On Tour

Kenny Endo & Hiromitsu Agatsuma | Japan Society | NY, NY | Review

One obvious advantage to living in New York City is how spoiled we are musically. Every major musical act plays shows here, small acts you might not get the chance to see elsewhere, week long residencies, combinations of musicians you won’t ever see play together again.  The sheer amount of great music any given night is staggering.

Umphrey's Brings The Thunder to Red Rocks

Rage. Rest. Repeat. This was the motto printed on flyers around Boulder promoting Umphrey's McGee upcoming Red Rocks show, and it was the one the band adhered to faithfully on Friday night. Mixing in a high-energy varied set list with their unique, dynamic musicianship, Umphrey's proved why they are one of the best live bands, jam or otherwise, performing today. 

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Rachel Brown | The Darby | New York, New York | Review

Singer-Songwriter Rachel Brown made her appearance in a weekly residency at the Darby in NYC last Thursday night and if you’re looking for a slam-dunk date spot idea, look no further. Never having been to the Darby before, I was very impressed at what I found: a chill, elegant spot with a modern, more youthful jazz club atmosphere .

Filligar | Larimer Lounge | Denver, CO | Review

About 40 devoted fans stuck it out through two very mediocre bands to hear Filligar on a Tuesday night at Larimer Lounge.  The rock quartet is made up of three blond brothers: Johnny, Teddy and Pete Mathias with their childhood friend Casey Gibson.  They formed in Chicago in 2000, and have released 4 albums.

They’ve been named one of music’s “Next Big Things” by SPIN Magazine and listed along with Wilco, Delta Spirit, and Heartless Bastards as “One of America’s Top 8 Live Acts” (Boston’s RSL music blog).

Fruition | Shine Restaurant & Gathering Place | 5/24/13 | Review

Portland’s Fruition stopped into Shine for a memorable night of strings and songs Friday night, boasting a Naropa vibe and an audience clutching craft brews and camaraderie.

Pickin' On the Poudre | Head For The Hills | Drew Emmitt Trio

Get on the Bus! Pickin’ on the Poudre is the quintessential Mishawaka BOOMshakalaka! Awkward as that may seem to describe the Fort Collins bluegrass quartet Head for the Hills composed of Adam Kinghorn (Guitar), Michael Chappell (Mandolin), Joe Lessard (Fiddle), and Matt Loewen (Bass), it’s appropriate. For nine years, H4TH has blown away Cache la Poudre patrons with their acrobatic backwoods antics.

Hot Tuna Acoustic Ft. Steve Kimock | Boulder Theater | Review

Few musical journeys span as long and varied as Jorma and Jack's. As pioneers of the premier San Francisco electric sound with Jefferson Airplane, something else much bigger was meant to spawn and thrive for decades to come. Jorma Kaukonen and Jack Casady have held the foundations of their lifelong band and partnership Hot Tuna together for over forty-three years.

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Everyone Orchestra | Hodi's Half Note | Fort Collins, CO | Review

When you bring a together a cast of musicians steeped in different backgrounds for the sole purpose of creating on-stage spontaneity, you have an improvisational outfit. The Everyone Orchestra, conducted by ringleader Matt Butler, is exactly that. The difference between your typical jam band and an improvisational outfit is that the latter shows up to the show with no songbook.

Grant Farm with Andy Thorn | Fox Theater | Boulder, CO | Review

What more can one ask for than a night of great musicians and a good mix of country, rock and bluegrass? Probably not much except to have those musicians be the members of Grant Farm… and maybe include a special guest.

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The Black Angels | Boulder Theater | 5/10/2013 | Review

Long heralded and firmly entrenched as the psychedelic stalwarts of Austin, Texas, The Black Angels run on a reputation of mysticism that has them surrounded by dark, fuzzy guitar riffs and distorted vocals. Not adhering to conventions of modern rock, though grappling with elements of surf and late sixties acid rock, they’ve carved out their own slice of the Indie music scene. Regarded as musical savants in the towns and cities of America that really “get it,” the rest of the nation is finally catching up.

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