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The Heavy Pets Announce Northeast Winter Tour

The Heavy Pets will close out a highly successful 2010 with a tour along the northeast corridor including dates in New York, Connecticut, Maine, Vermont, Pennsylvania, Virginia and Maryland before heading back to FL for a final leg of New Year's shows in their home stomping grounds. The Heavy Pets have grown exponentially in a very short time and the tour marks a fitting end to an extraordinary year for the band.

Ever since their first performance in 2007, the Heavy Pets became an instant national sensation through heavy rotation on the international airwaves of Sirius Satellite radio. National success did not end there; they were immediately embraced in the jam scene for their raw talent and tenacious commitment to creating great music. And like their unmistakable sound, The Heavy Pets themselves have transcended boundaries; crossing a bridge few bands survive intact --- into the periphery of mainstream music through upbeat, danceable, homegrown, skillfully executed tunes.

In the past four years alone, the band has managed to release a two-disc studio album, a live release, a three song EP and most recently, their sophomore self-titled studio release and vinyl album --- a feat few bands have accomplished in such a short time. The 2010 self-titled release has garnered critical acclaim in tight circles of virtuoso musicians and casual fans alike.

The five piece band will appear throughout the northeast for a jam-packed three week tour including their biggest performance in NYC at Highline Ballroom with progressive jam rockers, U-Melt. The band will also be playing a few venues for the first time including stops in Cafe Nine, Empire and Putnam Den as well as a homecoming performance in Syracuse NY - a town that two of the six artists call their Alma mater.

The entire tour will be mixed, recorded and cataloged by Charlie Miller of the Grateful Dead/Kimock fame and available for purchase on the Heavy Pets website through LiveDownloads.com and DigitalSoundboard.com. While the specifics of the tour are still lining up, the band will be undoubtedly making waves at every stop along the tour and are not to be missed.

For a complete tour schedule and more information about the band, check out their new website at www.theheavypets.com

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2010 TOUR DATES:
11/19 Tobacco Road - Miami, FL
11/26 Highline Ballroom - New York, NY
11/27 The Vibe Lounge - Rockville Center, NY
11/30 Cafe Nine - New Haven, CT
12/1 Empire Dine & Dance - Portland, ME
12/2 Matterhorn - Stowe, VT
12/3 Matterhorn - Stowe, VT
12/4 Nectars - Burlington, V
12/8 Westcott Theater - Syracuse, NY
12/9 Putnam Den - Saratoga Springs, NY
12/14 Jewish Mother's - Norfolk, VI
12/17 The 8 x 10 - Baltimore, MD
12/18 River Street Jazz Cafe - Plains, PA
12/31 Culture Room - Fort Lauderdale, FL

2010 is Exceptional Year for Judy Collins

Judy Collins, who USA Today says "sounds as fresh and full of wonder as ever," has had a great year that included the June release of her "life-affirming gem of a record” (The Sun-UK) 'Paradise' (Wildflower Records), which became her highest-charting album in over a decade, and a North American tour that continues into December. She'll appear on NPR's news quiz show "Wait, Wait Don't Tell Me" December 4th and just taped a "Tiny Desk Concert" at NPR's Washington, DC headquarters last week.

In 2010, Judy Collins, called "one of the greatest interpreters of modern times" by Mojo, also:

*Contributed her version of "Over the Rainbow" from 'Paradise' to an oversized children's picture book and 3-song CD set about the #1 movie song of all time (Imagine Publishing), which reached the New York Times bestseller list.

*Performed a sold-out show at the Metropolitan Museum's Temple of Dendur in New York

*Gave the keynote address at a Musicares "Women in Recovery" event in New York

*Performed on  NPR Mountain Stage, listen here

*Performed at AARP's 50th Anniversary convention in Orlando, FL with Crosby, Stills & Nash.

*Auctioned beloved guitars from her extensive collection at Christie's in New York

*Inducted Leonard Cohen into the Songwriters' Hall of Fame

*Presented Mary Chapin Carpenter with the “Spirit of Americana” Free Speech in Music Award from the Newseum’s First Amendment Center and the Americana Music Association.

*Played the Glastonbury Festival for the first time.

