On Tour

Any event surrounding the Star Wars legacy is sure to be an intergalactic extravaganza. If one combines that with the power of the forward thinking Colorado Symphony, they are left with a sonic experience that is truly out of this world. This symphony has been hot as of late. Within the last few years, they have expanded their reach in the music world. They have collaborated with acts such as the Flaming Lips, Jethro Tull, Warren Haynes playing the music of Jerry Garcia, as well as the music of the late Michael Jackson and John Denver.

While many acts from the progressive rock era of the 1970s still perform, none play with the precision, conviction, and authority of King Crimson. A Bold statement you say? Without bringing other specific acts into a debate, it all boils down to the devotion and continued creative drive of founding visionary Robert Fripp.

When The Babys recorded ‘Every Time I Think of You,' the lead single off 1978’s Head First, it struck a genuinely passionate chord. The band would go on to enjoy Top 40 fame with ‘Back on My Feet Again.' The Babys, an air-tight group with an alluring sound, boasted a silky-voiced, Lancaster-born vocalist with ginger hair. A star was born.    

On a daunting overcast day at one of the nation’s most beautiful venues, nothing could put a cloud on the positivity that radiates from all angles of the band that calls themselves Elephant Revival. And in true form, they invited many friends as guests to play along with them on this evening at Red Rocks Amphitheatre. The stage was ornate, and had evidence of aerial cloths and a drum circle formed in the top middle of the stage.

While official Summer of Love 50th anniversary festivities for San Francisco are still mired in licensing/permit negotiations, Dead & Company’s return engagement to the Bay Area on June 3 was a magnet for 1967-ish apparel, attitudes, smokeables, and music – the concert’s first set featured “Viola Lee Blues,” the closing tune on The Grateful Dead’s 1967 self-titled debut.

It’s been 14 years since most of the world discovered Los Lonely Boys’ fresh faces and fiery brand of “Texican” rock ‘n’ roll through the big hit “Heaven.” That success earned them a Grammy Award and a Best New Artist nomination that ultimately went to Maroon 5.

For the second year in a row, Colorado’s own funk powerhouse The Motet headlined Red Rocks Amphitheatre Friday night, this time with a little help from hip-hop hitmakers Jurassic 5 and the California Honeydrops.

“Primus sucks” is the battle cry for Primus fans everywhere, and to this day, I still love seeing it bring confusion to faces throughout the crowd, outside in lines, and even on blogs, posts, and articles. This is what we say when we are stoked to see a Primus show. This was a special setting for the band as well. The Fox Theatre is small, but it is packed with one of the best sound systems in the country. It only holds 625 amped up and ready to mosh Primus die-hards.

Jean Michel Jarre, a French pioneer in electronic music and a true living legend in the world of pop music, gave his first live performance in Los Angeles as part of his first tour of the United States ever, at the Microsoft Theater, Saturday, May 27. Jarre is famous worldwide for his live performances and has drawn the largest crowd ever for a live performance, with an estimated three and a half million in attendance at a Moscow concert.

Saturday night in San Francisco welcomed back it’s friends from Southern California The Dustbowl Revival, to share some new tunes leading up to the new self-titled album release, this June 16th. But starting up the night off was Bay Area locals Steep Ravine and Steve Poltz.

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