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DEAD CENTER at THE BROOKLYN BOWL

The Jam Stampede will perform at their ongoing Dead Center event at Brooklyn Bowl on January 25, 2011.  Michael Falzarano (New Riders, Hot Tuna) and Barry Mitterhoff (Hot Tuna) will join us again after having such a good time last August at the very well received Jerry Garcia Retrospective.

With the help of our good friends Michael and Barry we will again revisit some of the Grateful Dead lore. On this date January 25, 1971, 40 years ago, a very propitious year for the Dead, The NRPS and the Grateful Dead performed at the Seattle Center, Seattle Wash. This was a very common occurrence back at that time and sadly short lived.

In homage to that time and place, Jam Stampede will again mine the Grateful Dead and New Riders catalogue for yet another great Dead Center Show at the Brooklyn Bowl.

Brooklyn Bowl 61 Wythe Avenue Williamsburg Brooklyn NY | Show Date: January 25, 2011

Tyler Ramsey: A Long Dream About Swimming Across The Sea

Tyler Ramsey's sophomore album A Long Dream About Swimming Across The Sea was re-released today, January 4th, 2011, via Brown Records/Fat Possum.

A well-established and praised figure in the burgeoning Asheville music scene, Ramsey - who joined Band Of Horses as guitarist in fall 2007 - wrote A Long Dream About Swimming Across The Sea while living in a log cabin in Swannanoa, NC, in late 2006-7. Recorded at Asheville's Echo Mountain Studios with the help of Bill Reynolds (also of Band Of Horses; who's worked with The Avett Brothers and Lissie) and Danny Kadar (My Morning Jacket, Band Of Horses, Grizzly Bear), the album is a collection of haunting and atmospheric songs that exude a markedly fluid, easy grace.

Ramsey's warm vocals and intricate finger-picked guitar playing lead the way throughout A Long Dream About Swimming Across The Sea, the expressive guitar lines often telling as much of a story as the lyrics. "A Long Dream" opens with a rolling and ruminative cadence, while the ethereal "Night Time" and the gorgeously languid "Once In Your Life" rise to gentle and varied crescendos. Other standout tracks include the bluesy waltz of "No One Goes Out," the elaborately layered instrumental "Birdwings," and the mesmerizing, strings-laced "When I Wake," each song reinforcing the album's fine, hypnotic brilliance. Championed by NPR (World Café - "Heartwarming, delicate, and comforting, Tyler Ramsey's music showcases a thoughtful approach to his craft."), Stereogum ('Artist To Watch'), WNYC's Soundcheck, and Popmatters, among others, A Long Dream About Swimming Across The Sea was originally released by Echo Mountain Records in 2008.

Ramsey is currently working on a follow-up album to be released later this year. He will also head overseas for a Band Of Horses tour at the end of the month that will run through February.

Track listing for A Long Dream About Swimming Across The Sea:


  1. A Long Dream
  2. Ships
  3. Night Time
  4. Once In Your Life
  5. Chinese New Year
  6. No One Goes Out
  7. Birdwings
  8. These Days
  9. When I Wake
  10. Iris
  11. Worried
  12. Please Stop Time
  13. Waves

JANE IRA BLOOM at Cornelia Street Café

Whether adventuring into interior or outer space in her music, award winning soprano saxophonist Jane Ira Bloom continues to navigate her unique musical path with creative abandon. Wingwalker, her 14th album as leader and fourth album on the Outline label reunites Bloom with long-time bandmates Dawn Clement on piano, bassist Mark Helias, and drummer Bobby Previte.  After two years since Bloom’s last release “Mental Weather,” she brought the band together in June 2010 to record new compositions written during time made possible by a Guggenheim Fellowship. Wingwalker was recorded in Avatar Studio B in New York City with renowned audio engineer Jim Anderson. The album features eleven Bloom originals and a solo sax rendition of Lerner & Lowe’s classic “I Could Have Danced All Night.”  From the groove inspired “Life on Cloud 8” to the spare simplicity of “Adjusting to Midnight,” Jane has journeyed further into jazz dimensions without a safety net. The CD also features an extra mp3 downloadable version of the music condensed into a 5 minute 49 second event.

