terror

The Terror Pigeon Dance Revolt! Announce East Coast Shows!

Founded in late 2007 as means for front man Neil Fridd to yell about his romantic mishaps, The Terror Pigeon Dance Revolt! has blossomed into a real juggernaut of epic dance floor revelation.

What do they sound like? It’s sorta dance-soul music, like synthed out Otis Redding covers on fast forward. Dance music with too many cooks in the kitchen, but in a good way, so not too many cooks, maybe just an above average amount of cooks. That is to say, there are sweet beats: your ass wants to shake, but there’s also like four vocals and two horn lines happening too, making for a unique, dense, dance floor throw down that’s suitable for both club rock outs and secluded headphone listening. But perhaps more than both of these, you’ll find yourself wanting to be listening to this music at a Halloween party with all your friends, because before TPDR were trying to make your head bob or your ass shake they were trying to make your heart feel something. Whether they’re singing about a new romance, old friends, or a magical thing that happens when the roads are too icy for professors to get to school, TPDR are singing about something that you’ve felt, and doing so with a humor and sincerity so often lacking in indie music. Scenes and events are set up so perfectly that on a late night, driving in your car in the middle of nowhere you feel every emotion they’re singing about deep down in your gut: you’ll be getting chills on the  subway during your morning commute. These songs will make you long for every boy or girl you almost kissed in high school, chuckle to yourself about how stupid and great your friends are and make you want to go camping, stay up late, dance on your fire escape, have a potluck dinner, jump in piles of leaves, French kiss in the back of a movie theater and finally go out and cut down a real Christmas tree this year.

And if listening to this band on CD makes you feel alive, seeing them live will set you on fire. Terror Pigeon live is sometimes four people and sometimes forty, but it doesn’t matter, cause you won’t know who’s in the band anyways. Everyone dances, everyone gets a costume, everyone sings. And don’t worry, only half the people know any of the lyrics so you won’t feel left out: the sing alongs are easy and they’ll teach them to you. The show is happening on the stage and in the audience. There are people running around with big light up robots on their backs, others wearing disco ball hats, a hairy man dressed as a giant pumpkin, streamers, aliens, football players from the movie Mac n’ Me on a TV dancing to the beat, a dude butoh dancing, it’s like Halloween and junior prom and new years and Christmas at once. There’s a lot of glitter and strobe lights and it’s entirely probable that at some point you’ll be handed a mic and told to go for it. And that’s the idea: that you go for it. Cool has been abolished: for 25 minutes you can’t fuck up. You can scream and sing and roll around on the floor and it’s okay. To quote them “No one here looks more stupid then we do so don’t worry about it!” And you can totally just stand up against a wall and watch too if you want: there aren’t rules. It’s not, “you have to go crazy,” it’s “you can.” And that freedom leads to a real liberation, an all encompassing fuck everything dance party hailed as everything from kid playtime gone wrong to the least self conscious act at CMJ to a religious awakening.

And all this razzmatazz hasn’t gone unnoticed. In addition to getting a plaque once they’ve also been written about by a bunch of important magazines and newspapers, including the New York Times, New York magazine, NME, Nylon and more. Perhaps most impressive, besides the plaque, was their winning the Diesel:U:Music World Tour competition last year. Selected from amongst thousands, Diesel flew them around the world to play in big stadiums in Japan and historic nightclubs in France. This rather surprising move, (wait, good, deserving bands can actually get giant handouts from monster corporations?!) catapulted them into the spotlight, giving them a much-deserved amount of exposure, a buzz that will that may very well explode as they release their debut album and continue to tour nonstop.

The Terror Pigeon Dance Revolt! have an album coming out on Luaka Bop this spring. It’s great. It’s ten tracks of absolute power. They’re touring the US nonstop starting in February with a new backing band called The Shakes. They’re now accepting summer barbeque invitations and really want to play someone’s senior prom like how the Spice Girls used to have competitions like that.

