Hardworking Americans | The First Waltz | Review

It’s hard to use the term super-group without a couple of obvious stigmas surfacing. It usually constitutes musicians who were sensationalized with other bands coming together to benefit off of the novelty of their collaboration with other already successful players. Often the results are under-inspired, a lucrative opportunity to make a quick buck off of an established name. Not every band assembled of already established players constitutes super group.

Jaden Carlson | Polychromatic | Review

Only a year into her teens, and boasting a wide smile at every concert, Jaden Carlson seems to be doing what she loves, and it shows in her playing. There’s no comparison to the crashed and burnt refugees of the entertainment industry; no label issued stranglehold on her creativity and self-motivated drive. She writes her own songs and lyrics and even finds time to do her homework between band practice.

Medeski, Scofield, Martin & Wood | Juice

From their debut performances at the Village Gate, a historic jazz club located on the west side of Lower Manhattan, to their high-profile collaborations with an eclectic variety of musicians, avant-jazz funk trio Medeski, Martin & Wood have developed a signature style that has continued to push the boundaries of American jazz for the last 23 years.

HT Heartache | Sundowner | Review

This all started with Lizzy Grant—back before Lana del Rey’s somehow-transcendent Born to Die managed to convince the vogue among us that trailer park chic was most certainly in, there was this beautiful young girl singing tortured-soul musings out of a doublewide, claiming that hell and salvation could all be found just cruising down Main Street in any blue collar town—simple as that.

Lotus | Gilded Age | New Music Review

The first Lotus pressing I ever got my hands on was their last, Monks, this tight little package that threw-back to the glory days of trip-hop you’d never hear about unless you were in—(see Deltron 3030, Doctor Octagon, et. al.)—and, in the process, brought the mellow-fellow known as Doodlebug and his “Cloud 9” musings into my life. Here was, far as I could say, a honed-vet jam band biting hip-hop, and I dug it.

Handmade Moments by Handmade Moments | Album Review

Handmade Moments’ first album is a collection of fun, sultry, inspiring, thoughtful tracks. With songs stretching from political to simply lovely, the duo (Anna Horton and Joel Ludford) offers an expansive array of styles and lyrics through their 12 songs. Musically, the album is rooted in strings and jazz; bluegrass, folk and Americana float in throughout the album.

Robbie McCoury | The Five String Flame Thrower | Review

The McCoury family legacy is one of the richest in bluegrass. Father Del McCoury was a crucial member of Bill Monroe’s Bluegrass Boys and achieved legendary status with his souring lead vocals on signature Monroe songs and originals. His band is a family band, and has been for a while.

Achilles Wheel | Stones to Sand | New Music Review

As the web of Americana continues to be woven, artists connect the past and present through musicianship and songwriting that reflects a fluid agreement between contemporary and roots qualities. Too often is nostalgia misrepresented as authenticity, and bands afraid to develop their own sound generally don’t last the test of time.

D.O.T.S. C.O.N.F.U.S.E. M.I.N.D.S. | On Patrol | Review

As a general rule, I tend to avoid double albums like—well, not quite the Plague—maybe just a pretty girl with a slightly-suspect cold sore, or anything by the Dave Matthews Band.

Pigeons Playing Ping Pong | Psychology | New Music Review

Pigeons Playing Ping Pong might sound like a funny name, but their music is serious, ranging from funk to dance to electronic. On July 3, they released their second LP called “Psychology,” and right from the get go it brings the heat.


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