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Jane Ira Bloom at Cornelia Street Cafe | 1/23/2011

CORNELIA STREET CAFE
29 Cornelia St.   Greenwich Village, NY
tel # 212 989-9319 | Admission: $10 cover

Nathan Moore To Release 'Dear Puppeteer' Feb. 1

Nathan Moore has announced the release of Dear Puppeteer, his latest collection of songs, due February 1 on Royal Potato Family. The Staunton, Virginia-based singer and songwriter recorded the album around his home in the Shenandoah Valley with co-producer and guitarist Bryan Elijah Smith, as well as, out West at his previous Santa Fe, New Mexico stomping grounds, Frogville Studios.

Dear Puppeteer could best be described as a letter in 13 songs from Nathan Moore to the puppet masters: fear, mortality, the righteous, the jailor, lost love and lost time. On the title track, Moore sings: “Gonna write a letter, dear puppeteer, I don’t want to play here, I don’t wanna stay here." From this simple plea it's apparent that a restless spirit is at work. Nathan's warm fingerpicked acoustic guitar, ghostly harmonica gales, ancient ukulele meditations and tobacco-stained vocals are inhabited by a poet seeking something better, while giving song to the human condition in all of its beauty and sadness.

A crowning achievement from one of this generation's most prolific songwriters, Dear Puppeteer is Nathan Moore's ninth studio album to date. It follows 2009's well-received EP, Folk Singer, which led Paste Magazine to write, "The sharp, introspective lyrics of Nathan Moore draw an instant connection to the great folk singers of the past." The UK's Maverick Magazine said, "Many have come and many have tried, but we may finally have a storytelling successor to Dylan, Van Zandt and Cash." Moore, who first came to national attention as a founding member of ThaMuseMeant, also currently fronts the revered American rock band Surprise Me Mr. Davis.

Check out some coverage of Nathan Moore on The Grateful Web. | Stream debut track "Hollow" here

Dear Puppeteer track listing:

1. Like A Cartoon

2. Safe To Say

3. Dear Puppeteer

4. In The Basement

5. A Little Crazy

6. I'm The Same

7. The Garden

8. Hollow

9. Can't Fly To Heaven

10. When My Time Comes

11. Train Of Thoughts

12. Choose Thy Love

13. I'm Good Company

Blix Street Records To Release "Simply Eva" by Eva Cassidy

She left us way too soon, in November of 1996, but Eva Cassidy's voice has continued to resonate with fans around the world since the music she left behind began to be released two years after her passing from melanoma at the age of 33.On January 25, 2011, independent Blix Street Records will release SIMPLY EVA, a collection of 12 acoustic versions of songs with which she has been associated, all previously-unheard guitar and vocal only performances.

This "Eva only" collection showcases Cassidy's extraordinary voice and superb guitar work as well as her unusual arrangements of sometimes familiar material to create a new and different listening experience for even the most devoted fans of her music. Whether it's her spare interpretation of Christine McVie's "Songbird," (which was the title cut of the initial breakthrough 1998 compilation from the Cassidy canon), the bluesy stylings of "People Get Ready" or the folk versions of "Wayfaring Stranger" and "Wade In The Water," it's Cassidy's voice that is front and center, unadorned. The new version of Paul Simon's "Kathy's Song" is extended to include three additional verses that did not appear on the previously released version.

In addition to including Eva's previously unreleased, re-defining version of "San Francisco Bay Blues," SIMPLY EVA is the first album to include the Blues Alley guitar/vocal performance of "Over The Rainbow" from the Rainbow video that triggered Eva Cassidy's rise to the top of the British Pop Charts in March, 2001. Recorded five years after the 1991 version heard on SONGBIRD (which country superstar Martina McBride recently cited among her favorite recordings on the ABC News Nightline "Playlist" feature, saying "I never get tired of it"), the included fully evolved version literally redefined this all-time number one popular song (according to a BBC radio poll). Other songs include "True Colors," "Who Knows Where the Time Goes," "Time After Time," "Autumn Leaves" and Eva's a cappella performance of "I Know You By Heart."

