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Release The Sunbird Announces August Tour

After releasing his stunning debut album Come Back To Us (Brushfire Records) under the moniker Release The Sunbird, Zach Rogue of Rogue Wave will be taking his new project out on tour this month. In addition to bringing the new songs to cities for the first time with Release The Sunbird, he will also be playing a very special set at this year’s Outside Lands Festival on August 12th.
Release The Sunbird is a side project, but it’s not. Release The Sunbird a solo project, but it’s not. This musical departure showcases a whole new side of Rogue, and is a re-introduction to an artist you thought you already knew. Rogue, who has spent years on the road with his band Rogue Wave touring with the likes of Death Cab for Cutie, Feist, Spoon, Nada Surf, The Shins, Jack Johnson and many others, is one of independent music’s most reliable musical voices. Come Back To Us, which was recorded on a whim in Bloomington, Indiana, is sun-kissed, joyful and one the loveliest you willhear this year.
Live, Zach and vocalist Kate Long deliver captivating performances that are magical and heart-wrenching. Their voices blend together perfectly while singing gorgeous melodies about love, loss, memory, and the deceptive simplicity of hope, as Zach strums along on his guitar. Be sure to catch these remarkable songs live. Dates are listed below.
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TOUR DATES
8/12/11- San Francisco, CA @ Outside Lands
8/24/11 - St, Paul, MN @ Turf Club
8/25/11 - Madison, WI @ East Side Club
8/27/11 - Chicago, IL @ Schuba's Tavern
8/29/11 - Arlington, Virginia @ IOTA Club & Cafe
8/30/11 - New York, NY @ Rockwood Music Hall

Zach Deputy Celebrates Another Day

On his upcoming release Another Day, soul-singer and guitarist Zach Deputy-- with the help of Grammy-winning producer Scott Jacoby-- taps into the spirit of Al Green, Taj Mahal and Stevie Wonder, creating a soulful rhythm and blues album rich with ballads and mid-tempo songs. The record will appeal to fans of contemporary artists like Jack Johnson and Amos Lee, while retaining a classic sound and feel. Full of hope and anticipation of the promise of another day, a new day, it is a pivotal point in the career of a touring musician heretofore known as a master of live looping and a staple in the grass-roots club and festival circuit.

An appropriately titled album, Another Day is truly an album in the classic sense— a collection of songs that come from the same time and place, inspired by the same muse. Reflective and introspective, it provides a glimpse at the soul of an artist and the depth of a songwriter. As a boy, the music of Zach Deputy's Puerto Rican, Cruzan and Irish heritage was cooked up in the South Carolina heat. The Calypso rhythms and folk songs of St. Croix competed with the R&B / soul of pioneers like James Brown and Ray Charles for space on the family stereo. As Zach honed his craft, a unique hybrid of these influences emerged, ultimately creating the signature Zach Deputy sound-- what he calls "Island-infused, Drum 'n' Bass, Gospel-Ninja-Soul" that has made him a hot up-and-coming artist. However, this is the one-man-band sweaty dance party side of the coin. That same gumbo of influences has the humid, sultry, quieter side, too. This is the side of the slow dances... the bodies pressed close together and the quiet voices whispering in each other’s' ears. Another Day is a warm, mellow album, one that is perfect for after hour soirees... and if Zach Deputy is about sunshine,Another Day is about sunsets.

Best described as soulful rhythm and blues, Another Day features 11 original tracks produced with Grammy award winning Scott Jacoby over just 5 days in Mission Sound Recording in Brooklyn, NY. To handle the ever-present Latin, Caribbean and African elements in Zach Deputy's backbeat and place them in the contemporary soul / pop format of the songs, Jacoby tapped Graham Hawthorne (Aretha Franklin, Harry Belafonte, Paul Simon, David Byrne) for the drum kit. Bassist Al Carty came into the studio after having played four church gigs that day. Despite the list of artists he has recorded or toured with (Lou Reed, De La Soul, Carrie Underwood, Gavin DeGraw), the church gigs alone proved that Jacoby was on the mark with this choice for the low end. Zach Deputy is, after all, a soul singer whose music is underpinned by Gospel as much as by any other musical idiom. Equally at home in the Gospel tradition, pianist / organist Will Buthod (Jay-Z, Fat Joe, Alicia Keys, The Harlem Gospel Choir) completed the studio trio that fleshed out Zach's vision for the recording-- a vision made real by Jacoby's pitch perfect choice of accompanists. These four accomplished professionals met for the first time on the first day of recording and worked as if they were old friends with a common purpose.

