaborations with various recording artists such as Carlos Santana, Peter Gabriel, Alicia Keys, Josh Groban, Branford Marsalis, Joss Stone, and many more. Known for her dynamic and uplifting music, she has translated her distinctive work in the arts to that of philanthropy; by promoting education for girls in Africa through her foundation, Batonga and as a UNICEF Goodwill ambassador Kidjo travels the world to inspire and empower.

Like Miriam Makeba was before her, Kidjo is the continent's most internationally celebrated female musical exponent. And yet, the GRAMMY-winning artist has lived outside Africa for more than two decades. She currently resides in New York City, where she is an exceptionally active member of the music scene, and she reaches people around the world with her recordings, tours and philanthropic work.
Friday June 18
97.3 KBCO & Westword present
Angelique Kidjo
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Tickets are on sale through the Boulder Theater box office | Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030