With a career spanning 50 years, recording more than 40 albums, including gold and platinum-selling albums, numerous Top 10 hits, plus Grammy nominations, Judy Collins continues to claim her legendary status. ‘Paradise’ features Collins’ take on songs from the likes of Jimmy Webb, Tom Paxton, Joan Baez, Tim Buckley, and Stan Jones, as well as duets with Joan Baez and Stephen Stills.

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Upcoming Judy Collins tour dates:

Fri 11/12 - State Theater Center for the Arts - Easton, PA
Sun 11/14 - Fitchburg State College - Fitchburg, MA
Fri 12/3 - Irvington Town Hall Theater - Irvington, NY
Sat 12/4 - First Presbyterian Church of Freehold - Freehold, NJ
Sun 12/5 - Tupelo Music Hall - White River Junction, VT
Mon 12/6 - Tupelo Music Hall - Londonderry, NH
Thu 12/9 - Cedartown Civic Auditorium - Cedartown, GA
Fri 12/10 - Peabody Auditorium - Daytona Beach, FL
Sat 12/11 - South Florida Community College - Avon Park, FL
Sun 12/12 - Capitol Theater - Clearwater, FL
Tue 12/14 - Lyric Theater - Stuart, FL
Thu 12/16 - Kravis Center for the Performing Arts - West Palm Beach, FL

Tapes N' Tapes at the Fox Theater

Tapes ‘n Tapes is a rock band from Minneapolis, MN, made up of Josh Grier on guitar and lead vocals, Matt Kretzmann on keys and horns, Erik Appelwick on bass guitar and backing vocals, and Jeremy Hanson on percussion.

Grier said he formed the band in 2003, to “have fun with my friends.  I always wanted to see if I could play music with others and for others.”   Grier and his buddies amassed “tapes ‘n tapes” of noodling, experimental jams and declared themselves officially a band.

In the winter of 2004, the band now known as Tapes ‘n Tapes bought some recording equipment and headed out to a rustic cabin in the woods of Wisconsin.  They recorded their self-titled, now long out of print, seven song EP in three days.  Songs like “Beach Girls” and “50’s Parking” from the EP are still in their live set today.

Next up for the band was recording their critically acclaimed follow up, The Loon.  Appelwick recorded, mixed and produced the eleven song record with the band in one week at a friend’s home studio.  The Loon came out in November of 2005 on ibid records, and no one was ready for what came next.   People started to notice the foursome’s jangly, melodic brand of rock and the band started touring – gaining more and more attention from music critics and fans all over the world.  Even the Thin White Duke took notice.  “’Insistor’ is the first single, and it's cracking. It was a slow grower, but once that chorus digs in there's really no escape,” said Mr. David Bowie.  The prestigious XL Recordings re-released The Loon in July of 2006, the same month Tapes ‘n Tapes made their national television debut on the Late Show with David Letterman.

The band then toured around the world for the next few years- playing shows with the likes of Franz Ferdinand, Spoon, Cold War Kids, The Black Keys, Echo & the Bunnymen, and The Wrens.  In 2006 they were honored to play Reading/Leeds, and 2007 saw them rock out at Lollapalooza and Coachella.

When starting to work out songs for their follow up, Walk It Off, the band was asked who their dream producer was.  The obvious answer to them was Mr. Dave Fridmann (Flaming Lips, MGMT).  With twelve songs in hand, the band made the jaunt to upstate New York to live and work with Fridmann for two amazing weeks- one week in September 2007 to record and one week in October 2007 to mix.  However, years of touring, the political climate, and distance from friends and family had changed the band, and given them a different point of view- one that seemed to pervade their sound.  Spin praised the record saying, “the tunes are tighter and performances far more dynamic and aggressive…..they can now pull off jittery punk and understated, graceful melancholy.”  XL released Walk It Off in April of 2008, on the same day the band made their debut on Conan O’Brien.