Another Day will hit the streets on September 27th following four shows in two days at the Rockwood Music Hall in New York City. The event will kick off a full-scale national tour with dates booked throughout the country. For ticketing and performance information check out www.zachdeputy.com.

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ON TOUR:

8/5/2011              Camp Creek Festival - Oxford, Maine
8/6/2011              Naukabout Festival -  East Falmouth, Cape Cod,  Massachusetts
8/9/2011              Songs at Mirror Lake Music Series - Lake Placid, New York
8/10/2011            The Westcott Theater - Syracuse, New York
8/11/2011            Southpaw - Brooklyn, New York
8/12/2011            Ocean Mist- South Kingstown, Rhode Island
8/13/2011            The Royal Family Affair at Stratton Mountain - West Wardsboro, Vermont
8/13/2011            Club Helsinki - Hudson, New York
8/16/2011            Divan Orange - Montreal, Quebec
8/17/2011            Kirkland Arts Center - Clinton, New York
8/18/2011            Bella Terra Festival at Gardner's Field -  Stephentown, New York
8/19/2011            Trenton Social Courtyard - Trenton, New Jersey
8/20/2011            Camp Barefoot - Bartow, West Virginia
8/21/2011            Great Bay Music Festival- Dover, New Hampshire
8/24/2011            The Otter House- Fredericksburg, Virginia
8/25/2011            The Jewish Mother- Virginia Beach, Virginia
8/26/2011            Outer Banks Brewing Station - Kill Devil Hills; North Carolina
8/27/2011            Blarney Stone's Pub and Music Hall- Myrtle Beach, South Carolina
8/29/2011            Big Bamboo Cafe - Hilton Head, South Carolina
9/8/2011              8 x 10 - Baltimore, Maryland
9/9/2011              Appalachian Brewing Company - Harrisburg, Pennsylvania
9/13/2011            Rockwood Music Hall (Stage 2) - New York, New York
9/14/2011            Rockwood Music Hall (Stage 2) - New York, New York
9/15/2011            The Met Cafe at Hope Artiste Village - Pawtucket, Rhode Island
9/16/2011            Wormtown Music Festival-Camp Kee Wanee - Greenfield, Massachusetts
9/17/2011            Wormtown Music Festival-Camp Kee Wanee - Greenfield,  Massachusetts
9/21/2011            Bayou Bill's - Valdosta, Georgia
9/22/2011            Blackwater Music Festival at Spirit of the Suwanee Music Park - Live Oak, Florida
9/23/2011            Skipper's Smokehouse - Tampa, Florida
9/24/2011            Culture Room - Fort Lauderdale, Florida
9/25/2011            Beachside Tavern - New Smyrna Beach, Florida
9/28/2011            Handlebar - Pensacola, Florida
9/29/2011           New Earth Music Hall - Athens, Georgia
9/30/2011           Matilda's Art Gallery and Music Venue - Alpharetta, Georgia
10/1/2011           The Emerald Lounge - Asheville, North Carolina
10/6/2011           Gnat's Landing - Statesboro, Georgia
10/11/2011         Woodlands Tavern - Columbus, Ohio
10/12/2011         The Castle Theatre - Bloomington, Illinois
10/13/2011         Red Sky Lounge - Mankato, Minnesota
10/14/2011         Cabooze - Minneapolis, Minnesota
10/15/2011         The Aquarium - Fargo, North Dakota
10/18/2011         The Zebra Cocktail Lounge - Bozeman, Montana
10/19/2011         Top Hat Lounge - Missoula, Montana
10/20/2011         Tractor Tavern - Seattle, Washington
10/21/2011         Berbati's Pan -  Portland, Oregon
10/22/2011         Humboldt Brews - Arcata, California
10/25/2011         Lost on Main - Chico, California
10/26/2011         The Mint - Los Angeles, California
10/27/2011         Winstons - San Diego, California
10/28/2011         Marilyn's on K - Sacramento, California
10/29/2011         The Independent - San Francisco, California
10/30/2011         The Underground - Reno, Nevada
12/30/2011         TheBond-Fire Art and Music Festival - Groveland, Florida

The Deep Dark Woods to Release The Place I Left Behind

The Deep Dark Woods wake the ghosts of Appalachia with their prairie gothic pyre-side tales. On their new record, The Place I Left Behind, the band finds continuity in themes of temporal and geographic alienation, neglected inward trails, and the scars of abandoned intimacies.

