The Motet is leading the new Funk revival and today the band announces a special New Year’s Eve celebration at Portland, Oregon’s Crystal Ballroom on December 31, 2014. Known for throwing some of the best dance parties around, The Motet’s “New Year’s Eve in Funklandia” promises a festive night of great music, good vibes, and plenty of surprises.
The disco themed LoHi Music Festival held in the lower highlands Denver neighborhood started with a bang with Genetics and Blake Mobley’s collaborative musical project Tiger Party, that this time featured guitarist Tom Hamilton from Brother’s Past and American Babies. After a brief down pour of rain during the Heavy Pets set, the skies opened up to a beautiful day for a city festival. The set-up of the festival worked well except for the absence of a poster and the LoHi money exchange, which is never a good idea.
Today, progressive funk collective The Motet announce their annual Halloween shows along Colorado’s Front Range, and unveil this year’s always-anticipated theme for the legendary parties: “Mixtape 1975.” The Motet’s “Mixtape 1975” Halloween run makes stops at Vilar PAC in Beaver Creek, the Boulder Theater, and Denver’s Ogden Theatre, with an additional Colorado show still to be announced. Tickets go on sale Friday, July 11 at 10am MDT at
For the first time since they started headlining Red Rocks, Umphrey’s McGee achieved a sellout on Saturday night at the famed amphitheater. They proceeded to demonstrate over the course of two fiery sets exactly why it was such a hot ticket.From the brand-new opener of “Lucid State” until the the end of the classic “Bridgeless,” Umphrey’s McGee provided endless supplies of heavy, hard-hitting RAWK.
It is quite rare for album art to get noticed in the age of iTunes and Mp3 players. But I found myself captivated by the cover of Analog Son’s eponymously titled debut album when it arrived in the mail. I couldn’t help but notice a distinct similarity to one of funk’s most celebrated records. On the cover of Maggot Brain, Funkadelic’s ‘71 masterpiece, a woman is buried neck deep in the dirt, her licorice-colored Afro almost camouflaged by the soil that surrounds it.
Striking out on your own as a musician after being part of an ensemble is never easy to do, save for the fortunately marketable front men and Beyoncés of the world. Roosevelt Collier is doing his best, and while picking up steam, has never forgotten where he came from and what made him the musician he is today. Forged out of the Pentecostal beliefs surrounding “Sacred Steel,” Roosevelt is both carrier of the torch and genre-hijacking outlaw.
Bluegrass, world, reggae, funk and jam are all coming to Camp Euphoria XI (CEXI) this summer. It’s one-festival, two-days, for all-ages, July 11-12, 2014 on “Jerry’s Farm” near Lone Tree, Iowa. With its hallmark eclectic musical lineup, Camp Euforia is turning it up to Eleven. One better.“This year CEXI is for the fans, and we are taking it to 11!” says Eric Quiner, director of Camp Euforia.
Most folks going out to see live music generally seek a familiar favorite band, or at the very least a certain style or genre implied. Rarely can an act draw interest based on anything without these qualities. Matt Butler’s Everyone Orchestra is the exception. Butler is a fantastic multi-instrumentalist (primarily a drummer) who decided to abolish all of the above qualifiers of what constitutes a traditional band.
Purple Hatter’s Ball has added several new artists to the line-up including: Colorado’s dance-funk seven-piece The Motet; electronic producer/guitar player and drummer duo, The Floozies who are performing at Spirit of the Suwannee Music Park for their first time; the infectious soul-funk of The Fritz; and the inspiring soulful sounds of Avis Berry & Scott Campbell Band, as well as Yankee Slickers, Famato and Universal Green.