The Wood Brothers brought their traveling, musical tent show to Eugene’s McDonald Theatre (Jan. 21) and held a genuine revival meeting, awakening the yearning spirits of the devout, as well as the newly converted.

There is a slow pace and a sparse population in the Adirondack Park. We have approximately the same amount of year round residents in 2015 as we did in 1900. Having a music venue that is truly close to home is a luxury I no longer have. A fair concession for living here. Hopefully, this clarifies why I consider the Higher Ground in South Burlington, despite the 90 minutes it takes me to arrive from my doorstep, my home field.

Conductor Matt Butler is a genius! However he got inspired to come up with this idea of improvisational conducting talented musicians was brilliant. The reason that I say this is because it is very pleasant and beneficial to all parties when musicians are happier than the crowd. Everyone wins! There are only a few inspirational times when that happens. I see it when I am at major festivals and musicians are collaborating, or I see it in super jams such as the Everyone Orchestra.

It was another fun filled weekend of music in Denver, but I chose to be at the funkiest concert in town. This was the second night of this bill, and there were virtually no openers in this show. All three of these musical acts are headliners, which made this show a no brainer for me. I knew this show would be great because I have seen all of these bands several times, but never before like this. This was the best that I have seen all three of these acts perform. There was music at all times even between sets. I love the idea of a constant dance party without a lot of standing around.

Recently, the music world has been teeming with musicians who have stepped up to either replace or support bands that they are not necessarily permanent members of, yet. My last three reviews (Yonder Mountain String Band, STS9, Electron) have detailed surprise replacements/additions who have extremely floored die-hard audiences of the original lineups.

“Do your work, but do your thing,” Ralph Waldo Emerson.

The String Cheese Incident concluded a two-night stand at Eugene’s McDonald Theatre (Jan. 19), leaving little doubt about whether they had done their work, but had they done their thing?

It wasn't hard to feel right at home inside the Freight and Salvage in Berkeley, CA. With Jessie Bridges warming up the crowd (and successfully so) before Paul Knowles and Nicole Storto of New American Farmers took the stage. Freight and Salvage Coffee House is a historically rich home-away-from-home for both musicians and listeners alike.

The title of this review does not just come from my opinion as a music writer in the scene since the mid-nineties. I have heard this from nearly every person that I have heard talk about STS9 for the last year or so including members of the band. I was lucky enough to catch half of their four-night run at the Fillmore Auditorium in Denver, and I saw them at least three other times in the past year.

It’s interesting to be able to think back on the music of the 1990s, let alone the 2000s and what evolved in the live music concert experience. The reemergence of the multi-day music festival gave the jam band revival a venue to gig multiple shows at once and get closer with the fans. What also changed was what kind of music was being performing in a live setting. There was always a separation between the deejay persona and electronica music from the whole rock’n’roll bands that jammed. That certainly changed with the growing popularity of summer music festivals.

Railroad Earth returned after two years to The Pageant on January 17^th to open with The Forecast and Tim Carbone on violin. Following a large crowd welcome, the band started up into a soulful Long Walk Home that had us swaying. The band got rolling with an upbeat Lordy, Lordy and got us to jump and stomp to Gold Rush. RV made everyone dream of taking a road trip due to the weekend’s warm weather and also had Andrew Altman on the double bass.