Buoyed by the success of working with mastermind recording engineer Darren Van Niekerk, on their self produced CBC Songquest single “Charlie's (is Coming Down)” the band decided to approach their new album the same way. Recorded in Halifax with Van Niekerk behind the board once again, The Deep Dark Woods’ first self produced album allowed them to experiment in the studio as never before. Toying with numerous reverbs, vintage amps, instruments and mellotron, they also tried some never before played versions and arrangements of some of the album's songs. While more physically and mentally exhausting than previous albums, it turned out exactly the way the band wanted it to and the reward is their most realized album to date.

The record opens with a song about Saskatoon’s rougher edges. “West Side Street” is a study in contrasts – finespun vocals and a gently rolling melody cushion the gloomy story. “The Place I Left Behind” is loosely based on an old folk standard. Gorgeously morose, the title track confirms that The Deep Dark Woods capture lonesome yearning at its loveliest. “Sugar Mama” is a sweet and lively invitation to tap toes and shake off the blues; a seeming coming-of-age story is treated with playful banjo and an airy gait.

A rainstorm over the desert of modern music, The Place I Left Behind offers murder ballads alongside scrappy rockers, lovesick hymnals and slow-dance waltzes. The album illuminates folk traditions without stripping the shadows of roots music history. The Place I Left Behind echoes with traces of time and space that are never fully abandoned or forgotten.

The Place I Left Behind will be released on Six Shooter Records in Canada on August 2nd and Sugar Hill Records in the US and worldwide on October 18th.

CHRISTY & EMILY: TALK NORMAL

For Christy & Emily, these songs are a preview of their newer sound with bass (Pete Kerlin) and drums (Kristin Mueller). Later in the spring of 2011, Christy & Emily will be heading to the Faust Studio in southern Germany to record a new full-length album with this quartet. They are happy with the way the band allows them to expand sonically. The extra track on the digital download card is a song by Oakley Hall, called “Endtime Evangelist,” off of their first self-titled album on Bulb (four years before they signed to Merge). This song has been strong on Emily's mind for half a decade, only coming out as a cover that the duo has been performing live in the last year.
Talk Normal's "Hurricane" is a soaring narrative piece. Lead by drummer Andrya Ambro's melodic lead vocal and buffeted by guitarist Sarah Register's harmonies, "Hurricane" is a sing-a-long story told with humility, grace & pleasing cacophony. Conceptual references range from U.S. Girls to Meredith Monk to Tears For Fears to The Velvet Underground – yet the sound is all their own, with an ebbing structure that carries the imagination through a manic ocean of soundscapes, wildly complex and still simple enough to be howled at the moon.
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Track List:
Side A
Christy & Emily - “Bells”
Side B
Talk Normal - “Hurricane”
*Digital download cards will include an extra Christy & Emily track, “Endtime Evangelist”
Christy & Emily is:
Emily Manzo - electric piano
Christy Edwards - guitar
Peter Kerlin - bass
Kristin Mueller - drums

Sugar Hill Records to Release Nickel Creek Titles on Vinyl

Sugar Hill Records is excited to announce that they will be releasing a trio of Nickel Creek titles on deluxe vinyl - exclusively for Record Store Day, Saturday April 16th.  The titles include Nickel Creek’s now Platinum certified debut, Nickel Creek, the GRAMMY award winning This Side, and their final Sugar Hill release, Why Should The Fire Die?. All titles are deluxe two-album sets featuring digitally remastered audio.  A mandolin autographed by the members of Nickel Creek will be given away online as part of a Record Store Day promotion as well.