Blix Street President Bill Straw compiled the selections for SIMPLY EVA after initially searching the archives for a possible holiday track. "In doing so," he writes in the liner notes, "I literally heard Eva for the first time, again. That I was hearing the same songs in a different way actually added to my sense of re-discovery."

A special by-product of his quest was the discovery of a Cassidy rendition of "Silent Night," which has just been made available via iTunes and other digital outlets in time for the holiday season. Recorded in 1988, Eva's performance of the traditional Christmas classic is destined to become a holiday staple for years to come. It will be included on the iTunes digital download version of SIMPLY EVA as a bonus track when the album becomes available.

Born in Washington, DC, Eva Cassidy recorded and performed in the area for several years until her untimely death. She left behind a small, but impeccable body of recordings that have been meticulously curated and compiled by Blix Street Records with the support of her parents, Barbara and Hugh Cassidy.

In April, 1998, Blix Street posthumously released SONGBIRD, a collection chosen primarily from two other Cassidy albums, LIVE AT BLUES ALLEY and EVA BY HEART. It featured Eva's unqualified signature performance of "Over the Rainbow" as well as Sting's "Fields of Gold." Later that same year, Blix Street also released LIVE AT BLUES ALLEY and EVA BY HEART, the first national exposure for both albums, followed in May, 2000 by TIME AFTER TIME, a new compilation selected from her unreleased material.

But it was in 2001 that Eva Cassidy became an "overnight sensation" when the SONGBIRD compilation reached No.1 on the British charts. By the end of that year, the album had been certified triple-platinum in England (for sales of more than 900,000 sold) and gold in the U.S. (more than 500,000 units); the album, now six times platinum in England and platinum in the U.S., eventually hit No. 1 on Billboard's Internet Albums chart and topped the publication's Pop Catalog survey for 32 weeks. IMAGINE also hit No. 1 on the British charts in 2002 and commandeered the top slot on Billboard's Independent Albums chart. AMERICAN TUNE, another No. 1 in England in 2003, ultimately made it to No. 4 on Billboard's Independent Albums chart. WONDERFUL WORLD, a compilation of tracks from all the previous albums other than SONGBIRD, came out in 2004. SOMEWHERE, a collection that included two songs co-written by Cassidy as well as impressive covers, was released in 2008.

SIMPLY EVA now joins this classic catalogue that has already sold more than eight million CDs around the world.

Kristy Lee in the Bowery | 12/2/2010

Not to be confused with American Idol’s Kristy Lee Cook, Kristy Lee says she’s the real deal. Indeed, she is.

Albert King/Stevie Ray Vaughan on PBS

PBS has announced that the Albert King with Stevie Ray VaughanIn Session program will air as a special on its stations  throughout the month of December (check local listings). Grammy Award winning bluesman Robert Cray will serve as special fundraising host on the public television broadcasts.

In 1983, when legendary blues guitarist Albert King, then age 60, was joined by his disciple Stevie Ray Vaughan, then age 29, on a Canadian sound stage for the live music TV series In Session, magic took place.  Albert King with Stevie Ray Vaughan In Session is not simply a television program: it’s a summit of two master musicians. The only known recording of King and Vaughan performing together, this is the concert that blues fans in general, and Stevie Ray Vaughan fans in particular, have been waiting for.

The audio recording of the performance went on to sell more than 325,000 units from two releases: the first in 1999, the second in 2009. On November 9, 2010, Stax Records, a division of Concord Music Group, released In Session as both a DVD and a deluxe DVD/CD combination.

SonicBoomers.com noted: “Both men are gone now, but rare recordings like In Session remind us of a time when blues giants still walked the earth side by side.”

"As a document of what was probably the greatest night in the musical life of SRV (Stevie Ray Vaughan), this belongs in the collection of every true fan,” said the Austin American-Statesman.  Musicologist Samuel Charters says in his new liner notes for the package, “it’s also clear, nearly 20 years later, that this was a special moment in the careers of each of the two men.  It was evident from the first choruses that they were playing for each other. And that was the best audience either of them could ever have.”