After touring and supporting Walk It Off for the following year, it was time for a little R & R- rest and relaxation.  They purposefully took their time and tried to get back to a place where the band was fun, and not work.  They also decided to go back to their roots and do everything on their own, with no label involvement.  They cut ties with XL, and re-launched ibid records, their own label which initially released The Loon.  The brothers tapes had saved their pennies over the years and set out to make the record they’ve always wanted to make – Outside.  They wanted to record at home and self-produce, which they did over two weeks at The Terrarium in Minneapolis, MN in March of 2010.   The next step was getting the talented Mr. Peter Katis (Interpol, The National) to lend his ears to the mix.  Grier spent two more weeks in Bridgeport, CT, while Katis mixed the record to perfection.  The result is twelve songs that are playful and melodic, while also capturing the essence and energy of their live show.   Grier said, “We had a great time making Outside and we wanted our enjoyment of the process to be audible in the recording, and I think we succeeded.”  One thing is for sure, Tapes ‘n Tapes feel like they are making music for the right reasons – fun and pure love for music.  And as Grier always says, “Everything else is gravy.”  Outside will be released on January 11, 2011.

Tapes N’ Tapes

Fox Theatre

Saturday, March 5th

Doors:  8:30 pm

Show Time:  9:00 pm

All Ages

RAIN: A Tribute To The Beatles - on Broadway

The acclaimed Beatles concert RAIN: A TRIBUTE TO THE BEATLES will make its Broadway debut this fall with a limited 12-week run of performances at the NEIL SIMON THEATRE (250 West 52nd Street). RAIN is set to officially go national in early 2011.

RAIN: A TRIBUTE TO THE BEATLES marks the first time The Beatles’ music has been licensed on Broadway. While for the past 45 years the music of The Beatles has touched millions of people around the world, the fact remains the Fab Four were experienced live in concert by very few. The group’s final concert tour of 1966 was long before the release of the legendary Sgt. Pepper, The White Album and Abbey Road albums. RAIN brings The Beatles’ incredible songs to a whole new audience of music lovers.

RAIN encompasses the full range of The Beatles’ discography through a Live performance onstage. From the group’s early days on the Ed Sullivan Show in ’64 through Sgt. Pepper and onto Abbey Road, RAIN is a time capsule of music highlighting the unforgettable songs in the iconic group’s career some of which have never been performed before in a live concert setting. RAIN features “I Want To Hold Your Hand,” “Yesterday,” “With A Little Help From My Friends,” “Come Together,” “Hard Days Night” and many more.

Official opening on TUESDAY, OCTOBER 26 at 6:30 PM and running through Sunday, January 9, 2011 at the NEIL SIMON THEATRE.


SHOW SCHEDULE:

Monday & Thursday: 8:00 pm
Tuesday: 7:00pm
Friday: 8pm
Saturday: 2:00 pm & 8:00 pm
Sunday: 3:00pm & 7:00pm

NEIL SIMON THEATRE

250 West 52nd Street

New York, NY  10019

THE DEFINITIVE DAVE BRUBECK

Over the course of seven decades, Dave Brubeck has become one of the most iconic and influential figures in all of jazz. In that time, the pianist/composer/bandleader continually has defied conventions and preconceptions by grafting elements of numerous styles — classical, Latin, pop and more — into a solid and unwavering jazz foundation and creating a musical hybrid that still is deeply rooted in the jazz tradition. While his 1959 opus, Time Out, is considered a landmark recording, it represents only the tip of the iceberg that is Brubeck’s massive and enduring body of recorded work.

Concord Music Group provides a sweeping look at that body of work in The Definitive Dave Brubeck on Fantasy, Concord Jazz and Telarc. The ambitious two-disc collection — the latest in CMG’s ongoing Definitive series — assembles some of Brubeck’s earliest session work from the 1940s as well as some of his more recent recordings from the past few decades. The Definitive Dave Brubeck is set for release on November 16, 2010, in celebration of the music icon’s 90th birthday on December 6.

The collection’s comprehensive liner notes — written by music journalist and historian Ashley Kahn and based on a recent interview with Russell Gloyd, Brubeck’s manager/producer/conductor of more than 30 years — carefully parse out each of the 26 tracks in the set and the relationship between the two distinct periods represented on each disc. Disc 1 chronicles the Fantasy years, from the very beginning of Fantasy Records in the 1940s to the end of 1953, when Brubeck still was learning, absorbing, experimenting and recording mostly standards and other jazz repertoire — already proving himself to be a top-tier musician and bandleader. Disc 2 follows the artist from the 1980s to the early years of the 21st century, performing many of his own compositions, still exploring and creating vibrant music.