Nickel Creek, who began their relationship with Sugar Hill Records in 2000, were named “music innovators for the New Millennium” by Time Magazine.  Their self-titled debut Nickel Creek received widespread critical acclaim, garnering multiple award nominations, and has sold over one million albums to date. The 2002 release, This Side, captured the Grammy for “Best Contemporary Folk Album.” Their third album Why Should The Fire Die? continued their folk-pop innovations, and debuted at Number One on the Independent Album chart when it was released in 2005. The band parted ways in 2007 after their Farewell (For Now) Tour.

In its fifth year, Record Store Day is an occasion for all independently owned record stores to come together in celebration of the art of music.  Limited edition vinyl and cd releases are made available exclusively for the day, and hundreds of musicians across the country perform at various events.  For more information about the Nickel Creek mandolin give-away, and events in your area, please visit: www.recordstoreday.com

The Saw Doctors at the Boulder Theater - 03.21.11

KGNU & The Boulder Weekly are proud to present The Further Adventures of The Saw Doctors at the Boulder Theater on Monday, March 21st, 2011.


The Saw Doctors are known in Ireland for ridiculously catchy songs and for rocking the road week after week from Galway to Melbourne—and, come March 2011, from New York to Las Vegas. They’ve hopped up countless crowds, including at two inaugurations of Maryland governor Martin O’Malley, with upbeat anthems to everyday people.

A fun-loving reputation precedes the band thanks to their zany hit “I Useta Lover” or the recent sneak Irish radio chart-topper, “Red Cortina A Cappella.” But it belies a more reflective side with deep roots, a side sometimes forgotten even by the group’s biggest fans.

“That one-sided perception of the band haunts us, even in our hometown here in Western Ireland,” chuckles Saw Doctors singer and guitarist Leo Moran. “A few months ago, in a pub here, I sang one of my favorite songs, 'Same Oul Town', the title track of our third album.  It's about a small town in winter, where everyone knows everyone else's business. Another local singer, who has known us forever, came up and told me, 'That's a lovely song; you should record that!'"

Bittersweet portraits of everyday people and the landscape that surrounds them are what the band does best. The Saw Doctors have a Springsteen-like ability to get at the poignant perspectives of ordinary folks: the lovesick pub regular, the guys on the corner, the wise old woman who greeted all comers with a slice of bread and butter.

This ability flows from the roving group’s strong ties to Tuam—and to the lives and stories of the people in it. It’s a town of wits and eccentrics, folks like cartoon artist Squigley McHugh, who humorously sketched the Saw Doctors as superheroes for their stage backdrop. Tuam is known for its gregarious, sometimes overly curious conversationalists. It’s a place where people still pop down to the pub in the afternoon, looking for a pint and a good gossip.

But don’t be surprised if you can’t make out a word: Tuam, explains Moran, has its own secret code, a slang and a love of peculiar turns of phrase incomprehensible to outsiders. “In Tuam, there’s a great interest in language and words. A lot of the Travellers, itinerant Irish traders and tin-smiths, settled around Tuam and had their own language they used while trading. We’ve adopted it as core citizens of the town.”

Tuam’s citizens relish slang and constantly invent new words. Expressions like “Well-Byes,” the greeting of choice among young guys in jogging suits, speak volumes: “you know where you are and you’re from Tuam,” Moran says. Soccer players use local slang when playing against other towns to keep their next moves under wraps (as the band recounts in “All the Way from Tuam”).

Yet words, like the band itself, have a far more winsome side, connecting people with their history and the land. In “Friday Town,” the Anglicized place-names in the chorus hint at a lost Irish past, as Moran sings of people long gone, either overseas to America or to their graves. “When you study the names in Irish, they carry meanings, some feature in the landscape or the memory of something that happened there,” Moran notes. “But all these lovely meanings have been lost. We’re trying to celebrate them, as well as the people who left forever for the States, on an epic, courageous journey.”

More introspective moments still ring with bright guitars, catchy melodies, and upbeat energy, which make The Saw Doctors shows fun, even at their deepest. Sometimes when playing live around Ireland, the exuberant singing from the audience has nearly drowned out the band. The group loves to drop their vocals out altogether, providing only instrumental accompaniment for the chorus of enthusiastic fans, who seem to know every song by heart.