An hour and 45 minutes, approximately, was taped of the two. What will thrill viewers who are fans of the blues, players of the blues, and who adore SRV, is that the televised concert includes at least one SRV tune — “Texas Flood” — that was not included on either of the two CD releases of the session.

The innovative Canadian television series was conceived with the intention of pairing musicians who were related stylistically, but seldom had an opportunity to play together. Albert King wasn’t sure whom he’d been booked to jam with on December 6, but he recognized the young Texan immediately — not as fast-rising star Stevie Ray Vaughan, but as Little Stevie, the skinny kid who’d been coming around and eventually sitting in every time Albert passed through Austin.

Stevie idolized Albert, as did many other “modern” electric axe-men. Albert may have been overshadowed by B.B., but Jimi Hendrix, Keith Richards, Eric Clapton, Robbie Robertson, Mick Taylor, and Joe Walsh — all of them listened to him, listened again and again, and were heavily influenced by his style.

At the time of the taping, the buzz may have been around Stevie, but Albert was clearly in charge of the music.  Earlier in the year, in May, David Bowie’s “Let’s Dance” featuring Stevie at his blistering Albert King-inspired best, hit the top of the Billboard pop singles chart; in June, SRV’s debut album Texas Flood came out, and MTV put “Pride and Joy” into their rotation. He never looked back.

During their performance, Albert ruled over the proceedings like a benevolent father, retaining control while allowing his guest loads of solo space in which to display his awesome command of the electric guitar.  The interplay between the two blues masters is uncannily empathetic, and Albert’s fans will find special pleasure in hearing him play rhythm parts at such length.  Aside from SRV’s two vocals — “Pride and Joy” and “Texas Flood” — all the other tunes are from Albert’s repertoire.  Viewers have the ineffable treat of seeing Albert King perform “Born Under a Bad Sign,” his trademark blues hit, as well as “Call It Stormy Monday.”

Sadly, King and Vaughan would not share a stage together ever again. Vaughan, 31 years King’s junior, died in a helicopter crash in the fog on the way back from a concert in 1990. King outlived him by two years, dying of a heart attack in 1992. They didn’t meet often, and their careers took different paths. But we can all be grateful for that one long day in a television studio when sparks flew and this timeless performance was forever captured.

The PBS special Albert King with Stevie Ray VaughanIn Session contains the following songs: “Born Under a Bad Sign,” “Call It Stormy Monday,” “Texas Flood,” “Pride and Joy,” “Match Box Blues,” and “Don’t Lie to Me.”

Medeski, Martin & Wood @ the Boulder Theater

97.3 KBCO & Boulder Weekly are proud to present Medeski, Martin & Wood at the Boulder Theater on Friday, March 4th, 2011.

Somewhere, someplace, someone is debating the future of live and recorded music, speaking in somber tones of changes that have made it difficult to reach consumers, of technologies that have changed society, and of the lack of creativity found in the arts. But in a small but impressive microcosm of the universe known as Medeski Martin & Wood, creativity is alive, flourishing, and filled with outlets for growth and expansion. And somewhere, whatever gods of music there might be are smiling.

Medeski Martin and Wood's story is - like most great stories - one of humble beginnings, friendship, determination, a happy ending and a very bright future.

The trio of keyboard/organ/piano player John Medeski, drummer/percussionist Billy Martin, and bassist Chris Wood formed not in some vastly creative alternate universe, but rather in the neighborhood of Brooklyn, New York, known as D.U.M.B.O. (Down Under the Manhattan Bridge Overpass) in 1991. Medeski and Wood, students at Boston's prestigious New England Conservatory of Music, decided to move to New York City, with intent to explore the late-night underworld of the city's burgeoning jazz scene.


