Crowd-pleasing has never been any sort of issue for the Virginia Born prog-grass quintet Infamous Stringdusters. Every crowd seems simply enamored with their boisterous stage presence, aggressively cunning musicianship, and true accessibility. The Dusters use most tour dates as a catalyst to interact with fans through various environmentally geared cleanup projects. They’re wholesome yet mysterious. They’re seemingly traditional but stylistically inexplicable.

Upon entering George’s Majestic Lounge on Sunday night I noticed something in the air. It wasn’t smoke, because you can’t smoke in George’s. But there was something else hovering in the spaces between us humans. Music wafted from the back room – a folk duo picking at stringed instruments and harmonizing light Arkansas accents. The venue was buzzing with old friends and new faces, happy hearts and big smiles. Elephant Revival was in town – a cause for celebration. And a celebration it was.

Deborah Bonham is not only the sister of John Bonham (the late drummer for the band Led Zeppelin she’s also an accomplished blues based, 70s-style neo-classic rock singer/songwriter based out of England who just released her latest release “Spirit” in 2014 (Spectra Records).  This is her fourth release to date.The CD kicks things off with “Fly” a bluesy.

At the Fox Theatre, local bands have rocked the stage for twenty-two years, and they’re in good company. The Meters played the inaugural show back in 1992. Phish and the String Cheese Incident won over early crowds while jamming at The Fox. Snoop Dogg has a painting inside that’s nearly as tall as he is. I could go on and on, but just walk around the lobby full of photo memories and you’ll get it.

Commercial success is a tough concept to toy with for many bands in their breakthrough moment. How do you compromise your stylistic integrity and what you want to play versus what a major record label or mainstream audiences are thought to expect out of pop music? It ruins the authenticity of certain bands willing to make that sacrifice. The braver bands with stronger roots and integrity can withstand such temptations, doing things their own way, and still gaining mainstream popularity and success on their own terms.

The Grateful Dead were always an unnecessarily modest group of musicians. Milestones, anniversaries, career-spanning accomplishments were underplayed by guitarist and vocalist Jerry Garcia in particular, who always was hesitant to accept hype around the group’s resurgence in mainstream popularity in the mid-1980s.

I have been going to shows regularly for over 15 years. Somewhere along the line, I came to understand that live music is my adopted religion and venues of great renown are, collectively, my house of worship. Being a Deadhead, in particular, is a sect onto itself. Until recently, I only understood this spiritual manifestation in the abstract.

There is no doubt in Colorado about how much the members of the Disco Biscuits love to come to Boulder. In fact, they have vehemently expressed their love for the area at every show for the last several years. You guys should all move here already. It’s okay, we all do it. None the less, every time they are here it is a gigantic treat for all of us involved. Friends see friends and dance the night away. It is a true Boulder party.

F.U....N.K. But seriously, funk. It was the theme of late night at The Fox Theatre, Monday, March 17^th. Coming all the way from Baltimore, Maryland, we had the honor of spending a night with Pigeons Playing Ping Pong on their twenty-five day tour, one of the funkiest, psychedelic, up and coming jam bands coming through this town.

Just as the full moon is infiltrating its way into the Bay Area, casting an illuminating white light over the Fillmore...Peeps await for the epic improvisational elements that seem to have a ripple effect from an  eclectic group who derived their name from Jack Kerouac's short story, "October In The Rain".