“The link between these two discs is one of consistency,” says Gloyd, producer of The Definitive Dave Brubeck collection. “Most of the elements of Disc 2 — melodic ideas and musical innovations, the choice of songs and sidemen — can be traced back to Disc 1, especially with the early Trio recordings.”

Regardless of where one lands on the continuum of Brubeck’s career, the exploratory nature of his approach to music remains constant. “Whether it’s his earliest recordings or his more recent releases, Brubeck is consistently probing, curious and inventive,” says Nick Phillips, Concord Music Group’s Vice President of Jazz and Catalog A&R and director of Concord’s Definitive series. “He’s a rare artist who has never put up barriers between genres. Here you have someone who was studying classical music and classical composition in a conservatory setting, but ultimately decided to become a jazz artist. That, however, didn’t mean he’d put up a wall between jazz and classical, or jazz and Latin, or what have you.”

As one example, Russell Gloyd cites Brubeck’s Trio recording of “How High the Moon”:  “Note that Dave cut this right at the height of bop but took it in a completely different direction, recording counterpoint for the first time and winding up closing in the style of a Bach chorale.”  Another example, more than three decades later, is Brubeck’s recording of “Take Five” live in the Soviet Union, in which he quotes the theme from the first movement of Shostakovich’s Fifth Symphony in his piano improvisation.

The juxtaposition of the early and recent recordings within a single collection highlights what Kahn calls the “scripted quality” to the Dave Brubeck story, “as if some master novelist sketched out the narrative in advance. There’s hardly a wasted step or a creative dead-end in his career; early decisions and musical forays consistently predicted or prepared Brubeck for what followed . . . To recognize this aspect of Brubeck’s career is to grasp the idea that serves as the foundation for this collection: the first time the earliest echoes of his musical genius have been combined with his best recordings of recent years.”  Indeed, it makes for a most fitting celebration of the 90th anniversary of the legendary artist’s birth.

On Monday, December 6th, Turner Classic Movies (TCM) will also celebrate Brubeck’s birthday with the premiere of Dave Brubeck: In His Own Sweet Way, a new documentary executive-produced by Clint Eastwood and narrated by TCM Essentials co-host Alec Baldwin. Directed by Bruce Ricker, the film features perceptive interviews with such well known luminaries as George Lucas, Sting, Wynton Marsalis and Bill Cosby and performances by Keith Emerson, Yo-Yo Ma and David Benoit.

For all of the insight provided by The Definitive Brubeck, the story is far from over.  Unimpeded by the approach of his 90th birthday in early December, Brubeck continues to follow the narrative. “He has always been, and continues to be, a restlessly creative artist,” says Gloyd.

TRACK LIST:

Disc 1
I Found a New Baby
The Way You Look Tonight
(Back Home Again In) Indiana
Laura
Singin’ in the Rain
That Old Black Magic
Sweet Georgia Brown
Perfidia
Avalon
How High the Moon
Look for the Silver Lining
This Can’t Be Love
My Romance
Lulu’s Back in Town
Over the Rainbow
How High the Moon
All the Things You Are

Disc 2

Koto Song
Black and Blue
St. Louis Blues
Take Five
(Variations On) Brother, Can You Spare a Dime?
Here Comes McBride
Waltzing
Day After Day
Forty Days

David Bromberg Quartet @ Boulder Theater

Often referred to as a musician's musician throughout his career, David Bromberg has spent almost as much time being a sideman to people like Bob Dylan and Jerry Jeff Walker as he has fronting his own band. Session credits for albums by Tom Paxton and Jerry Jeff Walker started getting Bromberg attention in the mid-'60s, and he began making the transition from sideman to frontman in the early '70s, when he was signed to record for Columbia Records.

The key to appreciating Bromberg is to realize he has an equal passion for blues, folk, country and western, bluegrass, and rock & roll. This diverse range of influences is reflected on all his recordings for Columbia, Fantasy, and Rounder, and in his performances as well. His musical eclecticism over the years may have cost him some fans, but a typical Bromberg concert can be a musical education. Bromberg disappeared in the early '90s to become a full-time violin maker, but returned in 2007 with Try Me One More Time, an all-new, all-acoustic solo set of blues and folk tunes.

