Bob Weir

When it comes to heavenly deities, the preferred choice of instrument is the harp.  There is something so different and refreshing about the harp. In these days of pandemic and panic, a little taste of heaven may do you good. Perhaps because of the huge statue of a harp, it’s not something we see often in the jam band scene until now. 

Bob Weir and Wolf Bros have rescheduled their headlining dates due to rising COVID-19 concerns. Read an official statement on the matter from the trio below:

"The health and wellbeing of our live music community is of the utmost importance. So, while we all deal with the effects of coronavirus (Covid-19) we will be rescheduling our remaining Bob Weir and Wolf Bros headline dates.

While thankfulness is inherent to a Deadhead’s makeup, oftentimes, we don’t stop and fully let our gratitude overwhelm us. The Skull & Roses Music Festival in Ventura, California this April 2nd-5th will easily remedy that. Offering a most wonderful setting in a most sacred spot, Skull & Roses provides the perfect opportunity to allow our appreciation to soar. I sense the familiar thrill rise within me as I digest this year's lineup— Billy & the Kids, Oteil & Friends, Jeff Chimenti, Steve Kimock, and George Porter Jr.

How would you like to work out with Bob Weir? Warning: you might not be able to keep up with him.

A new, cavernous San Francisco concert venue was put to use by Dead & Company on Dec. 30, and while it is the biggest indoor venue in Grateful Dead-hometown history, the party was no less enthusiastic. On New Year’s Eve, balloons would drop and a vintage plane would fly through the arena at midnight, but here on the 30th, the penultimate night of the year, Dead & Company delivered a big, powerful show worthy of review.

One could almost feel kaleidoscopic dust particles shake from the hallowed halls and chandeliers of the gritty old Fillmore in San Francisco on December 6.

Amid a brief West Coast stint, Bob Weir and Wolf Bros graced the newly rebranded Oxbow RiverStage in Napa, California last Saturday. The trio led by the legendary guitarist and bandleader alongside constant collaborator Jay Lane on drums and prestigious producer/bassist Don Was has deservingly garnered an attentive following of its own. For many Bobby fans, his best work after the Grateful Dead was with RatDog throughout the mid-1990s into the 2000s.

Our journey through day three of Outside Lands began with a heartfelt performance on the main stage from the original queen of soul and gospel music, Mavis Staples. Her set was packed with so many songs that have helped her career take flight throughout the years such as “Build A Bridge,” “Change,” and “We Get By” but her performance was about so much more than just hearing her hits, the ambiance of her performance was electrifying and the 80-year-old Staples simply put on a clinic on how music keeps us all young.

Grateful Dead cofounder Bob Weir refuses to stay stagnant, and his latest occasional side project, the Weir & Wolf Bros trio, set up camp for a three-night, hometown residency August 1 to 3 in Marin County’s idyllic Mill Valley. Reports that tickets for these performances at the 300-capacity Sweetwater Music Hall sold out in 30 seconds are probably not exaggerated. Grateful Web was lucky enough to attend the first show of the run.

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