Tropic Harbour’s new EP begins with its honey-sweet eponymous opener—“Colour” features rolling surf-inspired pseudo-flamenco guitars over echoing snares and Mark Berg’s dream poppy vocals—and the end that comes a few minutes in is a lingering sentiment you won’t soon shake.
With Jake Shimabukuro’s new release Grand Ukulele: Live In Boulder; ukuleles are not for Don Ho singing Tiny Bubbles or Tiny Tim tip toe-ing through the tulips anymore. Thank Goddess of Fire Pele! The ukulele being In the same vein as the Lower 48’s accordion as a stereotyped instrument that can’t possible grab one’s attention for long; is not only for the Big Island anymore.
Music is a ubiquitous part of my life because it has the power to make it better. On countless occasions, it has demonstrated the ability to rejuvenate me when I’m sapped of energy and to will me out of a funk when I’m frustrated or down in the dumps. It even has the power to enliven my spirits for weeks without even yet being heard – anyone who lives for the music knows what it’s like to anticipate a show weeks, or even months, ahead of time.
The smiles come on strong instantly with the beginning of this album entertaining the possibility of dinner with alien visitors in “The Martians”. It keeps up the pace exclaiming the obvious in “Epic Action” as the alien visitation is unfolding.
Here we have—singer-songwriter Todd Snider (usually a solo fellow) and bassist Dave Schools (Widespread Panic) leading the charge, Neal Casal (guitarist for Ryan Adams, Chris Robinson); Chad Staehly (of Great American Taxi) on keys, and King Lincoln drummer Duane Trucks (nephew of Butch Trucks, who worked the set for the Allman Brothers, if you want a reach of a tie-in)—the
Musicians that decide to go the solo route, all by their looooooooooooooonesome, are deserving of respect just for the sake of displaying the confidence it takes to share their creativity and talents to make good things happen. Solo acts have to deal with huge expectations ranging from thousands of folks in a big venue looking to catch the best version ever of their favorite songs or simply being the focus of fifteen people in a small club with strings of Christmas lights as the stage lighting.
If the Colorado Bluegrass Community wasn’t already tried as strong, this month represented a milestone for community support. Last month’s “100 Year Flood” damaged and displaced thousands in Boulder County. The worst was the devastation in Lyons, Colorado, home of the Planet Bluegrass Ranch and much of the Colorado Music Roots community. The Ranch hosts at least two huge annual festivals onsite that after 40 years of legendary performances have built a loyal following of devotees nationwide.