Albums

Stripmall Architecture | Suburban Reverb | New Music Review

Sometime in between The Killers’ “Mr. Brightside” and Kanye West’s “Stronger,” electronic music officially became pop again. Long relegated to the support role after the death of new wave in the 80s, the keyboardist became a more prominent player (pun absolutely intended) in a band once again. Often just an add-on in a guitar-driven musical landscape, the keyboardist now plays the riffs, front and center. The buzzing sawtooth that starts Phoenix’s “1901” and the glossy bounce that propels Passion Pit’s “Take a Walk” are what gets stuck in people’s heads these days.

Grateful Web Interview with Caroline Rose | New Music Review

Upon first listening to Caroline Rose’s America Religious (releasing July 2), I found it fresh and catchy. On my second listen, I settled in and it opened up to me – or I to it. In the lyrics I found political and social commentary nestled into the metaphors, and a little bit more of a lead foot as I drove down the road. I found a friend in her music; one who thinks similarly to me and who cares about the big picture and all its little breath-beings.

Jon Hopkins | Immunity | New Music Review

Jon Hopkins has always been a bit of a journeyman in the music world. The British producer got his first gig as the keyboardist for Imogen Heap’s backing band, and has built up quite a resume from there. He collaborated often with prolific producer Brian Eno, which led to production work with him on Coldplay’s 2008 album Viva la Vida or Death and All His Friends.

Bad Cop | Light on | New Music Review

Shades of raw Buzzcocks in spirit and this distinguishable brand of Interpol-Strokes scenester amalgam in recurring riffs—adjusting their own description to account for the requisite self-romanticizing inherent in any young new band’s internal visions of their portrait—that’s Bad Cop more or less.

The trio’s debut E.P. is grinded-down polish. Anarchy on synthetic drugs. High-gloss Stratocaster punk trying to recount stories some denim-rocking uncle of ‘66 told through an acid haze back in the glory days.

JJ Grey & Mofro | This River | New Music Review

Maybe I’ve grown jaded and all, but lately the gimmicks and ploys and artificial soul spewing from some of these up-and-comers in the ‘industry’ (loose interpretation) have been dancing on nothing short of exhausting. Too much self-awareness, far too little genuine appreciation for the necessary steps on the ladder to iconic reverence. Folks wanna be first-off famous—you cannot fall in love with the rock stars, to paraphrase my favorite flick on the subject (you’ve seen it). It’s a barren wasteland of lowly pomp and posture, if you ask this guy.

The Silent Comedy | Friends Divide | New Music Review

The Silent Comedy is no laughing matter. Set to release the six-track EP Friends Divide on June 10th, The Silent Comedy has been fermenting nicely in San Diego’s local bar scene. Their previous album Common Faults sold over 14,000 copies. They have been accumulating a cult-like following, impart due to their ruckus live performances which have fondly been dubbed a “Whiskey Tent Revival”.

Camera Obscura | Desire Lines | New Music Review

To start, Camera Obscura introduces Desire Lines with a brief, sweeping overture (simply, “Intro”) that hints at the structured dreamscape to come—not that any future tracks on the record revisit the string arrangement procured here; I mean to say that this short, overwrought musical construct belies the band’s aspiration to sublime grandeur in obvious subtext. But that’s all just intellectualizing what amounts to a barely a half-minute movement on the album.

The 4onthefloor | Spirit of Minneapolis | Review

I remember back a couple years ago I was spending New Year’s Eve at this little ski hill pub up in New Hampshire, and there was a live band heading up the evening from a corner stage. They were good too, playing your standard classic rock fare of the Stones, Petty, and the like.

The Hollows | Neverending Show | Review

Along the lines of Woody Guthrie’s this Land Is Your Land, The Hollows came together from a few regions of the United States.

Donna the Buffalo | Tonight, Tomorrow and Yesterday | Review

Sweet. Swirly. Pure. If you want to get with any of these words musically, Donna the Buffalo offers these sounds and feelings in each and every song.  The band’s new album, Tonight, Tomorrow and Yesterday, drops 6/18/13 featuring founding members, songwriters and lead vocalists Jeb Puryear and Tara Nevins. Tonight, Tomorrow and Yesterday offers 14 tracks to get you in a nice state of mind.

Pages

  • Latest
  • Popular
  • Tags
  • Comments
Northeast based, always-touring Dopapod today announces the...
Tuesday, December 16, 2014 - 13:50
The 2015 Chicago Bluegrass & Blues fest is back with mor...
Tuesday, December 16, 2014 - 13:10
Catskill Chill Music Festival has announced dates for the si...
Tuesday, December 16, 2014 - 13:02
There are moments in time when a word or thought has such po...
Tuesday, December 16, 2014 - 08:02
6/10/2004
1 month 1 week ago
...
I LOVE YOU!!!!!!!!!!!!!!!!!!!!!
2 months 2 weeks ago
Legend Valley is only 50 miles from home,I'm gonna have to catch the Jubilee one of t...
5 months 4 weeks ago
For more about Thomas Merton check out this site written by one of his studens:   mer...
7 months 1 week ago