John Medeski, Billy Martin, and Chris Wood were looking to create music that reflected who they were, individually and collectively. The trio began experimenting with contemporary hip-hop beats that could swing as hard as jazz rhythms, yet remained essentially simple and propulsive, giving the musicians ample room to create hypnotic textures and sounds that were brimming with both improvisation and harmony. "In the beginning, as it is now, we went by gut instinct," says Wood. "We have a natural connection between us, as people and as musicians, and we just let things flow in whatever direction they went."

Gigs turned into multiple engagements, dates at small clubs led to performances at legendary New York City downtown hotspots like the Village Gate and the Knitting Factory, and soon the band was packed into Billy's van, traveling up and down the North Eastern United States. The next step was a natural one for any band - capture the music for posterity - and so MMW recorded their debut, "Notes From The Underground," which they released independently on hap-jones records in early 1991.

More gigs followed, and soon it was time for another release. This time, Medeski Martin & Wood inked a deal with Gramavision, a larger but still independent label that afforded them substantial freedom to create music the way they felt it should be played. In the summer of 1993 they released "It's A Jungle In Here," purchased an R/V, and hit the road for nearly half a year.

Communal, on-the-road living has broken up many bands, but true-to-form, MMW thrived in this potentially treacherous situation. Their secret was a unique combination of individual personalities, with each band member taking on additional roles that suited their own aptitudes and interests. As always, nothing was planned out; it just happened.

John, with his love for cooking, was the band's chef, preparing incredible meals that made life on the road more bearable. Billy, who worked well with his hands, could fix anything up to and including the band's RV. And Chris, with his head for business, took care of the group's accounting. As it was with the music, Medeski Martin & Wood balanced each other out perfectly.

"We have a certain chemistry between us, musically," says Martin, "and in addition to that we have a strong friendship that goes beyond the music. Even when we have ups and downs, the music and our friendship carries us through."

1994 saw the release of "Friday Afternoon in the Universe," and by 1995 it seemed like MMW was truly touring the universe, as their concert itinerary spread out and around the entire United States, and into Europe and Japan. In 1996, the band released their final Gramavision disc, "Shack-Man," which they celebrated with an 8-week Monday night residency at New York's Knitting Factory.

With much fanfare, the band then signed with another record label - the legendary jazz imprint Blue Note Records. At the turn of the new millennium, they released their all-acoustic album "Tonic," named for the Lower East Side club (and former kosher winery) where it was recorded. The band's affiliation with Blue Note resulted in three discs (plus a best-of set), and found them again pushing their sonic boundaries, incorporating percussionists, horn sections, and turntables into their already potent sound.

Which brings us to the here-and-now. Medeski Martin & Wood are no longer signed to anyone else's record label; they have come full circle by establishing their own label, Indirecto Records, as an outlet for their music. Which, quite happily, brings them neatly back to the way they did things in their formative years. Releasing their own music, their own way, in its own time.

The trio's first Indirecto release, "Out Louder," is a four-way collaboration with guitarist John Scofield, which true-to-form is heavy on group improvisation, irresistible grooves, rich harmonies, and strong melodies. While nothing definite is planned - as always, the band are taking each day and each opportunity as they come - it is possible that "Out Louder" could be the first in a series of independently-released projects that Medeski Martin & Wood will do in collaboration with other artists.

"By having our own label, we can make music however we want, and make as much as we want," explains Medeski. "In the history of man, recorded music is just a blink of the eye, just a small part of that vast history. The real thing is playing music live, and that is what we do. Beyond that, we'll be putting out recordings as often or as infrequently as we want."

The band also plan another first - a disc of children's music titled "Let's Go Everywhere" - set for release in early 2007 on the Little Monster/V2 label that promises to be as engaging for their established fan base as it is for the kids. "It's got everything, instrumentals, vocal songs, our kids are singing on it" says Wood.

Plus, there are the usual side projects going on, creative outlets which all three band members say serve to strengthen and add to the sound of the trio when they converge. Chris Wood plays frequently with his brother Oliver in The Wood Brothers, a rootsy, folk-and-blues, guitar and bass duo that serves as an outlet for both brothers' songwriting and vocal skills.

