Béla Fleck’s second annual Blue Ridge Banjo Camp will be held at the Brevard Music Center in Brevard, NC on August 14-18, 2019. The camp will feature 3 days and 4 nights of diverse banjo instruction by Béla himself alongside a cast of world class banjo players/instructors. The week will culminate with the Blue Ridge banjo finale concert held in the beautiful Whittington-Pfohl Auditorium. The instructional focus will be on the three distinct styles of three-finger banjo playing: Scruggs, melodic, and single string.
Béla Fleck, Abigail Washburn and renowned dance troupe Pilobolus have created their own timely ghost story by pairing two songs off their latest album, Echo in the Valley (Rounder), “Come All You Coal Miners” by Appalachian ballad singer, Sarah Ogan Gunning and the duo’s own “Take Me to Harlan.”
In the last decade, one the North Bay Area and wine country’s premier venues has become Weill Hall at Sonoma State University. Housed in the Green Music Center, this indoor/outdoor hybrid venue space is one of a kind. The theater has stunning wooden seats and a double-tiered balcony, while the outdoor lawn seating is ideal for year long daytime and nighttime shows. Despite its sizeable capacity, it feels homey and intimate with projector screens displaying multi-shot coverage of the stage up-close.
"For Juno Concerto, I wanted to take what I had learned from writing and performing my first concerto and apply it here. The Impostor was written in 2011 and now that I’ve had the chance to play it over 50 times, I’ve had the chance to observe what I like and what I think could be different,” says Béla Fleck.
MerleFest, presented by Window World and scheduled for April 27-30, 2017, is bringing two bluegrass legends to the 30th celebration – banjo master Béla Fleck and The Earls of Leicester featuring Jerry Douglas, a supergroup homage to Flatt & Scruggs made up of several of bluegrass’s finest musicians. Both will be playing on Saturday.
Almost a decade ago, in a blissful oddity odyssey, master jazz pianist Chick Corea began collaborating with the greatest living banjo player Béla Fleck. It wasn’t quite as peculiar in Fleck’s world, as the genre-abolishing maestro's band The Flecktones thrived on inexplicable instrumental possibilities. He had also previously toured with Americana pianist and bandleader Bruce Hornsby.