Upcoming Shows

06/05/10 - The Ox (with Harry and the Potters (7pm early show)) - Philadelphia, PA
06/06/10 - The Knitting Factory (with Harry and the Potters (3pm early show)) - Brooklyn, NY
06/11/10 - Hillstock (with the Eskalators, Ava Luna, The Shakes, Ghost Mall and many others) - Brooklyn, NY

07/18/10 - Velocity - Watertown, NY

08/06/10 - Brooklyn Yard (with for Mucca Pazza) - Brooklyn, NY

Umphrey's McGee Presents "Terror-Torium" on Halloween

photos by Amanda Bell- for the Grateful Web

Umphrey's McGee pays tribute to Halloween and to classic American horror films with TERROR-TORIUM, a fright-filled evening of music, costumes and décor taking place at Denver's Fillmore Auditorium on October 31st. Fans are encouraged to dress as their favorite horror movie character and partake in a costume contest, with the winner taking home tickets to every Fillmore show for one year. Denver's own Kinetix will open the show.

The ascension continues for Chicago's Umphrey's McGee, not only in terms of their commercial success but in creative accomplishment and instrumental achievement as well.  Their performance on Live at the Murat (SCI Fidelity), their first official live release, is as impressive as anything they've recorded to date, with the power and finesse, the yin and the yang, that have come to characterize their by-now classic material.

Recorded in Indianapolis in April 2007 and produced by longtime "sound caresser" / honorary seventh member Kevin Browning, the two-disc set features fan favorites like "Push the Pig," "The Triple Wide," "In the Kitchen," and "Nothing Too Fancy" along with rare tunes like the set-ending "Padgett's Profile" and the brief but torrid "Angular Momentum," centered on the combo of drummer Kris Myers and guitarist Jake Cinninger.  The band also dusts off tunes like "Hajimemashite" from '98s Songs for Older Women, and the Yes meets Little Feat-influenced "40's Theme," a live favorite for the band and its fans.

Throughout the show, UM's invention brings the progressive instrumental chops of Zappa and the stylistic savvy of Steely Dan.  It is innovative without being indulgent, exhilarating without losing control, and there are plenty of improv passages that keep the band and their fans off-balance.  Clearly, logging 120 gigs a year, "live" is where UM lives.

The current list of confirmed tour dates is as follows:

October 04 Liberty Hall Lawrence KS
October 05 Granada Theater Dallas TX
October 06 Stubb's BBQ Austin TX
October 14 The Echo Project Fairburn GA
October 16 Toad's Place - Lady Byrd Hat Building Richmond VA
October 17 Nightclub 9:30 Washington DC
October 18 Magic City Music Hall Johnson City NY
October 19-20 Nokia Theater Times Square New York NY
October 22 Harro East Ballroom Rochester NY
October 24-25 Higher Ground Ballroom Burlington VT
October 26 Orpheum Theatre Boston MA
October 27 House of Blues Las Vegas NV
October 28 Vegoose Las Vegas NV
October 31 Fillmore Auditorium Denver CO
November 09 IU Auditorium / Univ. of Indiana Bloomington IN
November 10 Eagles Ballroom Milwaukee WI
November 15 Amos' South End Charlotte NC
November 16 City Hall Nashville TN
November 18 Bear Creek Music Festival Quincy FL
November 29 Orbit Room Grand Rapids MI
November 30 Lifestyle Communities Pavilion Columbus OH
December 01 Michigan Theatre Ann Arbor MI
December 13-17 Caribbean Holidaze Runaway Jamaica
December 29-31 The Aragon Ballroom Chicago IL
March 16-18 Jam in the Dam Amsterdam Netherlands

Live at the Murat is the latest feather in the cap of the dazzling sextet.  They followed their highly touted spring 2006 studio release Safety In Numbers with the magical odds and sods The Bottom Half in the spring of this year.  The album, with its outtakes, alternate versions, and other nifty bits, reached #26 on Billboard's coveted "Heatseakers" Chart and received high marks from the music press.  HARP magazine recently noted "…[The Bottom Half delivers] creamy studio work infused by diabolical skill."  Also in 2006, Umphrey's McGee sold out shows in theaters coast to coast, appeared at Lollapalooza and Bonnaroo, and made their late night TV debut on ABC's "Jimmy Kimmel Live."  Booked by the Monterey Peninsula Booking Agency, the band recently sold out three nights at Chicago's Aragon Ballroom, two nights at Irving Plaza, San Francisco's Fillmore Auditorium, and the list goes on, as does Umphrey's McGee.