Billy Martin runs his own record label, releasing new and vintage recordings with a focus on percussion-based music. Amongst his releases is a three volume set of his own drum beats, and a percussion instruction book, focusing on bell and clave patterns found in Afro-Caribbean music, and featuring musical notation that Martin designed himself.

John Medeski, well, he is involved in a multitude of musical projects, from solo piano recitals to sideman gigs to leading or co-leading large and small bands. John has also lent his production skills to recordings by musical associates and friends, and has become involved in scoring films, including the acclaimed film Day on Fire which he scored and has a cameo appearance in.

A happy ending and a bright future, indeed. Medeski Martin and Wood live in our world, playing music that reflects their surroundings and communities. At the same time, they are a small world unto themselves, where creativity and spontaneity are honored, revered, and encouraged. And the world-at-large is a much better place for it

Read Grateful Web's interview with the Wood Brothers.

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Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale Friday December 3rd!

$32 adv / $34 dos / + $2.00 for under 21+ ticket buyers

Bear In Heaven on Tour Now

Bear In Heaven are tearing it up one last time for 2010.  If you haven't seen them yet, this is a show that needs to be experienced.  Joining them along the way for their last US tour for the year, are Lower Dens, Twin Shadow, Sun Airway and Cloudland Canyon.  And just for fun the band have released yet another stellar remix, this time coming from UK band Tropics for the standout track "You Do You."

“Sometimes somebody will come along and amaze you, Tropics amazed us," said Bear In Heaven's Jon Philpot. "They opened up our song “You Do You” like the retractable roof of an arena. It’s slow and bumping. It’s kinda like Phil Collins."

Bear In Heaven's double LP Beast Rest Forth Mouth and special remix LP featuring The Field, Studio, High Places, Justin K. Broadrick (a.k.a. Jesu), & More is available now through Hometapes.

The remix LP has already recieved RAVE reviews in the UK, with the BBC calling it an "absorbing reinvention". In a time where remixes are as common as singles themselves, this is a band who have crafted their already dynamic sound and taken it to an exciting new level.

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US Fall Tour Dates:

11/13 Baton Rouge, LA – Spanish Moon*^

11/14 - Atlanta - The Earl*^

11/16 Charlottesville, VA – The Southern*#^

11/17 Philadelphia, PA – Johnny Brenda’s*#

11/18 Cambridge, MA – Middle East Downstairs*#

11/19 Brooklyn, NY – Music Hall of Williamsburg*#

2/04 - Alexandria Street, Fortitude Valley - Brisbane, QLD

2/05 - Footscray Community Arts Centre - Melbourne, VIC

2/06 - Sydney College of the Arts - Sydney, NSW

2/11 - Fowler’s Live - Adelaide, SA

2/12 - Perth Cultural Centre, Urban Orchard, Northbridge - Perth, WA

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*Sun Airway

#Twin Shadow

^Cloudland Canyon

Disco Biscuits @ Boulder Theater | 1/13 & 1/14/2011

The Disco Biscuits are an entirely different band today than they were when they first broke out of Philadelphia in the mid-90s. That’s not to say that they’ve abandoned their foundation, switched gears or set sail for distant shores. The Disco Biscuits are still very much the pioneers of “trance- fusion,” bridging the gap between electronic music and jam bands. They still remain rock pioneers whose soul belongs as much to marathon dance parties as it does to live improvisational journeys. They still employ emerging technologies to help them create music that is 100 percent human although, perhaps, not entirely of this earth.

For more than a decade now, Biscuits fans have followed the band from show to show, religiously if not obsessively, because they know that every performance is a once-in-a-lifetime event. The band tirelessly explores every possibility with their songs by performing them in entirely different ways every single time. They’ve even been known to “invert” various composed sections, turning a tune on its head to see what might fall out of its pockets.

Dont miss these two intimate shows at the Boulder Theater which will be sure to sell out quickly.

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** The Disco Biscuits Public On-sale Time has now been changed to  Friday 11/12 @ Noon. Tickets available @ www.bouldertheater.com **