The Mimi Fishman Foundation has launched their second online charity auction of 2017. This time around the Foundation offers drumsticks from 2016 and 2017 shows. The drumsticks are labeled for date/show and also signed by Phish drummer Jon Fishman. Many shows are represented including sticks from Mexico (2017), New Years (2016) and Halloween (2016).
The auction ends April 13, 2017 and can be found at http://auction.mimifishman.
Thank you...The Mimi Fishman Foundation
After the grand way the band has been performing the last few years, we can sometimes forget how much Phish used to dominate the 90s live music scene. By the winter of 1995 the band was still performing slightly under the radar and these four musical wizards were summoning magic on-stage nightly. The band is currently in the midst of an excellent fall tour, and with another winter looming has offered up an archival release from that distinguished period, this being from their December 7th 1995 show at the Niagara Falls Convention Center
Type I: “I highly recommend getting this show. It blows night one out of the water. Man, now I can't wait for tomorrow after that display.” - Red
Type II: “Not bad 3 day run. expected way more from the boys knowing the 2012 shows were epic. Highlights: Sand, Piper, Chalkdust, legalize it, divided sky, moma dance. other than that tho average shows.” – dude
With the excitement over their 30th anniversary tour growing, Phish have whet the appetite of fans by offering up yet another brilliant archival release, a box set entitled Ventura. This six-CD collection contains two full-length performances from the band’s 1997 and 1998 summer concerts at the Ventura County Fairgrounds in Ventura, California. Both of these shows paint perfect pictures of just how well the
“Never miss a Sunday show.” This has long been word of the wise from many Phish fans when it comes to experiencing a run of shows. On top of that, the date 12/30 has always been a legendary night for the band. Walking into Madison Square Garden that Sunday night I expected to hear an entertaining show and hoped for some longer extended jams. After all, the opening two nights had overall solid set lists, but there was definitely room for more experimental jamming and improvisation.
It's the age old debate (Or at least one that’s been fretted over for about the last 10 years or so): “Couch Touring” Vs. the “In Person” experience.
I have been privy to those who claim couch touring is not a valid way to see a performance; In fact, I’ve heard people say that those who have streamed shows in the comfort of their homes can’t really count that as officially “seeing the shows”. In other words, if I’d been to 30 shows, but 15 were on couch tour, I’ve technically only seen 15 shows.