The Colorado Jazz scene has always been active, but never really definitive. Denver and Boulder have few actual jazz venues (thank god for Dazzle Jazz) and most of the renowned artists that tour through choose mid-sized theatres, performing arts centers, or even laid back dives as their outlet. Since our music culture is so welcoming and lets face it, who wouldn’t want to tour through our beautiful state, we get some of the hottest names in Jazz touring through and giving their all to Rocky Mountain audiences.
By fall of 1994 the Grateful Dead scene was growing unmanageably large. Even large mainstay venues that the boys have been performing at for decades were too small anymore. The performance that used to be a not-so well-kept secret had grown to sell out the largest football and soccer stadiums.
Specific aromas have the power to transport me back to an earlier, more youthful time: the earthy redolence of decaying leaves, mesquite smoke wafting from a neighbor’s barbeque, and even the gamy stench of a hockey locker room. I also have triggers for my ocular, haptic, gustatory, and aural senses. All of us do. And I thought sensory recall was the closest thing I would ever have to a time machine. But on Friday night, Phil and Friends changed that – not once, but twice.
With less than one month until the 5th Annual Bear Creek Music & Arts Festival kicks off, today event promoters have released the daily stage performance schedule here: www.bearcreekmusicfestival.com/artists/schedule. Music runs nearly round-the-clock music on 7 stages, including a Silent Disco stage new to Bear Creek this year.