Albums

Pigeons Playing Ping Pong | Psychology | New Music Review

Pigeons Playing Ping Pong might sound like a funny name, but their music is serious, ranging from funk to dance to electronic. On July 3, they released their second LP called “Psychology,” and right from the get go it brings the heat.

Arc & Stones | As You Were | New Music Review

When I first heard “Control”—in my opinion, the strongest track on Arc & Stones sophomore release, As You Were—I immediately thought, S—t, man, this reminds me of Bang Camaro—I miss those crazy bastards. Now, I will say that the rest of As You Were showcases the band’s ability to shift their tone from Camaro’s this-amp-goes-to-eleven mentality to elsewhere-territory, but that raw energy’s never too far gone.

Phish | Fuego | New Music Review

It has been eight months since Phish debuted their new album in its entirety on stage at the Halloween show in Atlantic City, much to the surprise of fans who assumed (quite wrongly) the band would instead cover a classic album as they have done in the past.  Reviews of that performance and the songs have been mixed among their fan base, and now with the album release of Fuego fans can finally hear the finished product that began that fateful night.  And once again, fans are going to be quite surprised.

Analog Son | New Music Review

It is quite rare for album art to get noticed in the age of iTunes and Mp3 players. But I found myself captivated by the cover of Analog Son’s eponymously titled debut album when it arrived in the mail. I couldn’t help but notice a distinct similarity to one of funk’s most celebrated records. On the cover of Maggot Brain, Funkadelic’s ‘71 masterpiece, a woman is buried neck deep in the dirt, her licorice-colored Afro almost camouflaged by the soil that surrounds it.

Miss Grizzly | 'Miss Grizzly' | New Music Review

You can tell by listening to real rock music by the impression it makes on the world and by the footprint it leaves behind. Sometimes it can come out in a passionate vocal line, a social movement, or a song that is sung with emotional bewilderment. The new EP/album that bears the same name as the band is a non-stop presentation of all-out rock n’ roll as described above. Making use of every rock trick in the book, it’s hard not to find something you’ll like on this 5 track collection.

Chatham County Line's Tightrope | Album Review

Chatham County Line’s new album 'Tightrope' debuted at #3 on the Billboard Bluegrass Chart. North Carolina funambulists Dave Wilson, (Guitar, Harmonica, Vocal) John Teer, (Mandolin, Fiddle, Vocal) Chandler Holt (Banjo, Guitar, Vocal) and Greg Readling (Bass, Pedal Steel, Piano, Vocal) return to Colorado promoting their sixth studio album on Yep Roc. For over a decade, Chatham County Line has remained the same four members.

Umphrey's McGee | Similar Skin | Review

If there was one word that could be used to describe the band Umphrey’s McGee it would have to be “progressive”.  Not just in terms of the music they play, but in their approach to how they present their craft.

Jiggley Jones | A Mountain, A Struggle, A Tunnel, A Light | Review

It’s funny how music can change. It’s so malleable; you could hear it in one setting and hate it, vowing to never again let such filth invade your eardrums again. I’m referring to sonic pop by the way. Then, you could hear it at a different time, in a different situation, a different artist and see something in it that you never considered. It’s not just to down to peer pressure, either. You could be listening to a song on repeat in the morning that by night time you can’t stand.

Umphrey's McGee | Similar Skin | New Music Review

Meshing musical styles ranging from Prog to Pop, with wholesome doses of 90’s Alternative & Electronica, Umphprey’s McGee “Similar Skin” (Release Date: June 10. 2014) reinvents the jam ethos uniquely, truly and respectably with sounds that simultaneously sail and soar.

Christina Rubino | Alive from the Scrapheap | Review

It's easy to know how to categorize an artist like Christina Rubino. Self-described as “a Female Johnny Cash” Alive from the Scrapheap’ is one of the more dark releases I’ve heard this year. It’s not so dark and apocalyptic steeped in the fog of shock mind you, but rather extremely truthful and honest. It’s got sold melodies and impressive musicianship – which is a rarity in today music.

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