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David Bromberg Quartet @ Boulder Theater

October 22, 2010, 8:00 pm | Buy Tickets

No Jam in the Dam 2011, look for return in 2012

A note from the organizers of the Jam in the Dam Festival:

Dear Friends,

After long consideration, we have decided to postpone Jam in the Dam until 2012. We really wanted to do it for the fans, including our growing base of Europeans for whom this show is the one chance each year they can enjoy what many of us here take for granted. We had sincere interest from many bands this year, but in the end, we felt like we did not have a line-up that would be ‘new and improved’ from years past. With the economic climate and the expense involved in traveling to Europe, we find that Jam In the Dam may be more approachable for the fans and may become more successful as a biannual event.

Amsterdam offers a cultural experience unlike that of any other festival in this genre. Ask anyone who has been, and they will rave about the atmosphere and intimate nature. We are planning to have 2012 ready to go by February 2011, so that we can offer a choice to traveling jamband fans. This will also give people a year to plan for the time off and save their money. Also, we’re working on more weekend days so more of our friends from Europe can become part of our growing scene there.

Most people who are fans of this amazing event know what the founder, Armand Sadlier, has been through, but rest assured his health is better than ever. This event will NOT go away, and his love of Amsterdam will be the catalyst for continuing to bring people to one of the most beautiful and welcoming cities on Earth! See you in 2012!

~ Jam in the Dam ~

Mountain Standard Time featuring special guest Michael Kang

As a bluegrass band that's anything but traditional, Mountain Standard Time follows in the footsteps of such Colorado greats as The String Cheese Incident and Leftover Salmon. While leading acoustically with guitar, mandolin, and banjo, MST brands its own style, boasting a big, full-band sound with saxophone, electric bass, drums, and electric effects.

The members of Mountain Standard Time hail from all over the country, yet their musical paths crossed in Nederland - a small, Colorado mountain town steeped in bluegrass music. Whether you chalk it up to fate or coincidence, music goers everywhere are coming together to enjoy the "explosive bluegrass" that these six friends and musicians have come to create. MST has performed all over Colorado and across the country, with appearances at Wakarusa Music Festival, 10,000 Lakes Festival, and the Telluride Bluegrass Festival contest finals, among other events.

Mountain Standard Time's roots stem from late night "picks" among the bluegrass faithful, making music lovers dance from mountain towns to backwoods campfires. Rich lyrics, original melodies, vocal harmonies and driving back beats have been moving fans across the country, while the band's unique charisma has been winning hearts. More Info / Buy Tickets

Boulder Theater | October 21, 2010 @ 9PM

Toubab Krewe Fall 2010 Dates + New Album

From the ragtime piano tinged opener "Mariama" to the percussion fueled, slide guitar glide of "Gine Fare" to the subtle, inviting African echoes of "Konkoba" to the hypnotic, psychedelic slow burn of "Holy Grail," TK2 reveals Toubab Krewe to be rare innovators in a modern age often too ready to settle for more of what's been. Toubab Krewe is happily an exception to this rule, and those willing to take the journey with them are in for one hell of a cool, exciting ride.

"It's five years later since our last studio album, and we've been doing almost nothing but playing together," says Drew Heller. "We've had a lot of time to further our musical relationships. I feel like this album was recorded at a really perfect time. The last track on the new album is an improvisation that was the very first sounds captured, and other things came out of that initial rush."


CURRENT TOUR DATES:

October 9 - Silk Hope, NC (Shakori Hills Grass Roots Festival)

October 10 - Roseland, VA (The Festy Experience)

October 28 - Memphis, TN

October 29 - Birmingham, AL

October 30 - Mobile, AL

October 31 - New Orleans, LA (Voodoo Experience)

November 5 - Charlottesville, VA

November 6 - Baltimore, MD

November 7 - Washington, D.C.

November 9 - Carrboro, NC

November 10 - Knoxville, TN

November 11-12 - Live Oak, FL (Bear Creek Music Festival)

November 18 - Miami, FL

November 19-20 - Key West, FL

December 1 - Boulder, CO

December 2 - Denver, CO

December 4 - Phoenix, AZ

Grateful Web’s Interview with Elephant Revival

I feel absolutely terrible and I never want to drink again.