The down-to-earth feel—and the Tuam wit—have universal appeal. “People sometimes say that a song about Tuam or Galway or Ireland won’t matter to people abroad. That’s like telling Bruce Springsteen that he is wasting his time writing about the Jersey Shore,” Moran reflects. “Songs are about sharing feelings and emotions and ideas. If you have ideas and emotions that people can relate to, then it works no matter where you play.”

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Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale Now!

$20 GA

+ $2 for under 21 ticket buyers

Mogwai Premieres New Album Track "San Pedro"

Mogwai premiered “San Pedro,” another stellar track from the amazingly titled new album, Hardcore Will Never Die, But You Will, which is set to be released on February 15, 2011 on Sub Pop Records in North America, and through the band’s very own label in the UK, Rock Action Records.

The track “Rano Pano” from the upcoming album will also be released as a 7” single on January 18th via Sub Pop, with the non-album track “Hasenheide” as the B-side. And if you pre-order the album on SubPop.com you get a pair of earplugs, and for anyone that has been to a Mogwai gig knows, this is the perfect accompaniment gift! Rock Action will release “Mexican Grand Prix” as a single on February 7th, along with the non-album b-side “Slight Domestic.”

Check Out the Premiere on Pitchfork or Snag the Download HERE.

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Hardcore Will Never Die, But You Will tracklisting:


White Noise

Mexican Grand Prix

Rano Pano

Death Rays

San Pedro
Letters To The Metro

George Square Thatcher Death Party
How To Be A Werewolf

Too Raging To Cheers

You're Lionel Richie
 


There will also be a Limited Edition version of the album, which includes a bonus CD featuring a 26 minute long piece called "The Singing Mountain," recorded for Douglas Gordon and Olaf Nicolai’s "Monument for Forgotten Future" installation in Essen, Germany. The band will be bringing their awesome live show across the globe, kicking off their world tour with a 5 show stint in their native Scotland before heading out to Japan, Ireland, UK, Europe and US with one-off shows taking place in Tokyo, Japan on February 2nd, with more details to follow. Pre-sale tickets for the bands US tour are available now via mogwai.co.uk.

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North American Tour Dates:

Apr 19: 9.30 Club, Washington DC

Apr 20: Starlight Ballroom, Philadelphia

Apr 21: Webster Hall, New York

Apr 22: Webster Hall, New York

Apr 23: Paradise Rock Club, Boston

Apr 25: Olympia Theater, Montreal

Apr 26: Phoenix Concert Theatre, Toronto

Apr 27: Mr. Smalls Theatre, Pittsburgh

Apr 28: St. Andrews Hall, Detroit

Apr 29: Metro, Chicago

Apr 30: Slowdown, Omaha

May 2: Bluebird Theater, Denver

May 3: In The Venue, Salt Lake City

May 5: Wonder Ballroom, Portland

May 6: Commodore Ballroom, Vancouver

May 7: Showbox at the Market, Seattle

May 9: Regency Ballroom, San Francisco

May 10: Mayan Theater, Los Angeles

May 11: Belly Up Tavern, Solana Beach

May 13: Sunshine Theatre, Albuquerque

May 15: Granada Theatre, Dallas

May 16: Stubbs Waller Creek, Austin

May 17: Warehouse Live, Houston

May 19: Workplay Theater, Birmingham

May 20: Center Stage, Atlanta

Stockholm Syndrome @ the Fox Theatre | 2/26/11

Bill Bass & Boulder Weekly are proud to present Stockholm Syndrome at the Fox Theatre on Saturday, February 26th.

Stockholm Syndrome is made up of an all-star cast. When Widespread Panic bass player Dave Schools and acclaimed singer/songwriter Jerry Joseph of the Jackmormons decided to collaborate, each initially thought the side project would be a cool, if temporary, change of pace. With one studio album released, a new studio album set for release in early 2011 and multiple tours behind them, Stockholm Syndrome has transcended being just a side project. Stockholm Syndrome is a band.

The band’s unusual choice for a name, Stockholm Syndrome, refers to the psychological phenomenon in which a hostage bonds with his kidnappers. It seemed an apt moniker for the pair’s somewhat convoluted relationship. Now all Schools and Joseph needed was a band.

