Albums

Fruition | Just One Of Them Nights | New Music Review

Fruition is a great word.  We all love realizing the fruits of our labors and when ideas emerge from dreams into real world successes.  The band Fruition, hailing from Portland, Oregon has these good things happening with their 11 track album, Just One Of Them Nights, scheduled for release July 30th.  Starting as a collection of street musicians, Fruition is a band of musicians that exemplifies, the sentiment, “For the sake of

Henhouse Prowlers | Breaking Ground | New Music Review

I’ll be honest: Chicago is probably the last place I tend to think of when we’re talkin’ bluegrass. Still, the Henhouse Prowlers have gained a healthy following out in the city they call home, so I figured a listen couldn’t hurt all that much.

The Mother Hips | Behind Beyond | Review

The Mother Hips have been around for twenty years, and I’ve never heard of them—I think—actually, on second thought, they do ring a bell. But that might just be residual from my Acid Mothers Temple salad days...

Widespread Panic | Live at Oak Mountain | Review

Southern Rockers Widespread Panic have come a long way since their humble beginnings in Athens, George in 1986. Well, actually, the sextet is still humble. Steering clear of mainstream record labels, never overselling themselves to anyone but their loyal fans, playing discrete destination festivals, while keeping a cool and accessible demeanor; by basically being themselves.

Tracy Walton | If I Ever Get Away | New Music Review

How would one describe Tracy Walton a singer –songwriter who hails from Litchfield CT? Tracy Walton has never been afraid to re-invent himself. In this spirit, Tracy released the aptly titled “Brand New Again” in 2011. At once rough and vulnerable, Tracy’s voice cuts to the heart of any story, taking you down back roads, through broken lonely hearts, and into hopeful, open skies.

Stripmall Architecture | Suburban Reverb | New Music Review

Sometime in between The Killers’ “Mr. Brightside” and Kanye West’s “Stronger,” electronic music officially became pop again. Long relegated to the support role after the death of new wave in the 80s, the keyboardist became a more prominent player (pun absolutely intended) in a band once again. Often just an add-on in a guitar-driven musical landscape, the keyboardist now plays the riffs, front and center.

Grateful Web Interview with Caroline Rose | New Music Review

Upon first listening to Caroline Rose’s America Religious (releasing July 2), I found it fresh and catchy. On my second listen, I settled in and it opened up to me – or I to it. In the lyrics I found political and social commentary nestled into the metaphors, and a little bit more of a lead foot as I drove down the road.

Jon Hopkins | Immunity | New Music Review

Jon Hopkins has always been a bit of a journeyman in the music world. The British producer got his first gig as the keyboardist for Imogen Heap’s backing band, and has built up quite a resume from there. He collaborated often with prolific producer Brian Eno, which led to production work with him on Coldplay’s 2008 album Viva la Vida or Death and All His Friends.

Bad Cop | Light on | New Music Review

Shades of raw Buzzcocks in spirit and this distinguishable brand of Interpol-Strokes scenester amalgam in recurring riffs—adjusting their own description to account for the requisite self-romanticizing inherent in any young new band’s internal visions of their portrait—that’s Bad Cop more or less.

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