Three bohemian bands and a world-famous clown came together June 2 at the UC Theatre in Berkeley, California, for a benefit for the Seva Foundation, a global health organization with a core vision of “A world free of blindness.” Emceed by Seva co-founder Wavy Gravy, who remains on its board of directors, Rising Appalachia, Dead Winter Carpenters, and The Sam Chase & the Untraditional marked Seva’s 40th anniversary by visibly invigorating the swaying, dancing crowd.
Kicking off their “Stay Human” tour, Michael Franti & Spearhead had a soul shining performance at Red Rocks Amphitheater on June 1st. The evening started off with Franti leading a yoga jam session at Red Rocks. Taking in all the beautiful views of Colorado, this put out some great vibes for the beautiful Colorado night.
The Disco Biscuits’ annual Colorado Bisco Inferno run is officially in the books, and what a weekend it was. Beginning with a three-night run at Denver’s Ogden Theatre, and capped by a massive performance Sunday night at the legendary Red Rocks Amphitheater, the Philadelphia quartet delivered top-notch jams, bust-outs, and covers that had even the most experienced Biscuits fans reeling for more.
Truly one of America’s most influential and astute folk artists of all time, John Prine's prolific songbook is filled with hundreds of clever country-folk tunes both humorous and poignant. He performed about two dozen of those songs on May 23 to the visible delight of the sold-out crowd inside Folsom, California’s, Harris Center for the Arts.
After a thirty-year-plus hiatus, Todd Rundgren’s Utopia graced the Chicago Theater stage, with the hopes of promising fans an extraordinary, other-worldly concert experience. The original 70’s-formed band established a stellar reputation for stretching the prog rock/pop envelope and infusing their mostly original material with verve and state-of-the-art technique.
Before the Dead is by no means an ordinary musical release. This collection of early, and quite-remarkable-they-exist-at-all recordings is a phenomenal delight for many reasons, ones so obvious to any Deadhead I will pay you the respect of not listing them. And yes, the many reasons for which we have all been eagerly awaiting this release are exciting enough within themselves, yet it is the overall palpable essence and holistic sensation that arose in the listening that snuck up on me, as if falling down a rabbit hole, where the history of Jerry and the Grateful Dead becomes the story of how each of us, and all of us, have become who we are. Jerry will never be more accessible than he is here—he is Jerry before he is JERRY; he is a friend sitting in our living room playing music; we are down at the coffeehouse together, meeting up with other friends, slurping joe and jammin’ on the scene.