They put together their “Dream Team” including Eric McFadden (a San Francisco-based guitarist who has worked with Keb Mo’, Les Claypool and George Clinton’s P-Funk All Stars), Danny Louis (an Upstate NY based keyboard virtuoso widely known for his role in Gov’t Mule and Cheap Trick) and drummer Wally Ingram (an L.A.-based drummer who has worked with Jackson Browne, Sheryl Crow, Tracy Chapman and David Lindley). All three musicians were on board and are now back for more live dates, an in-store recording for release and a pending studio album.

Stockholm Syndrome is ready to serve up its potent brew of provocative songs and thrilling, genre-transcending musicianship to worldwide audiences. Schools is already contemplating the future, “We’ll take it as far as it wants to go. I think that everyone is really enjoying playing together…it ceased to be a recording project and became a band.”

There aren’t many bands with the ability to hit the ground running the way Stockholm Syndrome did. And now that they’re launched, they show no sign of slowing down soon.

Check out Stockholm Syndrome Online:

Albert King/Stevie Ray Vaughan 'In Session'

On December 6, 1983, legendary blues guitarist Albert King joined his disciple Stevie Ray Vaughan on a Canadian sound stage for the live music television series In Session. Magic happened. The highly sought after video footage from that one-time legendary summit becomes available for the first time ever on November 9 with the release of Stax Records’ deluxe two-disc CD/DVD In Session.

The DVD contains three classic performances unavailable on the previously issued audio disc: “Born Under a Bad Sign,” the landmark title track from Albert King’s biggest Stax release written by William Bell and Booker T. Jones; Stevie Ray’s “Texas Flood,” the Larry Davis-penned title track of Vaughan’s immortal debut album; and “I’m Gonna Move to the Outskirts of Town,” made famous by Louis Jordan and later, Ray Charles.

“It was evident from the first choruses,” writes liner notes author/musicologist Samuel Charters, “that they were playing for each other. And that was the best audience either of them could ever have. The music never lost its intensity, its quality of something very important being handed back and forth and there was time for Stevie and Albert to see where their ideas took them.”

Accolades have showered upon this momentous encounter. “As a document of what was probably one of the greatest nights in the musical life of SRV, this belongs in the collection of every true fan,” said the Austin American-Statesman. Sonic Boomers added, “Both men are gone now, but rare recordings like In Session remind us of a time when blues giants still walked the earth side by side.” Elmore magazine called it “an indispensible part of any blues fan’s collection.” And BluesWax noted, “thank goodness, this disc lives on and on.”

Now this one-of-a-kind visual document featuring two giants of American blues can be enjoyed by audiences all over the world. Sadly, King and Vaughan would not share a stage together ever again. Vaughan, 31 years King’s junior, died in a helicopter crash in the fog on the way back from a concert in 1990. King outlived him by two years, dying of a heart attack in 1992. They didn’t meet often, and their careers took different paths. But we can all be grateful for that one long day in a television studio when sparks flew and this timeless performance was forever captured.

Greensky Bluegrass Performs with Grateful Dead Drummers, Announces NYE Run in Denver

As summer fades and autumn arrives, the music of Greensky Bluegrass is piquing new ears and peaking out. This past weekend at the Hoxeyville Festival in Northern Michigan, the band offered the crowd of thousands two surprise guests to close out their Saturday night show by inviting the Grateful Dead drumming duo of Billy Kreutzmann and Mickey Hart on stage for a bluegrass-infused version of “China Cat Sunflower” into “I Know You Rider”. The set closing sit-in was filmed and can be viewed on YouTube here:

Additionally, Greensky Bluegrass announced today that the quintet will be ringing in the New Year in Denver, Colorado with two nights of raging bluegrass at Cervantes' Other Side December 30 and 31. Tickets for both shows will go on sale September 6 at www.cervatnesmasterpiece.com or www.greenskybluegrass.com with special hotel rates available for fans at the band’s website.

To celebrate the New Year’s Eve announcement and the special guest appearance of the Rhythm Devils over the weekend, the band wants to share a free download from their most recent double live CD All Access: Volume 1. For a limited time, an extended 13 minute version of the song “Train Junkie” is available for a free download here.