The Mother Hips | Behind Beyond | Review

The Mother Hips have been around for twenty years, and I’ve never heard of them—I think—actually, on second thought, they do ring a bell. But that might just be residual from my Acid Mothers Temple salad days...

Widespread Panic | Live at Oak Mountain | Review

Southern Rockers Widespread Panic have come a long way since their humble beginnings in Athens, George in 1986. Well, actually, the sextet is still humble. Steering clear of mainstream record labels, never overselling themselves to anyone but their loyal fans, playing discrete destination festivals, while keeping a cool and accessible demeanor; by basically being themselves.

Tracy Walton | If I Ever Get Away | New Music Review

How would one describe Tracy Walton a singer –songwriter who hails from Litchfield CT? Tracy Walton has never been afraid to re-invent himself. In this spirit, Tracy released the aptly titled “Brand New Again” in 2011. At once rough and vulnerable, Tracy’s voice cuts to the heart of any story, taking you down back roads, through broken lonely hearts, and into hopeful, open skies.

Stripmall Architecture | Suburban Reverb | New Music Review

Sometime in between The Killers’ “Mr. Brightside” and Kanye West’s “Stronger,” electronic music officially became pop again. Long relegated to the support role after the death of new wave in the 80s, the keyboardist became a more prominent player (pun absolutely intended) in a band once again. Often just an add-on in a guitar-driven musical landscape, the keyboardist now plays the riffs, front and center.

Grateful Web Interview with Caroline Rose | New Music Review

Upon first listening to Caroline Rose’s America Religious (releasing July 2), I found it fresh and catchy. On my second listen, I settled in and it opened up to me – or I to it. In the lyrics I found political and social commentary nestled into the metaphors, and a little bit more of a lead foot as I drove down the road.

Jon Hopkins | Immunity | New Music Review

Jon Hopkins has always been a bit of a journeyman in the music world. The British producer got his first gig as the keyboardist for Imogen Heap’s backing band, and has built up quite a resume from there. He collaborated often with prolific producer Brian Eno, which led to production work with him on Coldplay’s 2008 album Viva la Vida or Death and All His Friends.

Bad Cop | Light on | New Music Review

Shades of raw Buzzcocks in spirit and this distinguishable brand of Interpol-Strokes scenester amalgam in recurring riffs—adjusting their own description to account for the requisite self-romanticizing inherent in any young new band’s internal visions of their portrait—that’s Bad Cop more or less.

JJ Grey & Mofro | This River | New Music Review

Maybe I’ve grown jaded and all, but lately the gimmicks and ploys and artificial soul spewing from some of these up-and-comers in the ‘industry’ (loose interpretation) have been dancing on nothing short of exhausting. Too much self-awareness, far too little genuine appreciation for the necessary steps on the ladder to iconic reverence. Folks wanna be first-off famous—you cannot fall in love with the rock stars, to paraphrase my favorite flick on the subject (you’ve seen it).

The Silent Comedy | Friends Divide | New Music Review

The Silent Comedy is no laughing matter. Set to release the six-track EP Friends Divide on June 10th, The Silent Comedy has been fermenting nicely in San Diego’s local bar scene. Their previous album Common Faults sold over 14,000 copies. They have been accumulating a cult-like following, impart due to their ruckus live performances which have fondly been dubbed a “Whiskey Tent Revival”.

Camera Obscura | Desire Lines | New Music Review

To start, Camera Obscura introduces Desire Lines with a brief, sweeping overture (simply, “Intro”) that hints at the structured dreamscape to come—not that any future tracks on the record revisit the string arrangement procured here; I mean to say that this short, overwrought musical construct belies the band’s aspiration to sublime grandeur in obvious subtext.


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